hautmarais | Loo & Lou Gallery https://looandlougallery.com Sat, 09 May 2026 15:55:23 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.2 JOHAN VAN MULLEM, ARALYA, MARCH 2026 https://looandlougallery.com/press/johan-van-mullem-aralya-march-2026/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-aralya-march-2026 Fri, 03 Apr 2026 16:52:03 +0000 https://looandlougallery.com/?p=25787 JOHAN VAN MULLEM, “CHRONIQUES CHROMATIQUES”, ARALYA, MARCH 2026 The entire article is available here (in French)

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JOHAN VAN MULLEM, “CHRONIQUES CHROMATIQUES”, ARALYA, MARCH 2026

The post JOHAN VAN MULLEM, ARALYA, MARCH 2026 first appeared on Loo & Lou Gallery.]]> JOËL PERSON, TRANSFUGE, FEBRUARY 2026 https://looandlougallery.com/press/joel-person-transfuge-february-2026/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-transfuge-february-2026 Wed, 21 Jan 2026 10:27:29 +0000 https://looandlougallery.com/?p=25498 JOËL PERSON, “LE PARADIS PERDU”, TRANSFUGE, FEBRUARY 2026

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JOËL PERSON, “LE PARADIS PERDU”, TRANSFUGE, FEBRUARY 2026

The post JOËL PERSON, TRANSFUGE, FEBRUARY 2026 first appeared on Loo & Lou Gallery.]]> LIFANG, TRANSFUGE, DECEMBER 2025 https://looandlougallery.com/press/lifang-transfuge-december-2025/?utm_source=rss&utm_medium=rss&utm_campaign=lifang-transfuge-december-2025 Wed, 07 Jan 2026 14:18:24 +0000 https://looandlougallery.com/?p=25401 LIFANG, “ÉTÉ FLOTTANT”, TRANSFUGE, DÉCEMBRE 2025

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LIFANG, “ÉTÉ FLOTTANT”, TRANSFUGE, DÉCEMBRE 2025

The post LIFANG, TRANSFUGE, DECEMBER 2025 first appeared on Loo & Lou Gallery.]]> LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025 https://looandlougallery.com/press/loo-lou-gallery-luxembourg-art-week-la-gazette-drouot-november-2025/?utm_source=rss&utm_medium=rss&utm_campaign=loo-lou-gallery-luxembourg-art-week-la-gazette-drouot-november-2025 Wed, 07 Jan 2026 14:17:31 +0000 https://looandlougallery.com/?p=25399 LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBRE 2025

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LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBRE 2025

The post LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025 first appeared on Loo & Lou Gallery.]]> LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025 https://looandlougallery.com/press/loo-lou-gallery-luxembourg-art-week-le-quotidien-de-lart-november-2025/?utm_source=rss&utm_medium=rss&utm_campaign=loo-lou-gallery-luxembourg-art-week-le-quotidien-de-lart-november-2025 Wed, 07 Jan 2026 14:16:21 +0000 https://looandlougallery.com/?p=25396 LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBRE 2025

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LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBRE 2025

The post LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025 first appeared on Loo & Lou Gallery.]]> JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025 https://looandlougallery.com/press/joel-person-luxembourg-art-week-le-quotidien-de-lart-novembre-2025-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-luxembourg-art-week-le-quotidien-de-lart-novembre-2025-2 Wed, 07 Jan 2026 14:14:06 +0000 https://looandlougallery.com/?p=25393 JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBRE 2025

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JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBRE 2025

The post JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025 first appeared on Loo & Lou Gallery.]]> ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025 https://looandlougallery.com/press/anele-pama-akaa-le-quotidien-de-lart-november-2025/?utm_source=rss&utm_medium=rss&utm_campaign=anele-pama-akaa-le-quotidien-de-lart-november-2025 Wed, 07 Jan 2026 14:12:15 +0000 https://looandlougallery.com/?p=25391 ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBRE 2025

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ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBRE 2025

The post ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025 first appeared on Loo & Lou Gallery.]]> BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025 https://looandlougallery.com/press/bastien-vittori-creuser-transfuge-october-2025/?utm_source=rss&utm_medium=rss&utm_campaign=bastien-vittori-creuser-transfuge-october-2025 Wed, 07 Jan 2026 14:09:16 +0000 https://looandlougallery.com/?p=25388 BASTIEN VITTORI, “CREUSER”, TRANSFUGE, OCTOBRE 2025

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BASTIEN VITTORI, “CREUSER”, TRANSFUGE, OCTOBRE 2025

The post BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025 first appeared on Loo & Lou Gallery.]]> CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025 https://looandlougallery.com/press/cedric-le-corf-le-sifflement-du-geai-transfuge-septembre-2025/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-le-sifflement-du-geai-transfuge-septembre-2025 Wed, 24 Sep 2025 12:05:03 +0000 https://looandlougallery.com/?p=25122 CEDRIC LE CORF, “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025

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CEDRIC LE CORF, “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025

The post CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025 first appeared on Loo & Lou Gallery.]]> OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025 https://looandlougallery.com/press/olivier-de-sagazan-toujours-jamais-aralya-june-2025/?utm_source=rss&utm_medium=rss&utm_campaign=olivier-de-sagazan-toujours-jamais-aralya-june-2025 Thu, 26 Jun 2025 12:43:43 +0000 https://looandlougallery.com/?p=24883 OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS !”, ARALYA, JUNE 2025 Read the entire article here (in French)    

The post OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025 first appeared on Loo & Lou Gallery.]]>

OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS !”, ARALYA, JUNE 2025

Read the entire article here (in French)

 

 

The post OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025 first appeared on Loo & Lou Gallery.]]> SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025 https://looandlougallery.com/press/simon-laveuve-voir-loin-beaux-arts-magazine-february-2025/?utm_source=rss&utm_medium=rss&utm_campaign=simon-laveuve-voir-loin-beaux-arts-magazine-february-2025 Sat, 22 Feb 2025 10:49:49 +0000 https://looandlougallery.com/?p=24306 SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025 Read the article here (in French)    

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SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025

The post SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025 first appeared on Loo & Lou Gallery.]]> FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025 https://looandlougallery.com/press/frantz-metzger-solo-show-transfuge-february-2025/?utm_source=rss&utm_medium=rss&utm_campaign=frantz-metzger-solo-show-transfuge-february-2025 Thu, 13 Feb 2025 15:55:52 +0000 https://looandlougallery.com/?p=24291 FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025

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FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025

The post FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025 first appeared on Loo & Lou Gallery.]]> SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025 https://looandlougallery.com/press/simon-laveuve-voir-loin-posca-february-2025/?utm_source=rss&utm_medium=rss&utm_campaign=simon-laveuve-voir-loin-posca-february-2025 Thu, 13 Feb 2025 11:17:50 +0000 https://looandlougallery.com/?p=24255 SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025 Read the article here    

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SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025


The post SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025 first appeared on Loo & Lou Gallery.]]> SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025 https://looandlougallery.com/press/simon-laveuve-voir-loin-colossal-february-2025/?utm_source=rss&utm_medium=rss&utm_campaign=simon-laveuve-voir-loin-colossal-february-2025 Tue, 04 Feb 2025 16:18:23 +0000 https://looandlougallery.com/?p=24251 SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FÉVRIER 2025 Read the article here    

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SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FÉVRIER 2025



The post SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025 first appeared on Loo & Lou Gallery.]]> PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024 https://looandlougallery.com/press/pierre-luc-poujol-solo-show-transfuge-december-2024/?utm_source=rss&utm_medium=rss&utm_campaign=pierre-luc-poujol-solo-show-transfuge-december-2024 Sat, 30 Nov 2024 11:18:35 +0000 https://looandlougallery.com/?p=23879 PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024

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PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024

The post PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024 first appeared on Loo & Lou Gallery.]]> PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024 https://looandlougallery.com/press/pierre-luc-poujol-beaux-arts-magazine-november-2024-2/?utm_source=rss&utm_medium=rss&utm_campaign=pierre-luc-poujol-beaux-arts-magazine-november-2024-2 Thu, 28 Nov 2024 11:12:05 +0000 https://looandlougallery.com/?p=23865 PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024 Read the article here (in French)

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PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024

The post PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024 first appeared on Loo & Lou Gallery.]]> PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024 https://looandlougallery.com/press/pierre-luc-poujol-luxembourg-art-week-beaux-arts-magazine-octobre-2024/?utm_source=rss&utm_medium=rss&utm_campaign=pierre-luc-poujol-luxembourg-art-week-beaux-arts-magazine-octobre-2024 Sat, 12 Oct 2024 14:00:12 +0000 https://looandlougallery.com/?p=23734 PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024 Read the article here (in French)

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PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024


The post PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024 first appeared on Loo & Lou Gallery.]]> JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024 https://looandlougallery.com/press/joel-person-les-passions-pollen-september-2024-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-passions-pollen-september-2024-2 Fri, 20 Sep 2024 15:08:52 +0000 https://looandlougallery.com/?p=23717 JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024 Read the article here (in French)

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JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024

The post JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024 first appeared on Loo & Lou Gallery.]]> TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024 https://looandlougallery.com/press/tana-borissova-coeur-du-temps-transfuge-june-2024/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-coeur-du-temps-transfuge-june-2024 Wed, 22 May 2024 10:06:42 +0000 https://looandlougallery.com/?p=23367 TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024 Read the article here

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TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024

The post TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024 first appeared on Loo & Lou Gallery.]]> SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024 https://looandlougallery.com/press/serge-rezvani-rezvani-peintures-quotidien-de-lart-25-april-2024/?utm_source=rss&utm_medium=rss&utm_campaign=serge-rezvani-rezvani-peintures-quotidien-de-lart-25-april-2024 Thu, 25 Apr 2024 09:09:49 +0000 https://looandlougallery.com/?p=23312 SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024

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SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024

The post SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024 first appeared on Loo & Lou Gallery.]]> SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024 https://looandlougallery.com/press/serge-rezvani-rezvani-peintures-transfuge-may-2024/?utm_source=rss&utm_medium=rss&utm_campaign=serge-rezvani-rezvani-peintures-transfuge-may-2024 Wed, 24 Apr 2024 12:46:51 +0000 https://looandlougallery.com/?p=23303 SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024 Read the whole article here

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SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024

The post SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024 first appeared on Loo & Lou Gallery.]]> MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024 https://looandlougallery.com/press/mark-powell-roads-that-make-us-transfuge-january-2024/?utm_source=rss&utm_medium=rss&utm_campaign=mark-powell-roads-that-make-us-transfuge-january-2024 Thu, 04 Jan 2024 10:28:55 +0000 https://looandlougallery.com/?p=22668 MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024 Read the whole article here

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MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024

The post MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024 first appeared on Loo & Lou Gallery.]]> FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023 https://looandlougallery.com/press/flo-arnold-and-christophe-miralles-mon-maroc-transfuge-december-2023/?utm_source=rss&utm_medium=rss&utm_campaign=flo-arnold-and-christophe-miralles-mon-maroc-transfuge-december-2023 Wed, 22 Nov 2023 09:04:41 +0000 https://looandlougallery.com/?p=22222 FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023

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FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023


The post FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023 first appeared on Loo & Lou Gallery.]]> JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023 https://looandlougallery.com/press/joel-person-les-bruits-du-monde-connaissance-des-arts-october-2023/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-connaissance-des-arts-october-2023 Wed, 25 Oct 2023 10:17:11 +0000 https://looandlougallery.com/?p=22102 JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023 The link to the whole article here

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JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023



The post JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023 first appeared on Loo & Lou Gallery.]]> JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023 https://looandlougallery.com/press/joel-person-les-bruits-du-monde-beaux-arts-october-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-beaux-arts-october-2023-2 Fri, 13 Oct 2023 10:56:49 +0000 https://looandlougallery.com/?p=22076 JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023 Read the entire article here

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JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023



The post JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023 first appeared on Loo & Lou Gallery.]]> MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024 https://looandlougallery.com/press/mark-powell-roads-that-make-us-artistik-rezo-january-2024/?utm_source=rss&utm_medium=rss&utm_campaign=mark-powell-roads-that-make-us-artistik-rezo-january-2024 Fri, 19 Jan 2024 12:38:41 +0000 https://looandlougallery.com/?p=22803 MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024 Read the entire article here

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MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024

The post MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024 first appeared on Loo & Lou Gallery.]]> JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023 https://looandlougallery.com/press/joel-person-les-bruits-du-monde-transfuge-october-2023/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-transfuge-october-2023 Sat, 30 Sep 2023 13:23:18 +0000 https://looandlougallery.com/?p=22062 JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023

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JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023

The post JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023 first appeared on Loo & Lou Gallery.]]> JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023 https://looandlougallery.com/press/joel-person-les-bruits-du-monde-factuel-media-septembre-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-factuel-media-septembre-2023-2 Fri, 22 Sep 2023 13:33:50 +0000 https://looandlougallery.com/?p=21935 JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBER 2023

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JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBER 2023



The post JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023 first appeared on Loo & Lou Gallery.]]> CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023 https://looandlougallery.com/press/cedric-le-corf-foret-noire-transfuge-september-2023/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-foret-noire-transfuge-september-2023 Tue, 29 Aug 2023 10:17:22 +0000 https://looandlougallery.com/?p=21764 CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023 Read the article here

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CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023

The post CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023 first appeared on Loo & Lou Gallery.]]> CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023 https://looandlougallery.com/press/cedric-le-corf-foret-noire-loeil-september-2023/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-foret-noire-loeil-september-2023 Wed, 06 Sep 2023 08:28:10 +0000 https://looandlougallery.com/?p=21877 CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023

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CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023

The post CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023 first appeared on Loo & Lou Gallery.]]> LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023 https://looandlougallery.com/press/lydie-arickx-charbon-art-absolument-july-2023/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-charbon-art-absolument-july-2023 Wed, 12 Jul 2023 14:05:44 +0000 https://looandlougallery.com/?p=21712 LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023 Read the article here

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LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023

The post LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023 first appeared on Loo & Lou Gallery.]]> LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023 https://looandlougallery.com/press/lydie-arickx-charbon-lofficiel-june-2023/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-charbon-lofficiel-june-2023 Sat, 17 Jun 2023 09:10:43 +0000 https://looandlougallery.com/?p=21664 LYDIE ARICKX, “CHARBON”, L’OFFICIEL DES GALERIES ET MUSÉES, JUNE 2023 Read the article here

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LYDIE ARICKX, “CHARBON”, L’OFFICIEL DES GALERIES ET MUSÉES, JUNE 2023

The post LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023 first appeared on Loo & Lou Gallery.]]> LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023 https://looandlougallery.com/press/lydie-arickx-charbon-mediapart-juin-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-charbon-mediapart-juin-2023-2 Tue, 13 Jun 2023 15:13:17 +0000 https://looandlougallery.com/?p=21651 LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUNE 2023 Read the article here

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LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUNE 2023

The post LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023 first appeared on Loo & Lou Gallery.]]> ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023 https://looandlougallery.com/press/elisabeth-daynes-evolution-sciences-et-avenir-may-2023/?utm_source=rss&utm_medium=rss&utm_campaign=elisabeth-daynes-evolution-sciences-et-avenir-may-2023 Wed, 17 May 2023 10:24:07 +0000 https://looandlougallery.com/?p=21588 ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023 Read the article here

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ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023

The post ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023 first appeared on Loo & Lou Gallery.]]> JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023 https://looandlougallery.com/press/johan-van-mullem-for-loves-snake-arts-libre-may-2023/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-for-loves-snake-arts-libre-may-2023 Wed, 03 May 2023 10:21:15 +0000 https://looandlougallery.com/?p=21530 JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE”, ARTS LIBRE, MAY 2023

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JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE”, ARTS LIBRE, MAY 2023



The post JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023 first appeared on Loo & Lou Gallery.]]> ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023 https://looandlougallery.com/press/arghael-under-my-skin-transfuge-march-2023/?utm_source=rss&utm_medium=rss&utm_campaign=arghael-under-my-skin-transfuge-march-2023 Tue, 21 Mar 2023 15:06:08 +0000 https://looandlougallery.com/?p=21168 ARGHAËL, “UNDER MY SKIN”, TRANSFUGE MAGAZINE, MARCH 2023

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ARGHAËL, “UNDER MY SKIN”, TRANSFUGE MAGAZINE, MARCH 2023



The post ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023 first appeared on Loo & Lou Gallery.]]> TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023 https://looandlougallery.com/press/tanc-fragments-urban-art-february-2023/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-fragments-urban-art-february-2023 Sat, 18 Feb 2023 14:51:17 +0000 https://looandlougallery.com/?p=21039 TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023

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TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023






The post TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023 first appeared on Loo & Lou Gallery.]]> TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023 https://looandlougallery.com/press/tanc-fragments-telerama-sortir-february-2023/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-fragments-telerama-sortir-february-2023 Wed, 01 Feb 2023 14:59:57 +0000 https://looandlougallery.com/?p=20952 TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023

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TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023


The post TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023 first appeared on Loo & Lou Gallery.]]> TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023 https://looandlougallery.com/press/tanc-fragments-transfuge-february-2023/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-fragments-transfuge-february-2023 Wed, 25 Jan 2023 11:27:30 +0000 https://looandlougallery.com/?p=20868 TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023

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TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023


The post TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023 first appeared on Loo & Lou Gallery.]]> TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023 https://looandlougallery.com/press/tanc-fragments-lofficiel-des-spectacles-january-2023/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-fragments-lofficiel-des-spectacles-january-2023 Sat, 21 Jan 2023 15:53:22 +0000 https://looandlougallery.com/?p=20783 TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTCALES, JANUARY 2023

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TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTCALES, JANUARY 2023



The post TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023 first appeared on Loo & Lou Gallery.]]> TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023 https://looandlougallery.com/press/tanc-fragments-paris-tonkar-january-2023/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-fragments-paris-tonkar-january-2023 Sat, 21 Jan 2023 15:19:55 +0000 https://looandlougallery.com/?p=20770 TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023

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TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023



The post TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023 first appeared on Loo & Lou Gallery.]]> TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023 https://looandlougallery.com/press/tanc-fragments-artistik-rezo-january-2023/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-fragments-artistik-rezo-january-2023 Sat, 21 Jan 2023 15:12:44 +0000 https://looandlougallery.com/?p=20759 TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANVIER 2023 https://looandlougallery.com/non-classe-en/tanc-fragments-toute-la-culture-janvier-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-fragments-toute-la-culture-janvier-2023-2 Sat, 21 Jan 2023 15:01:25 +0000 https://looandlougallery.com/?p=20743 TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023

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TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023



The post TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANVIER 2023 first appeared on Loo & Lou Gallery.]]> TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023 https://looandlougallery.com/press/tanc-fragments-toute-la-culture-january-2023/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-fragments-toute-la-culture-january-2023 Sat, 28 Jan 2023 10:53:45 +0000 https://looandlougallery.com/?p=20941 TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023

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TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023



The post TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023 first appeared on Loo & Lou Gallery.]]> TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023 https://looandlougallery.com/press/tanc-fragments-art-hebdo-medias-january-2023/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-fragments-art-hebdo-medias-january-2023 Sat, 21 Jan 2023 14:53:35 +0000 https://looandlougallery.com/?p=20728 TANC, “FRAGMENTS”, ART HEBDO MÉDIAS, JANUARY 2023

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TANC, “FRAGMENTS”, ART HEBDO MÉDIAS, JANUARY 2023




The post TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023 first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P20065 (2020) https://looandlougallery.com/consignment/johan-van-mullem-p20065-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p20065-2020-2 Thu, 06 May 2021 17:14:00 +0000 https://looandlougallery.com/?p=15197 Johan-Van-Mullem-P20065-2021-Encre-sur-canvas-100x70cm Johan-Van-Mullem-P20065-2021-Encre-sur-canvas-100x70cm To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

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Johan-Van-Mullem-P20065-2021-Encre-sur-canvas-100x70cm

Johan-Van-Mullem-P20065-2021-Encre-sur-canvas-100x70cm

Johan Van Mullem
P20065 (2020)
Ink on canvas
100 x 70 cm

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The post Johan Van Mullem P20065 (2020) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P20064 (2020) https://looandlougallery.com/consignment/johan-van-mullem-p20064-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p20064-2020-2 Thu, 06 May 2021 17:12:22 +0000 https://looandlougallery.com/?p=15196 ohan-van-mullem-p18010-2018-encre-sur-canvas-160x30cm.jpg ohan-van-mullem-p18010-2018-encre-sur-canvas-160x30cm.jpg To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

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ohan-van-mullem-p18010-2018-encre-sur-canvas-160x30cm.jpg

ohan-van-mullem-p18010-2018-encre-sur-canvas-160x30cm.jpg

Johan Van Mullem
P20064 (2020)
Ink on canvas
100 x 70 cm

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The post Johan Van Mullem P20064 (2020) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P18010 (2018) https://looandlougallery.com/consignment/johan-van-mullem-p18010-2018-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p18010-2018-2 Thu, 06 May 2021 17:11:32 +0000 https://looandlougallery.com/?p=15193 ohan-van-mullem-p18010-2018-encre-sur-canvas-160x30cm.jpg ohan-van-mullem-p18010-2018-encre-sur-canvas-160x30cm.jpg To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Johan Van Mullem P18010 (2018) first appeared on Loo & Lou Gallery.]]>

ohan-van-mullem-p18010-2018-encre-sur-canvas-160x30cm.jpg

ohan-van-mullem-p18010-2018-encre-sur-canvas-160x30cm.jpg

Johan Van Mullem
P18010 (2018)
Ink on canvas
160 x 130 cm

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The post Johan Van Mullem P18010 (2018) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P18004 (2018) https://looandlougallery.com/consignment/johan-van-mullem-p18004-2018-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p18004-2018-2 Thu, 06 May 2021 17:10:54 +0000 https://looandlougallery.com/?p=15189 Johan-Van-Mullem-P18004-2018-Encre-sur-canvas-160x160cm Johan-Van-Mullem-P18004-2018-Encre-sur-canvas-160x160cm To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Johan Van Mullem P18004 (2018) first appeared on Loo & Lou Gallery.]]>

Johan-Van-Mullem-P18004-2018-Encre-sur-canvas-160x160cm

Johan-Van-Mullem-P18004-2018-Encre-sur-canvas-160x160cm

Johan Van Mullem
P18004 (2018)
Ink on canvas
160 x 160 cm

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The post Johan Van Mullem P18004 (2018) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P17033 (2017) https://looandlougallery.com/consignment/johan-van-mullem-p17033-2017-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p17033-2017-2 Thu, 06 May 2021 17:10:11 +0000 https://looandlougallery.com/?p=15186 johan-van-mullem-p17033-2021-encre-sur-canvas-160x40cm johan-van-mullem-p17033-2021-encre-sur-canvas-160x40cm To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Johan Van Mullem P17033 (2017) first appeared on Loo & Lou Gallery.]]>

johan-van-mullem-p17033-2021-encre-sur-canvas-160x40cm

johan-van-mullem-p17033-2021-encre-sur-canvas-160x40cm

Johan Van Mullem
P17033 (2017)
Ink on canvas
160 x 140 cm

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The post Johan Van Mullem P17033 (2017) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P18003 (2018) https://looandlougallery.com/consignment/johan-van-mullem-p18003-2018-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p18003-2018-2 Thu, 06 May 2021 17:09:02 +0000 https://looandlougallery.com/?p=15182 Johan-Van-Mullem-P18003-2021-Encre-sur-canvas-170x120cm Johan-Van-Mullem-P18003-2021-Encre-sur-canvas-170x120cm To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Johan Van Mullem P18003 (2018) first appeared on Loo & Lou Gallery.]]>

Johan-Van-Mullem-P18003-2021-Encre-sur-canvas-170x120cm

Johan-Van-Mullem-P18003-2021-Encre-sur-canvas-170x120cm

Johan Van Mullem
P18003 (2018)
Ink on canvas
170 x 120 cm

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The post Johan Van Mullem P18003 (2018) first appeared on Loo & Lou Gallery.]]> Fred Kleinberg Turmeric (2010) https://looandlougallery.com/catalog-exhibit/fred-kleinberg-turmeric-2010-2/?utm_source=rss&utm_medium=rss&utm_campaign=fred-kleinberg-turmeric-2010-2 Wed, 22 Sep 2021 09:38:51 +0000 https://looandlougallery.com/?p=16954 Turmeric, 2010, Pastel on paper, 57 x 76 cm Turmeric, 2010, Pastel on paper, 57 x 76 cm To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

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Turmeric, 2010, Pastel on paper, 57 x 76 cm

Turmeric, 2010, Pastel on paper, 57 x 76 cm

Fred Kleinberg
Turmeric (2010)
Pastel on paper
57 x 76 cm

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The post Fred Kleinberg Turmeric (2010) first appeared on Loo & Lou Gallery.]]> Tana Borissova Embrasure 23 (2022) https://looandlougallery.com/catalog-exhibit/tana-borissova-embrasure-23-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-embrasure-23-2022-2 Thu, 07 Apr 2022 15:43:06 +0000 https://looandlougallery.com/?p=18962 embrasure-23-acrylique-sur-toile-73×100-2022-tana-borissova embrasure-23-acrylique-sur-toile-73×100-2022-tana-borissova To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.

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embrasure-23-acrylique-sur-toile-73×100-2022-tana-borissova

embrasure-23-acrylique-sur-toile-73×100-2022-tana-borissova

Tana Borissova
Embrasure 23 (2022)
Acrylic on canvas
100 x 73 cm

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RELATED WORKS

Tana Borissova
Embrasure 08 (2021)
Acrylic on canvas
162 x 114 cm

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Tana Borissova
Embrasure 5 (2021)
Acrylic on canvas
146 x 97 cm

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Tana Borissova
Aile 7 (2020)
Acrylic on canvas
61 x 50 cm

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ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

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The post Tana Borissova Embrasure 23 (2022) first appeared on Loo & Lou Gallery.]]> Andrew Ntshabele Encounters 10 (2021) https://looandlougallery.com/catalog-exhibit/andrew-ntshabele-encounters-10-2021-2/?utm_source=rss&utm_medium=rss&utm_campaign=andrew-ntshabele-encounters-10-2021-2 Fri, 08 Apr 2022 11:23:02 +0000 https://looandlougallery.com/?p=19019 encounters-10-acrylic-and-enamel-on-vintage-newspaper-140-x-134-cm-andrew-ntshabele encounters-10-acrylic-and-enamel-on-vintage-newspaper-140-x-134-cm-andrew-ntshabele To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

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encounters-10-acrylic-and-enamel-on-vintage-newspaper-140-x-134-cm-andrew-ntshabele

encounters-10-acrylic-and-enamel-on-vintage-newspaper-140-x-134-cm-andrew-ntshabele

Andrew Ntshabele
Encounters 10 (2021)
Acrylic and lacquer on vintage and contemporary newspaper
140 x 134 cm

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RELATED WORKS

Andrew Ntshabele
The greater purpose 5 (2022)
Acrylic and lacquer on vintage documents
89 x 70 cm

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Andrew Ntshabele
There is a shaking in society 10 (2021)
Acrylic and lacquer on vintage and contemporary newspaper
156 x 123 cm

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Andrew Ntshabele
The greater purpose 2 (2022)
Acrylic and lacquer on vintage documents
90 x 70 cm

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ABOUT THE ARTIST

Andrew Ntshabele

ANDREW NTSHABELE

Andrew Ntshabele lives and works in Johannesburg, South Africa, in the midst of the urban unrest that fuels his inspiration. He sees the physical, socio-economic and political changes of the post-apartheid city as the results of rapid urbanization. His daily interactions with the residents lead him to investigate this difficult social reality, and to seek to understand the root cause of the current degradation of the inner city.

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The post Andrew Ntshabele Encounters 10 (2021) first appeared on Loo & Lou Gallery.]]> Andrew Ntshabele The greater purpose 5 (2022) https://looandlougallery.com/catalog-exhibit/andrew-ntshabele-the-greater-purpose-5-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=andrew-ntshabele-the-greater-purpose-5-2022-2 Fri, 08 Apr 2022 10:25:49 +0000 https://looandlougallery.com/?p=19011 the-greater-purpose-5-acrylic-and-enamel-on-vintage-documents-letters-postcards-89-x-70-cm-andrew-ntshabele the-greater-purpose-5-acrylic-and-enamel-on-vintage-documents-letters-postcards-89-x-70-cm-andrew-ntshabele To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post Andrew Ntshabele The greater purpose 5 (2022) first appeared on Loo & Lou Gallery.]]>

the-greater-purpose-5-acrylic-and-enamel-on-vintage-documents-letters-postcards-89-x-70-cm-andrew-ntshabele

the-greater-purpose-5-acrylic-and-enamel-on-vintage-documents-letters-postcards-89-x-70-cm-andrew-ntshabele

Andrew Ntshabele
The greater purpose 5 (2022)
Acrylic and lacquer on vintage documents
89 x 70 cm

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RELATED WORKS

Andrew Ntshabele
Encounters 10 (2021)
Acrylic and lacquer on vintage and contemporary newspaper
140 x 134 cm

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Andrew Ntshabele
There is a shaking in society 10 (2021)
Acrylic and lacquer on vintage and contemporary newspaper
156 x 123 cm

View Artwork >

Andrew Ntshabele
The greater purpose 2 (2022)
Acrylic and lacquer on vintage documents
90 x 70 cm

View Artwork >

ABOUT THE ARTIST

Andrew Ntshabele

ANDREW NTSHABELE

Andrew Ntshabele lives and works in Johannesburg, South Africa, in the midst of the urban unrest that fuels his inspiration. He sees the physical, socio-economic and political changes of the post-apartheid city as the results of rapid urbanization. His daily interactions with the residents lead him to investigate this difficult social reality, and to seek to understand the root cause of the current degradation of the inner city.

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The post Andrew Ntshabele The greater purpose 5 (2022) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem Sans titre 5 (2021) https://looandlougallery.com/catalog-exhibit/johan-van-mullem-sans-titre-5-2021/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-sans-titre-5-2021 Fri, 08 Apr 2022 13:58:00 +0000 https://looandlougallery.com/?p=19059 sans-titre-5-2021-ink-on-canvas-200x345cm-johan-van-mullem sans-titre-5-2021-ink-on-canvas-200x345cm-johan-van-mullem To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post Johan Van Mullem Sans titre 5 (2021) first appeared on Loo & Lou Gallery.]]>

sans-titre-5-2021-ink-on-canvas-200x345cm-johan-van-mullem

sans-titre-5-2021-ink-on-canvas-200x345cm-johan-van-mullem

Johan Van Mullem
Sans titre 5 (2021)
Ink on canvas
200 x 345 cm

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Johan Van Mullem
Sans titre 4 (2021)
Ink on canvas
275 x 200 cm

View Artwork >

Johan Van Mullem
Sans titre 1 (2017)
Ink on canvas
160 x 140 cm

View Artwork >

Johan Van Mullem
Sans titre 2 (2018)
Ink on canvas
160 x 160 cm

View Artwork >

ABOUT THE ARTIST

JOHAN VAN MULLEM
View Artist's Page >

The post Johan Van Mullem Sans titre 5 (2021) first appeared on Loo & Lou Gallery.]]> Lydie Arickx Curiosité II (2015) https://looandlougallery.com/catalog-exhibit/lydie-arickx-curiosite-ii-2015-2/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-curiosite-ii-2015-2 Fri, 08 Apr 2022 14:45:13 +0000 https://looandlougallery.com/?p=19087 curiosité II-2015-grenade et terre crue – 6x11x9cm-Lydie-Arickx. curiosité II-2015-grenade et terre crue – 6x11x9cm-Lydie-Arickx. To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.    

The post Lydie Arickx Curiosité II (2015) first appeared on Loo & Lou Gallery.]]>

curiosité II-2015-grenade et terre crue – 6x11x9cm-Lydie-Arickx.

curiosité II-2015-grenade et terre crue – 6x11x9cm-Lydie-Arickx.

Lydie Arickx
Curiosité II (2015)
Pomegranate and clay
6 x 11 x 9 cm

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To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.    

RELATED WORKS

Lydie Arickx
Vanité (2019)
Cast iron and borosilicate glass
19 x 23 x 16 cm

View Artwork >

Lydie Arickx
Job VI (2009)
Ink and graphite on Ingres paper
42 x 29 x 70 cm

View Artwork >

Lydie Arickx
Chemin de croix IX (2020)
Hemp
44 x 35 x 24 cm

View Artwork >

ABOUT THE ARTIST

LYDIE ARICKX
View Artist's Page >

The post Lydie Arickx Curiosité II (2015) first appeared on Loo & Lou Gallery.]]> Olivier de Sagazan Sans titre 6 (2022) https://looandlougallery.com/catalog-exhibit/olivier-de-sagazan-sans-titre-6-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=olivier-de-sagazan-sans-titre-6-2022-2 Fri, 10 Jun 2022 12:30:03 +0000 https://looandlougallery.com/?p=19697 curiosité II-2015-grenade et terre crue – 6x11x9cm-Lydie-Arickx. curiosité II-2015-grenade et terre crue – 6x11x9cm-Lydie-Arickx. To request the full list of available works, please contact us by mail or by telephone at (+33) 01 42 74 03 97.  

The post Olivier de Sagazan Sans titre 6 (2022) first appeared on Loo & Lou Gallery.]]>

curiosité II-2015-grenade et terre crue – 6x11x9cm-Lydie-Arickx.

curiosité II-2015-grenade et terre crue – 6x11x9cm-Lydie-Arickx.

Olivier de Sagazan
Untitled 6 (2022)
Acrylic, grass, clay and mixed media on canvas
160 x 130 cm

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To request the full list of available works, please contact us by mail or by telephone at (+33) 01 42 74 03 97.  

RELATED WORKS

Olivier de Sagazan
Untitled 10 (2022)
Grass, flowers, clay and mixed media
120 x 32 x 23 cm

View Artwork >

Olivier de Sagazan
Untitled 13 (2022)
Grass, clay, mixed media
71 x 24 x 40 cm

View Artwork >

Olivier de Sagazan
Untitled 5 (2022)
Acrylic, grass, clay and mixed media on canvas
160 x 130 cm

View Artwork >

ABOUT THE ARTIST

OLIVIER DE SAGAZAN

Born in 1959 in Brazzaville, Congo. Lives and works in Saint-Nazaire. Biologist, Olivier de Sagazan is interested in life and seeks to establish through his work, a sort of genea-logy of the sensitive to understand how at a given moment, the inert matter structured in cells has generated life and sensitivity.

View Artist's Page >

The post Olivier de Sagazan Sans titre 6 (2022) first appeared on Loo & Lou Gallery.]]> Olivier de Sagazan Untitled 10 (2021) https://looandlougallery.com/catalog-exhibit/olivier-de-sagazan-untitled-10-2021/?utm_source=rss&utm_medium=rss&utm_campaign=olivier-de-sagazan-untitled-10-2021 Fri, 10 Jun 2022 12:54:00 +0000 https://looandlougallery.com/?p=19707 sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg To request the full list of available works, please contact us by mail or by telephone at (+33) 01 42 74 03 97.  

The post Olivier de Sagazan Untitled 10 (2021) first appeared on Loo & Lou Gallery.]]>

  • sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg

    sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg

  • sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg

    sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg

  • sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg

    sans-titre-10-detail-2021-herbe-fleurs-argile-materiaux-mixtes-140x40x26-olivier-de-sagazan-scaled.jpeg

Olivier de Sagazan
Untitled 10 (2022)
Grass, flowers, clay and mixed media
120 x 32 x 23 cm

Commander >

To request the full list of available works, please contact us by mail or by telephone at (+33) 01 42 74 03 97.  

RELATED WORKS

Olivier de Sagazan
Untitled 6 (2022)
Acrylic, grass, clay and mixed media on canvas
160 x 130 cm

View Artwork >

Olivier de Sagazan
Untitled 13 (2022)
Grass, clay, mixed media
71 x 24 x 40 cm

View Artwork >

Olivier de Sagazan
Untitled 5 (2022)
Acrylic, grass, clay and mixed media on canvas
160 x 130 cm

View Artwork >

ABOUT THE ARTIST

OLIVIER DE SAGAZAN

Born in 1959 in Brazzaville, Congo. Lives and works in Saint-Nazaire. Biologist, Olivier de Sagazan is interested in life and seeks to establish through his work, a sort of genea-logy of the sensitive to understand how at a given moment, the inert matter structured in cells has generated life and sensitivity.

