Non classé | Loo & Lou Gallery

TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANVIER 2023

hautmarais — Sat, 21 Jan 2023 15:01:25 +0000

TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023

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Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020

hautmarais — Fri, 12 Jun 2020 10:11:30 +0000

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TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020,

hautmarais — Thu, 20 Feb 2020 11:21:20 +0000

The post TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020, first appeared on Loo & Lou Gallery.

TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020

hautmarais — Tue, 21 Jan 2020 11:40:23 +0000

The post TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020 first appeared on Loo & Lou Gallery.

BRUNO BLOSSE, artistic direction, L’Oeil, January 2020

hautmarais — Tue, 21 Jan 2020 11:57:36 +0000

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LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020

hautmarais — Sat, 18 Jan 2020 16:28:34 +0000

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LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019

hautmarais — Fri, 15 Nov 2019 16:30:28 +0000

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ZⓈONAMACO FOTO 09.02.22-13.02.22

hautmarais — Thu, 27 Jan 2022 17:30:01 +0000

09.02 – 13.02.2022
Booth F34
Citibanamex Center, Mexico City, Mexico

Jean-Claude Wouters

Loo & Lou Gallery has the immense pleasure to announce our participation in the contemporary art fair ZⓈONAMACO Foto for the first time.

Our proposal revolves around the universe of the belgian artist, Jean-Claude Wouters.

Click here to view our presentation file

JEAN-CLAUDE WOUTERS

Jean Claude Wouters (b. 1956) is a Belgian artist who has lived and worked in Brussels, Paris, Tokyo, Italy, Dubai and Los Angeles. He studied drawing from an early age, and moved on to ballet, filmmaking and various performing arts. Wouters shows an intense sensitivity to the nature of both the body and spirit. He works with three analog cameras: a 135, a polaroid, and a medium format 67, and uses 6×7 negatives in order to avoid photographic grain on his images. He asks his subjects to face a window, employing only natural light to illuminate them.

After developing and printing this original image, he rephotographs it and uses strong light from the sky that reflects into his lens’ aperture. He repeats this process several times in order to layer it with light, which gradually erase the appearance of the person. The final negative is printed in the darkroom on 80 x 100 cm matte Baryta paper, a unique copy which is then treated using selenium for preservation purposes, a method similar to one used to preserve photographs taken in the 19th century. This negative used is then dipped in sand and placed into a small wooden box which accompanies the
portrait.

The post ZⓈONAMACO FOTO
09.02.22-13.02.22 first appeared on Loo & Lou Gallery.