View Artist's Page >

The post Olivier de Sagazan Untitled 10 (2021) first appeared on Loo & Lou Gallery.]]> Olivier de Sagazan Untitled 13 (2021) https://looandlougallery.com/catalog-exhibit/olivier-de-sagazan-untitled-13-2021/?utm_source=rss&utm_medium=rss&utm_campaign=olivier-de-sagazan-untitled-13-2021 Fri, 10 Jun 2022 12:59:24 +0000 https://looandlougallery.com/?p=19715 sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg To request the full list of available works, please contact us by mail or by telephone at (+33) 01 42 74 03 97.  

The post Olivier de Sagazan Untitled 13 (2021) first appeared on Loo & Lou Gallery.]]>

  • sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg

    sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg

  • sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg

    sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg

  • sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg

    sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg

Olivier de Sagazan
Untitled 13 (2022)
Grass, clay, mixed media
71 x 24 x 40 cm

Commander >

To request the full list of available works, please contact us by mail or by telephone at (+33) 01 42 74 03 97.  

RELATED WORKS

Olivier de Sagazan
Untitled 6 (2022)
Acrylic, grass, clay and mixed media on canvas
160 x 130 cm

View Artwork >

Olivier de Sagazan
Untitled 10 (2022)
Grass, flowers, clay and mixed media
120 x 32 x 23 cm

View Artwork >

Olivier de Sagazan
Untitled 5 (2022)
Acrylic, grass, clay and mixed media on canvas
160 x 130 cm

View Artwork >

ABOUT THE ARTIST

OLIVIER DE SAGAZAN

Born in 1959 in Brazzaville, Congo. Lives and works in Saint-Nazaire. Biologist, Olivier de Sagazan is interested in life and seeks to establish through his work, a sort of genea-logy of the sensitive to understand how at a given moment, the inert matter structured in cells has generated life and sensitivity.

View Artist's Page >

The post Olivier de Sagazan Untitled 13 (2021) first appeared on Loo & Lou Gallery.]]> Olivier de Sagazan Untitled 5 (2022) https://looandlougallery.com/catalog-exhibit/olivier-de-sagazan-untitled-5-2022/?utm_source=rss&utm_medium=rss&utm_campaign=olivier-de-sagazan-untitled-5-2022 Fri, 10 Jun 2022 13:18:33 +0000 https://looandlougallery.com/?p=19720 vue-de-lexposition-etre-chair-olivier-de-sagazan-6-scaled.jpeg vue-de-lexposition-etre-chair-olivier-de-sagazan-6-scaled.jpeg sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg To request the full list of available works, please contact us by mail or by telephone at (+33) 01 42 74 03 97.  

The post Olivier de Sagazan Untitled 5 (2022) first appeared on Loo & Lou Gallery.]]>

  • vue-de-lexposition-etre-chair-olivier-de-sagazan-6-scaled.jpeg

    vue-de-lexposition-etre-chair-olivier-de-sagazan-6-scaled.jpeg

  • sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg

    sans-titre-13-2021-herbe-argile-materiaux-mixtes-71x24x40-olivier-de-sagazan-1-scaled.jpg

Olivier de Sagazan
Untitled 5 (2022)
Acrylic, grass, clay and mixed media on canvas
160 x 130 cm

Commander >

To request the full list of available works, please contact us by mail or by telephone at (+33) 01 42 74 03 97.  

RELATED WORKS

Olivier de Sagazan
Untitled 6 (2022)
Acrylic, grass, clay and mixed media on canvas
160 x 130 cm

View Artwork >

Olivier de Sagazan
Untitled 10 (2022)
Grass, flowers, clay and mixed media
120 x 32 x 23 cm

View Artwork >

Olivier de Sagazan
Untitled 13 (2022)
Grass, clay, mixed media
71 x 24 x 40 cm

View Artwork >

ABOUT THE ARTIST

OLIVIER DE SAGAZAN

Born in 1959 in Brazzaville, Congo. Lives and works in Saint-Nazaire. Biologist, Olivier de Sagazan is interested in life and seeks to establish through his work, a sort of genea-logy of the sensitive to understand how at a given moment, the inert matter structured in cells has generated life and sensitivity.

View Artist's Page >

The post Olivier de Sagazan Untitled 5 (2022) first appeared on Loo & Lou Gallery.]]> Lydie Arickx Chemin de croix IX (2020) https://looandlougallery.com/catalog-exhibit/lydie-arickx-chemin-de-croix-ix-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-chemin-de-croix-ix-2020-2 Fri, 08 Apr 2022 14:43:10 +0000 https://looandlougallery.com/?p=19086 chemin-de-croix-IX-2020-chanvre-44-35-24cm-lydie-arickx chemin-de-croix-IX-2020-chanvre-44-35-24cm-lydie-arickx To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post Lydie Arickx Chemin de croix IX (2020) first appeared on Loo & Lou Gallery.]]>

chemin-de-croix-IX-2020-chanvre-44-35-24cm-lydie-arickx

chemin-de-croix-IX-2020-chanvre-44-35-24cm-lydie-arickx

Lydie Arickx
Chemin de croix IX (2020)
Hemp
44 x 35 x 24 cm

Commander >

To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

RELATED WORKS

Lydie Arickx
Vanité (2019)
Cast iron and borosilicate glass
19 x 23 x 16 cm

View Artwork >

Lydie Arickx
Job VI (2009)
Ink and graphite on Ingres paper
42 x 29 x 70 cm

View Artwork >

Lydie Arickx
Curiosité II (2015)
Pomegranate and clay
6 x 11 x 9 cm

View Artwork >

ABOUT THE ARTIST

LYDIE ARICKX
View Artist's Page >

The post Lydie Arickx Chemin de croix IX (2020) first appeared on Loo & Lou Gallery.]]> Lydie Arickx Job VI (2009) https://looandlougallery.com/catalog-exhibit/lydie-arickx-job-vi-2009-2/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-job-vi-2009-2 Fri, 08 Apr 2022 14:41:15 +0000 https://looandlougallery.com/?p=19085 Job-6-2009-Encre-et-mine-de-plomb-sur-papier-Ingres-42×29.7cm-Lydie-Arickx Job-6-2009-Encre-et-mine-de-plomb-sur-papier-Ingres-42×29.7cm-Lydie-Arickx To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post Lydie Arickx Job VI (2009) first appeared on Loo & Lou Gallery.]]>

Job-6-2009-Encre-et-mine-de-plomb-sur-papier-Ingres-42×29.7cm-Lydie-Arickx

Job-6-2009-Encre-et-mine-de-plomb-sur-papier-Ingres-42×29.7cm-Lydie-Arickx

Lydie Arickx
Job VI (2009)
Ink and graphite on Ingres paper
42 x 29 x 70 cm

Commander >

To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

RELATED WORKS

Lydie Arickx
Vanité (2019)
Cast iron and borosilicate glass
19 x 23 x 16 cm

View Artwork >

Lydie Arickx
Chemin de croix IX (2020)
Hemp
44 x 35 x 24 cm

View Artwork >

Lydie Arickx
Curiosité II (2015)
Pomegranate and clay
6 x 11 x 9 cm

View Artwork >

ABOUT THE ARTIST

LYDIE ARICKX
View Artist's Page >

The post Lydie Arickx Job VI (2009) first appeared on Loo & Lou Gallery.]]> Lydie Arickx Vanité (2019) https://looandlougallery.com/catalog-exhibit/lydie-arickx-vanite-2019-2/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-vanite-2019-2 Fri, 08 Apr 2022 14:38:56 +0000 https://looandlougallery.com/?p=19084 vanite-2019-fonte-et-borosilicate-h19x23x16cm-lydie-arickx vanite-2019-fonte-et-borosilicate-h19x23x16cm-lydie-arickx To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post Lydie Arickx Vanité (2019) first appeared on Loo & Lou Gallery.]]>

vanite-2019-fonte-et-borosilicate-h19x23x16cm-lydie-arickx

vanite-2019-fonte-et-borosilicate-h19x23x16cm-lydie-arickx

Lydie Arickx
Vanité (2019)
Cast iron and borosilicate glass
19 x 23 x 16 cm

Commander >

To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

RELATED WORKS

Lydie Arickx
Job VI (2009)
Ink and graphite on Ingres paper
42 x 29 x 70 cm

View Artwork >

Lydie Arickx
Chemin de croix IX (2020)
Hemp
44 x 35 x 24 cm

View Artwork >

Lydie Arickx
Curiosité II (2015)
Pomegranate and clay
6 x 11 x 9 cm

View Artwork >

ABOUT THE ARTIST

LYDIE ARICKX
View Artist's Page >

The post Lydie Arickx Vanité (2019) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem Sans titre 2 (2018) https://looandlougallery.com/catalog-exhibit/johan-van-mullem-sans-titre-2-2018-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-sans-titre-2-2018-2 Fri, 08 Apr 2022 13:56:16 +0000 https://looandlougallery.com/?p=19058 sans-titre-2-2018-encre-sur-toile-160x160cm-jvm sans-titre-2-2018-encre-sur-toile-160x160cm-jvm To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post Johan Van Mullem Sans titre 2 (2018) first appeared on Loo & Lou Gallery.]]>

sans-titre-2-2018-encre-sur-toile-160x160cm-jvm

sans-titre-2-2018-encre-sur-toile-160x160cm-jvm

Johan Van Mullem
Sans titre 2 (2018)
Ink on canvas
160 x 160 cm

Commander >

To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

RELATED WORKS

Johan Van Mullem
Sans titre 4 (2021)
Ink on canvas
275 x 200 cm

View Artwork >

Johan Van Mullem
Sans titre 1 (2017)
Ink on canvas
160 x 140 cm

View Artwork >

Johan Van Mullem
Sans titre 5 (2021)
Ink on canvas
200 x 345 cm

View Artwork >

ABOUT THE ARTIST

JOHAN VAN MULLEM
View Artist's Page >

The post Johan Van Mullem Sans titre 2 (2018) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem Sans titre 1 (2017) https://looandlougallery.com/catalog-exhibit/johan-van-mullem-sans-titre-1-2017-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-sans-titre-1-2017-2 Fri, 08 Apr 2022 13:54:18 +0000 https://looandlougallery.com/?p=19057 sans-titre-1-2017-encre-sur-toile-160x140cm-jvm sans-titre-1-2017-encre-sur-toile-160x140cm-jvm To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post Johan Van Mullem Sans titre 1 (2017) first appeared on Loo & Lou Gallery.]]>

sans-titre-1-2017-encre-sur-toile-160x140cm-jvm

sans-titre-1-2017-encre-sur-toile-160x140cm-jvm

Johan Van Mullem
Sans titre 1 (2017)
Ink on canvas
160 x 140 cm

Commander >

To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

RELATED WORKS

Johan Van Mullem
Sans titre 4 (2021)
Ink on canvas
275 x 200 cm

View Artwork >

Johan Van Mullem
Sans titre 2 (2018)
Ink on canvas
160 x 160 cm

View Artwork >

Johan Van Mullem
Sans titre 5 (2021)
Ink on canvas
200 x 345 cm

View Artwork >

ABOUT THE ARTIST

JOHAN VAN MULLEM
View Artist's Page >

The post Johan Van Mullem Sans titre 1 (2017) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem Sans titre 4 (2021) https://looandlougallery.com/catalog-exhibit/johan-van-mullem-sans-titre-4-2021-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-sans-titre-4-2021-2 Fri, 08 Apr 2022 13:48:35 +0000 https://looandlougallery.com/?p=19054 sans-titre-4-2021-ink-on-canvas-275x200cm-johan-van-mullem sans-titre-4-2021-ink-on-canvas-275x200cm-johan-van-mullem To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97. 

The post Johan Van Mullem Sans titre 4 (2021) first appeared on Loo & Lou Gallery.]]>

sans-titre-4-2021-ink-on-canvas-275x200cm-johan-van-mullem

sans-titre-4-2021-ink-on-canvas-275x200cm-johan-van-mullem

Johan Van Mullem
Sans titre 4 (2021)
Ink on canvas
275 x 200 cm

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Johan Van Mullem
Sans titre 1 (2017)
Ink on canvas
160 x 140 cm

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Johan Van Mullem
Sans titre 2 (2018)
Ink on canvas
160 x 160 cm

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Johan Van Mullem
Sans titre 5 (2021)
Ink on canvas
200 x 345 cm

View Artwork >

ABOUT THE ARTIST

JOHAN VAN MULLEM
View Artist's Page >

The post Johan Van Mullem Sans titre 4 (2021) first appeared on Loo & Lou Gallery.]]> Tana Borissova Embrasure 5 (2021) https://looandlougallery.com/catalog-exhibit/tana-borissova-embrasure-5-2021-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-embrasure-5-2021-2 Thu, 07 Apr 2022 16:11:36 +0000 https://looandlougallery.com/?p=18961 embrasure-5-acrylique-sur-toile-97×146-2021-tana-borissova embrasure-5-acrylique-sur-toile-97×146-2021-tana-borissova To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.

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embrasure-5-acrylique-sur-toile-97×146-2021-tana-borissova

embrasure-5-acrylique-sur-toile-97×146-2021-tana-borissova

Tana Borissova
Embrasure 5 (2021)
Acrylic on canvas
146 x 97 cm

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RELATED WORKS

Tana Borissova
Embrasure 23 (2022)
Acrylic on canvas
100 x 73 cm

View Artwork >

Tana Borissova
Embrasure 08 (2021)
Acrylic on canvas
162 x 114 cm

View Artwork >

Tana Borissova
Aile 7 (2020)
Acrylic on canvas
61 x 50 cm

View Artwork >

ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

View Artist's Page >

The post Tana Borissova Embrasure 5 (2021) first appeared on Loo & Lou Gallery.]]> Andrew Ntshabele There is a shaking in society 10 (2021) https://looandlougallery.com/catalog-exhibit/andrew-ntshabele-there-is-a-shaking-in-society-10-2021-2/?utm_source=rss&utm_medium=rss&utm_campaign=andrew-ntshabele-there-is-a-shaking-in-society-10-2021-2 Fri, 08 Apr 2022 13:29:18 +0000 https://looandlougallery.com/?p=19026 here-is-a-shaking-in-society-10-acrylique-sur-papier-journal-vintage-156-x-123-cm-andrew-ntshabele here-is-a-shaking-in-society-10-acrylique-sur-papier-journal-vintage-156-x-123-cm-andrew-ntshabele To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post Andrew Ntshabele There is a shaking in society 10 (2021) first appeared on Loo & Lou Gallery.]]>

here-is-a-shaking-in-society-10-acrylique-sur-papier-journal-vintage-156-x-123-cm-andrew-ntshabele

here-is-a-shaking-in-society-10-acrylique-sur-papier-journal-vintage-156-x-123-cm-andrew-ntshabele

Andrew Ntshabele
There is a shaking in society 10 (2021)
Acrylic and lacquer on vintage and contemporary newspaper
156 x 123 cm

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RELATED WORKS

Andrew Ntshabele
The greater purpose 5 (2022)
Acrylic and lacquer on vintage documents
89 x 70 cm

View Artwork >

Andrew Ntshabele
Encounters 10 (2021)
Acrylic and lacquer on vintage and contemporary newspaper
140 x 134 cm

View Artwork >

Andrew Ntshabele
The greater purpose 2 (2022)
Acrylic and lacquer on vintage documents
90 x 70 cm

View Artwork >

ABOUT THE ARTIST

Andrew Ntshabele

ANDREW NTSHABELE

Andrew Ntshabele lives and works in Johannesburg, South Africa, in the midst of the urban unrest that fuels his inspiration. He sees the physical, socio-economic and political changes of the post-apartheid city as the results of rapid urbanization. His daily interactions with the residents lead him to investigate this difficult social reality, and to seek to understand the root cause of the current degradation of the inner city.

View Artist's Page >

The post Andrew Ntshabele There is a shaking in society 10 (2021) first appeared on Loo & Lou Gallery.]]> Tana Borissova Aile 7 (2020) https://looandlougallery.com/catalog-exhibit/tana-borissova-aile-7-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-aile-7-2020-2 Thu, 07 Apr 2022 16:16:15 +0000 https://looandlougallery.com/?p=18960 aile-7-acrylic-on-canvas-50×61-2020-tana-borissova aile-7-acrylic-on-canvas-50×61-2020-tana-borissova To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.

The post Tana Borissova Aile 7 (2020) first appeared on Loo & Lou Gallery.]]>

aile-7-acrylic-on-canvas-50×61-2020-tana-borissova

aile-7-acrylic-on-canvas-50×61-2020-tana-borissova

Tana Borissova
Aile 7 (2020)
Acrylic on canvas
61 x 50 cm

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To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.

RELATED WORKS

Tana Borissova
Embrasure 23 (2022)
Acrylic on canvas
100 x 73 cm

View Artwork >

Tana Borissova
Embrasure 08 (2021)
Acrylic on canvas
162 x 114 cm

View Artwork >

Tana Borissova
Embrasure 5 (2021)
Acrylic on canvas
146 x 97 cm

View Artwork >

ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

View Artist's Page >

The post Tana Borissova Aile 7 (2020) first appeared on Loo & Lou Gallery.]]> Andrew Ntshabele The greater purpose 2 (2022) https://looandlougallery.com/catalog-exhibit/andrew-ntshabele-the-greater-purpose-2-2022/?utm_source=rss&utm_medium=rss&utm_campaign=andrew-ntshabele-the-greater-purpose-2-2022 Fri, 08 Apr 2022 13:33:30 +0000 https://looandlougallery.com/?p=19027 the-greater-purpose-2-acrylic-and-enamel-on-vintage-documents-90-x-70-cm-andrew-ntshabele the-greater-purpose-2-acrylic-and-enamel-on-vintage-documents-90-x-70-cm-andrew-ntshabele To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post Andrew Ntshabele The greater purpose 2 (2022) first appeared on Loo & Lou Gallery.]]>

the-greater-purpose-2-acrylic-and-enamel-on-vintage-documents-90-x-70-cm-andrew-ntshabele

the-greater-purpose-2-acrylic-and-enamel-on-vintage-documents-90-x-70-cm-andrew-ntshabele

Andrew Ntshabele
The greater purpose 2 (2022)
Acrylic and lacquer on vintage documents
90 x 70 cm

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RELATED WORKS

Andrew Ntshabele
The greater purpose 5 (2022)
Acrylic and lacquer on vintage documents
89 x 70 cm

View Artwork >

Andrew Ntshabele
Encounters 10 (2021)
Acrylic and lacquer on vintage and contemporary newspaper
140 x 134 cm

View Artwork >

Andrew Ntshabele
There is a shaking in society 10 (2021)
Acrylic and lacquer on vintage and contemporary newspaper
156 x 123 cm

View Artwork >

ABOUT THE ARTIST

Andrew Ntshabele

ANDREW NTSHABELE

Andrew Ntshabele lives and works in Johannesburg, South Africa, in the midst of the urban unrest that fuels his inspiration. He sees the physical, socio-economic and political changes of the post-apartheid city as the results of rapid urbanization. His daily interactions with the residents lead him to investigate this difficult social reality, and to seek to understand the root cause of the current degradation of the inner city.

View Artist's Page >

The post Andrew Ntshabele The greater purpose 2 (2022) first appeared on Loo & Lou Gallery.]]> Tana Borissova Embrasure 08 (2021) https://looandlougallery.com/catalog-exhibit/tana-borissova-embrasure-08-2021-3/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-embrasure-08-2021-3 Thu, 07 Apr 2022 15:51:48 +0000 https://looandlougallery.com/?p=18959 Turmeric, 2010, Pastel sur papier, 57 x 76 cm Turmeric, 2010, Pastel sur papier, 57 x 76 cm To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.

The post Tana Borissova Embrasure 08 (2021) first appeared on Loo & Lou Gallery.]]>

Turmeric, 2010, Pastel sur papier, 57 x 76 cm

Turmeric, 2010, Pastel sur papier, 57 x 76 cm

Tana Borissova
Embrasure 08 (2021)
Acrylic on canvas
162 x 114 cm

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To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.

RELATED WORKS

Tana Borissova
Embrasure 23 (2022)
Acrylic on canvas
100 x 73 cm

View Artwork >

Tana Borissova
Embrasure 5 (2021)
Acrylic on canvas
146 x 97 cm

View Artwork >

Tana Borissova
Aile 7 (2020)
Acrylic on canvas
61 x 50 cm

View Artwork >

ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

View Artist's Page >

The post Tana Borissova Embrasure 08 (2021) first appeared on Loo & Lou Gallery.]]> Fred Kleinberg Dog (2006) https://looandlougallery.com/catalog-exhibit/fred-kleinberg-dog-2006-2/?utm_source=rss&utm_medium=rss&utm_campaign=fred-kleinberg-dog-2006-2 Wed, 22 Sep 2021 09:42:38 +0000 https://looandlougallery.com/?p=16955 Dog, 2006, Pastel et huile sur papier, 210 x 230 cm Dog, 2006, Pastel et huile sur papier, 210 x 230 cm To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Fred Kleinberg Dog (2006) first appeared on Loo & Lou Gallery.]]>

Dog, 2006, Pastel et huile sur papier, 210 x 230 cm

Dog, 2006, Pastel et huile sur papier, 210 x 230 cm

Fred Kleinberg
Dog (2006)
Pastel and oil on paper
57 x 76 cm

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The post Fred Kleinberg Dog (2006) first appeared on Loo & Lou Gallery.]]> Fred Kleinberg Relief (2005) https://looandlougallery.com/catalog-exhibit/fred-kleinberg-relief-2005-2/?utm_source=rss&utm_medium=rss&utm_campaign=fred-kleinberg-relief-2005-2 Tue, 21 Sep 2021 16:44:13 +0000 https://looandlougallery.com/?p=16946 Relief, 2005, Mixed media and collage, 210 x 230 cm Relief, 2005, Mixed media and collage, 210 x 230 cm To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

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Relief, 2005, Mixed media and collage, 210 x 230 cm

Relief, 2005, Mixed media and collage, 210 x 230 cm

Fred Kleinberg
Relief (2005)
Mixted media and collage
210 x 230 cm

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The post Fred Kleinberg Relief (2005) first appeared on Loo & Lou Gallery.]]> Fred Kleinberg La Fuite I (2005) https://looandlougallery.com/catalog-exhibit/fred-kleinberg-la-fuite-i-2005-2/?utm_source=rss&utm_medium=rss&utm_campaign=fred-kleinberg-la-fuite-i-2005-2 Wed, 22 Sep 2021 09:33:24 +0000 https://looandlougallery.com/?p=16956 La fuite I, 2005, Oil and collage on canvas, 197x 130 cm La fuite I, 2005, Oil and collage on canvas, 197x 130 cm To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Fred Kleinberg La Fuite I (2005) first appeared on Loo & Lou Gallery.]]>

La fuite I, 2005, Oil and collage on canvas, 197x 130 cm

La fuite I, 2005, Oil and collage on canvas, 197x 130 cm

Fred Kleinberg
La fuite I (2005)
Oil and collage on canvas
130 x 197 cm

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To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Fred Kleinberg La Fuite I (2005) first appeared on Loo & Lou Gallery.]]> Benoît Luyckx Strong Human Wasp (2020) https://looandlougallery.com/catalog-exhibit/benoit-luyckx-strong-human-wasp-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=benoit-luyckx-strong-human-wasp-2020-2 Sat, 27 Feb 2021 16:29:22 +0000 https://looandlougallery.com/?p=13498 Benoit-Luyckx-strong-human-wasp-2020 Benoit-Luyckx-strong-human-wasp-2020 Benoit-Luyckx-strong-human-wasp-2020 Benoit-Luyckx-strong-human-wasp-2020 Benoit-Luyckx-strong-human-wasp-2020 Benoit-Luyckx-strong-human-wasp-2020 To request the full list of available works, please contact us  by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Benoît Luyckx Strong Human Wasp (2020) first appeared on Loo & Lou Gallery.]]>

  • Benoit-Luyckx-strong-human-wasp-2020

    Benoit-Luyckx-strong-human-wasp-2020

  • Benoit-Luyckx-strong-human-wasp-2020

    Benoit-Luyckx-strong-human-wasp-2020

  • Benoit-Luyckx-strong-human-wasp-2020

    Benoit-Luyckx-strong-human-wasp-2020

Benoît Luyckx
Strong Human Wasp (2020)
Belgian bluestone
59 x 43 x 14 cm

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RELATED WORKS

Benoît Luyckx
Être en Nature (2018-2020)
White Greek marble
53 x 41 x 18,5 cm

View Artwork >

Benoît Luyckx
Slice Fruit (2020)
Belgian bluestone
43 x 25 x 16,5 cm

View Artwork >

Benoît Luyckx
White Way (2020)
Belgian bluestone
32 x 30 x 13,5 cm

View Artwork >

ABOUT THE ARTIST

BENOÎT LUYCKX
View Artist's Page >

The post Benoît Luyckx Strong Human Wasp (2020) first appeared on Loo & Lou Gallery.]]> Joël Person Frédérique (1984-2015) https://looandlougallery.com/catalog-exhibit/joel-person-frederique-1984-2015-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-frederique-1984-2015-2 Sat, 10 Apr 2021 14:22:00 +0000 https://looandlougallery.com/?p=14326 Joel-Person-Frederique- 2021 Joel-Person-frederi- 2021 To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Joël Person Frédérique (1984-2015) first appeared on Loo & Lou Gallery.]]>

Joel-Person-Frederique- 2021

Joel-Person-frederi- 2021

Joël Person
Frédérique (1984-2015)
Charcoal on glued paper
135 x 131 cm

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To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Joël Person
Déferlante (2021)
Charcoal on paper
985 x 152 cm - Assembly of two pieces of paper

View Artwork >

Joël Person
Cheval Dragon 4 (2013)
Black stone pencil on paper
62 x 34 cm

View Artwork >

Joël Person
La Déferlante Intérieure (2020-21)
Charcoal on paper
244 x 95 cm

View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >

The post Joël Person Frédérique (1984-2015) first appeared on Loo & Lou Gallery.]]> Joël Person Cheval Dragon 4 (2013) https://looandlougallery.com/catalog-exhibit/joel-person-cheval-dragon-4-2013-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-cheval-dragon-4-2013-2 Sat, 10 Apr 2021 14:38:58 +0000 https://looandlougallery.com/?p=14345 Joel-Person-La-Deferlante-Interieure-2020-2021 Joel-Person-La-Deferlante-Interieure-2020-2021 To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Joël Person Cheval Dragon 4 (2013) first appeared on Loo & Lou Gallery.]]>

Joel-Person-La-Deferlante-Interieure-2020-2021

Joel-Person-La-Deferlante-Interieure-2020-2021

Joël Person
Cheval Dragon 4 (2013)
Black stone pencil on paper
62 x 34 cm

Commander >

To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Joël Person
Déferlante (2021)
Charcoal on paper
985 x 152 cm - Assembly of two pieces of paper

View Artwork >

Joël Person
Frédérique (1984-2015)
Charcoal on glued paper
135 x 131 cm

View Artwork >

Joël Person
La Déferlante Intérieure (2020-21)
Charcoal on paper
244 x 95 cm

View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >

The post Joël Person Cheval Dragon 4 (2013) first appeared on Loo & Lou Gallery.]]> Joël Person La Déferlante Intérieure (2020-21) https://looandlougallery.com/catalog-exhibit/joel-person-la-deferlante-interieure-2020-21-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-la-deferlante-interieure-2020-21-2 Sat, 10 Apr 2021 14:47:24 +0000 https://looandlougallery.com/?p=14344 Joel-Person-La-Deferlante-Interieure-2020-2021 Joel-Person-La-Deferlante-Interieure-2020-2021 To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Joël Person La Déferlante Intérieure (2020-21) first appeared on Loo & Lou Gallery.]]>

Joel-Person-La-Deferlante-Interieure-2020-2021

Joel-Person-La-Deferlante-Interieure-2020-2021

Joël Person
La Déferlante Intérieure (2020-21)
Charcoal on paper
244 x 95 cm

Commander >

To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Joël Person
Déferlante (2021)
Charcoal on paper
985 x 152 cm - Assembly of two pieces of paper

View Artwork >

Joël Person
Frédérique (1984-2015)
Charcoal on glued paper
135 x 131 cm

View Artwork >

Joël Person
Cheval Dragon 4 (2013)
Black stone pencil on paper
62 x 34 cm

View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >

The post Joël Person La Déferlante Intérieure (2020-21) first appeared on Loo & Lou Gallery.]]> Joël Person Déferlante (2021) https://looandlougallery.com/catalog-exhibit/joel-person-deferlante-2021/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-deferlante-2021 Sat, 10 Apr 2021 13:58:22 +0000 https://looandlougallery.com/?p=14288 Joel-Person-Deferlante- 2021 Joel-Person-Deferlante- 2021 Joel-Person-Deferlante- 2021 Joel-Person-Deferlante- 2021 To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Joël Person Déferlante (2021) first appeared on Loo & Lou Gallery.]]>

  • Joel-Person-Deferlante- 2021

    Joel-Person-Deferlante- 2021

  • Joel-Person-Deferlante- 2021

    Joel-Person-Deferlante- 2021

Joël Person
Déferlante (2021)
Charcoal on paper
985 x 152 cm - Assembly of two pieces of paper

Commander >

To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Joël Person
Frédérique (1984-2015)
Charcoal on glued paper
135 x 131 cm

View Artwork >

Joël Person
Cheval Dragon 4 (2013)
Black stone pencil on paper
62 x 34 cm

View Artwork >

Joël Person
La Déferlante Intérieure (2020-21)
Charcoal on paper
244 x 95 cm

View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >

The post Joël Person Déferlante (2021) first appeared on Loo & Lou Gallery.]]> 07.04.2023 | Johan Van Mullem at Musées royaux des Beaux-Arts de Belgique https://looandlougallery.com/news/07-04-2023-johan-van-mullem-at-musees-royaux-des-beaux-arts-de-belgique/?utm_source=rss&utm_medium=rss&utm_campaign=07-04-2023-johan-van-mullem-at-musees-royaux-des-beaux-arts-de-belgique Fri, 07 Apr 2023 09:36:28 +0000 https://looandlougallery.com/?p=21260 From March 31 to July 23, the Royal Museums of Fine Arts of Belgium (MrBAB) presents For Love's S(n)ake! an exhibition by Belgian artist Johan Van Mullem.

The post 07.04.2023 | Johan Van Mullem at Musées royaux des Beaux-Arts de Belgique first appeared on Loo & Lou Gallery.]]>

Johan Van Mullem exhibits at Musées royaux des Beaux-Arts de Belgique.

A project supported by Loo&Lou Foundation

 

Published on April 7, 2023

 

From 31 March to 23 July, the Royal Museums of Fine Arts of Belgium (RMFAB) present For Love’s S(n)ake! an exhibition by Belgian artist Johan Van Mullem. 

By inviting Johan Van Mullem to the heart of their collection of Ancient Art, the Royal Museums of Fine Arts of Belgium establish their role of catalyst to pass on history to the widest audience possible, therefor actively embodying their support for the contemporary creation that puts down its roots in Brussels. 

Originally from Bruges and now a Brussels’ citizen, Johan Van Mullem stands as a true national flagship and a renowned multidisciplinary artist. He will be the only Belgian contemporary artist to be exhibited at the RMFAB this year, and the exhibition is the perfect opportunity to build bridges with his native country. As the only Belgian contemporary artist to be exhibited at the RMFAB in 2023, he meets his country through this exhibition. 

By questioning our changing society in his own individual way, he finds his place within the Remedies exhibitions’ program. Confronted with the ills and symptoms of our humanity, Johan Van Mullem’s art tends to offer a therapeutic path and seems to suggest possible remedies by encouraging us to slow down, reflect and meditate. 

For Love’s S(n)ake! reveals never before shown pieces as well as the latest work produced by the Brussels artist. The body of works on display contrasts with what the public knows of the artist’s work, namely his depictions of phantasmagoric faces, reflecting on what lies within, presented notably during his monographic exhibition at the Musée d’Ixelles in 2016-2017. 

A transition has taken place in recent years from portraits to nature. The health crisis and successive lockdowns have had a catalytic effect on his practice. Forced to slow down, the artist rediscovered his (inner) garden, a new horizon that inspired him to create universes more oriented towards the exterior. The vegetal dimension calls for serendipity and the artist’s colour palette blooms through the dreamy landscapes. The overall effect culminates in a peculiar luminescence enhanced by the use of printing and etching inks. 

Between emotions and memory, between movement and light, some fifty new works, sometimes of an impressive format, open up a timeframe far from any urgency, and offer the public a new perspective, inscribing contemporary creation in its historical roots. 

 
Discover the press article here.

© Constance Le Hardy

 

Musées royaux des Beaux-Arts de Belgique
3 rue de la Régence – 1000 Bruxelles
Tél.: +32 (0)2 508 32 11
Fax: +32 (0)2 508 32 32
info@fine-arts-museum.be

 

 

The post 07.04.2023 | Johan Van Mullem at Musées royaux des Beaux-Arts de Belgique first appeared on Loo & Lou Gallery.]]> 06.04.2023 | Joël Person at Festival du Dessin of Arles https://looandlougallery.com/news/06-04-2023-joel-person-at-festival-du-dessin-of-arles/?utm_source=rss&utm_medium=rss&utm_campaign=06-04-2023-joel-person-at-festival-du-dessin-of-arles Thu, 06 Apr 2023 16:17:28 +0000 https://looandlougallery.com/?p=21239 The artist Joël Person participates in the first edition of the Arles Drawing Festival which will be held from April 22 to May 14, 2023.

The post 06.04.2023 | Joël Person at Festival du Dessin of Arles first appeared on Loo & Lou Gallery.]]>

Joël Person at the first edition of the Drawing Festival in Arles

Published on April 6, 2023

 

Joël Person participates in the first edition of the Arles drawing festival, among 41 other artists, initiated by Vera Michalski and Frédéric Pajak. 

Project’sintention 

Drawing is the first art form we come across in childhood; it is also the first known art form used by our prehistoric ancestors. Despite a long history of being left on the sidelines and overlooked in favour of painting, drawing has seen a resurgence in recent years in schools of fine art, galleries and museums. Vera Michalski, president of the Libella publishing group, and Frédéric Pajak, an illustrator, writer and director of Les Cahiers Dessinés publishing house, took the initiative to give this art form its full scope by creating the « Festival du Dessin », an annual festival dedicated to it that will interest both the general public and discerning audiences. What better place to host such an event than the city of Arles, famed for the beauty of its historical monuments, Van Gogh and the Rencontres d’Arles festival of photography? From 2023 onwards, the most magnificent venues in Arles – museums, churches, cloisters, private mansions, foundations and cultural hubs – will welcome the Festival du Dessin every spring. Theatres, bookshops and cinemas will also be participating, as will educational institutions, to showcase more than 1,000 works and some forty artists, for the most part established, as well as some forgotten or as yet little-known figures. It will create a dialogue between artistic drawing, comic art, editorial cartoons, art brut drawings and alternative drawings – those produced by writers, filmmakers and major fashion figures.   Taking place over three weeks and four weekends, the Festival du Dessin aims to hold debates, meet-and-greets and autograph sessions with today’s illustrators, film screenings, concerts and many other celebratory events alongside the exhibitions.

Joël Person will exhibit at the Saint-Césaire enclosure as well as at the Espace Van Gogh, alongside Hervé Di Rosa and Anna Sommer.

He will also participate in the drawing concert of the National Orchestra of Cannes on May 3 at the Théâtre Antique in Arles. He will realize a performance of drawings on the spot, projected live on a giant screen, in collaboration with Anna Sommer.

 

 

The post 06.04.2023 | Joël Person at Festival du Dessin of Arles first appeared on Loo & Lou Gallery.]]> 16.11.2022 | Jean Claude Wouters at the ALIEN Art Centre https://looandlougallery.com/news/16-11-2022-jean-claude-wouters-at-the-alien-art-centre/?utm_source=rss&utm_medium=rss&utm_campaign=16-11-2022-jean-claude-wouters-at-the-alien-art-centre Wed, 16 Nov 2022 16:28:26 +0000 https://looandlougallery.com/?p=20424 Artist photographer Jean Claude Wouters presents "Light of Void" at the Alien Art Centre in Taiwan, alongside artist Arman from November 23, 2022 to March 9, 2023.

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Jean Claude Wouters presents his new exhibition at the ALIEN Art Centre in Taiwan

Published on November 16, 2022

 

Artist photographer Jean Claude Wouters presents “Light of Void” at the Alien Art Centre in Taiwan, alongside artist Arman from November 23, 2022 to March 9, 2023.

The title of the current exhibition Light of Void, includes purposely the word “light”. It is presently this special light Wouters’ works speak about. “I draw with light, I don’t make a copy of reality”, Wouters says. In japanese photography is translated by shashin, two ideograms meaning copy/reality. In most occasions, photography is used as “a copy of reality”, rather than “drawing with light”. I prefer to think of the photography of the beginnings, in the XIX century, with its special painting feeling.” All the technics Wouters use are very traditional photographic ones and it is a fact that most of them are disappearing quickly pushed out by the new digital technology for photography. In a few years from now, Wouters might not be able to create more the art pieces he makes today that we can see in this current exhibition, while the special mat baryte paper he uses has already became difficult to find. We won’t see anywhere else such a refined nuance of greys like in Wouters’ work– which are never black and white but merely a unique greyish.

 

LIGHT OF VOID

Exhibition

From November 23, 2022 to March 9, 2023

 

ALIEN Art Center

No.111, Gushan 1st Rd., Gushan Dist.,

Kaohsiung City 804, Taiwan

More information here

 
 

The post 16.11.2022 | Jean Claude Wouters at the ALIEN Art Centre first appeared on Loo & Lou Gallery.]]> 17.06.2022 | Elisabeth Daynès at the Collège de France https://looandlougallery.com/news/17-06-2022-elisabeth-daynes-at-the-college-de-france/?utm_source=rss&utm_medium=rss&utm_campaign=17-06-2022-elisabeth-daynes-at-the-college-de-france Thu, 16 Jun 2022 15:42:55 +0000 https://looandlougallery.com/?p=19816 Artist Elisabeth Daynès participates at the Symposium "Images of the Fossil Man" organized at the Collège de France on Friday, June 17, 2022.
The event is organized by Jean-Jacques Hublin.

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Elisabeth Daynès intervenes in the Symposium “Images de l’homme fossile” at the Collège de France

Published on June 16, 2022

 

Elisabeth Daynès participates in the symposium “Images de l’homme fossile” organized by the Collège de France on Friday June 17, 2022. She will talk about “The Search for Lost Identities”. As an artist, Elisabeth Daynès brings reflection about identity, the significance of the skull, and the face, from our origins, to today, until the future. Her art toys discontinuously with science because science plays a big role in our imaginary. 

The symposium focuses on the multiple images of the fossil man : 

“From the beginning, research on human evolution and prehistory has had a double function. On the one hand, they have developed as new scientific disciplines, at the borders of biology and human sciences. On the other hand, they provided, in the West at least, the substance of a new account of origins that could replace that which the Bible had delivered for centuries.

This mythological and narrative dimension undoubtedly explains in part the fascination that this field of knowledge has always held for the public. Very quickly, the literature and the plastic arts took possession of the “prehistoric” theme, while the scientific knowledge remained still embryonic. A phantasmal prehistory has always rubbed shoulders with the one that archaeologists and paleontologists were trying to reconstitute. The border between the two remained porous and, in their attempts to fill the gaps in the fossil record, the researchers themselves were never free of subjectivity.

This account of origins touches us probably too closely to escape religious, philosophical and sometimes even political presuppositions. Each historical period has produced its own prehistory and human evolution, in accordance with the spirit of the time.

During this symposium, paleoanthropologists and historians of science will discuss the representations of fossil men and Paleolithic societies as they are produced by scientific works, then delivered to the public.”

 

IMAGES DE L’HOMME FOSSILE

Symposium

Friday, June 17, 2022

all day – Lecture is open to all, free of charge and without prior registration

 

Collège de France

11 place Marcelin-Berthelot

75005 Paris

More information here

 
 

The post 17.06.2022 | Elisabeth Daynès at the Collège de France first appeared on Loo & Lou Gallery.]]> Benoît Luyckx White Way (2020) https://looandlougallery.com/catalog-exhibit/benoit-luyckx-white-way-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=benoit-luyckx-white-way-2020-2 Sat, 27 Feb 2021 16:27:08 +0000 https://looandlougallery.com/?p=13493 Benoit-Luyckx-white-way-2020 Benoit-Luyckx-white-way-2020 Benoit-Luyckx-white-way-2020 Benoit-Luyckx-white-way-2020 To request the full list of avaialble works, please contact us  by e-mail or by telephone at (+33) 01 42 74 03 97. 

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  • Benoit-Luyckx-white-way-2020

    Benoit-Luyckx-white-way-2020

  • Benoit-Luyckx-white-way-2020

    Benoit-Luyckx-white-way-2020

Benoît Luyckx
White Way (2020)
Belgian bluestone
32 x 30 x 13,5 cm

Commander >

To request the full list of avaialble works, please contact us  by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Benoît Luyckx
Être en Nature (2018-2020)
White Greek marble
53 x 41 x 18,5 cm

View Artwork >

Benoît Luyckx
Slice Fruit (2020)
Belgian bluestone
43 x 25 x 16,5 cm

View Artwork >

Benoît Luyckx
Strong Human Wasp (2020)
Belgian bluestone
59 x 43 x 14 cm

View Artwork >

ABOUT THE ARTIST

BENOÎT LUYCKX
View Artist's Page >

The post Benoît Luyckx White Way (2020) first appeared on Loo & Lou Gallery.]]> Benoît Luyckx Slice Fruit 2020 https://looandlougallery.com/catalog-exhibit/benoit-luyckx-slice-fruit-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=benoit-luyckx-slice-fruit-2020-2 Sat, 27 Feb 2021 16:23:21 +0000 https://looandlougallery.com/?p=13490 Benoit-Luyckx-slice-fruit-2020 Benoit-Luyckx-slice-fruit-2020 Benoit-Luyckx-slice-fruit-2020 Benoit-Luyckx-slice-fruit-2020 Benoit-Luyckx-slice-fruit-2020 Benoit-Luyckx-slice-fruit-2020 To request the full list of available works, please contact us  by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Benoît Luyckx Slice Fruit 2020 first appeared on Loo & Lou Gallery.]]>

  • Benoit-Luyckx-slice-fruit-2020

    Benoit-Luyckx-slice-fruit-2020

  • Benoit-Luyckx-slice-fruit-2020

    Benoit-Luyckx-slice-fruit-2020

  • Benoit-Luyckx-slice-fruit-2020

    Benoit-Luyckx-slice-fruit-2020

Benoît Luyckx
Slice Fruit (2020)
Belgian bluestone
43 x 25 x 16,5 cm

Commander >

To request the full list of available works, please contact us  by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Benoît Luyckx
Être en Nature (2018-2020)
White Greek marble
53 x 41 x 18,5 cm

View Artwork >

Benoît Luyckx
White Way (2020)
Belgian bluestone
32 x 30 x 13,5 cm

View Artwork >

Benoît Luyckx
Strong Human Wasp (2020)
Belgian bluestone
59 x 43 x 14 cm

View Artwork >

ABOUT THE ARTIST

BENOÎT LUYCKX
View Artist's Page >

The post Benoît Luyckx Slice Fruit 2020 first appeared on Loo & Lou Gallery.]]> Benoît Luyckx Être en Nature 2018-2020 https://looandlougallery.com/catalog-exhibit/benoit-luyckx-etre-en-nature-2018-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=benoit-luyckx-etre-en-nature-2018-2020-2 Sat, 27 Feb 2021 16:19:40 +0000 https://looandlougallery.com/?p=13485 Benoit-Luyckx-etre-en-nature-2020 Benoit-Luyckx-etre-en-nature-2020 Benoit-Luyckx-etre-en-nature-2020 Benoit-Luyckx-etre-en-nature-2020 To request the full list of available works, please contact us  by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Benoît Luyckx Être en Nature 2018-2020 first appeared on Loo & Lou Gallery.]]>

  • Benoit-Luyckx-etre-en-nature-2020

    Benoit-Luyckx-etre-en-nature-2020

  • Benoit-Luyckx-etre-en-nature-2020

    Benoit-Luyckx-etre-en-nature-2020

Benoît Luyckx
Être en Nature (2018-2020)
White Greek marble
53 x 41 x 18,5 cm

Commander >

To request the full list of available works, please contact us  by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Benoît Luyckx
Slice Fruit (2020)
Belgian bluestone
43 x 25 x 16,5 cm

View Artwork >

Benoît Luyckx
White Way (2020)
Belgian bluestone
32 x 30 x 13,5 cm

View Artwork >

Benoît Luyckx
Strong Human Wasp (2020)
Belgian bluestone
59 x 43 x 14 cm

View Artwork >

ABOUT THE ARTIST

BENOÎT LUYCKX
View Artist's Page >

The post Benoît Luyckx Être en Nature 2018-2020 first appeared on Loo & Lou Gallery.]]> Louise Frydman Composition (2021) https://looandlougallery.com/catalog-exhibit/louise-frydman-composition-2021-2/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-composition-2021-2 Sat, 27 Feb 2021 15:32:50 +0000 https://looandlougallery.com/?p=13451 Louise-Frydman-composition-2021-diptyque-2021 Louise-Frydman-composition-2021-diptyque-2021 To request the full list of available works, please contact us by e-mail or by telephone (+33) 01 42 74 03 97. 

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Louise-Frydman-composition-2021-diptyque-2021

Louise-Frydman-composition-2021-diptyque-2021

Louise Frydman
Composition (2021)
Diptych, Ceramic
L 95 x I 61 cm (each)

Commander >

To request the full list of available works, please contact us by e-mail or by telephone (+33) 01 42 74 03 97. 

RELATED WORKS

Louise Frydman
Efflorescence II (2020)
Wall sculpture, Enameled earthenware
D 60 cm

View Artwork >

Louise Frydman
Corolle II (2020)
Wall sculpture, Ceramic
L 54 x I 53 x H 12 cm

View Artwork >

ABOUT THE ARTIST

LOUISE FRYDMAN

Louise Frydman is a French artist who was born in 1989 in Paris.
She graduated from ESAG-Penninghen School of Art in 2012 and studied photography at the International Center of Photography in New York.

Her studio is located in Burgundy since 2015. Louise Frydman began by composing light and delicate works in white paper and then turned to ceramics in 2015 when she created her monumental piece La Fée des Pétales hanging in the courtyard of the Hôtel de Croisilles in Paris.

In treating ceramics, she will preserve the white matte of the paper as well as the delicacy of the material. Her sculptures, mirrors, or mobile installations, inspired by the forms of nature, play with light and movement. Her meeting with the ceramist Jean-François Reboul in 2015 allowed her to deepen her learning and to assert herself in her artistic approach. She exhibits her work in 2017 and 2019 at the Revelations Biennal at the Grand Palais in Paris.

Today, Louise Frydman collaborates with luxury houses such as Hermès, Bonpoint or Yiqing Yin haute couture, she works with the promoter Vinci Immobilier and sells her sculptures to decorators such as Minassian Chahan. In June 2019, Louise Frydman was awarded the “1 immeuble, 1 œuvre” Prize by the Minister of Culture Franck Riester, for her collaboration with Vinci Immobilier. Her work was also selected for the ICAA International White China Competition, whose exhibition took place in Beijing in August 2019. Her sculptures are currently presented at the showroom of the designer Philippe Hurel in Paris in the first arrondissement.

Loo & Lou Gallery exhibited her work for the first time at the fair JustLX in Lisbon in May 2019. Since then, she has had two solo exhibitions, one entitled Nature Fragile in the Loo & Lou Atelier and the second, Contemporary Ceramics, in the gallery’s space at George V.

View Artist's Page >

The post Louise Frydman Composition (2021) first appeared on Loo & Lou Gallery.]]> Louise Frydman Corolle II (2020) https://looandlougallery.com/catalog-exhibit/louise-frydman-corolle-ii-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-corolle-ii-2020-2 Sat, 27 Feb 2021 15:31:45 +0000 https://looandlougallery.com/?p=13449 Louise-frydman-corolle-ii-2020-ceramique Louise-frydman-corolle-ii-2020-ceramique To request the full list of available works, please contact us by e-mail or by telephone (+33) 01 42 74 03 97. 

The post Louise Frydman Corolle II (2020) first appeared on Loo & Lou Gallery.]]>

Louise-frydman-corolle-ii-2020-ceramique

Louise-frydman-corolle-ii-2020-ceramique

Louise Frydman
Corolle II (2020)
Wall sculpture, Ceramic
L 54 x I 53 x H 12 cm

Commander >

To request the full list of available works, please contact us by e-mail or by telephone (+33) 01 42 74 03 97. 

RELATED WORKS

Louise Frydman
Efflorescence II (2020)
Wall sculpture, Enameled earthenware
D 60 cm

View Artwork >

Louise Frydman
Composition (2021)
Diptych, Ceramic
L 95 x I 61 cm (each)

View Artwork >

ABOUT THE ARTIST

LOUISE FRYDMAN

Louise Frydman is a French artist who was born in 1989 in Paris.
She graduated from ESAG-Penninghen School of Art in 2012 and studied photography at the International Center of Photography in New York.

Her studio is located in Burgundy since 2015. Louise Frydman began by composing light and delicate works in white paper and then turned to ceramics in 2015 when she created her monumental piece La Fée des Pétales hanging in the courtyard of the Hôtel de Croisilles in Paris.

In treating ceramics, she will preserve the white matte of the paper as well as the delicacy of the material. Her sculptures, mirrors, or mobile installations, inspired by the forms of nature, play with light and movement. Her meeting with the ceramist Jean-François Reboul in 2015 allowed her to deepen her learning and to assert herself in her artistic approach. She exhibits her work in 2017 and 2019 at the Revelations Biennal at the Grand Palais in Paris.

Today, Louise Frydman collaborates with luxury houses such as Hermès, Bonpoint or Yiqing Yin haute couture, she works with the promoter Vinci Immobilier and sells her sculptures to decorators such as Minassian Chahan. In June 2019, Louise Frydman was awarded the “1 immeuble, 1 œuvre” Prize by the Minister of Culture Franck Riester, for her collaboration with Vinci Immobilier. Her work was also selected for the ICAA International White China Competition, whose exhibition took place in Beijing in August 2019. Her sculptures are currently presented at the showroom of the designer Philippe Hurel in Paris in the first arrondissement.

Loo & Lou Gallery exhibited her work for the first time at the fair JustLX in Lisbon in May 2019. Since then, she has had two solo exhibitions, one entitled Nature Fragile in the Loo & Lou Atelier and the second, Contemporary Ceramics, in the gallery’s space at George V.

View Artist's Page >

The post Louise Frydman Corolle II (2020) first appeared on Loo & Lou Gallery.]]> Louise Frydman Efflorescence II (2020) https://looandlougallery.com/catalog-exhibit/louise-frydman-efflorescence-ii-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-efflorescence-ii-2020-2 Sat, 27 Feb 2021 15:30:32 +0000 https://looandlougallery.com/?p=13447 Louise-frydman-efflorescence-ii-2020-faience-d-60cm-scaled. Louise-frydman-L’Envole-Les-Chemins-des-Délices-2013 To request the full list of available works, please contact us by e-mail or by telephone (+33) 01 42 74 03 97. 

The post Louise Frydman Efflorescence II (2020) first appeared on Loo & Lou Gallery.]]>

Louise-frydman-efflorescence-ii-2020-faience-d-60cm-scaled.

Louise-frydman-L’Envole-Les-Chemins-des-Délices-2013

Louise Frydman
Efflorescence II (2020)
Wall sculpture, Enameled earthenware
D 60 cm

Commander >

To request the full list of available works, please contact us by e-mail or by telephone (+33) 01 42 74 03 97. 

RELATED WORKS

Louise Frydman
Corolle II (2020)
Wall sculpture, Ceramic
L 54 x I 53 x H 12 cm

View Artwork >

Louise Frydman
Composition (2021)
Diptych, Ceramic
L 95 x I 61 cm (each)

View Artwork >

ABOUT THE ARTIST

LOUISE FRYDMAN

Louise Frydman is a French artist who was born in 1989 in Paris.
She graduated from ESAG-Penninghen School of Art in 2012 and studied photography at the International Center of Photography in New York.

Her studio is located in Burgundy since 2015. Louise Frydman began by composing light and delicate works in white paper and then turned to ceramics in 2015 when she created her monumental piece La Fée des Pétales hanging in the courtyard of the Hôtel de Croisilles in Paris.

In treating ceramics, she will preserve the white matte of the paper as well as the delicacy of the material. Her sculptures, mirrors, or mobile installations, inspired by the forms of nature, play with light and movement. Her meeting with the ceramist Jean-François Reboul in 2015 allowed her to deepen her learning and to assert herself in her artistic approach. She exhibits her work in 2017 and 2019 at the Revelations Biennal at the Grand Palais in Paris.

Today, Louise Frydman collaborates with luxury houses such as Hermès, Bonpoint or Yiqing Yin haute couture, she works with the promoter Vinci Immobilier and sells her sculptures to decorators such as Minassian Chahan. In June 2019, Louise Frydman was awarded the “1 immeuble, 1 œuvre” Prize by the Minister of Culture Franck Riester, for her collaboration with Vinci Immobilier. Her work was also selected for the ICAA International White China Competition, whose exhibition took place in Beijing in August 2019. Her sculptures are currently presented at the showroom of the designer Philippe Hurel in Paris in the first arrondissement.

Loo & Lou Gallery exhibited her work for the first time at the fair JustLX in Lisbon in May 2019. Since then, she has had two solo exhibitions, one entitled Nature Fragile in the Loo & Lou Atelier and the second, Contemporary Ceramics, in the gallery’s space at George V.

View Artist's Page >

The post Louise Frydman Efflorescence II (2020) first appeared on Loo & Lou Gallery.]]> Catherine Wilkening L’Envol (2013) https://looandlougallery.com/catalog-exhibit/catherine-wilkening-lenvole-2013-2/?utm_source=rss&utm_medium=rss&utm_campaign=catherine-wilkening-lenvole-2013-2 Sat, 27 Feb 2021 14:20:04 +0000 https://looandlougallery.com/?p=13390 Wilkening-Catherine-L’Envole-Les-Chemins-des-Délices-2013 Wilkening-Catherine-L’Envole-Les-Chemins-des-Délices-2013 Wilkening-Catherine-L’Envole-Les-Chemins-des-Délices-2013 Wilkening-Catherine-L’Envole-Les-Chemins-des-Délices-2013 To request the full list of available works, please contact us by e-mail by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Catherine Wilkening L’Envol (2013) first appeared on Loo & Lou Gallery.]]>

  • Wilkening-Catherine-L’Envole-Les-Chemins-des-Délices-2013

    Wilkening-Catherine-L’Envole-Les-Chemins-des-Délices-2013

  • Wilkening-Catherine-L’Envole-Les-Chemins-des-Délices-2013

    Wilkening-Catherine-L’Envole-Les-Chemins-des-Délices-2013

Catherine Wilkening
L'Envol, 2013
Black earth, Chamotte
97 x 20 x 15 cm

Commander >

To request the full list of available works, please contact us by e-mail by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Catherine Wilkening
La Madonna Animale
Porcelain, gold leaf, copper, plaster
187 x 43 x 42 cm

View Artwork >

Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices Catherine Wilkening
Vertiges
Porcelain, Murano glass
98 x 55 x 52 cm

View Artwork >

Catherine Wilkening
Envole-Moi, 2019
Enameled porcelain
130 x 90 cm

View Artwork >

ABOUT THE ARTIST

CATHERINE WILKENING

“One day in 2002, during my career as an actress, the need to put my hands in matter imposed itself on me; the earth became vital to me at once. I launched into sculpture with a primal, animal instinct, guided by a deep and irreproachable impulse. My exploration is underground and organic, my work is physical, sensual, enjoyable. There is no conceptual plan, I let go of what is in my head and become one with living matter. I take a leap into the void.

My work has always been nourished by the feminine figure, with obsessive themes – birth, chaos, death, rebirth, impermanence, devotion, cannibalism – subjects that I explored through porcelain sculptures in 2019 during Art Paris at the Grand Palais with Loo & Lou Gallery. Today, going through these long periods of confinement in an anxiety-provoking climate, I feel the need to connect to the luminous, the spiritual, the elevated, the transcendental… to work on repetition, the multiple, the swarming, the infinite, the infinitely monumental in the infinitely tiny, like mantras that soothe and numb cerebral agitation, like broad breaths – to build from chaos, from fragments of aborted or abandoned sculptures, and give them a new breath of life… These long months of gestation birthed immense, immaculate, porcelain Madonnas, adorned with gold, Murano glass, crowned with roses, thorns, roots.”

– Catherine Wilkening

View Artist's Page >

The post Catherine Wilkening L’Envol (2013) first appeared on Loo & Lou Gallery.]]> Catherine Wilkening Envole-Moi (2019) https://looandlougallery.com/catalog-exhibit/catherine-wilkening-envole-moi-2019-2/?utm_source=rss&utm_medium=rss&utm_campaign=catherine-wilkening-envole-moi-2019-2 Sat, 27 Feb 2021 14:18:19 +0000 https://looandlougallery.com/?p=13387 catherine-wilkening-envole-moi-les-chemins-des-delices-2020-21-1 catherine-wilkening-envole-moi-les-chemins-des-delices-2020-21-1 catherine-wilkening-envole-moi-les-chemins-des-delices-2020-21-1 catherine-wilkening-envole-moi-les-chemins-des-delices-2020-21-1 To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Catherine Wilkening Envole-Moi (2019) first appeared on Loo & Lou Gallery.]]>

  • catherine-wilkening-envole-moi-les-chemins-des-delices-2020-21-1

    catherine-wilkening-envole-moi-les-chemins-des-delices-2020-21-1

  • catherine-wilkening-envole-moi-les-chemins-des-delices-2020-21-1

    catherine-wilkening-envole-moi-les-chemins-des-delices-2020-21-1

Catherine Wilkening
Envole-Moi, 2019
Enameled porcelain
130 x 90 cm

Commander >

To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Catherine Wilkening
La Madonna Animale
Porcelain, gold leaf, copper, plaster
187 x 43 x 42 cm

View Artwork >

Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices Catherine Wilkening
Vertiges
Porcelain, Murano glass
98 x 55 x 52 cm

View Artwork >

Catherine Wilkening
L'Envol, 2013
Black earth, Chamotte
97 x 20 x 15 cm

View Artwork >

ABOUT THE ARTIST

CATHERINE WILKENING

“One day in 2002, during my career as an actress, the need to put my hands in matter imposed itself on me; the earth became vital to me at once. I launched into sculpture with a primal, animal instinct, guided by a deep and irreproachable impulse. My exploration is underground and organic, my work is physical, sensual, enjoyable. There is no conceptual plan, I let go of what is in my head and become one with living matter. I take a leap into the void.

My work has always been nourished by the feminine figure, with obsessive themes – birth, chaos, death, rebirth, impermanence, devotion, cannibalism – subjects that I explored through porcelain sculptures in 2019 during Art Paris at the Grand Palais with Loo & Lou Gallery. Today, going through these long periods of confinement in an anxiety-provoking climate, I feel the need to connect to the luminous, the spiritual, the elevated, the transcendental… to work on repetition, the multiple, the swarming, the infinite, the infinitely monumental in the infinitely tiny, like mantras that soothe and numb cerebral agitation, like broad breaths – to build from chaos, from fragments of aborted or abandoned sculptures, and give them a new breath of life… These long months of gestation birthed immense, immaculate, porcelain Madonnas, adorned with gold, Murano glass, crowned with roses, thorns, roots.”

– Catherine Wilkening

View Artist's Page >

The post Catherine Wilkening Envole-Moi (2019) first appeared on Loo & Lou Gallery.]]> Catherine Wilkening Vertiges (2020) https://looandlougallery.com/catalog-exhibit/catherine-wilkening-vertiges-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=catherine-wilkening-vertiges-2020-2 Sat, 27 Feb 2021 14:17:29 +0000 https://looandlougallery.com/?p=13385 Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021 Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021 Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021 Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021 Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021 Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021 To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Catherine Wilkening Vertiges (2020) first appeared on Loo & Lou Gallery.]]>

  • Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021

    Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021

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    Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021

  • Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021

    Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices-2021

Catherine Wilkening
Vertiges
Porcelain, Murano glass
98 x 55 x 52 cm

Commander >

To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Catherine Wilkening
La Madonna Animale
Porcelain, gold leaf, copper, plaster
187 x 43 x 42 cm

View Artwork >

Catherine Wilkening
Envole-Moi, 2019
Enameled porcelain
130 x 90 cm

View Artwork >

Catherine Wilkening
L'Envol, 2013
Black earth, Chamotte
97 x 20 x 15 cm

View Artwork >

ABOUT THE ARTIST

CATHERINE WILKENING

“One day in 2002, during my career as an actress, the need to put my hands in matter imposed itself on me; the earth became vital to me at once. I launched into sculpture with a primal, animal instinct, guided by a deep and irreproachable impulse. My exploration is underground and organic, my work is physical, sensual, enjoyable. There is no conceptual plan, I let go of what is in my head and become one with living matter. I take a leap into the void.

My work has always been nourished by the feminine figure, with obsessive themes – birth, chaos, death, rebirth, impermanence, devotion, cannibalism – subjects that I explored through porcelain sculptures in 2019 during Art Paris at the Grand Palais with Loo & Lou Gallery. Today, going through these long periods of confinement in an anxiety-provoking climate, I feel the need to connect to the luminous, the spiritual, the elevated, the transcendental… to work on repetition, the multiple, the swarming, the infinite, the infinitely monumental in the infinitely tiny, like mantras that soothe and numb cerebral agitation, like broad breaths – to build from chaos, from fragments of aborted or abandoned sculptures, and give them a new breath of life… These long months of gestation birthed immense, immaculate, porcelain Madonnas, adorned with gold, Murano glass, crowned with roses, thorns, roots.”

– Catherine Wilkening

View Artist's Page >

The post Catherine Wilkening Vertiges (2020) first appeared on Loo & Lou Gallery.]]> Catherine Wilkening La Madonna Animale (2020) https://looandlougallery.com/catalog-exhibit/catherine-wilkening-la-madonna-animale-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=catherine-wilkening-la-madonna-animale-2020-2 Sat, 27 Feb 2021 14:08:36 +0000 https://looandlougallery.com/?p=13381 Catherine-Wilkening-La-Madonna-Animale-Les-Chemins-des-Délices-2020 Catherine-Wilkening-La-Madonna-Animale-Les-Chemins-des-Délices-2020 Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020-2 Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020-2 Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020 Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020 Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020 Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020 To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post Catherine Wilkening La Madonna Animale (2020) first appeared on Loo & Lou Gallery.]]>

  • Catherine-Wilkening-La-Madonna-Animale-Les-Chemins-des-Délices-2020

    Catherine-Wilkening-La-Madonna-Animale-Les-Chemins-des-Délices-2020

  • Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020-2

    Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020-2

  • Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020

    Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020

  • Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020

    Detail-Wilkening-Catherine-La-Madonna-Animale-Les-Chemins-des-Délices-2020

Catherine Wilkening
La Madonna Animale
Porcelain, gold leaf, copper, plaster
187 x 43 x 42 cm

Commander >

To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

RELATED WORKS

Catherine-Wilkening-Vertiges-2020-Les-Chemins-Des-Delices Catherine Wilkening
Vertiges
Porcelain, Murano glass
98 x 55 x 52 cm

View Artwork >

Catherine Wilkening
Envole-Moi, 2019
Enameled porcelain
130 x 90 cm

View Artwork >

Catherine Wilkening
L'Envol, 2013
Black earth, Chamotte
97 x 20 x 15 cm

View Artwork >

ABOUT THE ARTIST

CATHERINE WILKENING

“One day in 2002, during my career as an actress, the need to put my hands in matter imposed itself on me; the earth became vital to me at once. I launched into sculpture with a primal, animal instinct, guided by a deep and irreproachable impulse. My exploration is underground and organic, my work is physical, sensual, enjoyable. There is no conceptual plan, I let go of what is in my head and become one with living matter. I take a leap into the void.

My work has always been nourished by the feminine figure, with obsessive themes – birth, chaos, death, rebirth, impermanence, devotion, cannibalism – subjects that I explored through porcelain sculptures in 2019 during Art Paris at the Grand Palais with Loo & Lou Gallery. Today, going through these long periods of confinement in an anxiety-provoking climate, I feel the need to connect to the luminous, the spiritual, the elevated, the transcendental… to work on repetition, the multiple, the swarming, the infinite, the infinitely monumental in the infinitely tiny, like mantras that soothe and numb cerebral agitation, like broad breaths – to build from chaos, from fragments of aborted or abandoned sculptures, and give them a new breath of life… These long months of gestation birthed immense, immaculate, porcelain Madonnas, adorned with gold, Murano glass, crowned with roses, thorns, roots.”

– Catherine Wilkening

View Artist's Page >

The post Catherine Wilkening La Madonna Animale (2020) first appeared on Loo & Lou Gallery.]]> Xavier Servas Sediments (2025) https://looandlougallery.com/catalog/xavier-servas-sediments-2025-2/?utm_source=rss&utm_medium=rss&utm_campaign=xavier-servas-sediments-2025-2 Fri, 28 Mar 2025 10:46:20 +0000 https://looandlougallery.com/?p=24598 Sediment series

The post Xavier Servas Sediments (2025) first appeared on Loo & Lou Gallery.]]>

Sediment series

Xavier Servas
Sediment series (2025)
Encaustic paint on oxidized copper
13,5 x 13,5 cm each
330 € each

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ABOUT THE ARTIST

Portrait Xavier Servas

Xavier Servas

“I’m a French visual artist and object designer living in Brussels, Belgium.

After studying fine arts at the University of Paris 8, I went on to study product design at the École nationale supérieure des arts décoratifs in Paris and at the Höchscule für Gestaltung Kalrsruhe, where I spent two semesters.

As a designer, I worked in Vietnam and contributed to the preservation of local traditional crafts. Back in France, I got involved in the makers community as a consultant and fabmanager.
I worked as an assistant to artist Elias Crespin.

I started working on my own art projects in 2019. I’m interested in ancient craft techniques, some of which have fallen into oblivion, which I confront with today’s context. I engage in applied experimental research, informed in particular by archaeology and ethnology. This approach is motivated by the conviction that materials developed before the advent of the industrial age possess technical properties that can respond to contemporary issues, as well as by the desire to create a poetic formal language based on notions of timelessness and imperfection.”

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The post Xavier Servas Sediments (2025) first appeared on Loo & Lou Gallery.]]> Simon Laveuve Print n°3 (2024) https://looandlougallery.com/catalog/simon-laveuve-print-n3-2024/?utm_source=rss&utm_medium=rss&utm_campaign=simon-laveuve-print-n3-2024 Wed, 15 Jan 2025 15:51:56 +0000 https://looandlougallery.com/?p=24141 Print N°3

The post Simon Laveuve Print n°3 (2024) first appeared on Loo & Lou Gallery.]]>

Print N°3

Simon Laveuve
Print n°3 (2024)
Epson P20 000 print on Bright White Hahnemühle 310g - wooden frame
45 x 30 cm
420 €

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RELATED WORKS

Simon Laveuve
Print n°1 (2024)
Epson P20 000 print on Bright White Hahnemühle 310g - wooden frame
60 x 40 cm
580 €
View Artwork >

Simon Laveuve
Print n°2 (2024)
Epson P20 000 print on Bright White Hahnemühle 310g - wooden frame
45 x 30 cm
420 €
View Artwork >

ABOUT THE ARTIST

Portrait | © Simon Laveuve

SIMON LAVEUVE

“Born in 1988, I’m originally from the Paris suburbs, where I still live. I grew up in a concrete tower, designed by the committed architect Renée Gailhoustet, who built all the social housing in Ivry-sur-Seine. Surrounded by dormitory towns, housing estates and the industrial zone, it was above all the town’s spatial layout, created in collaboration with Jean Renaudie, that inevitably left its mark on me.

My career path, too, has had an impact on my inspirations. As an author-photographer for over 10 years, I’ve worked in the fashion, music, reportage and publishing worlds… Specializing in portraiture and still life, people and their environment have always been at the heart of my work.

Since 2016, I’ve been building my own world in miniature, combining volume and staging. Habitat and survival are two central elements of my approach. Self-taught in the world of sculpture and modeling, I use a lot of salvaged elements. I like the principle of second life and recycling through art for creation. Detail, reading and meaning are directly linked to my earlier photographic work.

What most of my pieces have in common is that they feature a shelter. A shelter for man, made by man, whose figure is not necessarily present. I like to work on height and the inaccessible. Protection and abandonment. Fallen icons and their symbolisms. Resistance and insubordination.”

View Artist's Page >
VIEW FULL CATALOG

The post Simon Laveuve Print n°3 (2024) first appeared on Loo & Lou Gallery.]]> Simon Laveuve Print n°2 (2024) https://looandlougallery.com/catalog/simon-laveuve-print-n2-2024/?utm_source=rss&utm_medium=rss&utm_campaign=simon-laveuve-print-n2-2024 Wed, 15 Jan 2025 15:49:38 +0000 https://looandlougallery.com/?p=24136 Print N°2

The post Simon Laveuve Print n°2 (2024) first appeared on Loo & Lou Gallery.]]>

Print N°2

Simon Laveuve
Print n°2 (2024)
Epson P20 000 print on Bright White Hahnemühle 310g - wooden frame
45 x 30 cm
420 €

Order >
RELATED WORKS

Simon Laveuve
Print n°1 (2024)
Epson P20 000 print on Bright White Hahnemühle 310g - wooden frame
60 x 40 cm
580 €
View Artwork >

Simon Laveuve
Print n°3 (2024)
Epson P20 000 print on Bright White Hahnemühle 310g - wooden frame
45 x 30 cm
420 €
View Artwork >

ABOUT THE ARTIST

Portrait | © Simon Laveuve

SIMON LAVEUVE

“Born in 1988, I’m originally from the Paris suburbs, where I still live. I grew up in a concrete tower, designed by the committed architect Renée Gailhoustet, who built all the social housing in Ivry-sur-Seine. Surrounded by dormitory towns, housing estates and the industrial zone, it was above all the town’s spatial layout, created in collaboration with Jean Renaudie, that inevitably left its mark on me.

My career path, too, has had an impact on my inspirations. As an author-photographer for over 10 years, I’ve worked in the fashion, music, reportage and publishing worlds… Specializing in portraiture and still life, people and their environment have always been at the heart of my work.

Since 2016, I’ve been building my own world in miniature, combining volume and staging. Habitat and survival are two central elements of my approach. Self-taught in the world of sculpture and modeling, I use a lot of salvaged elements. I like the principle of second life and recycling through art for creation. Detail, reading and meaning are directly linked to my earlier photographic work.

What most of my pieces have in common is that they feature a shelter. A shelter for man, made by man, whose figure is not necessarily present. I like to work on height and the inaccessible. Protection and abandonment. Fallen icons and their symbolisms. Resistance and insubordination.”

View Artist's Page >
VIEW FULL CATALOG

The post Simon Laveuve Print n°2 (2024) first appeared on Loo & Lou Gallery.]]> Simon Laveuve Print n°1 (2024) https://looandlougallery.com/catalog/simon-laveuve-print-n1-2024/?utm_source=rss&utm_medium=rss&utm_campaign=simon-laveuve-print-n1-2024 Tue, 14 Jan 2025 16:26:51 +0000 https://looandlougallery.com/?p=24130 Print N°1

The post Simon Laveuve Print n°1 (2024) first appeared on Loo & Lou Gallery.]]>

Print N°1

Simon Laveuve
Print n°1 (2024)
Epson P20 000 print on Bright White Hahnemühle 310g - wooden frame
60 x 40 cm
580 €

Order >
RELATED WORKS

Simon Laveuve
Print n°2 (2024)
Epson P20 000 print on Bright White Hahnemühle 310g - wooden frame
45 x 30 cm
420 €
View Artwork >

Simon Laveuve
Print n°3 (2024)
Epson P20 000 print on Bright White Hahnemühle 310g - wooden frame
45 x 30 cm
420 €
View Artwork >

ABOUT THE ARTIST

Portrait | © Simon Laveuve

SIMON LAVEUVE

“Born in 1988, I’m originally from the Paris suburbs, where I still live. I grew up in a concrete tower, designed by the committed architect Renée Gailhoustet, who built all the social housing in Ivry-sur-Seine. Surrounded by dormitory towns, housing estates and the industrial zone, it was above all the town’s spatial layout, created in collaboration with Jean Renaudie, that inevitably left its mark on me.

My career path, too, has had an impact on my inspirations. As an author-photographer for over 10 years, I’ve worked in the fashion, music, reportage and publishing worlds… Specializing in portraiture and still life, people and their environment have always been at the heart of my work.

Since 2016, I’ve been building my own world in miniature, combining volume and staging. Habitat and survival are two central elements of my approach. Self-taught in the world of sculpture and modeling, I use a lot of salvaged elements. I like the principle of second life and recycling through art for creation. Detail, reading and meaning are directly linked to my earlier photographic work.

What most of my pieces have in common is that they feature a shelter. A shelter for man, made by man, whose figure is not necessarily present. I like to work on height and the inaccessible. Protection and abandonment. Fallen icons and their symbolisms. Resistance and insubordination.”

View Artist's Page >
VIEW FULL CATALOG

The post Simon Laveuve Print n°1 (2024) first appeared on Loo & Lou Gallery.]]> Tana Borissova Arbre 48 (2023) https://looandlougallery.com/catalog/tana-borissova-arbre-48-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-arbre-48-2023-2 Tue, 28 Nov 2023 12:34:30 +0000 https://looandlougallery.com/?p=22437 Arbre 48

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Arbre 48

Tana Borissova
Arbre 48 (2023)
Acrylic on paper
24 x 33 cm
900 euros

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Arbre 20 (2023)
Acrylic on paper
33 x 24 cm
900 euros
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Tana Borissova
Arbre 22 (2023)
Acrylic on paper
30 x 40 cm
1000 euros
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Tana Borissova
Arbre 34 (2023)
Acrylic on paper
24,5 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 45 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 46 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 70 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

View Artist's Page >
VIEW FULL CATALOG

The post Tana Borissova Arbre 48 (2023) first appeared on Loo & Lou Gallery.]]> Tana Borissova Arbre 22 (2023) https://looandlougallery.com/catalog/tana-borissova-arbre-22-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-arbre-22-2023-2 Tue, 28 Nov 2023 11:58:52 +0000 https://looandlougallery.com/?p=22404 Arbre 22

The post Tana Borissova Arbre 22 (2023) first appeared on Loo & Lou Gallery.]]>

Arbre 22

Tana Borissova
Arbre 22 (2023)
Acrylic on paper
30 x 40 cm
1000 euros

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Tana Borissova
Arbre 20 (2023)
Acrylic on paper
33 x 24 cm
900 euros
View Artwork >

Tana Borissova
Arbre 22 (2023)
Acrylic on paper
30 x 40 cm
1000 euros
View Artwork >

Tana Borissova
Arbre 34 (2023)
Acrylic on paper
24,5 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 45 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 46 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 48 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 70 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

View Artist's Page >
VIEW FULL CATALOG

The post Tana Borissova Arbre 22 (2023) first appeared on Loo & Lou Gallery.]]> Tana Borissova Arbre 20 (2023) https://looandlougallery.com/catalog/tana-borissova-arbre-20-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-arbre-20-2023-2 Tue, 28 Nov 2023 11:21:43 +0000 https://looandlougallery.com/?p=22387 Arbre 20

The post Tana Borissova Arbre 20 (2023) first appeared on Loo & Lou Gallery.]]>

Arbre 20

Tana Borissova
Arbre 20 (2023)
Acrylic on paper
33 x 24 cm
900 euros

Order >
RELATED WORKS

Tana Borissova
Arbre 20 (2023)
Acrylic on paper
33 x 24 cm
900 euros
View Artwork >

Tana Borissova
Arbre 22 (2023)
Acrylic on paper
30 x 40 cm
1000 euros
View Artwork >

Tana Borissova
Arbre 34 (2023)
Acrylic on paper
24,5 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 45 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 46 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 48 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 70 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

View Artist's Page >
VIEW FULL CATALOG

The post Tana Borissova Arbre 20 (2023) first appeared on Loo & Lou Gallery.]]> Serge Rezvani Autoportraits (2022-2023) https://looandlougallery.com/catalog-1000/serge-rezvani-autoportraits-2022-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=serge-rezvani-autoportraits-2022-2023-2 Thu, 18 Apr 2024 14:54:37 +0000 https://looandlougallery.com/?p=23266 Série de 12 autoportraits (2022-2023)

The post Serge Rezvani Autoportraits (2022-2023) first appeared on Loo & Lou Gallery.]]>

Série de 12 autoportraits (2022-2023)

Serge Rezvani
Autoportraits (2022-2023) - Serie of 12 self-portraits
Ballpoint pen and China ink
53 x 43 cm
1500 €

Commander >

The post Serge Rezvani Autoportraits (2022-2023) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P11133 (2011) https://looandlougallery.com/catalog-1000/johan-van-mullem-p11133-2011-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p11133-2011-2 Thu, 18 Apr 2024 14:53:35 +0000 https://looandlougallery.com/?p=23267 P11133 (2011)

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P11133 (2011)

Johan Van Mullem
P11133 (2011)
Ink on kappa
100 x 100 cm
11000 €

Commander >

The post Johan Van Mullem P11133 (2011) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P14111 (2014) https://looandlougallery.com/catalog-1000/johan-van-mullem-p14111-2014-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p14111-2014-2 Thu, 18 Apr 2024 14:52:41 +0000 https://looandlougallery.com/?p=23268 P14111 (2014)

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P14111 (2014)

Johan Van Mullem
P14111 (2014)
Ink on canvas
100 x 140 cm
13000 €

Commander >

The post Johan Van Mullem P14111 (2014) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P20058 (2020) https://looandlougallery.com/catalog-1000/johan-van-mullem-p20058-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p20058-2020-2 Thu, 18 Apr 2024 14:51:50 +0000 https://looandlougallery.com/?p=23269 P20058 (2020)

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P20058 (2020)

Johan Van Mullem
P20058 (2020)
Ink on canvas
160 x 140 cm
17000 €

Commander >

The post Johan Van Mullem P20058 (2020) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P20025 (2020) https://looandlougallery.com/catalog-1000/johan-van-mullem-p20025-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p20025-2020-2 Thu, 18 Apr 2024 14:50:58 +0000 https://looandlougallery.com/?p=23270 P20025 (2020)

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P20025 (2020)

Johan Van Mullem
P20025 (2020)
Ink on kappa
70 x 100 cm
9000 €

Commander >

The post Johan Van Mullem P20025 (2020) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P20004 (2020) https://looandlougallery.com/catalog-1000/johan-van-mullem-p20004-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p20004-2020-2 Thu, 18 Apr 2024 14:49:43 +0000 https://looandlougallery.com/?p=23271 P20004 (2020)

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P20004 (2020)

Johan Van Mullem
P20004 (2020)
Ink on kappa
70 x 70 cm
7000 €

Commander >

The post Johan Van Mullem P20004 (2020) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P20027 (2018) https://looandlougallery.com/catalog-1000/johan-van-mullem-p20027-2018/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p20027-2018 Thu, 18 Apr 2024 14:48:46 +0000 https://looandlougallery.com/?p=23272 P20027 (2018)

The post Johan Van Mullem P20027 (2018) first appeared on Loo & Lou Gallery.]]>

P20027 (2018)

Johan Van Mullem
P20027 (2018)
Ink on canvas
70 x 100 cm
9000 €

Commander >

The post Johan Van Mullem P20027 (2018) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P18004 (2018) https://looandlougallery.com/catalog-1000/johan-van-mullem-p18004-2018-4/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p18004-2018-4 Thu, 18 Apr 2024 14:47:39 +0000 https://looandlougallery.com/?p=23273 P18004 (2018)

The post Johan Van Mullem P18004 (2018) first appeared on Loo & Lou Gallery.]]>

P18004 (2018)

Johan Van Mullem
P18004 (2018)
Ink on canvas
160 x 160 cm
18000 €

Commander >

The post Johan Van Mullem P18004 (2018) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P18010 (2018) https://looandlougallery.com/catalog-1000/johan-van-mullem-p18010-2018-4/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p18010-2018-4 Thu, 18 Apr 2024 14:46:26 +0000 https://looandlougallery.com/?p=23274 P18010 (2018)

The post Johan Van Mullem P18010 (2018) first appeared on Loo & Lou Gallery.]]>

P18010 (2018)

Johan Van Mullem
P18010 (2018)
Ink on canvas
160 x 130 cm
16000 €

Commander >

The post Johan Van Mullem P18010 (2018) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P17026 (2017) https://looandlougallery.com/catalog-1000/johan-van-mullem-p17026-2017-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p17026-2017-2 Thu, 18 Apr 2024 14:45:23 +0000 https://looandlougallery.com/?p=23275 P17026 (2017)

The post Johan Van Mullem P17026 (2017) first appeared on Loo & Lou Gallery.]]>

P17026 (2017)

Johan Van Mullem
P17026 (2017)
Ink on canvas
160 x 100 cm
14500 €

Commander >

The post Johan Van Mullem P17026 (2017) first appeared on Loo & Lou Gallery.]]> Johan Van Mullem P14075 (2014) https://looandlougallery.com/catalog-1000/johan-van-mullem-p14075-2014-2/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-p14075-2014-2 Thu, 18 Apr 2024 14:43:55 +0000 https://looandlougallery.com/?p=23276 P14075 (2014)

The post Johan Van Mullem P14075 (2014) first appeared on Loo & Lou Gallery.]]>

P14075 (2014)

Johan Van Mullem
P14075 (2014)
Ink on kappa
200 x 140 cm
19000 €

Commander >

The post Johan Van Mullem P14075 (2014) first appeared on Loo & Lou Gallery.]]> Tana Borissova Arbre 34 (2023) https://looandlougallery.com/catalog/tana-borissova-arbre-34-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-arbre-34-2023-2 Tue, 28 Nov 2023 12:16:26 +0000 https://looandlougallery.com/?p=22413 Arbre 34

The post Tana Borissova Arbre 34 (2023) first appeared on Loo & Lou Gallery.]]>

Arbre 34

Tana Borissova
Arbre 34 (2023)
Acrylic on paper
24,5 x 33 cm
900 euros

Order >
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Tana Borissova
Arbre 20 (2023)
Acrylic on paper
33 x 24 cm
900 euros
View Artwork >

Tana Borissova
Arbre 22 (2023)
Acrylic on paper
30 x 40 cm
1000 euros
View Artwork >

Tana Borissova
Arbre 45 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 46 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 48 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 70 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

View Artist's Page >
VIEW FULL CATALOG

The post Tana Borissova Arbre 34 (2023) first appeared on Loo & Lou Gallery.]]> Tana Borissova Arbre 45 (2023) https://looandlougallery.com/catalog/tana-borissova-arbre-45-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-arbre-45-2023-2 Tue, 28 Nov 2023 12:23:32 +0000 https://looandlougallery.com/?p=22425 Arbre 45

The post Tana Borissova Arbre 45 (2023) first appeared on Loo & Lou Gallery.]]>

Arbre 45

Tana Borissova
Arbre 45 (2023)
Acrylic on paper
24 x 33 cm
900 euros

Order >
RELATED WORKS

Tana Borissova
Arbre 20 (2023)
Acrylic on paper
33 x 24 cm
900 euros
View Artwork >

Tana Borissova
Arbre 22 (2023)
Acrylic on paper
30 x 40 cm
1000 euros
View Artwork >

Tana Borissova
Arbre 34 (2023)
Acrylic on paper
24,5 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 46 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 48 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 70 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

View Artist's Page >
VIEW FULL CATALOG

The post Tana Borissova Arbre 45 (2023) first appeared on Loo & Lou Gallery.]]> Tana Borissova Arbre 46 (2023) https://looandlougallery.com/catalog/tana-borissova-arbre-46-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-arbre-46-2023-2 Tue, 28 Nov 2023 12:30:04 +0000 https://looandlougallery.com/?p=22431 Arbre 46

The post Tana Borissova Arbre 46 (2023) first appeared on Loo & Lou Gallery.]]>

Arbre 46

Tana Borissova
Arbre 46 (2023)
Acrylic on paper
24 x 33 cm
900 euros

Order >
RELATED WORKS

Tana Borissova
Arbre 20 (2023)
Acrylic on paper
33 x 24 cm
900 euros
View Artwork >

Tana Borissova
Arbre 22 (2023)
Acrylic on paper
30 x 40 cm
1000 euros
View Artwork >

Tana Borissova
Arbre 34 (2023)
Acrylic on paper
24,5 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 45 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 48 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 70 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

View Artist's Page >
VIEW FULL CATALOG

The post Tana Borissova Arbre 46 (2023) first appeared on Loo & Lou Gallery.]]> Tana Borissova Arbre 70 (2023) https://looandlougallery.com/catalog/tana-borissova-arbre-70-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-arbre-70-2023-2 Tue, 28 Nov 2023 12:39:22 +0000 https://looandlougallery.com/?p=22443 Arbre 70

The post Tana Borissova Arbre 70 (2023) first appeared on Loo & Lou Gallery.]]>

Arbre 70

Tana Borissova
Arbre 70 (2023)
Acrylic on paper
24 x 33 cm
900 euros

Order >
RELATED WORKS

Tana Borissova
Arbre 20 (2023)
Acrylic on paper
33 x 24 cm
900 euros
View Artwork >

Tana Borissova
Arbre 22 (2023)
Acrylic on paper
30 x 40 cm
1000 euros
View Artwork >

Tana Borissova
Arbre 34 (2023)
Acrylic on paper
24,5 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 45 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 46 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

Tana Borissova
Arbre 48 (2023)
Acrylic on paper
24 x 33 cm
900 euros
View Artwork >

ABOUT THE ARTIST

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997.

She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

View Artist's Page >
VIEW FULL CATALOG

The post Tana Borissova Arbre 70 (2023) first appeared on Loo & Lou Gallery.]]> Pierre-Luc Poujol N673 série Carbone (2023) https://looandlougallery.com/catalog/pierre-luc-poujol-n673-serie-carbone-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=pierre-luc-poujol-n673-serie-carbone-2023-2 Thu, 31 Oct 2024 13:41:40 +0000 https://looandlougallery.com/?p=23826 N°673 série Carbone

The post Pierre-Luc Poujol N673 série Carbone (2023) first appeared on Loo & Lou Gallery.]]>

N°673 série Carbone

Pierre-Luc Poujol
N673 (2023)
Wooden charcoal on paper
18 x 14 cm (framed: 24 x 18 cm)
280 €

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Pierre-Luc Poujol
N674 (2023)
Wooden charcoal on paper
31 x 22 cm (framed: 40 x 30 cm)
750 €
View Artwork >

Pierre-Luc Poujol
N672 (2023)
Wooden charcoal on paper
22 x 17 cm (framed: 30 x 20 cm)
380 €
View Artwork >

ABOUT THE ARTIST

N°631 Serie Carbone, mixed technic, wood charcoal on paper, 150x200 cm, 2023, Pierre-Luc Poujol

PIERRE-LUC POUJOL

Pierre-Luc Poujol was born in 1963 in Alès, in the Cévennes region of France.

In 1984, he began brilliant studies at the Bordeaux School of Applied Arts, graduating top of his class (first prize in drawing, first prize in perspective, first prize in sketching).

After dividing his time between France and the United States for several years, in 2018 he finally set up his studio in the South of France, near Montpellier.

Influenced by the peasant roots of his farmer grandfather and lulled by the spiritual environment of his pastor father, Pierre-Luc Poujol developed an early sensitivity to the world and nature around him.

Rewarded for his work and artistic commitment, he has won numerous prestigious awards. In particular, he won the international prize awarded by UNESCO for the bimillennium of the Nativity.

From March 23 to May 26, 2024, he presents “Arborescences”, his new monographic exhibition at the Musée Paul Valéry, featuring over 70 paintings and wood sculptures on the theme of trees and forests.

A committed artist, in spring 2022 Pierre-Luc Poujol will become the first ambassador of the French NGO Coeur de Forêt, for which he will lend his voice and his paintbrushes in support of the preservation of our biodiversity.

View Artist's Page >
VIEW FULL CATALOG

The post Pierre-Luc Poujol N673 série Carbone (2023) first appeared on Loo & Lou Gallery.]]> Pierre-Luc Poujol N672 série Carbone (2023) https://looandlougallery.com/catalog/pierre-luc-poujol-n672-serie-carbone-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=pierre-luc-poujol-n672-serie-carbone-2023-2 Thu, 31 Oct 2024 13:40:45 +0000 https://looandlougallery.com/?p=23825 N°672 série Carbone

The post Pierre-Luc Poujol N672 série Carbone (2023) first appeared on Loo & Lou Gallery.]]>

N°672 série Carbone

Pierre-Luc Poujol
N672 (2023)
Wooden charcoal on paper
22 x 17 cm (framed: 30 x 20 cm)
380 €

Order >
RELATED WORKS

Pierre-Luc Poujol
N674 (2023)
Wooden charcoal on paper
31 x 22 cm (framed: 40 x 30 cm)
750 €
View Artwork >

Pierre-Luc Poujol
N673 (2023)
Wooden charcoal on paper
18 x 14 cm (framed: 24 x 18 cm)
280 €
View Artwork >

ABOUT THE ARTIST

N°631 Serie Carbone, mixed technic, wood charcoal on paper, 150x200 cm, 2023, Pierre-Luc Poujol

PIERRE-LUC POUJOL

Pierre-Luc Poujol was born in 1963 in Alès, in the Cévennes region of France.

In 1984, he began brilliant studies at the Bordeaux School of Applied Arts, graduating top of his class (first prize in drawing, first prize in perspective, first prize in sketching).

After dividing his time between France and the United States for several years, in 2018 he finally set up his studio in the South of France, near Montpellier.

Influenced by the peasant roots of his farmer grandfather and lulled by the spiritual environment of his pastor father, Pierre-Luc Poujol developed an early sensitivity to the world and nature around him.

Rewarded for his work and artistic commitment, he has won numerous prestigious awards. In particular, he won the international prize awarded by UNESCO for the bimillennium of the Nativity.

From March 23 to May 26, 2024, he presents “Arborescences”, his new monographic exhibition at the Musée Paul Valéry, featuring over 70 paintings and wood sculptures on the theme of trees and forests.

A committed artist, in spring 2022 Pierre-Luc Poujol will become the first ambassador of the French NGO Coeur de Forêt, for which he will lend his voice and his paintbrushes in support of the preservation of our biodiversity.

View Artist's Page >
VIEW FULL CATALOG

The post Pierre-Luc Poujol N672 série Carbone (2023) first appeared on Loo & Lou Gallery.]]> Pierre-Luc Poujol N674 série Carbone (2023) https://looandlougallery.com/catalog/pierre-luc-poujol-n674-serie-carbone-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=pierre-luc-poujol-n674-serie-carbone-2023-2 Thu, 31 Oct 2024 13:38:09 +0000 https://looandlougallery.com/?p=23823 N°674 série Carbone

The post Pierre-Luc Poujol N674 série Carbone (2023) first appeared on Loo & Lou Gallery.]]>

N°674 série Carbone

Pierre-Luc Poujol
N674 (2023)
Wooden charcoal on paper
31 x 22 cm (framed: 40 x 30 cm)
750 €

Order >
RELATED WORKS

Pierre-Luc Poujol
N672 (2023)
Wooden charcoal on paper
22 x 17 cm (framed: 30 x 20 cm)
380 €
View Artwork >

Pierre-Luc Poujol
N673 (2023)
Wooden charcoal on paper
18 x 14 cm (framed: 24 x 18 cm)
280 €
View Artwork >

ABOUT THE ARTIST

N°631 Serie Carbone, mixed technic, wood charcoal on paper, 150x200 cm, 2023, Pierre-Luc Poujol

PIERRE-LUC POUJOL

Pierre-Luc Poujol was born in 1963 in Alès, in the Cévennes region of France.

In 1984, he began brilliant studies at the Bordeaux School of Applied Arts, graduating top of his class (first prize in drawing, first prize in perspective, first prize in sketching).

After dividing his time between France and the United States for several years, in 2018 he finally set up his studio in the South of France, near Montpellier.

Influenced by the peasant roots of his farmer grandfather and lulled by the spiritual environment of his pastor father, Pierre-Luc Poujol developed an early sensitivity to the world and nature around him.

Rewarded for his work and artistic commitment, he has won numerous prestigious awards. In particular, he won the international prize awarded by UNESCO for the bimillennium of the Nativity.

From March 23 to May 26, 2024, he presents “Arborescences”, his new monographic exhibition at the Musée Paul Valéry, featuring over 70 paintings and wood sculptures on the theme of trees and forests.

A committed artist, in spring 2022 Pierre-Luc Poujol will become the first ambassador of the French NGO Coeur de Forêt, for which he will lend his voice and his paintbrushes in support of the preservation of our biodiversity.

View Artist's Page >
VIEW FULL CATALOG

The post Pierre-Luc Poujol N674 série Carbone (2023) first appeared on Loo & Lou Gallery.]]> SylC Le baiser de la chimère (2023) https://looandlougallery.com/catalog/sylc-le-baiser-de-la-chimere-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=sylc-le-baiser-de-la-chimere-2023-2 Tue, 16 Jan 2024 17:28:58 +0000 https://looandlougallery.com/?p=22751 Le baiser de la chimère (2023)

The post SylC Le baiser de la chimère (2023) first appeared on Loo & Lou Gallery.]]>

Le baiser de la chimère (2023)

SylC
Le baiser de la chimère (2023)
Charcoal, acrylic, color pencil and oily pastel on paper
40 x 30 cm
950 euros

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SylC
Deep into the wild - Dessin 6 (2022)
Graphite mine, charcoal, acrylic, color pencil and oily pastel on paper
40 x 30 cm
950 euros
View Artwork >

SylC
Deep into the wild - Dessin 7 (2023)
Charcoal, acrylic, color pencil and oily pastel on paper
40 x 30 cm
950 euros
View Artwork >

ABOUT THE ARTIST

Image: SylC

SYLC

From painting to drawing, and through sculpture, the visual artist SylC places humanity at the center of her work. Strongly infused with dreamlike elements, her oeuvre reveals our true identity, our paradoxes, our dualities… By frequently associating the human with the animal or the plant, the artist sheds light on the woven connections between beings and those we maintain with nature; she highlights hybridization and metamorphosis, symbols of the complexity of our personalities, but also of adaptation, renewal, and the perpetual evolution of our identity.

View Artist's Page >
VIEW FULL CATALOG

The post SylC Le baiser de la chimère (2023) first appeared on Loo & Lou Gallery.]]> SylC Deep into the wild – Dessin 7 (2023) https://looandlougallery.com/catalog/sylc-deep-into-the-wild-dessin-7-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=sylc-deep-into-the-wild-dessin-7-2023-2 Tue, 16 Jan 2024 17:20:50 +0000 https://looandlougallery.com/?p=22745 Deep into the wild – Dessin 7 (2023)

The post SylC Deep into the wild – Dessin 7 (2023) first appeared on Loo & Lou Gallery.]]>

Deep into the wild – Dessin 7 (2023)

SylC
Deep into the wild - Dessin 7 (2023)
Charcoal, acrylic, color pencil and oily pastel on paper
40 x 30 cm
950 euros

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SylC
Deep into the wild - Dessin 6 (2022)
Graphite mine, charcoal, acrylic, color pencil and oily pastel on paper
40 x 30 cm
950 euros
View Artwork >

SylC
Le baiser de la chimère (2023)
Charcoal, acrylic, color pencil and oily pastel on paper
40 x 30 cm
950 euros
View Artwork >

ABOUT THE ARTIST

Image: SylC

SYLC

From painting to drawing, and through sculpture, the visual artist SylC places humanity at the center of her work. Strongly infused with dreamlike elements, her oeuvre reveals our true identity, our paradoxes, our dualities… By frequently associating the human with the animal or the plant, the artist sheds light on the woven connections between beings and those we maintain with nature; she highlights hybridization and metamorphosis, symbols of the complexity of our personalities, but also of adaptation, renewal, and the perpetual evolution of our identity.

View Artist's Page >
VIEW FULL CATALOG

The post SylC Deep into the wild – Dessin 7 (2023) first appeared on Loo & Lou Gallery.]]> SylC Deep into the wild – Dessin 6 (2022) https://looandlougallery.com/catalog/sylc-deep-into-the-wild-dessin-6-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=sylc-deep-into-the-wild-dessin-6-2022-2 Tue, 16 Jan 2024 17:00:49 +0000 https://looandlougallery.com/?p=22736 Deep into the wild – Dessin 6 (2022)

The post SylC Deep into the wild – Dessin 6 (2022) first appeared on Loo & Lou Gallery.]]>

Deep into the wild – Dessin 6 (2022)

SylC
Deep into the wild - Dessin 6 (2022)
Graphite mine, charcoal, acrylic, color pencil and oily pastel on paper
40 x 30 cm
950 euros

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RELATED WORKS

SylC
Deep into the wild - Dessin 7 (2023)
Charcoal, acrylic, color pencil and oily pastel on paper
40 x 30 cm
950 euros
View Artwork >

SylC
Le baiser de la chimère (2023)
Charcoal, acrylic, color pencil and oily pastel on paper
40 x 30 cm
950 euros
View Artwork >

ABOUT THE ARTIST

Image: SylC

SYLC

From painting to drawing, and through sculpture, the visual artist SylC places humanity at the center of her work. Strongly infused with dreamlike elements, her oeuvre reveals our true identity, our paradoxes, our dualities… By frequently associating the human with the animal or the plant, the artist sheds light on the woven connections between beings and those we maintain with nature; she highlights hybridization and metamorphosis, symbols of the complexity of our personalities, but also of adaptation, renewal, and the perpetual evolution of our identity.

View Artist's Page >
VIEW FULL CATALOG

The post SylC Deep into the wild – Dessin 6 (2022) first appeared on Loo & Lou Gallery.]]> Mark Powell The text message killed the postcard (2023) https://looandlougallery.com/catalog/mark-powell-the-text-message-killed-the-postcard-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=mark-powell-the-text-message-killed-the-postcard-2023-2 Tue, 16 Jan 2024 16:19:10 +0000 https://looandlougallery.com/?p=22719 The text message killed the postcard – 2023

The post Mark Powell The text message killed the postcard (2023) first appeared on Loo & Lou Gallery.]]>

The text message killed the postcard – 2023

Mark Powell
The text message killed the postcard (2023)
Solar Photopolymer etching - hand etched by the artist
50 x 57 cm
300 euros (edition of 95)

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Mark Powell
Around the corner (2023)
Ballpoint pen drawing on 1938 envelope
26 x 23 cm
960 euros
View Artwork >

Mark Powell
Vogue (2023)
Ballpoint pen drawing on an antique vogue patterns envelope
27 x 30 cm
960 euros
View Artwork >

Mark Powell
In vogue (2023)
Ballpoint pen drawing on an antique vogue patterns envelope
25 x 28 cm
960 euros
View Artwork >

Mark Powell
As we all are 2 (2023)
Ballpoint pen drawing on an antique envelope
26 x 17 cm
850 euros
View Artwork >

ABOUT THE ARTIST

Image: Mark Powell

MARK POWELL

With the humble Bic Biro as his tool of choice, London-based Powell creates intricate portraits on antique documents. His favoured subjects are elderly, a natural fit for the paper he uses and his detailed style: post marks and typography merge with pen strokes to create a captivating whole. 

View Artist's Page >
VIEW FULL CATALOG

The post Mark Powell The text message killed the postcard (2023) first appeared on Loo & Lou Gallery.]]> Mark Powell As we all are 3 (2023) https://looandlougallery.com/catalog/mark-powell-as-we-all-are-3-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=mark-powell-as-we-all-are-3-2023-2 Tue, 16 Jan 2024 15:41:53 +0000 https://looandlougallery.com/?p=22706 As we all are – 2023

The post Mark Powell As we all are 3 (2023) first appeared on Loo & Lou Gallery.]]>

As we all are – 2023

Mark Powell
As we all are 2 (2023)
Ballpoint pen drawing on an antique envelope
26 x 17 cm
850 euros

Order >
RELATED WORKS

Mark Powell
Around the corner (2023)
Ballpoint pen drawing on 1938 envelope
26 x 23 cm
960 euros
View Artwork >

Mark Powell
Vogue (2023)
Ballpoint pen drawing on an antique vogue patterns envelope
27 x 30 cm
960 euros
View Artwork >

Mark Powell
In vogue (2023)
Ballpoint pen drawing on an antique vogue patterns envelope
25 x 28 cm
960 euros
View Artwork >

Mark Powell
The text message killed the postcard (2023)
Solar Photopolymer etching - hand etched by the artist
50 x 57 cm
300 euros (edition of 95)
View Artwork >

ABOUT THE ARTIST

Image: Mark Powell

MARK POWELL

With the humble Bic Biro as his tool of choice, London-based Powell creates intricate portraits on antique documents. His favoured subjects are elderly, a natural fit for the paper he uses and his detailed style: post marks and typography merge with pen strokes to create a captivating whole. 

View Artist's Page >
VIEW FULL CATALOG

The post Mark Powell As we all are 3 (2023) first appeared on Loo & Lou Gallery.]]> Mark Powell In vogue (2023) https://looandlougallery.com/catalog/mark-powell-in-vogue-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=mark-powell-in-vogue-2023-2 Tue, 16 Jan 2024 15:28:22 +0000 https://looandlougallery.com/?p=22699 In vogue – 2023

The post Mark Powell In vogue (2023) first appeared on Loo & Lou Gallery.]]>

In vogue – 2023

Mark Powell
In vogue (2023)
Ballpoint pen drawing on an antique vogue patterns envelope
25 x 28 cm
960 euros

Order >
RELATED WORKS

Mark Powell
Around the corner (2023)
Ballpoint pen drawing on 1938 envelope
26 x 23 cm
960 euros
View Artwork >

Mark Powell
Vogue (2023)
Ballpoint pen drawing on an antique vogue patterns envelope
27 x 30 cm
960 euros
View Artwork >

Mark Powell
As we all are 2 (2023)
Ballpoint pen drawing on an antique envelope
26 x 17 cm
850 euros
View Artwork >

Mark Powell
The text message killed the postcard (2023)
Solar Photopolymer etching - hand etched by the artist
50 x 57 cm
300 euros (edition of 95)
View Artwork >

ABOUT THE ARTIST

Image: Mark Powell

MARK POWELL

With the humble Bic Biro as his tool of choice, London-based Powell creates intricate portraits on antique documents. His favoured subjects are elderly, a natural fit for the paper he uses and his detailed style: post marks and typography merge with pen strokes to create a captivating whole. 

View Artist's Page >
VIEW FULL CATALOG

The post Mark Powell In vogue (2023) first appeared on Loo & Lou Gallery.]]> Mark Powell Vogue (2023) https://looandlougallery.com/catalog/mark-powell-vogue-2023/?utm_source=rss&utm_medium=rss&utm_campaign=mark-powell-vogue-2023 Tue, 16 Jan 2024 15:01:59 +0000 https://looandlougallery.com/?p=22693 Vogue – 2023

The post Mark Powell Vogue (2023) first appeared on Loo & Lou Gallery.]]>

Vogue – 2023

Mark Powell
Vogue (2023)
Ballpoint pen drawing on an antique vogue patterns envelope
27 x 30 cm
960 euros

Order >
RELATED WORKS

Mark Powell
Around the corner (2023)
Ballpoint pen drawing on 1938 envelope
26 x 23 cm
960 euros
View Artwork >

Mark Powell
In vogue (2023)
Ballpoint pen drawing on an antique vogue patterns envelope
25 x 28 cm
960 euros
View Artwork >

Mark Powell
As we all are 2 (2023)
Ballpoint pen drawing on an antique envelope
26 x 17 cm
850 euros
View Artwork >

Mark Powell
The text message killed the postcard (2023)
Solar Photopolymer etching - hand etched by the artist
50 x 57 cm
300 euros (edition of 95)
View Artwork >

ABOUT THE ARTIST

Image: Mark Powell

MARK POWELL

With the humble Bic Biro as his tool of choice, London-based Powell creates intricate portraits on antique documents. His favoured subjects are elderly, a natural fit for the paper he uses and his detailed style: post marks and typography merge with pen strokes to create a captivating whole. 

View Artist's Page >
VIEW FULL CATALOG

The post Mark Powell Vogue (2023) first appeared on Loo & Lou Gallery.]]> Mark Powell Around the corner (2023) https://looandlougallery.com/catalog/mark-powell-around-the-corner-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=mark-powell-around-the-corner-2023-2 Tue, 16 Jan 2024 14:42:51 +0000 https://looandlougallery.com/?p=22688 Around the corner – 2023

The post Mark Powell Around the corner (2023) first appeared on Loo & Lou Gallery.]]>

Around the corner – 2023

Mark Powell
Around the corner (2023)
Ballpoint pen drawing on 1938 envelope
26 x 23 cm
960 euros

Order >
RELATED WORKS

Mark Powell
Vogue (2023)
Ballpoint pen drawing on an antique vogue patterns envelope
27 x 30 cm
960 euros
View Artwork >

Mark Powell
In vogue (2023)
Ballpoint pen drawing on an antique vogue patterns envelope
25 x 28 cm
960 euros
View Artwork >

Mark Powell
As we all are 2 (2023)
Ballpoint pen drawing on an antique envelope
26 x 17 cm
850 euros
View Artwork >

Mark Powell
The text message killed the postcard (2023)
Solar Photopolymer etching - hand etched by the artist
50 x 57 cm
300 euros (edition of 95)
View Artwork >

ABOUT THE ARTIST

Image: Mark Powell

MARK POWELL

With the humble Bic Biro as his tool of choice, London-based Powell creates intricate portraits on antique documents. His favoured subjects are elderly, a natural fit for the paper he uses and his detailed style: post marks and typography merge with pen strokes to create a captivating whole. 

View Artist's Page >
VIEW FULL CATALOG

The post Mark Powell Around the corner (2023) first appeared on Loo & Lou Gallery.]]> Christophe Miralles Vitrail 1 (2023) https://looandlougallery.com/catalog/christophe-miralles-vitrail-1-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=christophe-miralles-vitrail-1-2023-2 Wed, 29 Nov 2023 11:38:42 +0000 https://looandlougallery.com/?p=22514 Vitrail 1

The post Christophe Miralles Vitrail 1 (2023) first appeared on Loo & Lou Gallery.]]>

Vitrail 1

Christophe Miralles
Vitrail 1 (2023)
Oil on glass
31 x 26 cm
400 euros

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Christophe Miralles
Quatre saisons 2 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 3 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 4 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Gravure 4 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Gravure 1 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Face à face 1 (2023)
Oil and graphite on wood
30 x 28 cm
450 euros
View Artwork >

Christophe Miralles
Face à face 2 (2023)
Oil and graphit powder on wood
30 x 20,5 cm
400 euros
View Artwork >

Christophe Miralles
Passage (2023)
Monotype
33 x 42,5 cm
350 euros
View Artwork >

Christophe Miralles
Selfie 1 (2023)
Oil and paper cut
48 x 35 cm
1000 euros
View Artwork >

ABOUT THE ARTIST

CHRISTOPHE MIRALLES

Born in 1970, Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca.

His work is nourished by various sources that go back to its origins: from his Moroccan roots, one can note some Mediterranean influences coming from two shores, which resonate and never collide with each other. Spanish painting from the Golden Age undoubtedly sealed his relationship with light and compositions: we can see in his work the influence of figures such as Velázquez, Zurbarán or El Greco.

Human figures suspended in the void haunt his canvases inviting worrying feelings and a certain nostalgia. These are depersonalized figures, devoid of identity, which remind us of Francis Bacon’s characters. The combination of simplified forms and subtle nuances in colors allows him to give an intemporal aspect to his paintings, where the material is the main subject.
Miralles creates oil paintings on paper and canvas, and uses lacquers. He brought together a series for an exhibition at Loo & Lou Gallery entitled Territoire Unique in April 2018. His works spoke of humanity, travel, and tolerance. Colors burn through his canvases, engorging the space in flames wherein the ashes slowly fall on his large black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for all. This work was complemented and nourished by the exhibition Vertige du monde by the artist Flo Arnold, presented in collaboration at the Loo & Lou Gallery’s Atelier.

He has received several artistic prizes, such as the Grand Prix Claire Combes of the Taylor Foundation in 2007, the Prix Azart in 2005 or the Prix Charles Oulmont in 2004, which he received with honors from the jury. His work has been the subject of numerous monographic exhibitions in France and abroad and his work is included in several collections. He has also participated in several fairs, including JustMad (Madrid, Spain) with the gallery Loo & Lou in 2019, the Marrakech Biennale (Marrakech, Morocco) or Art Up (Lille, France) in 2016.

View Artist's Page >
VIEW FULL CATALOG

The post Christophe Miralles Vitrail 1 (2023) first appeared on Loo & Lou Gallery.]]> Christophe Miralles Selfie 1 (2023) https://looandlougallery.com/catalog/christophe-miralles-selfie-1-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=christophe-miralles-selfie-1-2023-2 Wed, 29 Nov 2023 11:21:08 +0000 https://looandlougallery.com/?p=22505 Selfie 1

The post Christophe Miralles Selfie 1 (2023) first appeared on Loo & Lou Gallery.]]>

Selfie 1

Christophe Miralles
Selfie 1 (2023)
Oil and paper cut
48 x 35 cm
1000 euros

Order >
RELATED WORKS

Christophe Miralles
Quatre saisons 2 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 3 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 4 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Gravure 4 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Gravure 1 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Face à face 1 (2023)
Oil and graphite on wood
30 x 28 cm
450 euros
View Artwork >

Christophe Miralles
Face à face 2 (2023)
Oil and graphit powder on wood
30 x 20,5 cm
400 euros
View Artwork >

Christophe Miralles
Passage (2023)
Monotype
33 x 42,5 cm
350 euros
View Artwork >

Christophe Miralles
Vitrail 1 (2023)
Oil on glass
31 x 26 cm
400 euros
View Artwork >

ABOUT THE ARTIST

CHRISTOPHE MIRALLES

Born in 1970, Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca.

His work is nourished by various sources that go back to its origins: from his Moroccan roots, one can note some Mediterranean influences coming from two shores, which resonate and never collide with each other. Spanish painting from the Golden Age undoubtedly sealed his relationship with light and compositions: we can see in his work the influence of figures such as Velázquez, Zurbarán or El Greco.

Human figures suspended in the void haunt his canvases inviting worrying feelings and a certain nostalgia. These are depersonalized figures, devoid of identity, which remind us of Francis Bacon’s characters. The combination of simplified forms and subtle nuances in colors allows him to give an intemporal aspect to his paintings, where the material is the main subject.
Miralles creates oil paintings on paper and canvas, and uses lacquers. He brought together a series for an exhibition at Loo & Lou Gallery entitled Territoire Unique in April 2018. His works spoke of humanity, travel, and tolerance. Colors burn through his canvases, engorging the space in flames wherein the ashes slowly fall on his large black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for all. This work was complemented and nourished by the exhibition Vertige du monde by the artist Flo Arnold, presented in collaboration at the Loo & Lou Gallery’s Atelier.

He has received several artistic prizes, such as the Grand Prix Claire Combes of the Taylor Foundation in 2007, the Prix Azart in 2005 or the Prix Charles Oulmont in 2004, which he received with honors from the jury. His work has been the subject of numerous monographic exhibitions in France and abroad and his work is included in several collections. He has also participated in several fairs, including JustMad (Madrid, Spain) with the gallery Loo & Lou in 2019, the Marrakech Biennale (Marrakech, Morocco) or Art Up (Lille, France) in 2016.

View Artist's Page >
VIEW FULL CATALOG

The post Christophe Miralles Selfie 1 (2023) first appeared on Loo & Lou Gallery.]]> Christophe Miralles Passage (2023) https://looandlougallery.com/catalog/christophe-miralles-passage-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=christophe-miralles-passage-2023-2 Wed, 29 Nov 2023 11:07:14 +0000 https://looandlougallery.com/?p=22499 Passage

The post Christophe Miralles Passage (2023) first appeared on Loo & Lou Gallery.]]>

Passage

Christophe Miralles
Passage (2023)
Monotype
33 x 42,5 cm
350 euros

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RELATED WORKS

Christophe Miralles
Quatre saisons 2 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 3 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 4 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Gravure 4 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Gravure 1 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Face à face 1 (2023)
Oil and graphite on wood
30 x 28 cm
450 euros
View Artwork >

Christophe Miralles
Face à face 2 (2023)
Oil and graphit powder on wood
30 x 20,5 cm
400 euros
View Artwork >

Christophe Miralles
Selfie 1 (2023)
Oil and paper cut
48 x 35 cm
1000 euros
View Artwork >

Christophe Miralles
Vitrail 1 (2023)
Oil on glass
31 x 26 cm
400 euros
View Artwork >

ABOUT THE ARTIST

CHRISTOPHE MIRALLES

Born in 1970, Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca.

His work is nourished by various sources that go back to its origins: from his Moroccan roots, one can note some Mediterranean influences coming from two shores, which resonate and never collide with each other. Spanish painting from the Golden Age undoubtedly sealed his relationship with light and compositions: we can see in his work the influence of figures such as Velázquez, Zurbarán or El Greco.

Human figures suspended in the void haunt his canvases inviting worrying feelings and a certain nostalgia. These are depersonalized figures, devoid of identity, which remind us of Francis Bacon’s characters. The combination of simplified forms and subtle nuances in colors allows him to give an intemporal aspect to his paintings, where the material is the main subject.
Miralles creates oil paintings on paper and canvas, and uses lacquers. He brought together a series for an exhibition at Loo & Lou Gallery entitled Territoire Unique in April 2018. His works spoke of humanity, travel, and tolerance. Colors burn through his canvases, engorging the space in flames wherein the ashes slowly fall on his large black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for all. This work was complemented and nourished by the exhibition Vertige du monde by the artist Flo Arnold, presented in collaboration at the Loo & Lou Gallery’s Atelier.

He has received several artistic prizes, such as the Grand Prix Claire Combes of the Taylor Foundation in 2007, the Prix Azart in 2005 or the Prix Charles Oulmont in 2004, which he received with honors from the jury. His work has been the subject of numerous monographic exhibitions in France and abroad and his work is included in several collections. He has also participated in several fairs, including JustMad (Madrid, Spain) with the gallery Loo & Lou in 2019, the Marrakech Biennale (Marrakech, Morocco) or Art Up (Lille, France) in 2016.

View Artist's Page >
VIEW FULL CATALOG

The post Christophe Miralles Passage (2023) first appeared on Loo & Lou Gallery.]]> Christophe Miralles Face à face 2 (2023) https://looandlougallery.com/catalog/christophe-miralles-face-a-face-2-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=christophe-miralles-face-a-face-2-2023-2 Wed, 29 Nov 2023 10:44:08 +0000 https://looandlougallery.com/?p=22493 Face à face 2

The post Christophe Miralles Face à face 2 (2023) first appeared on Loo & Lou Gallery.]]>

Face à face 2

Christophe Miralles
Face à face 2 (2023)
Oil and graphit powder on wood
30 x 20,5 cm
400 euros

Order >
RELATED WORKS

Christophe Miralles
Quatre saisons 2 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 3 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 4 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Gravure 4 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Gravure 1 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Face à face 1 (2023)
Oil and graphite on wood
30 x 28 cm
450 euros
View Artwork >

Christophe Miralles
Passage (2023)
Monotype
33 x 42,5 cm
350 euros
View Artwork >

Christophe Miralles
Selfie 1 (2023)
Oil and paper cut
48 x 35 cm
1000 euros
View Artwork >

Christophe Miralles
Vitrail 1 (2023)
Oil on glass
31 x 26 cm
400 euros
View Artwork >

ABOUT THE ARTIST

CHRISTOPHE MIRALLES

Born in 1970, Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca.

His work is nourished by various sources that go back to its origins: from his Moroccan roots, one can note some Mediterranean influences coming from two shores, which resonate and never collide with each other. Spanish painting from the Golden Age undoubtedly sealed his relationship with light and compositions: we can see in his work the influence of figures such as Velázquez, Zurbarán or El Greco.

Human figures suspended in the void haunt his canvases inviting worrying feelings and a certain nostalgia. These are depersonalized figures, devoid of identity, which remind us of Francis Bacon’s characters. The combination of simplified forms and subtle nuances in colors allows him to give an intemporal aspect to his paintings, where the material is the main subject.
Miralles creates oil paintings on paper and canvas, and uses lacquers. He brought together a series for an exhibition at Loo & Lou Gallery entitled Territoire Unique in April 2018. His works spoke of humanity, travel, and tolerance. Colors burn through his canvases, engorging the space in flames wherein the ashes slowly fall on his large black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for all. This work was complemented and nourished by the exhibition Vertige du monde by the artist Flo Arnold, presented in collaboration at the Loo & Lou Gallery’s Atelier.

He has received several artistic prizes, such as the Grand Prix Claire Combes of the Taylor Foundation in 2007, the Prix Azart in 2005 or the Prix Charles Oulmont in 2004, which he received with honors from the jury. His work has been the subject of numerous monographic exhibitions in France and abroad and his work is included in several collections. He has also participated in several fairs, including JustMad (Madrid, Spain) with the gallery Loo & Lou in 2019, the Marrakech Biennale (Marrakech, Morocco) or Art Up (Lille, France) in 2016.

View Artist's Page >
VIEW FULL CATALOG

The post Christophe Miralles Face à face 2 (2023) first appeared on Loo & Lou Gallery.]]> Christophe Miralles Face à face 1 (2023) https://looandlougallery.com/catalog/christophe-miralles-face-a-face-1-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=christophe-miralles-face-a-face-1-2023-2 Tue, 28 Nov 2023 18:00:17 +0000 https://looandlougallery.com/?p=22484 Face à face 1

The post Christophe Miralles Face à face 1 (2023) first appeared on Loo & Lou Gallery.]]>

Face à face 1

Christophe Miralles
Face à face 1 (2023)
Oil and graphite on wood
30 x 28 cm
450 euros

Order >
RELATED WORKS

Christophe Miralles
Quatre saisons 2 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 3 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 4 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Gravure 4 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Gravure 1 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Face à face 2 (2023)
Oil and graphit powder on wood
30 x 20,5 cm
400 euros
View Artwork >

Christophe Miralles
Passage (2023)
Monotype
33 x 42,5 cm
350 euros
View Artwork >

Christophe Miralles
Selfie 1 (2023)
Oil and paper cut
48 x 35 cm
1000 euros
View Artwork >

Christophe Miralles
Vitrail 1 (2023)
Oil on glass
31 x 26 cm
400 euros
View Artwork >

ABOUT THE ARTIST

CHRISTOPHE MIRALLES

Born in 1970, Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca.

His work is nourished by various sources that go back to its origins: from his Moroccan roots, one can note some Mediterranean influences coming from two shores, which resonate and never collide with each other. Spanish painting from the Golden Age undoubtedly sealed his relationship with light and compositions: we can see in his work the influence of figures such as Velázquez, Zurbarán or El Greco.

Human figures suspended in the void haunt his canvases inviting worrying feelings and a certain nostalgia. These are depersonalized figures, devoid of identity, which remind us of Francis Bacon’s characters. The combination of simplified forms and subtle nuances in colors allows him to give an intemporal aspect to his paintings, where the material is the main subject.
Miralles creates oil paintings on paper and canvas, and uses lacquers. He brought together a series for an exhibition at Loo & Lou Gallery entitled Territoire Unique in April 2018. His works spoke of humanity, travel, and tolerance. Colors burn through his canvases, engorging the space in flames wherein the ashes slowly fall on his large black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for all. This work was complemented and nourished by the exhibition Vertige du monde by the artist Flo Arnold, presented in collaboration at the Loo & Lou Gallery’s Atelier.

He has received several artistic prizes, such as the Grand Prix Claire Combes of the Taylor Foundation in 2007, the Prix Azart in 2005 or the Prix Charles Oulmont in 2004, which he received with honors from the jury. His work has been the subject of numerous monographic exhibitions in France and abroad and his work is included in several collections. He has also participated in several fairs, including JustMad (Madrid, Spain) with the gallery Loo & Lou in 2019, the Marrakech Biennale (Marrakech, Morocco) or Art Up (Lille, France) in 2016.

View Artist's Page >
VIEW FULL CATALOG

The post Christophe Miralles Face à face 1 (2023) first appeared on Loo & Lou Gallery.]]> Christophe Miralles Gravure 1 (2023) https://looandlougallery.com/catalog/christophe-miralles-gravure-1-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=christophe-miralles-gravure-1-2023-2 Tue, 28 Nov 2023 17:47:17 +0000 https://looandlougallery.com/?p=22472 Gravure 1

The post Christophe Miralles Gravure 1 (2023) first appeared on Loo & Lou Gallery.]]>

Gravure 1

Christophe Miralles
Gravure 1 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)

Order >
RELATED WORKS

Christophe Miralles
Quatre saisons 2 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 3 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 4 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Gravure 4 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Face à face 1 (2023)
Oil and graphite on wood
30 x 28 cm
450 euros
View Artwork >

Christophe Miralles
Face à face 2 (2023)
Oil and graphit powder on wood
30 x 20,5 cm
400 euros
View Artwork >

Christophe Miralles
Passage (2023)
Monotype
33 x 42,5 cm
350 euros
View Artwork >

Christophe Miralles
Selfie 1 (2023)
Oil and paper cut
48 x 35 cm
1000 euros
View Artwork >

Christophe Miralles
Vitrail 1 (2023)
Oil on glass
31 x 26 cm
400 euros
View Artwork >

ABOUT THE ARTIST

CHRISTOPHE MIRALLES

Born in 1970, Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca.

His work is nourished by various sources that go back to its origins: from his Moroccan roots, one can note some Mediterranean influences coming from two shores, which resonate and never collide with each other. Spanish painting from the Golden Age undoubtedly sealed his relationship with light and compositions: we can see in his work the influence of figures such as Velázquez, Zurbarán or El Greco.

Human figures suspended in the void haunt his canvases inviting worrying feelings and a certain nostalgia. These are depersonalized figures, devoid of identity, which remind us of Francis Bacon’s characters. The combination of simplified forms and subtle nuances in colors allows him to give an intemporal aspect to his paintings, where the material is the main subject.
Miralles creates oil paintings on paper and canvas, and uses lacquers. He brought together a series for an exhibition at Loo & Lou Gallery entitled Territoire Unique in April 2018. His works spoke of humanity, travel, and tolerance. Colors burn through his canvases, engorging the space in flames wherein the ashes slowly fall on his large black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for all. This work was complemented and nourished by the exhibition Vertige du monde by the artist Flo Arnold, presented in collaboration at the Loo & Lou Gallery’s Atelier.

He has received several artistic prizes, such as the Grand Prix Claire Combes of the Taylor Foundation in 2007, the Prix Azart in 2005 or the Prix Charles Oulmont in 2004, which he received with honors from the jury. His work has been the subject of numerous monographic exhibitions in France and abroad and his work is included in several collections. He has also participated in several fairs, including JustMad (Madrid, Spain) with the gallery Loo & Lou in 2019, the Marrakech Biennale (Marrakech, Morocco) or Art Up (Lille, France) in 2016.

View Artist's Page >
VIEW FULL CATALOG

The post Christophe Miralles Gravure 1 (2023) first appeared on Loo & Lou Gallery.]]> Christophe Miralles Gravure 4 (2023) https://looandlougallery.com/catalog/christophe-miralles-gravure-4-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=christophe-miralles-gravure-4-2023-2 Tue, 28 Nov 2023 17:37:29 +0000 https://looandlougallery.com/?p=22464 Gravure 4

The post Christophe Miralles Gravure 4 (2023) first appeared on Loo & Lou Gallery.]]>

Gravure 4

Christophe Miralles
Gravure 4 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)

Order >
RELATED WORKS

Christophe Miralles
Quatre saisons 2 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 3 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 4 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Gravure 1 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Face à face 1 (2023)
Oil and graphite on wood
30 x 28 cm
450 euros
View Artwork >

Christophe Miralles
Face à face 2 (2023)
Oil and graphit powder on wood
30 x 20,5 cm
400 euros
View Artwork >

Christophe Miralles
Passage (2023)
Monotype
33 x 42,5 cm
350 euros
View Artwork >

Christophe Miralles
Selfie 1 (2023)
Oil and paper cut
48 x 35 cm
1000 euros
View Artwork >

Christophe Miralles
Vitrail 1 (2023)
Oil on glass
31 x 26 cm
400 euros
View Artwork >

ABOUT THE ARTIST

CHRISTOPHE MIRALLES

Born in 1970, Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca.

His work is nourished by various sources that go back to its origins: from his Moroccan roots, one can note some Mediterranean influences coming from two shores, which resonate and never collide with each other. Spanish painting from the Golden Age undoubtedly sealed his relationship with light and compositions: we can see in his work the influence of figures such as Velázquez, Zurbarán or El Greco.

Human figures suspended in the void haunt his canvases inviting worrying feelings and a certain nostalgia. These are depersonalized figures, devoid of identity, which remind us of Francis Bacon’s characters. The combination of simplified forms and subtle nuances in colors allows him to give an intemporal aspect to his paintings, where the material is the main subject.
Miralles creates oil paintings on paper and canvas, and uses lacquers. He brought together a series for an exhibition at Loo & Lou Gallery entitled Territoire Unique in April 2018. His works spoke of humanity, travel, and tolerance. Colors burn through his canvases, engorging the space in flames wherein the ashes slowly fall on his large black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for all. This work was complemented and nourished by the exhibition Vertige du monde by the artist Flo Arnold, presented in collaboration at the Loo & Lou Gallery’s Atelier.

He has received several artistic prizes, such as the Grand Prix Claire Combes of the Taylor Foundation in 2007, the Prix Azart in 2005 or the Prix Charles Oulmont in 2004, which he received with honors from the jury. His work has been the subject of numerous monographic exhibitions in France and abroad and his work is included in several collections. He has also participated in several fairs, including JustMad (Madrid, Spain) with the gallery Loo & Lou in 2019, the Marrakech Biennale (Marrakech, Morocco) or Art Up (Lille, France) in 2016.

View Artist's Page >
VIEW FULL CATALOG

The post Christophe Miralles Gravure 4 (2023) first appeared on Loo & Lou Gallery.]]> Cedric Le Corf Série Stein Studie (2023) https://looandlougallery.com/catalog/cedric-le-corf-serie-stein-studie-2023/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-serie-stein-studie-2023 Thu, 21 Sep 2023 12:09:52 +0000 https://looandlougallery.com/?p=21909 Série Stein Studie (2023)

The post Cedric Le Corf Série Stein Studie (2023) first appeared on Loo & Lou Gallery.]]>

Série Stein Studie (2023)

Cedric Le Corf
Série Stein Studie (2023)
Oiled pastels on paper
39 x 29 cm
800 euros each

Order >
RELATED WORKS

Cedric Le Corf
Stein Studie (2023)
Oiled pastels on paper
39 x 29 cm
990 euros
View Artwork >

Cedric Le Corf
Stein Studie 13 (2023)
Oiled pastel on paper
39 x 29 cm
800 euros
View Artwork >

Cedric Le Corf
Stein Studie 15 (2023)
Oiled pastel on paper
29 x 39 cm
990 euros
View Artwork >

ABOUT THE ARTIST

Image: Despatin & Gobell

CEDRIC LE CORF

Cedric Le Corf was born in 1985 in Bühl (Germany). He graduated with honors from the École Européenne Supérieure d’Art de Bretagne in Lorient (France) in 2009. Today, he lives and works in Brittany.

The subject of his work lends itself to anatomical landscapes inspired by Jacques Fabien Gautier d’Agoty’s boards, where little by little, a dismembered man is transformed into a landscape of a man. Humans, trees, and the earth all possess in common a kind “skin” and with it the ability to be flayed. Is it untrue to think that a dissected body is merely a wide range of landscapes, full of mishaps, folds, and crevices? The coarseness of bone is reminiscent to the rocky landscapes of Patinir; the venous, arterial, or nervous network irrigates like rivers, plains, and estuaries; the muscles, the clay of Genesis, model gorges and mounds.

Following this metaphor, he uses plant roots as a landscape element to interlock bones, vertebrae, or joints made of porcelain. The root, in its etymological sense, is one element implanted inside another, much like the root of a tooth, a hair, or the dorsal root of a spinal nerve. It therefore juxtaposes a raw element of chaos with the mastery of creation; from roughness to polish, from decomposition to the inalterable, from the durability of art to the ephemeral man. Imbued with the Rhineland and Armorican heritage, confronted with the pathos of Grünewald (Baldung Grien), the hanged men within “Des misères de la guerre” by Jacques Callot at “l’Ankou”, along with the macabre dances of Kernascléden where the animate and the inanimate are mixed, to the horror of the mass graves of Sobibor, Le Corf tries, by attaching himself to these motifs, to deafen the subject that his work contains.

View Artist's Page >
VIEW FULL CATALOG

The post Cedric Le Corf Série Stein Studie (2023) first appeared on Loo & Lou Gallery.]]> Cedric Le Corf Stein Studie 13 (2023) https://looandlougallery.com/catalog/cedric-le-corf-stein-studie-13-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-stein-studie-13-2023-2 Thu, 21 Sep 2023 12:53:16 +0000 https://looandlougallery.com/?p=21922 Stein Studie 13

The post Cedric Le Corf Stein Studie 13 (2023) first appeared on Loo & Lou Gallery.]]>

Stein Studie 13

Cedric Le Corf
Stein Studie 13 (2023)
Oiled pastel on paper
39 x 29 cm
800 euros

Order >
RELATED WORKS

Cedric Le Corf
Stein Studie (2023)
Oiled pastels on paper
39 x 29 cm
990 euros
View Artwork >

Cedric Le Corf
Série Stein Studie (2023)
Oiled pastels on paper
39 x 29 cm
800 euros each
View Artwork >

Cedric Le Corf
Stein Studie 15 (2023)
Oiled pastel on paper
29 x 39 cm
990 euros
View Artwork >

ABOUT THE ARTIST

Image: Despatin & Gobell

CEDRIC LE CORF

Cedric Le Corf was born in 1985 in Bühl (Germany). He graduated with honors from the École Européenne Supérieure d’Art de Bretagne in Lorient (France) in 2009. Today, he lives and works in Brittany.

The subject of his work lends itself to anatomical landscapes inspired by Jacques Fabien Gautier d’Agoty’s boards, where little by little, a dismembered man is transformed into a landscape of a man. Humans, trees, and the earth all possess in common a kind “skin” and with it the ability to be flayed. Is it untrue to think that a dissected body is merely a wide range of landscapes, full of mishaps, folds, and crevices? The coarseness of bone is reminiscent to the rocky landscapes of Patinir; the venous, arterial, or nervous network irrigates like rivers, plains, and estuaries; the muscles, the clay of Genesis, model gorges and mounds.

Following this metaphor, he uses plant roots as a landscape element to interlock bones, vertebrae, or joints made of porcelain. The root, in its etymological sense, is one element implanted inside another, much like the root of a tooth, a hair, or the dorsal root of a spinal nerve. It therefore juxtaposes a raw element of chaos with the mastery of creation; from roughness to polish, from decomposition to the inalterable, from the durability of art to the ephemeral man. Imbued with the Rhineland and Armorican heritage, confronted with the pathos of Grünewald (Baldung Grien), the hanged men within “Des misères de la guerre” by Jacques Callot at “l’Ankou”, along with the macabre dances of Kernascléden where the animate and the inanimate are mixed, to the horror of the mass graves of Sobibor, Le Corf tries, by attaching himself to these motifs, to deafen the subject that his work contains.

View Artist's Page >
VIEW FULL CATALOG

The post Cedric Le Corf Stein Studie 13 (2023) first appeared on Loo & Lou Gallery.]]> Cedric Le Corf Stein Studie 14 (2023) https://looandlougallery.com/catalog/cedric-le-corf-stein-studie-14-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-stein-studie-14-2023-2 Thu, 21 Sep 2023 11:52:34 +0000 https://looandlougallery.com/?p=21899 Stein Studie 14

The post Cedric Le Corf Stein Studie 14 (2023) first appeared on Loo & Lou Gallery.]]>

Stein Studie 14

Cedric Le Corf
Stein Studie (2023)
Oiled pastels on paper
39 x 29 cm
990 euros

Order >
RELATED WORKS

Cedric Le Corf
Série Stein Studie (2023)
Oiled pastels on paper
39 x 29 cm
800 euros each
View Artwork >

Cedric Le Corf
Stein Studie 13 (2023)
Oiled pastel on paper
39 x 29 cm
800 euros
View Artwork >

Cedric Le Corf
Stein Studie 15 (2023)
Oiled pastel on paper
29 x 39 cm
990 euros
View Artwork >

ABOUT THE ARTIST

Image: Despatin & Gobell

CEDRIC LE CORF

Cedric Le Corf was born in 1985 in Bühl (Germany). He graduated with honors from the École Européenne Supérieure d’Art de Bretagne in Lorient (France) in 2009. Today, he lives and works in Brittany.

The subject of his work lends itself to anatomical landscapes inspired by Jacques Fabien Gautier d’Agoty’s boards, where little by little, a dismembered man is transformed into a landscape of a man. Humans, trees, and the earth all possess in common a kind “skin” and with it the ability to be flayed. Is it untrue to think that a dissected body is merely a wide range of landscapes, full of mishaps, folds, and crevices? The coarseness of bone is reminiscent to the rocky landscapes of Patinir; the venous, arterial, or nervous network irrigates like rivers, plains, and estuaries; the muscles, the clay of Genesis, model gorges and mounds.

Following this metaphor, he uses plant roots as a landscape element to interlock bones, vertebrae, or joints made of porcelain. The root, in its etymological sense, is one element implanted inside another, much like the root of a tooth, a hair, or the dorsal root of a spinal nerve. It therefore juxtaposes a raw element of chaos with the mastery of creation; from roughness to polish, from decomposition to the inalterable, from the durability of art to the ephemeral man. Imbued with the Rhineland and Armorican heritage, confronted with the pathos of Grünewald (Baldung Grien), the hanged men within “Des misères de la guerre” by Jacques Callot at “l’Ankou”, along with the macabre dances of Kernascléden where the animate and the inanimate are mixed, to the horror of the mass graves of Sobibor, Le Corf tries, by attaching himself to these motifs, to deafen the subject that his work contains.

View Artist's Page >
VIEW FULL CATALOG

The post Cedric Le Corf Stein Studie 14 (2023) first appeared on Loo & Lou Gallery.]]> Cedric Le Corf Stein Studie 15 (2023) https://looandlougallery.com/catalog/cedric-le-corf-stein-studie-15-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-stein-studie-15-2023-2 Tue, 26 Sep 2023 10:21:22 +0000 https://looandlougallery.com/?p=21972 Stein Studie 15

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Stein Studie 15

Cedric Le Corf
Stein Studie 15 (2023)
Oiled pastel on paper
29 x 39 cm
990 euros

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Cedric Le Corf
Stein Studie (2023)
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39 x 29 cm
990 euros
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Cedric Le Corf
Série Stein Studie (2023)
Oiled pastels on paper
39 x 29 cm
800 euros each
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Cedric Le Corf
Stein Studie 13 (2023)
Oiled pastel on paper
39 x 29 cm
800 euros
View Artwork >

ABOUT THE ARTIST

Image: Despatin & Gobell

CEDRIC LE CORF

Cedric Le Corf was born in 1985 in Bühl (Germany). He graduated with honors from the École Européenne Supérieure d’Art de Bretagne in Lorient (France) in 2009. Today, he lives and works in Brittany.

The subject of his work lends itself to anatomical landscapes inspired by Jacques Fabien Gautier d’Agoty’s boards, where little by little, a dismembered man is transformed into a landscape of a man. Humans, trees, and the earth all possess in common a kind “skin” and with it the ability to be flayed. Is it untrue to think that a dissected body is merely a wide range of landscapes, full of mishaps, folds, and crevices? The coarseness of bone is reminiscent to the rocky landscapes of Patinir; the venous, arterial, or nervous network irrigates like rivers, plains, and estuaries; the muscles, the clay of Genesis, model gorges and mounds.

Following this metaphor, he uses plant roots as a landscape element to interlock bones, vertebrae, or joints made of porcelain. The root, in its etymological sense, is one element implanted inside another, much like the root of a tooth, a hair, or the dorsal root of a spinal nerve. It therefore juxtaposes a raw element of chaos with the mastery of creation; from roughness to polish, from decomposition to the inalterable, from the durability of art to the ephemeral man. Imbued with the Rhineland and Armorican heritage, confronted with the pathos of Grünewald (Baldung Grien), the hanged men within “Des misères de la guerre” by Jacques Callot at “l’Ankou”, along with the macabre dances of Kernascléden where the animate and the inanimate are mixed, to the horror of the mass graves of Sobibor, Le Corf tries, by attaching himself to these motifs, to deafen the subject that his work contains.

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The post Cedric Le Corf Stein Studie 15 (2023) first appeared on Loo & Lou Gallery.]]> Joël Person Les Bruits du Monde 31 (2017-2023) https://looandlougallery.com/catalog/joel-person-les-bruits-du-monde-31-2017-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-31-2017-2023-2 Tue, 26 Sep 2023 11:24:36 +0000 https://looandlougallery.com/?p=21978 Les Bruits du Monde 31

The post Joël Person Les Bruits du Monde 31 (2017-2023) first appeared on Loo & Lou Gallery.]]>

Les Bruits du Monde 31

Joël Person
Les Bruits du Monde 31 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros

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Joël Person
Les Bruits du Monde 36 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
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Joël Person
Les Bruits du Monde 37 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
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Joël Person
Les Bruits du Monde 10 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
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Joël Person
Les Bruits du Monde 12 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 15 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 26 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
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Joël Person
Les Bruits du Monde 28 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 38 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >
VIEW FULL CATALOG

The post Joël Person Les Bruits du Monde 31 (2017-2023) first appeared on Loo & Lou Gallery.]]> Joël Person Les Bruits du Monde 36 (2017-2023) https://looandlougallery.com/catalog/joel-person-les-bruits-du-monde-36-2017-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-36-2017-2023-2 Tue, 26 Sep 2023 12:40:44 +0000 https://looandlougallery.com/?p=21999 Les Bruits du Monde 36

The post Joël Person Les Bruits du Monde 36 (2017-2023) first appeared on Loo & Lou Gallery.]]>

Les Bruits du Monde 36

Joël Person
Les Bruits du Monde 36 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros

Order >
RELATED WORKS

Joël Person
Les Bruits du Monde 31 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 37 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 10 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 12 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 15 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 26 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 28 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 38 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >
VIEW FULL CATALOG

The post Joël Person Les Bruits du Monde 36 (2017-2023) first appeared on Loo & Lou Gallery.]]> Joël Person Les Bruits du Monde 37 (2017-2023) https://looandlougallery.com/catalog/joel-person-les-bruits-du-monde-37-2017-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-37-2017-2023-2 Tue, 26 Sep 2023 12:51:04 +0000 https://looandlougallery.com/?p=22008 Les Bruits du Monde 37

The post Joël Person Les Bruits du Monde 37 (2017-2023) first appeared on Loo & Lou Gallery.]]>

Les Bruits du Monde 37

Joël Person
Les Bruits du Monde 37 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros

Order >
RELATED WORKS

Joël Person
Les Bruits du Monde 31 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 36 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 10 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 12 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 15 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 26 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 28 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 38 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >
VIEW FULL CATALOG

The post Joël Person Les Bruits du Monde 37 (2017-2023) first appeared on Loo & Lou Gallery.]]> Joël Person Les Bruits du Monde 10 (2017-2023) https://looandlougallery.com/catalog/joel-person-les-bruits-du-monde-10-2017-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-10-2017-2023-2 Tue, 26 Sep 2023 15:52:19 +0000 https://looandlougallery.com/?p=22027 Les Bruits du Monde 10

The post Joël Person Les Bruits du Monde 10 (2017-2023) first appeared on Loo & Lou Gallery.]]>

Les Bruits du Monde 10

Joël Person
Les Bruits du Monde 10 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros

Order >
RELATED WORKS

Joël Person
Les Bruits du Monde 31 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 36 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 37 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 12 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 15 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 26 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 28 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 38 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >
VIEW FULL CATALOG

The post Joël Person Les Bruits du Monde 10 (2017-2023) first appeared on Loo & Lou Gallery.]]> Joël Person Les Bruits du Monde 12 (2017-2023) https://looandlougallery.com/catalog/joel-person-les-bruits-du-monde-12-2017-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-12-2017-2023-2 Tue, 26 Sep 2023 15:56:24 +0000 https://looandlougallery.com/?p=22032 Les Bruits du Monde 12

The post Joël Person Les Bruits du Monde 12 (2017-2023) first appeared on Loo & Lou Gallery.]]>

Les Bruits du Monde 12

Joël Person
Les Bruits du Monde 12 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros

Order >
RELATED WORKS

Joël Person
Les Bruits du Monde 31 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 36 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 37 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 10 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 15 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 26 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 28 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 38 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >
VIEW FULL CATALOG

The post Joël Person Les Bruits du Monde 12 (2017-2023) first appeared on Loo & Lou Gallery.]]> Joël Person Les Bruits du Monde 15 (2017-2023) https://looandlougallery.com/catalog/joel-person-les-bruits-du-monde-15-2017-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-15-2017-2023-2 Tue, 26 Sep 2023 16:01:07 +0000 https://looandlougallery.com/?p=22037 Les Bruits du Monde 15

The post Joël Person Les Bruits du Monde 15 (2017-2023) first appeared on Loo & Lou Gallery.]]>

Les Bruits du Monde 15

Joël Person
Les Bruits du Monde 15 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros

Order >
RELATED WORKS

Joël Person
Les Bruits du Monde 31 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 36 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 37 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 10 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 12 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 26 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 28 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 38 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >
VIEW FULL CATALOG

The post Joël Person Les Bruits du Monde 15 (2017-2023) first appeared on Loo & Lou Gallery.]]> Joël Person Les Bruits du Monde 26 (2017-2023) https://looandlougallery.com/catalog/joel-person-les-bruits-du-monde-26-2017-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-26-2017-2023-2 Tue, 26 Sep 2023 16:06:52 +0000 https://looandlougallery.com/?p=22042 Les Bruits du Monde 26

The post Joël Person Les Bruits du Monde 26 (2017-2023) first appeared on Loo & Lou Gallery.]]>

Les Bruits du Monde 26

Joël Person
Les Bruits du Monde 26 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros

Order >
RELATED WORKS

Joël Person
Les Bruits du Monde 31 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 36 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 37 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 10 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 12 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 15 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 28 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 38 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >
VIEW FULL CATALOG

The post Joël Person Les Bruits du Monde 26 (2017-2023) first appeared on Loo & Lou Gallery.]]> Joël Person Les Bruits du Monde 28 (2017-2023) https://looandlougallery.com/catalog/joel-person-les-bruits-du-monde-28-2017-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-28-2017-2023-2 Tue, 26 Sep 2023 16:17:35 +0000 https://looandlougallery.com/?p=22047 Les Bruits du Monde 28

The post Joël Person Les Bruits du Monde 28 (2017-2023) first appeared on Loo & Lou Gallery.]]>

Les Bruits du Monde 28

Joël Person
Les Bruits du Monde 28 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros

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RELATED WORKS

Joël Person
Les Bruits du Monde 31 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 36 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 37 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 10 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 12 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 15 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 26 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 38 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >
VIEW FULL CATALOG

The post Joël Person Les Bruits du Monde 28 (2017-2023) first appeared on Loo & Lou Gallery.]]> Joël Person Les Bruits du Monde 38 (2017-2023) https://looandlougallery.com/catalog/joel-person-les-bruits-du-monde-38-2017-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-les-bruits-du-monde-38-2017-2023-2 Tue, 26 Sep 2023 16:39:16 +0000 https://looandlougallery.com/?p=22052 Les Bruits du Monde 38

The post Joël Person Les Bruits du Monde 38 (2017-2023) first appeared on Loo & Lou Gallery.]]>

Les Bruits du Monde 38

Joël Person
Les Bruits du Monde 38 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros

Order >
RELATED WORKS

Joël Person
Les Bruits du Monde 31 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 36 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 37 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 10 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 12 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 15 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 26 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

Joël Person
Les Bruits du Monde 28 (2017-2023)
Blackstone on paper
29,5 x 29,5 cm
900 euros
View Artwork >

ABOUT THE ARTIST

Axelle Viannay

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland.

View Artist's Page >
VIEW FULL CATALOG

The post Joël Person Les Bruits du Monde 38 (2017-2023) first appeared on Loo & Lou Gallery.]]> Anna De Leidi You snooze you lose (me) (2021) https://looandlougallery.com/catalog/anna-de-leidi-you-snooze-you-lose-me-2021-2/?utm_source=rss&utm_medium=rss&utm_campaign=anna-de-leidi-you-snooze-you-lose-me-2021-2 Tue, 24 Jan 2023 13:36:38 +0000 https://looandlougallery.com/?p=20850 you-snooze-you-lose-me–2021-288-x-21-cm-collage

The post Anna De Leidi You snooze you lose (me) (2021) first appeared on Loo & Lou Gallery.]]>

you-snooze-you-lose-me–2021-288-x-21-cm-collage

Anna De Leidi
You snooze you lose (me) (2021)
Collage
28,8 x 21 cm
760 euros

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Anna De Leidi
The boatbuilder (2020)
Collage
28,8 x 21 cm
760 euros
View Artwork >

Anna De Leidi
The queer art of failure - tra il dire et il fare (2022)
Collage
28,8 x 21 cm
760 euros
View Artwork >

ABOUT THE ARTIST

Image: Anna De Leidi

ANNA DE LEIDI

For this first collaboration between Anna De Leidi and the Loo & Lou, the Italian artist is invited to invest the walls of the Atelier with a set of collages started during the isolation of the first confinements.

Starting from an intuition, Anna De Leidi draws from a stock of various clippings, archival images and magazines to assemble them according to an artistic and personal development nourished by references to the history of art and political life – in particular the artistic avant-garde and the protest movements. The superimposed archival images accumulate layers of meaning, without denying the abstraction due to the fortuitous harmony of colors and shapes of the torn papers. Without any pre-determination, apart from that of this first intuition, the collage unfolds and composes itself to form a work embellished with an evocative title, sometimes on the borders of poetry.

The artist summarizes her research as follows: “Narrative, composition, color”.

View Artist's Page >
VIEW FULL CATALOG

The post Anna De Leidi You snooze you lose (me) (2021) first appeared on Loo & Lou Gallery.]]> Anna De Leidi The queer art of failure – tra il dire et il fare (2022) https://looandlougallery.com/catalog/anna-de-leidi-the-queer-art-of-failure-tra-il-dire-et-il-fare-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=anna-de-leidi-the-queer-art-of-failure-tra-il-dire-et-il-fare-2022-2 Tue, 24 Jan 2023 13:35:55 +0000 https://looandlougallery.com/?p=20849 the-queer-art-of-failure-2022-288-x-21-cm-collage

The post Anna De Leidi The queer art of failure – tra il dire et il fare (2022) first appeared on Loo & Lou Gallery.]]>

the-queer-art-of-failure-2022-288-x-21-cm-collage

Anna De Leidi
The queer art of failure - tra il dire et il fare (2022)
Collage
28,8 x 21 cm
760 euros

Order >
RELATED WORKS

Anna De Leidi
The boatbuilder (2020)
Collage
28,8 x 21 cm
760 euros
View Artwork >

Anna De Leidi
You snooze you lose (me) (2021)
Collage
28,8 x 21 cm
760 euros
View Artwork >

ABOUT THE ARTIST

Image: Anna De Leidi

ANNA DE LEIDI

For this first collaboration between Anna De Leidi and the Loo & Lou, the Italian artist is invited to invest the walls of the Atelier with a set of collages started during the isolation of the first confinements.

Starting from an intuition, Anna De Leidi draws from a stock of various clippings, archival images and magazines to assemble them according to an artistic and personal development nourished by references to the history of art and political life – in particular the artistic avant-garde and the protest movements. The superimposed archival images accumulate layers of meaning, without denying the abstraction due to the fortuitous harmony of colors and shapes of the torn papers. Without any pre-determination, apart from that of this first intuition, the collage unfolds and composes itself to form a work embellished with an evocative title, sometimes on the borders of poetry.

The artist summarizes her research as follows: “Narrative, composition, color”.

View Artist's Page >
VIEW FULL CATALOG

The post Anna De Leidi The queer art of failure – tra il dire et il fare (2022) first appeared on Loo & Lou Gallery.]]> Anna De Leidi The boatbuilder (2020) https://looandlougallery.com/catalog/anna-de-leidi-the-boatbuilder-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=anna-de-leidi-the-boatbuilder-2020-2 Tue, 24 Jan 2023 13:33:59 +0000 https://looandlougallery.com/?p=20848 the-boatbuilder-2020-288-x-21-cm-collage

The post Anna De Leidi The boatbuilder (2020) first appeared on Loo & Lou Gallery.]]>

the-boatbuilder-2020-288-x-21-cm-collage

Anna De Leidi
The boatbuilder (2020)
Collage
28,8 x 21 cm
760 euros

Order >
RELATED WORKS

Anna De Leidi
The queer art of failure - tra il dire et il fare (2022)
Collage
28,8 x 21 cm
760 euros
View Artwork >

Anna De Leidi
You snooze you lose (me) (2021)
Collage
28,8 x 21 cm
760 euros
View Artwork >

ABOUT THE ARTIST

Image: Anna De Leidi

ANNA DE LEIDI

For this first collaboration between Anna De Leidi and the Loo & Lou, the Italian artist is invited to invest the walls of the Atelier with a set of collages started during the isolation of the first confinements.

Starting from an intuition, Anna De Leidi draws from a stock of various clippings, archival images and magazines to assemble them according to an artistic and personal development nourished by references to the history of art and political life – in particular the artistic avant-garde and the protest movements. The superimposed archival images accumulate layers of meaning, without denying the abstraction due to the fortuitous harmony of colors and shapes of the torn papers. Without any pre-determination, apart from that of this first intuition, the collage unfolds and composes itself to form a work embellished with an evocative title, sometimes on the borders of poetry.

The artist summarizes her research as follows: “Narrative, composition, color”.

View Artist's Page >
VIEW FULL CATALOG

The post Anna De Leidi The boatbuilder (2020) first appeared on Loo & Lou Gallery.]]> Christophe Miralles Quatre saisons 4 (2022) https://looandlougallery.com/catalog/christophe-miralles-quatre-saisons-4-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=christophe-miralles-quatre-saisons-4-2022-2 Sat, 24 Sep 2022 13:59:56 +0000 https://looandlougallery.com/?p=20245 quatre-saisons-4-2022-papier-45-x-32-cm-cedric-le-corf

The post Christophe Miralles Quatre saisons 4 (2022) first appeared on Loo & Lou Gallery.]]>

quatre-saisons-4-2022-papier-45-x-32-cm-cedric-le-corf

Christophe Miralles
Quatre saisons 4 (2022)
Paper
45 x 32 cm
780 euros

Order >
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Christophe Miralles
Quatre saisons 2 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 3 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Gravure 4 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Gravure 1 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Face à face 1 (2023)
Oil and graphite on wood
30 x 28 cm
450 euros
View Artwork >

Christophe Miralles
Face à face 2 (2023)
Oil and graphit powder on wood
30 x 20,5 cm
400 euros
View Artwork >

Christophe Miralles
Passage (2023)
Monotype
33 x 42,5 cm
350 euros
View Artwork >

Christophe Miralles
Selfie 1 (2023)
Oil and paper cut
48 x 35 cm
1000 euros
View Artwork >

Christophe Miralles
Vitrail 1 (2023)
Oil on glass
31 x 26 cm
400 euros
View Artwork >

ABOUT THE ARTIST

CHRISTOPHE MIRALLES

Born in 1970, Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca.

His work is nourished by various sources that go back to its origins: from his Moroccan roots, one can note some Mediterranean influences coming from two shores, which resonate and never collide with each other. Spanish painting from the Golden Age undoubtedly sealed his relationship with light and compositions: we can see in his work the influence of figures such as Velázquez, Zurbarán or El Greco.

Human figures suspended in the void haunt his canvases inviting worrying feelings and a certain nostalgia. These are depersonalized figures, devoid of identity, which remind us of Francis Bacon’s characters. The combination of simplified forms and subtle nuances in colors allows him to give an intemporal aspect to his paintings, where the material is the main subject.
Miralles creates oil paintings on paper and canvas, and uses lacquers. He brought together a series for an exhibition at Loo & Lou Gallery entitled Territoire Unique in April 2018. His works spoke of humanity, travel, and tolerance. Colors burn through his canvases, engorging the space in flames wherein the ashes slowly fall on his large black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for all. This work was complemented and nourished by the exhibition Vertige du monde by the artist Flo Arnold, presented in collaboration at the Loo & Lou Gallery’s Atelier.

He has received several artistic prizes, such as the Grand Prix Claire Combes of the Taylor Foundation in 2007, the Prix Azart in 2005 or the Prix Charles Oulmont in 2004, which he received with honors from the jury. His work has been the subject of numerous monographic exhibitions in France and abroad and his work is included in several collections. He has also participated in several fairs, including JustMad (Madrid, Spain) with the gallery Loo & Lou in 2019, the Marrakech Biennale (Marrakech, Morocco) or Art Up (Lille, France) in 2016.

View Artist's Page >
VIEW FULL CATALOG

The post Christophe Miralles Quatre saisons 4 (2022) first appeared on Loo & Lou Gallery.]]> Christophe Miralles Quatre saisons 3 (2022) https://looandlougallery.com/catalog/christophe-miralles-quatre-saisons-3-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=christophe-miralles-quatre-saisons-3-2022-2 Sat, 24 Sep 2022 13:58:54 +0000 https://looandlougallery.com/?p=20243 quatre-saisons-3-2022-papier-45-x-32-cm-cedric-le-corf

The post Christophe Miralles Quatre saisons 3 (2022) first appeared on Loo & Lou Gallery.]]>

quatre-saisons-3-2022-papier-45-x-32-cm-cedric-le-corf

Christophe Miralles
Quatre saisons 3 (2022)
Paper
45 x 32 cm
780 euros

Order >
RELATED WORKS

Christophe Miralles
Quatre saisons 2 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 4 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Gravure 4 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Gravure 1 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Face à face 1 (2023)
Oil and graphite on wood
30 x 28 cm
450 euros
View Artwork >

Christophe Miralles
Face à face 2 (2023)
Oil and graphit powder on wood
30 x 20,5 cm
400 euros
View Artwork >

Christophe Miralles
Passage (2023)
Monotype
33 x 42,5 cm
350 euros
View Artwork >

Christophe Miralles
Selfie 1 (2023)
Oil and paper cut
48 x 35 cm
1000 euros
View Artwork >

Christophe Miralles
Vitrail 1 (2023)
Oil on glass
31 x 26 cm
400 euros
View Artwork >

ABOUT THE ARTIST

CHRISTOPHE MIRALLES

Born in 1970, Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca.

His work is nourished by various sources that go back to its origins: from his Moroccan roots, one can note some Mediterranean influences coming from two shores, which resonate and never collide with each other. Spanish painting from the Golden Age undoubtedly sealed his relationship with light and compositions: we can see in his work the influence of figures such as Velázquez, Zurbarán or El Greco.

Human figures suspended in the void haunt his canvases inviting worrying feelings and a certain nostalgia. These are depersonalized figures, devoid of identity, which remind us of Francis Bacon’s characters. The combination of simplified forms and subtle nuances in colors allows him to give an intemporal aspect to his paintings, where the material is the main subject.
Miralles creates oil paintings on paper and canvas, and uses lacquers. He brought together a series for an exhibition at Loo & Lou Gallery entitled Territoire Unique in April 2018. His works spoke of humanity, travel, and tolerance. Colors burn through his canvases, engorging the space in flames wherein the ashes slowly fall on his large black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for all. This work was complemented and nourished by the exhibition Vertige du monde by the artist Flo Arnold, presented in collaboration at the Loo & Lou Gallery’s Atelier.

He has received several artistic prizes, such as the Grand Prix Claire Combes of the Taylor Foundation in 2007, the Prix Azart in 2005 or the Prix Charles Oulmont in 2004, which he received with honors from the jury. His work has been the subject of numerous monographic exhibitions in France and abroad and his work is included in several collections. He has also participated in several fairs, including JustMad (Madrid, Spain) with the gallery Loo & Lou in 2019, the Marrakech Biennale (Marrakech, Morocco) or Art Up (Lille, France) in 2016.

View Artist's Page >
VIEW FULL CATALOG

The post Christophe Miralles Quatre saisons 3 (2022) first appeared on Loo & Lou Gallery.]]> Christophe Miralles Quatre saisons 2 (2022) https://looandlougallery.com/catalog/christophe-miralles-quatre-saisons-2-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=christophe-miralles-quatre-saisons-2-2022-2 Sat, 24 Sep 2022 13:57:48 +0000 https://looandlougallery.com/?p=20241 quatre-saisons-2-2022-papier-45-x-32-cm-cedric-le-corf

The post Christophe Miralles Quatre saisons 2 (2022) first appeared on Loo & Lou Gallery.]]>

quatre-saisons-2-2022-papier-45-x-32-cm-cedric-le-corf

Christophe Miralles
Quatre saisons 2 (2022)
Paper
45 x 32 cm
780 euros

Order >
RELATED WORKS

Christophe Miralles
Quatre saisons 3 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Quatre saisons 4 (2022)
Paper
45 x 32 cm
780 euros
View Artwork >

Christophe Miralles
Gravure 4 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Gravure 1 (2023)
Engraving on japanese paper - unique enhanced print
23 x 31,5 cm
300 euros (another pieces available on demand)
View Artwork >

Christophe Miralles
Face à face 1 (2023)
Oil and graphite on wood
30 x 28 cm
450 euros
View Artwork >

Christophe Miralles
Face à face 2 (2023)
Oil and graphit powder on wood
30 x 20,5 cm
400 euros
View Artwork >

Christophe Miralles
Passage (2023)
Monotype
33 x 42,5 cm
350 euros
View Artwork >

Christophe Miralles
Selfie 1 (2023)
Oil and paper cut
48 x 35 cm
1000 euros
View Artwork >

Christophe Miralles
Vitrail 1 (2023)
Oil on glass
31 x 26 cm
400 euros
View Artwork >

ABOUT THE ARTIST

CHRISTOPHE MIRALLES

Born in 1970, Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca.

His work is nourished by various sources that go back to its origins: from his Moroccan roots, one can note some Mediterranean influences coming from two shores, which resonate and never collide with each other. Spanish painting from the Golden Age undoubtedly sealed his relationship with light and compositions: we can see in his work the influence of figures such as Velázquez, Zurbarán or El Greco.

Human figures suspended in the void haunt his canvases inviting worrying feelings and a certain nostalgia. These are depersonalized figures, devoid of identity, which remind us of Francis Bacon’s characters. The combination of simplified forms and subtle nuances in colors allows him to give an intemporal aspect to his paintings, where the material is the main subject.
Miralles creates oil paintings on paper and canvas, and uses lacquers. He brought together a series for an exhibition at Loo & Lou Gallery entitled Territoire Unique in April 2018. His works spoke of humanity, travel, and tolerance. Colors burn through his canvases, engorging the space in flames wherein the ashes slowly fall on his large black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for all. This work was complemented and nourished by the exhibition Vertige du monde by the artist Flo Arnold, presented in collaboration at the Loo & Lou Gallery’s Atelier.

He has received several artistic prizes, such as the Grand Prix Claire Combes of the Taylor Foundation in 2007, the Prix Azart in 2005 or the Prix Charles Oulmont in 2004, which he received with honors from the jury. His work has been the subject of numerous monographic exhibitions in France and abroad and his work is included in several collections. He has also participated in several fairs, including JustMad (Madrid, Spain) with the gallery Loo & Lou in 2019, the Marrakech Biennale (Marrakech, Morocco) or Art Up (Lille, France) in 2016.

View Artist's Page >
VIEW FULL CATALOG

The post Christophe Miralles Quatre saisons 2 (2022) first appeared on Loo & Lou Gallery.]]> FRANCHIR LE VISIBLE07.05.2026 – 17.06.2026 https://looandlougallery.com/exhibitions/franchir-le-visible07-05-2026-17-06-2026-2/?utm_source=rss&utm_medium=rss&utm_campaign=franchir-le-visible07-05-2026-17-06-2026-2 Thu, 23 Apr 2026 11:04:21 +0000 https://looandlougallery.com/?p=25820 Pierre-Luc Poujol began a distinguished academic career in applied arts, graduating at the top of his class (First Prize in Drawing, First Prize in Perspective, First Prize in Sketching).
After spending several years dividing his time between France and the United States, he permanently established his studio in the South of France, near Montpellier, in 2018.

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07.05.2026 – 17.06.2026 first appeared on Loo & Lou Gallery.]]>

Franchir le visible

Pierre-Luc Poujol

Loo & Lou Gallery – Haut Marais
07.05 – 17.06.26
 

  • N°793 serie Lisières, 2025, Mixed media, 150 x 200 cm | © Pierre-Luc Poujol

  • N°298 serie Between the Lines, 2016, Mixed media, 89 x 146 cm | © Pierre-Luc Poujol

  • N°820 serie Spines, 2025, Mixed media, 191 x 15 cm | © Pierre-Luc Poujol

  • N°853 serie Arborescences, 2026, Mixed media, 50 x 63 cm| © Pierre-Luc Poujol

  • N°836 serie Lisières, 2025, Mixed media, 80 x 80 cm| © Pierre-Luc Poujol

  • Exhibition’s view, 2026| © Aurea Calcavecchia

  • Exhibition’s view, 2026| © Aurea Calcavecchia

  • Exhibition’s view, 2026| © Aurea Calcavecchia

  • Exhibition’s view, 2026| © Aurea Calcavecchia

The Path of the Tree

 

The eye rises, clings. Just as the vital fluid—sap or blood—rises, flowing calmly or surging impetuously, from one cell to another within a living being. But is “cell” really the right word to describe the openwork (sometimes set with a gem-like blue that is not unlike Evi Keller), the expanses, or the gaps that riddle the interwoven surface of Pierre-Luc Poujol’s grids? One might just as well think of alcoves, or even the grid of a stained-glass window: a stained-glass window whose light—its icy clarity or molten gold—would have melted the figurative scenes beyond the visible, beyond this or that subject of sacred history. But whatever the names: these works from the Between the Lines series embrace the trees, as in a marriage that is both deeply physical and deeply mystical; they are born from the imprint of their bark, and the eye, too, embraces them. It follows them upward, like the arms of a child encircling a tree trunk, then leaping from branch to branch and climbing toward the foliage. While, perhaps, the sun, filtered through the canopy, casts a complex checkerboard of light and shadow upon the forest floor.

Pierre-Luc Pujol confides that the tree offers him a sense of “anchor”—he who has been “uprooted.” And one can easily imagine the artist “throwing himself to the ground,” like Virginia Woolf’s Orlando: “she felt the sensation of the tree’s bones running like ribs from a spine here and there beneath her. She liked to think she was riding on the back of the world. She liked to cling to something hard. ” But Pierre-Luc Poujol is above all a devotee of Nietzsche, in whose thought he finds this intersection—this “edge”—that preoccupies him so much, and that he works on so much, between the antipodal polarities of order and chaos, between the harmonious equilibrium of serene stasis and the anarchic bubbling inherent to the living. So it is no surprise that stillness, that rootedness, lasts only a moment, or rather is only a moment.

A time that is undeniably very physical, a time with the crumbly texture, the rough edges, and the contours of matter. For it is in this way—through matter—that Pierre-Luc Pujol’s works “take root” in the world: they literally draw from the landscape, from what constitutes it in the most fundamental way. Look at the Lisières series, those silvery surfaces; scratch them, and what falls away will be the ash of charred trees. And these ashes—here and there in these Lisières—bloom into skies that one imagines Van Gogh also saw, and long before them, long before Pierre-Luc Pujol or Vincent Van Gogh, King David: did he not sing, in Psalm XVIII, 1, that “the heavens declare the glory of God, and the firmament proclaims the work of his hands”? The ashes are thus transformed into something else. From the traces of destruction, from the imprint (this imprint like a wound bearing the ugly name of the Anthropocene) of man on the forests, the world begins anew.

And just as Creation is set in motion once more, putting down roots is merely a prelude to departure. No matter how deeply he is rooted in a corner of the forest, no matter how intimately he knows the patterns of the bark, the “man of the woods”—as the artist calls himself, only half in jest—is also a man of the open road. He sets out on his journey, and this art is a journey and a voyage.

Pierre-Luc Poujol is, of course, not the first to have taken these metaphorical paths and trails; German Romanticism, in particular, has gone before him on these paths. Before these two series, Between the Lines and Lisières, then, each viewer can let their gaze wander as they please, moving forward, zigzagging, branching off along the patterns, following veins and twigs, letting themselves be dazzled by a powdery shower of yellows. But, as Novalis would say, the path always leads inward. Let us leave him there, however, he who is the poet of mines and earthly crevices. Let us return to the tree, let us return to our imaginary child from the first paragraph who was climbing his tree. And let us rephrase: the path leads upward.

The grid-like layout of the *Between the Lines* series establishes a structure (in the sense of being “organized”), a network that does not confine. Rather, it subdivides and fragments, much like the way the human brain breaks down everyday experience. And that is undoubtedly why the analytical mind, so quick to rebel when it cannot find its bearings, when it fails to recognize, in the perceptions conveyed by the eyes, the familiar silhouettes of the world, is strangely soothed by the works of Between the Lines. As for the luminous ecstasies of Lisières, it would be ridiculous to attempt to describe them; everyone knows that politeness and decency demand silence in the face of ecstatic phenomena, so let us limit ourselves here, along with the artist, to using the adjective “spiritual.”

This, then, is the metaphorical tree along which Pierre-Luc Poujol’s art ascends—a tree whose roots are very concrete, whose crown is organized thought, and which leads, even higher, toward the heights where the sacred hovers. But let us quickly take our axe and fell this tree: for there is no hierarchy in Pierre-Luc Pujol’s work. No ascent from a lower rung to a higher empyrean that would transcend it. Everything mingles, everything merges; nothing here is separate; perception, reason, and divine experience are one and the same. As if, from the very real ashes of the trees, there remained a “smear on thought” (Orlando) and on the soul.

  • Damien Aubel
ARTIST:
PIERRE-LUC POUJOL

The post FRANCHIR LE VISIBLE

07.05.2026 – 17.06.2026 first appeared on Loo & Lou Gallery.]]> CHRONIQUES CHROMATIQUES20.03.2026 – 30.04.2026 https://looandlougallery.com/exhibitions/chroniques-chromatiques20-03-2026-30-04-2026-2/?utm_source=rss&utm_medium=rss&utm_campaign=chroniques-chromatiques20-03-2026-30-04-2026-2 Fri, 27 Feb 2026 11:20:37 +0000 https://looandlougallery.com/?p=25624 Since childhood, Johan Van Mullem has been drawing and painting faces – aged, marked, parchment-like figures – attentive to the altered beauty of skin that time has creased. Seeming to emerge from a whirlwind of matter and light, animated by an inner sfumato, these featureless faces unfold in a deep palette through which the painter explores a sovereign interiority, rising to the surface with a slow incandescence. The figures thus emerge from a dark background, as if extracted from a troubled, archaic memory shared by all.

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20.03.2026 – 30.04.2026 first appeared on Loo & Lou Gallery.]]>

Chroniques chromatiques

Johan Van Mullem

Loo & Lou Gallery – Haut Marais
20.03 – 30.04.26
 

  • Sans titre, 2026, Oil on canvas, 24 x 18 cm | © Johan Van Mullem

  • Sans titre, 2026, Oil on canvas, 24 x 18 cm | © Johan Van Mullem

  • Sans titre, 2026, Oil on canvas-covered cardboard, 30 x 20 cm | © Johan Van Mullem

Since childhood, Johan Van Mullem has been drawing and painting faces – aged, marked, parchment-like figures – attentive to the altered beauty of skin that time has creased. Seeming to emerge from a whirlwind of matter and light, animated by an inner sfumato, these featureless faces unfold in a deep palette through which the painter explores a sovereign interiority, rising to the surface with a slow incandescence. The figures thus emerge from a dark background, as if extracted from a troubled, archaic memory shared by all.

The Belgian artist follows in a tradition of the weathered face, worked to the point of erasure, where painting becomes the site of an inner experience. Alteration, if not liquefaction, is not so much a spectacular gesture as a slow and patient excavation: reminiscences and sensations mingle incessantly, overcome by a grave darkness where light and movement become the privileged vectors of buried emotions, revealing the impetus of a spirit that transcends appearance and allows the irreducible part of existence to surface.

Visionary faces are now replaced by landscapes streaked with nascent greens, diaphanous blues and glowing ochres, expanses where the eye delights in exploring aquatic environments, sometimes surrounded by cliffs and jagged rocks forming a rich phantasmagoria of edges, all bathed in a renewed clarity. Each work seems to be in tune with the elements, permeated by their instability and shifting breath. The eye perceives the humid, beaded air, the diaphanous density of waning clouds, the thrill of restless water suspended in the immensity of the sky. The outline of a circular, stretched-out time emerges, where creation and erosion become one. Van Mullem imbues his landscapes with a tactile memory, made up of moments of physical absorption and connection to the body, affirming the epiphanic significance of intensely sensitive painting. Fullness and contemplation are the key words, without these canvases renouncing the shadow or the promise of renewal, extending towards the horizon this quest for depth that remains intact.

While the artist’s technical virtuosity was first evident in his work with engraving and printing inks, diluted and then reworked through patient layers of superimposition, he is now introducing oil painting into his work for the first time. Slower and more enveloping, this age-old technique retains colours in a new thickness, inscribing his paintings in an unprecedented chromatic chronicle, where all the colours of time are written.

– Maud de la Forterie, journalist and art historian

ARTIST:
JOHAN VAN MULLEM
RELATED PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026

The post CHRONIQUES CHROMATIQUES

20.03.2026 – 30.04.2026 first appeared on Loo & Lou Gallery.]]> ALLER-RETOUR20.03.2026 – 30.04.2026 https://looandlougallery.com/exhibitions/aller-retour20-03-2026-30-04-2026-2/?utm_source=rss&utm_medium=rss&utm_campaign=aller-retour20-03-2026-30-04-2026-2 Fri, 27 Feb 2026 15:06:00 +0000 https://looandlougallery.com/?p=25658 Federico Miró (Málaga, Spain, 1989) has established himself as one of the most promising voices in contemporary Spanish painting. After being shown in various contexts in Spain and internationally, his work is being unveiled for the first time in Paris at this exhibition. This moment marks an important milestone in a career that is rapidly gaining recognition, driven by constant reflection on landscape, image and the material conditions of painting today.

The post ALLER-RETOUR

20.03.2026 – 30.04.2026 first appeared on Loo & Lou Gallery.]]>

Aller-retour

Federico Miró

Loo & Lou Gallery – Haut Marais
20.03 – 30.04.26
 

  • Untitled, 2026, Acrylic on canvas, 100 x 73 cm | © Federico Miró

  • Untitled, 2026, Acrylic on canvas, 41 x 33 cm | © Federico Miró

  • Untitled, 2026, Acrylic on canvas, 170 x 50 cm | © Federico Miró

  • Untitled, 2026, Acrylic on canvas, 41 x 33 cm | © Federico Miró

  • Untitled, 2026, Acrylic on canvas, 41 x 33 cm | © Federico Miró

  • Vue d’exposition, 2026 | © Aurea Calcavecchia

  • Vue d’exposition, 2026 | © Aurea Calcavecchia

  • Vue d’exposition, 2026 | © Aurea Calcavecchia

  • Vue d’exposition, 2026 | © Aurea Calcavecchia

  • Vue d’exposition, 2026 | © Aurea Calcavecchia

Federico Miró (Málaga, Spain, 1989) has established himself as one of the most promising voices in contemporary Spanish painting. After being shown in various contexts in Spain and internationally, his work is being unveiled for the first time in Paris at this exhibition. This moment marks an important milestone in a career that is rapidly gaining recognition, driven by constant reflection on landscape, image and the material conditions of painting today.

Miró’s practice is part of a long process of careful observation, repetition and patient construction. Landscape, the central focus of his work, does not appear as a stable form or a simple representation, but as a field of transformation. Fragmented, abstracted and recomposed, it becomes a space of stratification where memory, experience and temporality intersect. Each painting thus functions as a device for thought, connecting the visible and memory, and engaging both the materiality of the painting and the active attention of the viewer, in a sense close to what Georges Didi-Huberman describes as an image traversed by heterogeneous temporalities.

In a context marked by the acceleration of visual flows and the proliferation of images, Miró’s painting establishes a gesture of suspension. The surfaces, constructed from layers of acrylic and a network of precise lines, produce patterns that evoke textiles and explicitly refer to a logic of craftsmanship. This craftsmanship affirms a material conception of the image, attentive to processes, duration and conditions of production, and places painting within a reflection on its own means in the face of the immediacy and dematerialisation of the digital.

Miró’s compositions bring together natural landscapes, contemporary architecture, ornaments and motifs from diverse cultural traditions. Fragments of everyday life, personal memories and popular rituals — such as Holy Week in Andalusia — are arranged like elements of a recomposed visual memory. In his recent works, the ancient and the contemporary coexist, while the painting incorporates effects of duplication, cutting and displacement of the image. These processes, which evoke the errors or discrepancies characteristic of digital images, produce a field of resonances where craftsmanship and contemporary visual logic come together without merging.

The exhibition thus offers a different relationship with time and the gaze. Between veils, weaves and areas of opacity, the images resist immediate interpretation and open up a space for active contemplation, where matter, memory and landscape meet. Miró’s work engages in an experience of painting as a place of duration and thought, where the gaze, slowed down, opens up a more attentive and sensitive relationship with the world.

— Claude Bussac, Head of Art studies at Casa de Velázquez

ARTIST:
FEDERICO MIRÓ

The post ALLER-RETOUR

20.03.2026 – 30.04.2026 first appeared on Loo & Lou Gallery.]]> GROUP SHOW07.02.2026 – 28.02.2026 https://looandlougallery.com/exhibitions/group-show07-02-2026-28-02-2026-2/?utm_source=rss&utm_medium=rss&utm_campaign=group-show07-02-2026-28-02-2026-2 Fri, 20 Feb 2026 17:28:11 +0000 https://looandlougallery.com/?p=25545 Olivier de Sagazan, artiste pluridisciplinaire reconnu
pour ses performances hybrides et viscérales, explore
depuis des décennies les thèmes de la transformation,
de l’altérité et de l’énigme de l’existence. Sa démarche
interroge le rapport entre l’être et son enveloppe
charnelle, entre l’inerte et l’organique, entre l’homme et
la terre qui l’a engendré.

The post GROUP SHOW

07.02.2026 – 28.02.2026 first appeared on Loo & Lou Gallery.]]>

  • Exhibition view | © Aurea Calcavecchia

  • Exhibition view | © Aurea Calcavecchia

  • Exhibition view | © Aurea Calcavecchia

  • Exhibition view | © Aurea Calcavecchia

  • Exhibition view | © Aurea Calcavecchia

  • Exhibition view | © Aurea Calcavecchia

  • Exhibition view | © Aurea Calcavecchia

  • Exhibition view | © Aurea Calcavecchia

  • Exhibition view | © Aurea Calcavecchia

  • Exhibition view | © Aurea Calcavecchia
ARTIST:
DOMINIQUE LACLOCHE
JOËL PERSON
JEAN CLAUDE WOUTERS
BASTIEN VITTORI
SIMON LAVEUVE
JOHAN VAN MULLEM
CEDRIC LE CORF
TANC
SERGE REZVANI

The post GROUP SHOW

07.02.2026 – 28.02.2026 first appeared on Loo & Lou Gallery.]]> LE PARADIS PERDUJoël Person10.01.2026 – 28.02.2026 https://looandlougallery.com/exhibitions/le-paradis-perdujoel-person10-01-2026-28-02-2026-2/?utm_source=rss&utm_medium=rss&utm_campaign=le-paradis-perdujoel-person10-01-2026-28-02-2026-2 Fri, 09 Jan 2026 12:10:17 +0000 https://looandlougallery.com/?p=25465 Olivier de Sagazan, artiste pluridisciplinaire reconnu
pour ses performances hybrides et viscérales, explore
depuis des décennies les thèmes de la transformation,
de l’altérité et de l’énigme de l’existence. Sa démarche
interroge le rapport entre l’être et son enveloppe
charnelle, entre l’inerte et l’organique, entre l’homme et
la terre qui l’a engendré.

The post LE PARADIS PERDU
Joël Person
10.01.2026 – 28.02.2026 first appeared on Loo & Lou Gallery.]]>

Le Paradis perdu

Joël Person

Atelier Loo & Lou – Haut Marais
10.01 – 28.02.26
 

  • L’existence d’un tel être, 2025, Charcoal and black chalk on wooden pannel, 190 x 135 cm

  • Entre ciel et terre. L’œil de dieu, 2025, Blackstone, gouache, pastel and Color Pencil on paper, 59 x 83 cm

  • Adam et Eve, 2025, Blackstone on paper, 30 x 42 cm

  • Les Chevaux de l’Apocalypse, 2020, Charcoal on paper, deux feuilles séparées, 153 x 304 cm (l’ensemble) – 152 x 152 cm (chaque feuillet)

  • Exhibition view, 2026 | © Aurea Calcavecchia

  • Exhibition view, 2026 | © Aurea Calcavecchia

  • Exhibition view, 2026 | © Aurea Calcavecchia

  • Exhibition view, 2026 | © Aurea Calcavecchia

  • Exhibition view, 2026 | © Aurea Calcavecchia

“I hate doing things literally”: Joël Person’s lost paradise is above all drawn. Born in 1962, the French artist, whose career is already well established, offers a very personal, introspective reflection in this solo show. For beneath his gift for words, Joël Person asks himself: as we grow older, is childhood the carefree time that seems to have disappeared forever? How universal are these distant and often vague memories that are unique to each of us?
Through a monographic trajectory that attempts to explore its various aspects, the answer emerges as we examine his works.

First up are the “Horses of the Apocalypse,” a huge cavalcade over 9 meters long that kicks off Joël Person’s artistic reflection. Their gallops read like a monumental musical score and, of course, their title evokes religious atonement. But once again, nothing is literal with Joël Person, and through his framing, the artist emphasizes the horses rather than the “riders,” the true leitmotif of his work. In the original text, it is the power of the horse that sets the pace for the artist’s research.

The symphony continues with “Cheval à la barre” (Horse at the Bar), another recurring motif and pivotal point in the artist’s career. This time, it is the horse that finds itself locked up. Its animal nature is all the more striking because it is shod, and all the more disturbing because the horse’s head, pressed against the bar, opens up onto the viewer’s space. Is it not a lost paradise to have domesticated the animal only to then lock it up? Through the very contemporary composition of this painting, Joël Person questions us about freedom that lasts only a moment, and about the nature of the dialogue that can be established with a horse whose eyes are literally “barred.”

The impassive “Song of the Earth” echoes a chant of renunciation, a tribute to a nature that is no longer what it once was but continues to resonate within us. This peaceful landscape surrenders itself to observation as well as threat: vineyards, crops, hunters, and territories inhospitable to fauna and flora lurk at the edge of the sheet of paper. And yet the rhythm of the earth is still there, immutable.

For while the lost paradise is, for Joël Person, very personal to each individual, the current context also reveals its global and universal nature. Wars, political tensions, and ecological problems destroy and render perishable the very notion of paradise. These daily losses remind us of what once was and is no longer, and remind us of our own finitude.
In this anxiety-provoking context, the artist repositions herself on what has been “lost”: it is by recalling her childhood that it becomes imprinted on her with greater precision. The numerous portraits, a selection of which are presented here, have dotted the artist’s career like so many memories immortalized on paper. Without ever erasing pure solitude, it is also the artist’s confrontation with another “self” in a tension offered to eternity. Paradise lost is what Joël Person rediscovers through drawing, which allows him to rediscover his primary, intuitive emotions, freed from all process.

ARTIST:
JOËL PERSON
RELATED PRESS:
JOËL PERSON, TRANSFUGE, FEBRUARY 2026

The post LE PARADIS PERDU
Joël Person
10.01.2026 – 28.02.2026 first appeared on Loo & Lou Gallery.]]> EMBODIED FORGOTTEN PLACESJoren Van Acker22.03.2025 – 10.05.2025 https://looandlougallery.com/exhibitions/embodied-forgotten-placesjoren-van-acker22-03-2025-10-05-2025-2/?utm_source=rss&utm_medium=rss&utm_campaign=embodied-forgotten-placesjoren-van-acker22-03-2025-10-05-2025-2 Fri, 28 Feb 2025 15:17:20 +0000 https://looandlougallery.com/?p=24475 La galerie Loo&Lou présente une sélection de peintures de l’artiste Serge Rezvani, principalement des grands formats, issues des séries “Repentir” (1962-1992), “Effigies” (1961) et “Blanche” (2000), ainsi qu’une nouvelle série d’autoportraits dessinés, présentés à l’Atelier et réalisés ces derniers mois (2022-2023).

The post EMBODIED FORGOTTEN PLACES
Joren Van Acker
22.03.2025 – 10.05.2025 first appeared on Loo & Lou Gallery.]]>

Embodied Forgotten Places

Joren Van Acker

L’Atelier
Loo & Lou Gallery – Haut Marais
22.03 – 10.05.25
 

  • Two linesmen at the quayside, 2025, Charcoal on paper, 150 x 115 cm | © Studio23 © Joren Van Acker

  • Set your eyes to the horizon, 2025, Charcoal on paper, 150 x 115 cm | © Studio23 © Joren Van Acker

  • Your ship is coming in, 2025, Charcoal on paper, 185 x 150 cm | © Studio23 © Joren Van Acker

  • Exhibition’s view of “Embodied Forgotten Places”, March 2025, Atelier Loo & Lou | © Aurea Calcavecchia

  • Exhibition’s view of “Embodied Forgotten Places”, March 2025, Atelier Loo & Lou | © Aurea Calcavecchia

  • Exhibition’s view of “Embodied Forgotten Places”, March 2025, Atelier Loo & Lou | © Aurea Calcavecchia

  • Exhibition’s view of “Embodied Forgotten Places”, March 2025, Atelier Loo & Lou | © Aurea Calcavecchia

  • Exhibition’s view of “Embodied Forgotten Places”, March 2025, Atelier Loo & Lou | © Aurea Calcavecchia

  • Exhibition’s view of “Embodied Forgotten Places”, March 2025, Atelier Loo & Lou | © Aurea Calcavecchia

“It’s 2 a.m. and freezing cold. It’s snowing. A ship is slowly approaching the quay to dock safely. We hear the sound of the VHF marine radio, the roar of the wind, the bow thruster.” Joren Van Acker sets the scene. Our senses are awakened, and the artist literally draws us into his world. This story could be the opening of a crime novel or the first frame of a detective film. We see it. We’re there. Drama is just around the corner. It’s true that the Belgian artist’s drawings contain a cinematic dimension, whether in the framing, the tension of a scene or the light, to the point of referring to Expressionist cinema, so sharp are the contrasts between the blacks and whites of his charcoal drawings. And yet, nothing is romanticized. Everything Joren Van Acker describes is his daily life, what he sees, his world as a maritime worker in Ghent. No fiction, fantasy or exoticism. No dock of Medamothi, the island of nowhere where Rabelais landed Pantagruel and Panurge on their way to the Dive Bacbuc oracle. Joren Van Acker is a docker himself, and he doesn’t give up. There’s no question of giving up, as it provides him with vital energy and infuses his imagination. “It’s a world I can’t leave. By nature, I’m also a ‘worker’. It keeps me “honest”. It nourishes me enormously as a person and keeps me grounded in life. I’m convinced that an artist always needs to stay grounded in reality.”

A ship in shadow, a sailor gazing at the horizon from the ship’s rail, others preparing the ship’s gangway for departure or pulling a cable to tie up to a tug… In some fifteen drawings created for the Lou&Lou gallery, Joren Van Acker presents anonymous people, each embodying an aspect of the maritime world as a whole. He puts the spotlight on workers who are generally invisible. Hence the title of the exhibition, “Embodied Forgotten Places”. “I could phrase this title another way, ‘a world that remains hidden from others’ because most people don’t even suspect its existence. Let’s not forget the working class, the aircrew, the people on the front lines in all weathers, day and night.” Surprisingly perhaps, there’s no political discourse or social criticism – he refuses to do so. Or else, in the background, without a claim being raised like a banner. “I come from a typical working-class family where little was said about politics. I’m aware that my work tends towards a certain ‘social realism’, but I try to remain as apolitical as possible for as long as I can.” But some titles might suggest otherwise – We just want to see the world, You wanted to be free on a Monday morning – where others are more descriptive: Tugboat at midnight or Your boat is coming in. There’s a sense of wonder without illusion, a “heroisation” without idealization. The work is hard, it breaks bodies and marks faces, but federates thanks to a solidarity inherent to the environment. We’re all one on the docks.

If Joren Van Acker’s approach can be compared with that of other late 19th-century artists who depicted the world of work and industrialization – such as Henri Gervex, Jules Adler, Steinlein, Gaston Prunier or Maximilien Luce – he is closer to a young Van Gogh, who shared the daily life of miners, workers, peasants and weavers in the Borinage region of Mons. He is more inclined to weave a filiation with Constantin Meunier, one of his favorite artists, who “also depicted the inhabitants of the Borinage and lived amidst the poverty he depicted, regardless of political reasons.” In fact, we could apply Meunier’s words to Joren’s work, when he describes the Belgian industrial world he witnesses and speaks of its “tragic, fierce beauty”. He lets us cast off for a journey that seems timeless, with contours as blurred as his drawings, to leave room for the imaginary.

 

  • Stéphanie Pioda, Art historian and art critic
ARTIST:
Joren Van Acker

The post EMBODIED FORGOTTEN PLACES
Joren Van Acker
22.03.2025 – 10.05.2025 first appeared on Loo & Lou Gallery.]]> (IM)PERMÉABILITÉSXavier Servas22.03.2025 – 10.05.2025 https://looandlougallery.com/exhibitions/impermeabilitesxavier-servas22-03-2025-10-05-2025-2/?utm_source=rss&utm_medium=rss&utm_campaign=impermeabilitesxavier-servas22-03-2025-10-05-2025-2 Fri, 28 Feb 2025 14:55:43 +0000 https://looandlougallery.com/?p=24455 La galerie Loo&Lou présente une sélection de peintures de l’artiste Serge Rezvani, principalement des grands formats, issues des séries “Repentir” (1962-1992), “Effigies” (1961) et “Blanche” (2000), ainsi qu’une nouvelle série d’autoportraits dessinés, présentés à l’Atelier et réalisés ces derniers mois (2022-2023).

The post (IM)PERMÉABILITÉS
Xavier Servas
22.03.2025 – 10.05.2025 first appeared on Loo & Lou Gallery.]]>

(im)perméabilités

Xavier Servas

Loo & Lou Gallery – Haut Marais
22.03 – 10.05.25
 

  • Holidays (detail), Protein membrane (pork casings), fan, plate, beech trunnion, screws, polyester thread, 160 x 60 x 20 cm | © Xavier Servas

  • Gaz #10, Watercolor, XSL pigments, and ink on traditional Vietnamese paper (do) mounted on canvas, 70 x 50 cm | © Xavier Servas

  • Sédiments #12, Encaustic paint on oxidized copper, 13,5 x 13,5 cm | © Xavier Servas

  • Sédiments #2, Encaustic paint on oxidized copper, 13,5 x 13,5 cm | © Xavier Servas

  • Exhibition’s view of “(im)perméabilités”, March 2025, Loo & Lou Gallery | © Area Calcavecchia

  • Exhibition’s view of “(im)perméabilités”, March 2025, Loo & Lou Gallery | © Area Calcavecchia

  • Exhibition’s view of “(im)perméabilités”, March 2025, Loo & Lou Gallery | © Area Calcavecchia

  • Exhibition’s view of “(im)perméabilités”, March 2025, Loo & Lou Gallery | © Area Calcavecchia

  • Exhibition’s view of “(im)perméabilités”, March 2025, Loo & Lou Gallery | © Area Calcavecchia

  • Exhibition’s view of “(im)perméabilités”, March 2025, Loo & Lou Gallery | © Area Calcavecchia

  • Exhibition’s view of “(im)perméabilités”, March 2025, Loo & Lou Gallery | © Area Calcavecchia

  • Exhibition’s view of “(im)perméabilités”, March 2025, Loo & Lou Gallery | © Area Calcavecchia

  • Exhibition’s view of “(im)perméabilités”, March 2025, Loo & Lou Gallery | © Area Calcavecchia

Neither human form nor animal anatomy, this object evokes the appearance of certain insects before they hatch. The pupa is its name. In the life of a dipteran insect, the pupa is the second stage of the nymph, the end of its larval period. The eye gazes innocently at this translucent pouch and is suddenly captivated as it breathes. Is it alive, vulnerable? Will it hatch or remain forever asleep? What dream stirs its depths?

Before any commentary, Xavier Servas’s works are there to ask a question. They blur the divide between the animate and the inanimate, the robust and the fragile, the artisanal and the technological.

The membrane of the “pupe” is made of pig intestine. Its movement comes from an internal fan programmed to simulate the rhythm of breathing. Xavier Servas draws a discreet but persistent power of enchantment from a material that has no apparent artistic purpose.

With Le Troupeau, the pneumatic effect gains in complexity. Each of the pockets – this time made up of ox bladders – is animated by its own respiratory rhythm. Their coexistence is skilfully programmed: to avoid any mechanical effect, the fan coding includes a random component. An electric wire is left in the open to capture magnetic interference. It’s as if a few cubic millimeters of air, waves and dust were invading the device. For Xavier Servas, technology is made to be derailed: “3D,” he says, “brings the possibility of accident. It allows randomness to be channeled.

For Xavier Servas, this inspiration goes back to his childhood. His father, a first-generation computer scientist, died the year he was born. He left behind a mysterious jumble of soldering irons, cables, screens and electronic components. This mix of craftsmanship and cutting-edge technology now accompanies the artist’s life. For his last year at the Arts Décoratifs, he presented inflatable installations. This category of objects fascinates him: bubbles that can be placed in the middle of nowhere, they symbolize the comfort of the “Trente glorieuses”. They are magnified in design works such as Quasar Khanh’s. In a singular twist, Xavier Servas succeeds in making them express a fragility, a softness that is vulgar and unnatural.

With Holidays, for example, he created a kind of vertical mattress reminiscent of Inuit parkas, made from the intestines of marine animals. Here again, the material gives him directions and speaks to his imagination. Holidays was assembled at the onset of his mother’s Alzheimer’s disease. This envelope, which empties and re-sews itself, echoes human fragility. Xavier Servas receives this echo only in retrospect. “Today, it jumps out at me,” he says. What the object suggests in depth takes time to reveal itself.

This work is the opposite of an ivory tower. The quality of attention is paramount. It’s a patient vigil, a wait that encounters and discoveries gradually fill.

With the watercolors in the Gaz series, it’s a case of questioning the material, making it speak. And here again, an unforeseen prodigy emerges from an accident of fate.

Between 2011 and 2013, Xavier Servas worked for an industrial design company in Vietnam. He returns to France with a small shipment of dzó paper, a rare paper that was once used in the archives of the imperial palace. What to make of this dzó paper? “I kept it for a long time without knowing what to do with it. Little by little, he found out: on this porous paper, the ink produces stains that complicate the painting process. But this defect turned into a godsend. Working with airbrush on both sides, watercolor, Indian ink and pigment, the artist plays with these expanding colors. The result is a call for figurative interpretation: steam, clouds, silhouettes, cartography, reliefs seen from the air, flesh-toned seabeds.

On the copper plates in the Sédiments series, the material is still evolving, but in a different way. Oxidized, partially coated with beeswax and pigments, the metal doesn’t breathe, like Pupe’s membrane, but dreams. Oxidation continues over time. Colors crystallize in a way that is both directed and unplanned. Nothing is designed rigidly, a priori. The change of state of matter is prior to the creator’s thought. In an inversion of technical logic, matter moves, technique follows, and art springs forth. Far from a claim to omnipotence, it’s a lesson in attentiveness, humility perhaps. A way of letting the world breathe before intervening.

 

  • Philippe Garnier, writter
ARTIST:
Xavier Servas

The post (IM)PERMÉABILITÉS
Xavier Servas
22.03.2025 – 10.05.2025 first appeared on Loo & Lou Gallery.]]> VOIR LOINSimon Laveuve11.01.2025 – 01.03.2025 https://looandlougallery.com/exhibitions/voir-loinsimon-laveuve11-01-2025-01-03-2025/?utm_source=rss&utm_medium=rss&utm_campaign=voir-loinsimon-laveuve11-01-2025-01-03-2025 Fri, 13 Dec 2024 16:03:02 +0000 https://looandlougallery.com/?p=23975 La galerie Loo&Lou présente une sélection de peintures de l’artiste Serge Rezvani, principalement des grands formats, issues des séries “Repentir” (1962-1992), “Effigies” (1961) et “Blanche” (2000), ainsi qu’une nouvelle série d’autoportraits dessinés, présentés à l’Atelier et réalisés ces derniers mois (2022-2023).

The post VOIR LOIN
Simon Laveuve
11.01.2025 – 01.03.2025 first appeared on Loo & Lou Gallery.]]>

VOIR LOIN

Simon Laveuve

L’Atelier
Loo & Lou Gallery – Haut Marais
11.01 – 01.03.25
 

  • Daikichi (detail), Mixed media, 38 x 16 x 18 cm | © Simon Laveuve

  • La Bouée (detail), Mixed media, 47 x 19 x 19 cm | © Simon Laveuve

  • La Bouée (detail), Mixed media, 47 x 19 x 19 cm | © Simon Laveuve

  • L’Île, Mixed media, 35 x 35 x 70 cm | © Simon Laveuve

  • La Volière, Mixed media, 43 x 13 x 13 cm | © Simon Laveuve

  • Exhibition’s view of “Voir Loin” – Atelier Loo & Lou – 2025 | © Aurea Calcavecchia

  • Exhibition’s view of “Voir Loin” – Atelier Loo & Lou – 2025 | © Aurea Calcavecchia

  • Exhibition’s view of “Voir Loin” – Atelier Loo & Lou – 2025 | © Aurea Calcavecchia

  • Exhibition’s view of “Voir Loin” – Atelier Loo & Lou – 2025 | © Aurea Calcavecchia

  • Exhibition’s view of “Voir Loin” – Atelier Loo & Lou – 2025 | © Aurea Calcavecchia

  • Exhibition’s view of “Voir Loin” – Atelier Loo & Lou – 2025 | © Aurea Calcavecchia

  • Exhibition’s view of “Voir Loin” – Atelier Loo & Lou – 2025 | © Aurea Calcavecchia

  • Exhibition’s view of “Voir Loin” – Atelier Loo & Lou – 2025 | © Aurea Calcavecchia

When discovering the works of Simon Laveuve, one is tempted to think back to Dubuffet’s quip that art “is always where you least expect it”. After decades of contemporary art displaying the ostentatious nature of its monumental creations in art venues built to the (dis)measure of their ever more imposing frames, we are witnessing the emergence of a new aesthetic trend that turns this quest for gigantism on its head, extolling the virtues of the miniature, a taste for the minuscule, attention to detail, and the reverie of intimate spaces. Simon Laveuve is certainly at the forefront of this desire to rediscover a more human scale of creation, even if it’s 1/35, in a closeness that recaptures the wonder of childhood. In concrete terms, the artist born in 1988 in the Paris suburbs creates miniature sculptures of chimerical architectures. From old graffiti-strewn sheds and ramshackle huts to overgrown turrets, trash-colored lighthouses, improbably levitating ships, dilapidated platforms, buoys and Lilliputian rafts, Simon Laveuve’s model sculptures present an almost surreal inventory of improbable habitats that have nothing to envy the architectural follies of Richard Greaves or the Palais du Facteur Cheval.

Belonging to a generation aware that we are living against a backdrop of widespread ecological crisis in a world on borrowed time, haunted by the spectre of a post-apocalyptic era, he explores the possibilities of surviving by living poetically in remote or inhospitable places. He thus imagines a world filled with “anachitectures” that defy the norms and principles of urban construction, like so many unusual shelters in the form of robinsonnades serving as refuges for the survivors of the future.
Like many artists born in the concrete of the great post-war urbanization projects embodying the brutalist architecture of the first half of the 20th century, Simon Laveuve questions the future of these urban spaces, often devastated by industrial desertization, and frequently appearing as non-places virtually devoid of humanity – future Territories of Waste, veritable “wastelands” punctuated by dilapidated shelters.
By offering a veritable manifesto of aesthetic savoir-vivre in the ruins of capitalism, the artist in no way subscribes to the collapsological nihilism of some. In fact, his visual universe has nothing to do with an anguished, gloomy dystopia, but rather bears witness to an act of resistance that appeals to the poetry of play and the virtues of the marvellous. From this point of view, the choice of miniature, far from signifying a kind of resigned closure, seems rather to be the royal road to the regeneration of our vanishing imaginations.
Whereas the gigantism of contemporary installations, whose deleterious impact on our potential for aesthetic reverie Annie Lebrun has never ceased to criticize, often plunges the viewer into a state of prostrate awe, miniaturized space turns its back on these canons by opposing them with other values: the humility of the artistic gesture rather than grandiloquence; a close-up view of the art object rather than a distant, hurried discovery; the patience of attention in preference to frantic zapping; the cult of secrecy, of hiding, rather than exhibitionist, expensive staging.

What’s more, as Bachelard points out: “The minuscule, the narrow door if there ever was one, opens up a world. The detail of a thing can be the sign of a new world, a world which, like all worlds, contains the attributes of greatness. The miniature is one of the lodgings of greatness.
By incorporating tiny tire swings, rope ladders, furniture, works of art, wooden doors punctuated with scribbled messages and a variety of utilitarian objects into his unusual buildings, each object-miniature perfectly combines the hyperrealism of meticulously reproduced detail with the fantasy of a reality in a new, dreamlike dimension.
The abundantly colored, Lilliputian models can sometimes evoke the kitschy world of “chinoiseries” in Asian neighborhoods, the atmosphere of Caro & Jeunet’s film sets, as well as that of SF or singular architectures, as the artist particularly appreciates the blending of genres and cultures.

Finally, Simon Laveuve’s approach is a hymn to manual, self-taught creation; fully in keeping with a “modest art”, if not “poor”. Faced with excessive consumerist waste, the artist resorts to the systematic recovery of objects that he skilfully recycles in his constructions, following the example of the tin cans he makes abundant use of. By hijacking this emblematic object of consumerism, which Warhol elevated to the status of Pop Art icon, Simon Laveuve rediscovers the founding gesture of an aesthetic of play whose origin Walter Benjamin attributed to the genius of childhood.
Aren’t children irresistibly drawn to the waste products of construction, gardening and domestic work? With these waste products, which they know how to divert wonderfully, don’t they give shape to their own world of things, a little world within the big one, just by themselves?
Simon Laveuve draws on the childhood of art that Claude Lévi-Strauss observed survives into adulthood in the “wild thought” of the handyman, quick to use whatever he can get his hands on to realize his project. The famous anthropologist also saw in the scale model, “always and everywhere, the very type of work of art”.

 

  • Philippe Godin, art critic
ARTIST:
SIMON LAVEUVE
RELATED PRESS:
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025

The post VOIR LOIN
Simon Laveuve
11.01.2025 – 01.03.2025 first appeared on Loo & Lou Gallery.]]> SOLO SHOWFrantz Metzger11.01.2025 – 01.03.2025 https://looandlougallery.com/exhibitions/solo-showfrantz-metzger11-01-2025-01-03-2025-2/?utm_source=rss&utm_medium=rss&utm_campaign=solo-showfrantz-metzger11-01-2025-01-03-2025-2 Fri, 13 Dec 2024 15:58:59 +0000 https://looandlougallery.com/?p=23967 La galerie Loo&Lou présente une sélection de peintures de l’artiste Serge Rezvani, principalement des grands formats, issues des séries “Repentir” (1962-1992), “Effigies” (1961) et “Blanche” (2000), ainsi qu’une nouvelle série d’autoportraits dessinés, présentés à l’Atelier et réalisés ces derniers mois (2022-2023).

The post SOLO SHOW
Frantz Metzger
11.01.2025 – 01.03.2025 first appeared on Loo & Lou Gallery.]]>

SOLO SHOW

Frantz Metzger

Loo & Lou Gallery – Haut Marais
11.01 – 01.03.25
 

  • Lisière, 2023, Oil on canvas, 140 x 120 cm

  • La nuit descend, 2024, Oil on canvas, 180 x 140 cm

  • Météores, 2024, Oil on canvas, 180 x 140 cm

  • Ombilic, 2024, Oil on canvas, 180 x 140 cm

  • Exhibition’s view – Loo & Lou Gallery – 2025 | © Aurea Calcavecchia

  • Exhibition’s view – Loo & Lou Gallery – 2025 | © Aurea Calcavecchia

  • Exhibition’s view – Loo & Lou Gallery – 2025 | © Aurea Calcavecchia

  • Exhibition’s view – Loo & Lou Gallery – 2025 | © Aurea Calcavecchia

  • Exhibition’s view – Loo & Lou Gallery – 2025 | © Aurea Calcavecchia

  • Exhibition’s view – Loo & Lou Gallery – 2025 | © Aurea Calcavecchia

  • Exhibition’s view – Loo & Lou Gallery – 2025 | © Aurea Calcavecchia

Body’s law

 

Who are they, these characters who stand out less than they seem to extract themselves, temporarily, from a foggy, heavy, enveloping substance – sticky like clay, floating like the clouds padding distant star clusters? Who are these characters watching us?
A poorly posed question, with approximate terms. No “who”, no “they”, even less “characters” in Frantz Metzger’s paintings. Just “figures”. And their indistinct faces, eclipsed or eaten by who knows what leprous fog, removed from the laborious demands of expressive and physiognomic exactitude, are certainly not “looking” at us. Frantz Metzger draws titles and stimuli from Dante, Hölderlin and Pascal. At the same time, however, and without paradox, Metzger’s painting is fiercely anti-literary: he makes no pretensions to the “psychology of characters, these living beings without entrails” (Valéry).

The fine craftsmanship that went into shaping these bodies, these volumes obtained through the skilful, colorist grace of the infinite modulation of grays (the science of dosing and shifting light-whites and brown opacities) – this fine craftsmanship never rings hollow. Otherwise, Zoran Music, Baselitz, even Bacon (who played no small part in shaping Frantz Metzger’s temperament as a painter) would be empty. That doesn’t sound hollow – it sounds full. What fills these literally disfigured bodies?

Let’s take a look at the works on paper: kneading of silhouettes, irregular kneading of contours (Schiele is undoubtedly not far off), squirts, splashes, effusions. It’s suffering: aching flesh. Back to the painting: Crucified’s lividity, the body’s vessel in the process of dissolving. Grey-white, semi-solid masses of flesh, of which we might well say what Fritz Zorn wrote, with his appalling lucidity, of his cancer: “It was as if all the tears I hadn’t been able – and hadn’t wanted – to shed in my life had gathered in my neck to form this tumour”. But there are these couples too. Jouissance, supplice, what’s the difference, not just because one, as we’ve been told often enough, is the flip side of the other – but because this painting is purely corporeal, purely sensorial. And that the location of the cursor (agony or orgasm) matters less than the sensitive alterations of the affected subject. The way his flesh dissolves, melts, or radiates and persists.
In any case, these bodies only half belong to themselves. They get stuck, entangled in the depths. They sometimes hesitate on the “edge” (Frantz Metzger likes the word and the idea) of animal life. As if badly awakened from the sleep of consciousness proper to primordial existence. But Metzger is less interested in primordial existence for its own sake than in the regressions and mutations it determines. For the impulses and thrusts that bring us back to it or pull us out of it. For the “forces that work reality” (Artaud). And maintain its permanent motion, its moving inconstancy. The body is, as we understand from this work, the best witness to this.

 

  • Damien Aubel, journalist and art critic
ARTIST:
FRANTZ METZGER
RELATED PRESS:
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025

The post SOLO SHOW
Frantz Metzger
11.01.2025 – 01.03.2025 first appeared on Loo & Lou Gallery.]]> SOLO SHOWPierre-Luc Poujol08.11.2024 – 21.12.2024 https://looandlougallery.com/exhibitions/solo-showpierre-luc-poujol08-11-2024-21-12-2024-2/?utm_source=rss&utm_medium=rss&utm_campaign=solo-showpierre-luc-poujol08-11-2024-21-12-2024-2 Thu, 24 Oct 2024 14:04:34 +0000 https://looandlougallery.com/?p=23786 La galerie Loo&Lou présente une sélection de peintures de l’artiste Serge Rezvani, principalement des grands formats, issues des séries “Repentir” (1962-1992), “Effigies” (1961) et “Blanche” (2000), ainsi qu’une nouvelle série d’autoportraits dessinés, présentés à l’Atelier et réalisés ces derniers mois (2022-2023).

The post SOLO SHOW
Pierre-Luc Poujol
08.11.2024 – 21.12.2024 first appeared on Loo & Lou Gallery.]]>

SOLO SHOW

Pierre-Luc Poujol

Loo & Lou Gallery – Haut Marais
08.11 – 21.12.24
 

  • N°534 série Empreintes, 2022, Mixed media, acrylic on canvas, high pressure water paint peel, 195 x 130 cm

  • N°532 série L’appel de la forêt, 2022, Mixed media, acrylic on canvas, high pressure water paint peel, 200 x 200 cm

  • N°567 série Looking up, 2022, Mixed media, acrylic on canvas, 200 x 200 cm

  • N°574 série Arborescences, 2022, Mixed media, acrylic on canvas, vegetable ashes, 80 x 80 cm

  • N°594 série Empreintes, 2023, Mixed media, acrylic on tarpaulin, vegetable ashes, 200 x 500 cm

  • N°604 série Empreintes, 2023, Mixed media, acrylic on tarpaulin, 200 x 200 cm

  • N°619 série Empreintes, 2023, Mixed media, acrylic on canvas, 80 x 80 cm

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

See the tree, feel the sovereign plant, transcribe the jolts of its dense and fibrous matter… Dedicated to the abstract evocation of the landscape, the large paintings by Pierre-Luc Poujol express a feeling of communion with the fertile life that populates the depths of the forest, in the heart of a chaos of trees spotted by light that filters through their shady foliage. The motif of the tree in fact fertilizes all its production, and the magma matrix that presides over all his achievements, the artist walks variations in explorations, shaping a universe with thousand ramifications. Pierre-Luc Poujol is committed to the preservation of the environment and designs his practice in a deep respect for life, tree branches, vegetable ashes, wood charcoal, allowing him a more intimate connection with his subject. Through the accumulation of gestures and traces involving the body and putting the eye in motion, he makes the plant spring out and deploys moving environments whose multiple tones are bathed in luminous vibrations with certain force. Like dripping, his sensual approach to the medium is blossoming in soft waves whose nervous accents, as so many contained deflagrations, make the pictorial space resonate. A rhythm is born from this intensity and the layout of what could be trunks, branches and other foliage play thus a partition where the power of nature are expressed, as well as the softness of the shadow.

– Maud de la Forterie, journalist and art critic

ARTIST:
PIERRE-LUC POUJOL
RELATED PRESS:
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024

The post SOLO SHOW
Pierre-Luc Poujol
08.11.2024 – 21.12.2024 first appeared on Loo & Lou Gallery.]]> HORS LES MURS “LES PASSIONS”Joël Person19.09.2024 – 09.11.2024 https://looandlougallery.com/exhibitions/hors-les-murs-les-passionsjoel-person19-09-2024-09-11-2024-2/?utm_source=rss&utm_medium=rss&utm_campaign=hors-les-murs-les-passionsjoel-person19-09-2024-09-11-2024-2 Fri, 20 Sep 2024 14:52:20 +0000 https://looandlougallery.com/?p=23699 La galerie Loo&Lou présente une sélection de peintures de l’artiste Serge Rezvani, principalement des grands formats, issues des séries “Repentir” (1962-1992), “Effigies” (1961) et “Blanche” (2000), ainsi qu’une nouvelle série d’autoportraits dessinés, présentés à l’Atelier et réalisés ces derniers mois (2022-2023).

The post HORS LES MURS “LES PASSIONS”
Joël Person
19.09.2024 – 09.11.2024 first appeared on Loo & Lou Gallery.]]>

Les Passions

Joël Person

 
Cabinet de curiosités contemporain Jonathan F. Kugel – Brussels
Loo & Lou Gallery – Haut Marais
19.09 – 09.11.24
 

  • Exhibition’s view at Cabinet de curiosités contemporain Jonathan F. Kugel, 2024

  • Exhibition’s view at Cabinet de curiosités contemporain Jonathan F. Kugel, 2024

  • Exhibition’s view at Cabinet de curiosités contemporain Jonathan F. Kugel, 2024

  • Exhibition’s view at Cabinet de curiosités contemporain Jonathan F. Kugel, 2024

  • Exhibition’s view at Cabinet de curiosités contemporain Jonathan F. Kugel, 2024

  • Exhibition’s view at Cabinet de curiosités contemporain Jonathan F. Kugel, 2024
 

Exhibition Les Passions
Jonathan F. Kugel, Cabinet de curiosités contemporain
In collaboration with Loo & Lou Gallery
From September 19 to November 9, 2024

Signature of the monography by Joël Person
During Brussels Art Square
Jonathan F. Kugel, Cabinet de curiosités contemporain
Saturday September 21, from 2.30 to 6 pm

ARTIST:
JOËL PERSON
RELATED PRESS:
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024

The post HORS LES MURS “LES PASSIONS”
Joël Person
19.09.2024 – 09.11.2024 first appeared on Loo & Lou Gallery.]]> THE SILENT COMPANIONSAndrew Ntshabele13.09.2024 – 26.10.2024 https://looandlougallery.com/exhibitions/the-silent-companionsandrew-ntshabele13-09-2024-26-10-2024-2/?utm_source=rss&utm_medium=rss&utm_campaign=the-silent-companionsandrew-ntshabele13-09-2024-26-10-2024-2 Thu, 29 Aug 2024 10:14:12 +0000 https://looandlougallery.com/?p=23638 La galerie Loo&Lou présente une sélection de peintures de l’artiste Serge Rezvani, principalement des grands formats, issues des séries “Repentir” (1962-1992), “Effigies” (1961) et “Blanche” (2000), ainsi qu’une nouvelle série d’autoportraits dessinés, présentés à l’Atelier et réalisés ces derniers mois (2022-2023).

The post THE SILENT COMPANIONS
Andrew Ntshabele
13.09.2024 – 26.10.2024 first appeared on Loo & Lou Gallery.]]>

The Silent Companions

Andrew Ntshabele

Loo & Lou Gallery – Haut Marais
13.09 – 26.10.24
 

  • Exhibition’s view of “The Silent Companions”, 2024 | © Aurea Calcavecchia

  • Exhibition’s view of “The Silent Companions”, 2024 | © Aurea Calcavecchia

  • Silent Companions, 2024, Oil, acrylic and enamel on mixed documents, 150 x 150 cm | © Andrew Ntshabele

  • Silent Companions, 2024, Oil, acrylic and enamel on mixed documents, 150 x 150 cm | © Andrew Ntshabele

  • Silent Companions, 2024, Oil, acrylic and enamel on mixed documents, 100 x 70 cm | © Andrew Ntshabele

  • Exhibition’s view of “The Silent Companions”, 2024 | © Aurea Calcavecchia

  • Exhibition’s view of “The Silent Companions”, 2024 | © Aurea Calcavecchia

  • Exhibition’s view of “The Silent Companions”, 2024 | © Aurea Calcavecchia

How many of us still read newspapers in paper format? In this 21st century, where digital versions are making inescapable progress, Andrew Ntshabele, visual artist, painter and newspaper collector, pays homage to the printed press by literally incorporating it into his work through the sections of text and articles that form the entire background of his paintings and towards which his characters are turned: anonymous individuals, fathers and mothers, but above all children, boys and girls holding hands and seemingly moving forward in this textual landscape of facts and events. But isn’t this image of past and present news rather a metaphor for a world in which the ability to be informed has become essential if we are to be actors in our own future? Knowing how to read and write remains a major preoccupation in Africa, as on other continents, particularly for families with very low incomes, whose dearest wish is that their children should be able to go to school and learn. In South Africa, education remains the key to individual success and collective social well-being.

Newspaper pages are just another visual element in the urban environment for those who can’t decipher them. In Andrew Ntshabele’s work, they constitute a “contextual” landscape, intelligible to some, but abstract to those who cannot read.  The ordinary, everyday characters he chooses to depict seem to oppose the density of the texts. Their vitality, expressed through dance or the most common acts: shopping, going to school, etc., contrasts with the formatting of the titles and paragraphs, while the relative austerity of the texts and photos is matched by the diversity and freshness of the patterns and colors of the clothes. Alone or in groups, the characters move towards an infinite textuality, creating an effect of depth and a form of perspective in which we ourselves, the viewers of the painting, participate since we are led to look at, if not read, the texts that the characters see. In this way, Andrew Ntshabele invites us to share his characters’ reading of the history of events in the making, with all its upheavals and societal challenges. Like them, we become aware that we are witnesses, if not actors.

  • Manuel Valentin,
  • anthropologist and African art historian
  • curator at Musée de l’Homme, Paris
ARTIST:
ANDREW NTSHABELE

The post THE SILENT COMPANIONS
Andrew Ntshabele
13.09.2024 – 26.10.2024 first appeared on Loo & Lou Gallery.]]> Le Salon Loo & Lou31.05.2024 – 23.10.2024 https://looandlougallery.com/exhibitions/le-salon-loo-lou31-05-2024-23-10-2024-2/?utm_source=rss&utm_medium=rss&utm_campaign=le-salon-loo-lou31-05-2024-23-10-2024-2 Thu, 06 Jun 2024 12:42:51 +0000 https://looandlougallery.com/?p=23481 Avec l'humble Bic Biro comme outil de prédilection, Powell, basé à Londres, crée des portraits complexes sur des documents anciens. Ses sujets préférés sont les personnes âgées, ce qui correspond naturellement au papier qu'il utilise et à son style détaillé : les marques de poste et la typographie fusionnent avec les traits de plume pour créer un ensemble captivant.

The post Le Salon Loo & Lou
31.05.2024 – 23.10.2024 first appeared on Loo & Lou Gallery.]]>

Le Salon Loo & Lou

Dominique Lacloche
Serge Rezvani
TANC
Johan Van Mullem
Jean Claude Wouters

L’Atelier
Loo & Lou Gallery – Haut Marais
31.05 – 23.10.24
 

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

  • Exhibition’s view, 2024 | © Aurea Calcavecchia

L’Atelier Loo&Lou takes its place and becomes, for the duration of an exhibition, the Salon Loo&Lou. Designed to resemble an apartment living room with artworks on the walls, it combines the heterogeneous character of many collectors’ interiors with a certain comfort.

Here, rather than a curatorial homogeneity, the chosen works resonate with a singularity in the technique or mediums used by the artists, and a color palette mixing blacks and whites.

The reason for this new exhibition format is a desire, a necessity, to bring to life creations that had previously lain dormant in Loo&Lou’s storerooms.

The sofa, installed in the space so as to embrace the entire exhibition with a single glance, allows visitors to prolong their visit, creating the conditions for a more complete understanding of the works on display, or simply for a state of contemplation…

ARTIST:
DOMINIQUE LACLOCHE
SERGE REZVANI
TANC
JOHAN VAN MULLEM
JEAN CLAUDE WOUTERS

The post Le Salon Loo & Lou
31.05.2024 – 23.10.2024 first appeared on Loo & Lou Gallery.]]> CŒUR DU TEMPSTana Borissova31.05.2024 – 27.07.2024 https://looandlougallery.com/exhibitions/coeur-du-tempstana-borissova31-05-2024-27-07-2024-2/?utm_source=rss&utm_medium=rss&utm_campaign=coeur-du-tempstana-borissova31-05-2024-27-07-2024-2 Sat, 04 May 2024 14:22:00 +0000 https://looandlougallery.com/?p=23348 La galerie Loo&Lou présente une sélection de peintures de l’artiste Serge Rezvani, principalement des grands formats, issues des séries “Repentir” (1962-1992), “Effigies” (1961) et “Blanche” (2000), ainsi qu’une nouvelle série d’autoportraits dessinés, présentés à l’Atelier et réalisés ces derniers mois (2022-2023).

The post CŒUR DU TEMPS
Tana Borissova
31.05.2024 – 27.07.2024 first appeared on Loo & Lou Gallery.]]>

Coeur du Temps

Tana Borissova

Loo & Lou Gallery – Haut Marais
31.05 – 27.07.24
 

  • Arbre 21, 2023, Acrylic on canvas, 114 x 162 cm | © Tana Borissova

  • Arbre 6, 2023, Acrylic on paper, 24 x 33 cm | © Tana Borissova

  • Arbre 8, 2023, Acrylic on canvas, 146 x 97 cm | © Tana Borissova

  • Arbre 11, 2023, Acrylic on canvas, 162 x 114 cm | © Tana Borissova

  • Arbre 14, 2023, Acrylic on canvas, 150 x 70 cm | © Tana Borissova

  • Arbre 20, 2023, Acrylic on canvas, 146 x 97 cm | © Tana Borissova

  • Les pages du lichen 1, 2024, Acrylic on paper, 54 x 73 cm | © Tana Borissova

  • Exhibition’s view | © Aurea Calcavecchia

  • Exhibition’s view | © Aurea Calcavecchia

  • Exhibition’s view | © Aurea Calcavecchia

  • Exhibition’s view | © Aurea Calcavecchia

  • Exhibition’s view | © Aurea Calcavecchia

  • Exhibition’s view | © Aurea Calcavecchia

It’s a mystery that unrolls its question marks in the ordinary train of our existences, and which is celebrated in Tana Borissova’s studio. It’s a tense mystery, exasperating for the mind; an exhilarating mystery, a source of inexhaustible and lively joy for the other faculties – spiritual and sensory alike.

In a word: how does matter and its inert properties (extent, hardness or plastic docility, consistency or tenuity) give rise to life? Or, better put: how does matter, which is subject to the necessities of physical laws, awaken to life – does it think – feel – escape the fallout of gravity? These passengers on my subway line, these colors on Tana Borissova’s canvases: why don’t they all boil down to the mere assembly of molecules, tendons and pigments that make them up? The answer, if there is one, doesn’t lie with us. But there’s nothing to stop us, like and with Tana Borissova, getting to the heart of the mystery.

Here is a tree: a section of bark and wood; here are colors (blues more or less saturated with light, ochres more or less approaching the point of incandescence and fusion); here are the paintings in the exhibition. And “here” is not enough; there’s always more to see than “here”.

The heart of things: where the superficial uniformity of tissue, dermis and bark is broken, where there is a complication of forms, a shimmer of nuances, indefinitely gazable, caressable, questionable. Where organic matter takes on the variety of the living. In Tana Borissova’s work, for example, the infinite cartography of inner landscapes, which, like the worlds sheltered by drops of river water, draw the topography (the geology, the geography, we don’t really know how to put it) of the plant being that the paintings delve into and repress.

The heart of things: where art seeks out the raw components whose assembly gives rise to life. These very components are revealed by Tana Borissova’s chromatic variations, indefinitely flexible but always connected to the fourfold core of all things, always suggestive of the tones of the four elements: earth, water, fire and sky hues.

Tana Borissova is in the tradition of the great “decomposers” – of those who, with light, earth and rock, can see only in terms of multiplicity – whether Turner, of course, or Giuseppe De Nittis at Vesuvius, or Courbet at the Caverne des Géants, or Dora Maar’s landscapes.

I’ll never be another traveler in the metro, but I can know him; I’ll never be another painting by Tana Borissova, but its currents, its flows, carry me away; I’m caught up in the momentum of this surge, in the impetuosity of life. Thrusts, jets: this is the dynamic impression made by Tana Borissova’s canvases. Vital breath, heartbeat, the flow of blood in the arteries, sap in plants, the flow of time…

It’s all about movement and emotion. For Tana Borissova’s tree, like her painting, feels, senses. It’s a magnificent mystery, and all that’s left to do is to be silent. And to look.

– Damien Aubel, journalist and art critic

ARTIST:
TANA BORISSOVA
RELATED PRESS:
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024

The post CŒUR DU TEMPS
Tana Borissova
31.05.2024 – 27.07.2024 first appeared on Loo & Lou Gallery.]]> REZVANI PAINTINGSSerge Rezvani22.03.2024 – 18.05.2024 https://looandlougallery.com/exhibitions/rezvani-paintingsserge-rezvani22-03-2024-18-05-2024/?utm_source=rss&utm_medium=rss&utm_campaign=rezvani-paintingsserge-rezvani22-03-2024-18-05-2024 Fri, 15 Mar 2024 12:49:54 +0000 https://looandlougallery.com/?p=23023 Galerie Loo&Lou presents a selection of paintings by artist Serge Rezvani, mainly large-format works from the "Repentir" (1962-1992), "Effigies" (1961) and "Blanche" (2000) series, as well as a new series of drawn self-portraits, presented at l'Atelier and created in recent months (2022-2023).

The post REZVANI PAINTINGS
Serge Rezvani
22.03.2024 – 18.05.2024 first appeared on Loo & Lou Gallery.]]>

Rezvani, paintings

Serge Rezvani

Loo & Lou Gallery – Haut Marais
22.03 – 18.05.24
 

  • Repentir I A, 1962/1992, Oil on canvas, 195 x 195 cm | © Thierry Cohen

  • Repentir XIV AA, 1962/1992, Oil on canvas, 200 x 190 cm | © Thierry Cohen

  • Sans titre de la série Blanche, 2000, Oil on canvas, 122 x 194 cm | © Thierry Cohen

  • Sans titre de la série Effigie, 1962, Oil on canvas, 146 x 87 cm | © Thierry Cohen

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

Painting the unspeakable under the radiant sunshine of the Mediterranean coast. Painting the unspeakable, by night, while humming, by day, Le Tourbillon de la vie, the song written for François Truffaut’s Jules et Jim. “L’indicible” is how Serge Rezvani defines his visceral painting in the sunny pages of his autobiographical novel Beauté, j’écris ton nom. It’s a novel that seeks to rediscover the source of the earthy, fiery pigments with which he has spent his entire life, digging into his thick jute canvases. Serge Rezvani, whose very life, with its wartime terrors, its Edenic lights and its extraordinary resonance with the unfolding of historical time, surpasses any narrative. Writer, musician, poet, but above all a painter, which is less well known.

From an early age, he scribbled in the short-lived petticoats of an extravagant and terribly ill mother, who finally abandoned him on the eve of the declaration of war in 1939, to die in the morbid solitude of the Warsaw ghetto. The infinite trauma of the eternally absent woman is embodied in his paintings in the form of a violent “abstraction” – even if he refutes the term – of a distant, unknown maternal death. In adolescence, the young man “went into painting” – as he put it – furiously, obsessively. A survivor’s gesture. From the depths of scattered glimmers that seem to emerge from an underground world, he draws out the demons of an unattached, demolished, bruised childhood. His companions in misfortune were the painters Jacques Lanzmann and Pierre Dmitrienko, and the English sculptor Raymond Mason, with whom he shared a daily life of misery, first at the Académie de la Grande Chaumière, where he found refuge, then in a vast bourgeois house with no heating, where the small group of artists dreamed of themselves as the new avant-garde of the immediate post-war period. They were the young abstract artists of the Ecole de Paris, also known as the “Les mains éblouies” collective, exhibited by Aimé Maeght. Around them gravitated Raymond Queneau, Boris Vian, Modigliani, Picasso and even Paul Eluard, who entrusted the young Rezvani with the engraving illustration of one of his Apollonian poems.

For in the deep, dark mysteries of this era, with its taste of eschatological utopia, the dazzling pleasure of love and appeasement seep through. For Rezvani, it was Lula, the goddess of his life, whose daily life he shared for 50 years in a house tucked away in the Maures mountains. Their paradise. He painted tirelessly, sometimes tempted to destroy his canvases. Lula stopped him. In 1962, the year of the release of Jules et Jim, his Effigies appeared, dark, immobile, totemic heaps with sculptural angles, seeming visions of a lost ancestral femininity, imbued with this new labyrinthine, enigmatic abstraction that he seems to share with Serge Poliakoff and Nicolas de Staël, his elders. Playing with overlaps and dark projections sprouting from the painting’s interiority, they seem to have emerged from distant sub-layers, as if from a secret straitjacket, an ebony chrysalis with primitive accents.

Rarely shown, some unpublished and dormant for years, these mute fetishes are here resurrected alongside Repentances, a series produced thirty years later, in more vibrant shades of blood-red and violet, evoking the slender nuances of Tintoretto. Set in complex compositions of occult windows and doors, these cloisonné-meshed canvases seem to trace the convoluted network of a spaceship hull or cryptic palace. They also evoke a resurgence-tribute to Rembrandt’s Flayed Ox, and by correlation, in a pictorial lexicon closer to our painter, to that of Soutine. There’s a palpitation that’s contained, buried, that of the canvases created in the wake of the Effigies, which the artist has now undertaken to cover. The latter were full of abysses of flesh, tangles of viscera, mazes of weightless shreds. More tortured and cavernous, and even monstrous in some cases – in the sense that they revealed a buried and traumatized part of intimacy, like a bodily externality, an alienation, that only painting, this inexplicable incarnation of the artist’s soul in the field of the world, has the power to reveal. Without words. Because words, just after the war, were no longer enough. Les Repentirs thus had the effect of appeasement, or repentance, when the painter’s gesture was replayed. After them, Rezvani stopped painting for almost 30 years, with a few exceptions, to devote himself to writing. 

Yet while his writings exude tenderness and humor, though invariably marked by a radicalism that characterizes each of his artistic expressions, his paintings are the exact opposite. Driven by a quest for the unrepresentable. A quest that never ceases to haunt him, even in his later Blanches series (2000s), constructed like woodcuts. More hieroglyphic, seeming to unite the tachist tenderness of a Tapies and the scriptural reveries of a Chillida, they still dig the furrow of a motif partitioned by secret doors crossed by apparitions, behind which lies the unknown. The painting? That “palpable space of the painting as a support for the informable”, as the artist’s luminous pen puts it.

– Julie Chaizemartin, journalist and art critic

ARTIST:
SERGE REZVANI
RELATED PRESS:
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024

The post REZVANI PAINTINGS
Serge Rezvani
22.03.2024 – 18.05.2024 first appeared on Loo & Lou Gallery.]]> ROADS THAT MAKE USMark Powell12.01.2024 – 02.03.2024 https://looandlougallery.com/exhibitions/roads-that-make-usmark-powell12-01-2024-02-03-2024-2/?utm_source=rss&utm_medium=rss&utm_campaign=roads-that-make-usmark-powell12-01-2024-02-03-2024-2 Fri, 15 Dec 2023 11:11:47 +0000 https://looandlougallery.com/?p=22586 Toute l’œuvre d’Elisabeth Daynès transgresse le règne de notre espèce, seule à dominer la terre, seule dans la lumière, au sommet de l’évolution.
Née en 1960, Elisabeth Daynès vit et travaille à Paris. Dès ses débuts de plasticienne dans l’univers théâtral, elle se confronte à la question de l’identité et de la métamorphose. A partir des années 1990, cette passion la conduit à récréer le corps des humains de la préhistoire, avec une précision hallucinatoire : en produisant ces œuvres cachées depuis la fondation du monde, elle devient une paléoartiste d’envergure internationale.

The post ROADS THAT MAKE US
Mark Powell
12.01.2024 – 02.03.2024 first appeared on Loo & Lou Gallery.]]>

Roads that make us

Mark Powell

Loo & Lou Gallery – Haut Marais
12.01 – 02.03.24
 

  • Head to the coast, 2023, Ballpoint pen drawing on a antique map of Ireland, 74 x 50 cm

  • The first dance, 2023, Ballpoint pen drawing antique envelopes, 27 x 17 cm chacun

  • Lines grow, 2023, Ballpoint pen drawing an antique French Magazine cover, 30 x 21 cm

  • Vogue, 2023, Ballpoint pen drawing an antique vogue patterns envelope, 27 x 30 cm

  • From one path, 2023, Ballpoint pen drawing on antique map, 58 x 105 cm

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 |© Aurea Calcavecchia

On old papers with an outdated appearance – stamped envelopes, road maps, playing cards – Mark Powell (1980, England) draws a whole gallery of portraits using a ballpoint pen whose expressive power captivates the eye with force and authority. Here, the artist takes care to depict the entirety of the epidermal contours of his subjects – unknown faces most often encountered in the street – seemingly emphasizing their truly parchment-like bodily texture: wrinkles dig furrows right into the skin, imprinting the body with the traces of memory and the marks of time, the very same ones that shape landscapes and geological soils. Geographical inscriptions become embodied and lodged in anatomical details: faded with the background and then no longer distinct from it, the human face becomes a palimpsest, Mark Powell then generating a new way of viewing in his works. The skin becomes a surface on its own: leveraged only to convey interiority, the artist strives to reveal its enigmatic part, its whole density. This one seems to be driven by past wanderings – personal trajectories, cultural journeys – where intimacy and history blend without ever disturbing each other. Far from the images of perfection, the face then appears like an open book where the gradual curve of the dermis and skin tones inform about the depths of memory, as well as its sedimentation.

  • Maud de la Forterie, Historian and art critic 
ARTIST:
MARK POWELL
RELATED EXHIBITIONS:
DRAWINGS
Mark Powell
28.04.2023 – 10.06.2023
RELATED PRESS:
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024

The post ROADS THAT MAKE US
Mark Powell
12.01.2024 – 02.03.2024 first appeared on Loo & Lou Gallery.]]> REFLET(S)SylC12.01.2024 – 02.03.2024 https://looandlougallery.com/exhibitions/refletssylc12-01-2024-02-03-2024-2/?utm_source=rss&utm_medium=rss&utm_campaign=refletssylc12-01-2024-02-03-2024-2 Fri, 15 Dec 2023 13:07:51 +0000 https://looandlougallery.com/?p=22634 Avec l'humble Bic Biro comme outil de prédilection, Powell, basé à Londres, crée des portraits complexes sur des documents anciens. Ses sujets préférés sont les personnes âgées, ce qui correspond naturellement au papier qu'il utilise et à son style détaillé : les marques de poste et la typographie fusionnent avec les traits de plume pour créer un ensemble captivant.

The post REFLET(S)
SylC
12.01.2024 – 02.03.2024 first appeared on Loo & Lou Gallery.]]>

REFLET(S)

SylC

L’Atelier
Loo & Lou Gallery – Haut Marais
12.01 – 02.03.24
 

  • Reflet(s) XII, 2022, Acrylic and oil pastel on canvas, 130 x 195 cm

  • Reflet(s) XVII, 2022, Acrylic and oil pastel on canvas, 61 x 50 cm

  • Reflet nocturne, 2022, Acrylic and oil pastel on canvas, 100 x 100 cm

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

  • Exhibition view, 2024 | © Aurea Calcavecchia

Through the mask bird

Leaving the studio, a lingering, ambiguous sensation. The pleasant imprint of a luminous, colorful universe. Flowers of acrylic and oil pastel. Laces of color. Attractive pinks, blues, greens, yellows and bright reds. Sunshine. It diffuses into the soul and body. Sweet, lively, boundless, like love radiating from a child’s imagination. And at the same time, the sensation of a shadow covering everything. Cold memories down my back. A black wall built between the eye and the heart. It freezes. It keeps you at a distance. It doesn’t seduce. A disturbing, angular charcoal line. A fossilized white presence, two gaps to plunge into.

That’s where SylC’s universe is headed. Right on the edge of flight and bottomless fall. Revealing what lies beneath. He is the bird and the death mask. One and the other mingled. As the taste of heaven and earth mingle in our mouths.

Intuitive, SylC’s art explores the unknown fire we carry inside. Don’t look for ultimate truth or fixed meanings. From painting to drawing to sculpture, his art is all about ambivalence and clashes of polarities, breaks and sutures. Aesthetics of fragment and hybridization, embodying the facets of life and interiority. Between the power of life and fragility, freedom and hindrance, desire and fear.

SylC’s hybrid universe is above all characterized by an ambiguous realism that navigates between reality and imagination, observation and fantasy. Of course, there’s a certain taste for the classical realism of the Flemish and Italian Renaissance in his work. An attraction to the abundance of nature, to anatomical detail, to the transparency of skin and its light. But we could also speak of a Baroque, Surrealist or Expressionist sensibility: non-finishes and the vagaries of matter, anatomical oddities, an imaginary world populated by mythical creatures, Narcissus, Centaurs and other hybrid bestials.

The most striking works are those that do not seek seduction, and that free themselves from the mimesis of the image. Where the unfinished and the imprecise remain. Where the flow of matter instinctively springs forth, through which the eye may or may not reconstruct a form. When fragments of legs sprout from a black drop. When the presence of a very realistic piece of face floats in a barely sketched shapeless mass. When the sharp, precise line suddenly stops, drawing only armless bodies, unfinished hands and eyeless faces. When the softness of round, flowing forms cohabits with the dry hardness of angular line. And when realistic beauty gives birth to all manner of monsters and other expressionist deformations. When the white reserve proliferates and says nothing but its great despairing emptiness.

Osmosis, Otherness, With or without rider, Reflet(s): in SylC’s universe, the question of identity predominates and always arises in an unconscious, ambivalent way. One body walking with another. A body that reflects another. A body that carries another. A body that grafts itself onto and merges with another. A shapeless shadow floating in the air. What do we see in these figures? An indestructible bond, family love, amorous fusion? Or hindrance, dependence? Are they presences or losses, mourning? Survivals of recumbents and Pietas grafted onto real models? What do we see in these figures? A beast, an animal? A child, an adult? An angel, a demon? Are they vibrant comets, eternal flowers, odes to life? Or are they carriers of death, with their half-open mouths and black orbits? Are they present, beating in the depths of our bellies, or remnants of a past lost in our heads?

No one knows what’s being represented.

Us and the others or the other “I ” inside us?

We and our ghostly memories that we carry in our bodies, with a thousand beliefs and a thousand disillusions. We and our multiple lives, which turn our souls into ashes, where new fires are constantly rekindled.

What does it represent, SylC? Perhaps the in-between. That mysterious passage through which we all pass, on the edge of which something always comes to an end and something new begins. Just like the ambivalent nature that takes shape in our works. Here, an ode to life, nourishing, fertile nature. A vast expanse of water in which our reflection is reflected, giving birth to the form of the living while at the same time making it disappear, caught up in its bottomless mirror. There, incandescent light beyond a verdant forest, whose glowing beauty we don’t know whether will be a heavenly refuge or an apocalyptic end.

Often there’s a mask. Here sometimes emerges from a black envelope, long-beaked and menacing. Or a skull face with fixed eye sockets. Here, often, a fragile circle encircles the white face. Like Ophelia’s face on the surface of the water. Like those ancient masks molded on the faces of the dead, a plaster spectre floating in the void.

The mask is what remains and what has passed. What was and what will be. The mask is what we see and what’s behind it. It’s the mask of death, but also, and above all, of metamorphosis. Like the masks of those strange, hybrid gods with horse or dog heads who have emerged from distant magical rituals. Like the mask of all the winged beings we carry within us. Beings of passage. From an imaginary beyond the grave, endlessly reborn in our heads. Leaving reality behind to help us explore other worlds. To open doors within us, to all those other “I “s that inhabit us. Children, adults, old people. Ageless beings in constant evolution. In whose arms we merge matter and spirit, joy and sorrow, inside and outside. A taste of heaven and earth.

We’re just firebirds in black masks.

It’s up to us to see through it. Otherwise. Something else.

– Amélie Adamo, May 2023

ARTIST:
SYLC

The post REFLET(S)
SylC
12.01.2024 – 02.03.2024 first appeared on Loo & Lou Gallery.]]> MON MAROCFlo Arnold and Christophe Miralles17.11.2023 – 23.12.2023 https://looandlougallery.com/exhibitions/mon-marocflo-arnold-and-christophe-miralles17-11-2023-23-12-2023/?utm_source=rss&utm_medium=rss&utm_campaign=mon-marocflo-arnold-and-christophe-miralles17-11-2023-23-12-2023 Thu, 09 Nov 2023 07:40:03 +0000 https://looandlougallery.com/?p=22180 Toute l’œuvre d’Elisabeth Daynès transgresse le règne de notre espèce, seule à dominer la terre, seule dans la lumière, au sommet de l’évolution.
Née en 1960, Elisabeth Daynès vit et travaille à Paris. Dès ses débuts de plasticienne dans l’univers théâtral, elle se confronte à la question de l’identité et de la métamorphose. A partir des années 1990, cette passion la conduit à récréer le corps des humains de la préhistoire, avec une précision hallucinatoire : en produisant ces œuvres cachées depuis la fondation du monde, elle devient une paléoartiste d’envergure internationale.

The post MON MAROC
Flo Arnold and Christophe Miralles
17.11.2023 – 23.12.2023 first appeared on Loo & Lou Gallery.]]>

Mon Maroc
“Je croyais rêver”, E. Delacroix

Flo Arnold & Christophe Miralles

Loo & Lou Gallery – Haut Marais
17.11 – 23.12.23
 

  • Henna, 2023, Mixed media, outline and oil on Berber tarp, 180 x 200 cm © Flo Arnold et Christophe Miralles

  • D’un monde à l’autre, Flo Arnold, 2023, Cellulose paper, oil and mixed media on panel, 53 x 53 cm © Flo Arnold et Christophe Miralles

  • Evanation bleue, Christophe Miralles, 2023, Oil on canvas, 146 x 114 cm © Flo Arnold et Christophe Miralles

  • Echeveria, Flo Arnold, 2023, Wenzhou paper, Strengthened oxidized brass frame, led, 190 x 130 cm © Flo Arnold et Christophe Miralles

  • Selfie 1, Christophe Miralles, 2023, Oil and jagged paper, 48 x 35 cm © Flo Arnold et Christophe Miralles

  • Exhibition view of “Mon Maroc” | © François Benichou-Mahé

  • Exhibition view of “Mon Maroc” | © François Benichou-Mahé

  • Exhibition view of “Mon Maroc” | © François Benichou-Mahé

  • Exhibition view of “Mon Maroc” | © François Benichou-Mahé

  • Exhibition view of “Mon Maroc” | © François Benichou-Mahé

  • Exhibition view of “Mon Maroc” | © François Benichou-Mahé

By giving their exhibition the title of Delacroix’s phrase “Mon Maroc, je croyais rêver” (“My Morocco, I thought I was dreaming”), Flo Arnold and Christophe Miralles are in no way demonstrating an outdated, anachronistic orientalism; rather, they are asserting the need for art to always return to the power of rapture that seized the colorist of genius on his discovery of the port of Tangier.

If the artist couple are among the many foreigners who have made Morocco their adopted country, they are not only paying homage to a land that can pride itself on having inspired so many illustrious painters, from Eugène Delacroix to Henri Matisse, Majorelle and other orientalists, it also symbolizes the idea of a creative process based on encounters and nomadic journeys, creolization and hybridization of influences, far removed from a conception of the work rooted in a patriotic and narrow-minded genealogy.

The exhibition at Loo & Lou Gallery, with its deliberately rhapsodic scenography in which the works criss-cross each other, playing on their differences and betting more on the effects of telescoping and the unexpected than on any unity of style and purpose, helps to underline the mix of genres characteristic of the “aesthetics of the impure” that characterizes the confrontation of these two creations, and more generally the art of our time. While the painter exalts a virtuoso superimposition of varied colors, whose subtle modulations irradiate his canvases with a rare sensuality, don’t Flo Arnold’s works favor paper textures whose shades of white are only weighted by the greenish reflection produced by the oxidation of the brass structures of his installations, or a few rare shades of his imaginary maps?

What’s more, while Flo Arnold’s organic installations seem carried away by an aerial power that goes beyond the specific framework of each of the mediums traditionally devolved to the fine arts system, the artist appropriating with delight the gestures of the painter and sculptor, to the point of enlisting them in a choreography on the bangs of architecture, Christophe Miralles’ paintings never cease to deepen the singularity of the pictorial fact alone. A marriage of fire and earth, the two works complement each other in their strange dissimilarity.

Indeed, while Christophe Miralles’ painting focuses on the human figure alone, it never ceases to thwart its factual and anecdotal representation, to the benefit of a plastic exploration with bewitching chromatic accents (Confluence), going so far as to make, like Bacon, “from a mouth a Sahara”, all the while walking with the memory of Goya’s work, which greatly inspired the artist in his early days. And don’t some of Flo Arnold’s works, with their polymorphous volumes and elusive shapes, evoke that witch-like aesthetic whose vitality of becoming was praised by Deleuze? In this respect, the installation Le sens des Mondes perfectly encapsulates the surprising plasticity of the Franco-Moroccan artist’s work, taking up only part of the structure of a larger whole, recently exhibited at the Festival international Constellations in Metz. Far from losing its enchanting power, the boat suspended by ropes between the picture rail and the gallery floor pours out a stream of opalescent forms, magnified by the backlighting and sound system, plunging the viewer into a Rmbaldian poetic narcosis. Is my gaze not drawn into the enveloping foam “aux neiges éblouies” (with dazzling snows), alongside the exalted lyricism of verses from “Le Bateau ivre” (The Drunken Boat)?

Unhierarchical, focused and elusive, Flo Arnold’s works are rhizomes of surprising spontaneity. Using white water-repellent paper glued to brass frames, the artist can give her pieces any dimensions they wish, always cutting or adding new modules as her projects dictate. The polysemic richness of this art form is undoubtedly linked to the designer’s background, whose childhood was imbued by her travels in Africa, and still seems enlivened by the omnipresence of lush vegetation, the importance of a whole set of pre-signifying semiologies – dances, rites, signs marked on the body, fabrics…

In this sense, the artist frees herself from cultural boundaries and the frameworks of each of the arts she revisits with total freedom – drawing, painting, sculpture, architecture… Don’t her installations end up playing with urban space during the Nuits Blanches, creating a kind of performance that has nothing to envy to the enchantment of Eva Jospin’s forests, or Christo’s wrappings?

What comes to dominate Flo Arnold’s plastic and Christophe Miralles’ pictorial space is a world of curves, inflections, circles, spirals and colored volutes. So many formal characteristics that testify to the same effort to construct the work as a “space of happy intimacy”, to use Bachelard’s beautiful expression. The art of this artistic couple is in no way reducible to decoration or mere retinal pleasure.

He makes visible an intensive inner space and invites us to cultivate it as an intimate cell…

– Philippe Godin, Art critic

The post MON MAROC
Flo Arnold and Christophe Miralles
17.11.2023 – 23.12.2023 first appeared on Loo & Lou Gallery.]]> FORÊT NOIRECedric Le Corf20.09.2023 – 28.10.2023 https://looandlougallery.com/exhibitions/foret-noirecedric-le-corf20-09-2023-28-10-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=foret-noirecedric-le-corf20-09-2023-28-10-2023-2 Wed, 30 Aug 2023 10:02:37 +0000 https://looandlougallery.com/?p=21803 Toute l’œuvre d’Elisabeth Daynès transgresse le règne de notre espèce, seule à dominer la terre, seule dans la lumière, au sommet de l’évolution.
Née en 1960, Elisabeth Daynès vit et travaille à Paris. Dès ses débuts de plasticienne dans l’univers théâtral, elle se confronte à la question de l’identité et de la métamorphose. A partir des années 1990, cette passion la conduit à récréer le corps des humains de la préhistoire, avec une précision hallucinatoire : en produisant ces œuvres cachées depuis la fondation du monde, elle devient une paléoartiste d’envergure internationale.

The post FORÊT NOIRE
Cedric Le Corf
20.09.2023 – 28.10.2023 first appeared on Loo & Lou Gallery.]]>

FORÊT NOIRE

Cedric Le Corf

Loo & Lou Gallery – Haut Marais
20.09 – 28.10.23
 

  • Jagdzenen (Hunting scene), 2023, Oil on canvas, 200 x 160 cm © Cedric Le Corf

  • Exhibition view of “Forêt Noire” by Cedric Le Corf, 2023 | © François Benichou-Mahé

  • Jambe sur roche, 2023, Oil on canvas, 238 x 46 cm © Cedric Le Corf

  • Jambe sur roche, 2023, Polychromed chestnut tree, 180 x 110 x 80 cm © Cedric Le Corf

  • View of the artist’s atelier | © Cedric Le Corf

  • Exhibition view of “Forêt Noire” by Cedric Le Corf, 2023 | © François Benichou-Mahé

  • Exhibition view of “Forêt Noire” by Cedric Le Corf, 2023 | © François Benichou-Mahé

  • Exhibition view of “Forêt Noire” by Cedric Le Corf, 2023 | © François Benichou-Mahé

Cedric Le Corf’s second Paris Solo Show at Loo&Lou Gallery was eagerly awaited. In 2020, the public discovered the work of this young artist of German and Breton origins, whose powerful, baroque sculptures, in which porcelain was interwoven with wood, showed great promise. Born of his experience in Madrid at Casa Velasquez, Cedric Le Corf’s new works put aside the use of porcelain to focus on the luminous and colorful possibilities of painted wood.

With these new sculptures and high-reliefs in polychromed wood, Cedric Le Corf explores the expressiveness of form, and the theatricality of color and light. Drawing on a vast imaginary museum that stretches from North to South, creating astonishing explosions, this research is imbued with a singular vibrancy. Of course, there’s the Spanish Baroque taste for tragedy, charged with the eloquence of chiaroscuro and mastery of color, as seen in the painted sculptures with waxy pulpits or glazed ceramics by Juan De Juni or Alonso Berruguete. But in this way of attacking wood and working with color, there is also the survival of a German tradition. This tradition ranges from the Rhenish heritage of the polychrome wood schools and the crude realism of Dürer and Grünewald, to the powerful German Expressionism of Baselitz and Lüpertz, whose language of tension and laceration left its mark on the artist during his time in Berlin.

Whereas yesterday’s sculptures focused on the tragic representation of the body, whether human or animal, butchered, quartered and recomposed, today’s new pieces focus on the theme of forest and light. They stem from childhood memories, echoes of the forest where Cedric Le Corf grew up in Germany. But they also stem from more recent observations, during walks in the Celtic lands where the artist now lives again, in the Scorff valley in Morbihan. Immersed in the forest. This is where Cedric Le Corf chooses his wood. Maple, chestnut, oak, eucalyptus, cherry. Whether painted or left untreated, the wood is always soft enough to be worked quickly, following the spontaneous flow of ideas and sensations felt by the artist. Stimuli abound in this everyday environment steeped in history, in the heart of vibrant nature.

Nearby are Porz a maro (the gates of death) and Devil’s Rock, where the ocean plays its marine ode, turning smooth rock into a relief in its own right. And then there’s the timeless soul of the land. Here, the remains of an Iron Age village. Here, medieval gems. Like the Eglise Notre-Dame de Kernascleden, with its colorful Flamboyant Gothic vaulting, the whirling of Hell and its danse macabre. Like the chapel of Sainte-Barbe, a favorite of the artist’s, with its keystones, tinderboxes and sculpted beams, transformed into monstrous Gothic creatures.

Of course, the raw, archaic, inhabited and powerfully expressive aspect of this pervasive context, which nourished the works, is also present. We feel the textures and smells, like green, damp moss, the taste of mushrooms or the grainy hardness of low stone walls. The light vibrates through the leaves and the trees shimmer in the puddles. You can hear the wind and the swirls of the sea banging against the large rocks. A sea field found in some of the engravings, drypoint on metal, exhibited alongside the reliefs and sculptures. We listen to the passage of time, to the rhythm of deer footprints or fox skulls embedded in the earth. Like a hollow path, Cedric’s work is all light and dark. Intensely dramatic, traversed by powerful vital and telluric forces, it plunges us into the beauty of the dark. Crossing a dark forest, pierced by a trickle of light. Just enough for rebirth.

  • Amélie Adamo, Author, Art critic and independant curator, Paris, July 2023

The post FORÊT NOIRE
Cedric Le Corf
20.09.2023 – 28.10.2023 first appeared on Loo & Lou Gallery.]]> LES BRUITS DU MONDEJoël Person20.09.2023 – 28.10.2023 https://looandlougallery.com/exhibitions/les-bruits-du-mondejoel-person20-09-2023-28-10-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=les-bruits-du-mondejoel-person20-09-2023-28-10-2023-2 Wed, 30 Aug 2023 10:55:54 +0000 https://looandlougallery.com/?p=21838 Avec l'humble Bic Biro comme outil de prédilection, Powell, basé à Londres, crée des portraits complexes sur des documents anciens. Ses sujets préférés sont les personnes âgées, ce qui correspond naturellement au papier qu'il utilise et à son style détaillé : les marques de poste et la typographie fusionnent avec les traits de plume pour créer un ensemble captivant.

The post LES BRUITS DU MONDE
Joël Person
20.09.2023 – 28.10.2023 first appeared on Loo & Lou Gallery.]]>

LES BRUITS DU MONDE

Joël Person

L’Atelier
Loo & Lou Gallery – Haut Marais
20.09 – 28.10.23
 

  • Série Bruits du Monde, 2017-2020, Black stone on paper, 29,5 x 29,5 cm

  • Série Bruits du Monde, 2017-2021, Black stone on paper, 29,5 x 29,5 cm

  • Exhibition view “Les Bruits du Monde” by Joël Person at the Atelier, 2023 | © François Benichou-Mahé

  • Le chant de la terre (detail), 2021-2022, Black stone on paper, 29,8 x 42 cm

  • Carnet de notes – Scuola grande San Rocco, Tintorretto, 2022, Pencil on paper, 59 x 21 cm

  • Série Bruits du Monde, 2017-2021, Black stone on paper, 29,5 x 29,5 cm

  • Exhibition view “Les Bruits du Monde” by Joël Person at the Atelier, 2023 | © François Benichou-Mahé

Les Bruits du Monde

It’s difficult, if not impossible, not to be moved, immediately and literally, by Joel Person’s drawn work, so much so that his charcoal blacks, applied with force or delicacy to his various media, seem to come to meet us to tell us about the world around him, the universes that fascinate him.

Today, this graphic rendezvous by the renowned author of sensitive horses, whose material reminds us of the precious heliogravure-printed English editions of the 20s, plunges us into a magma of images whose simple ambition is to make our eyes shine, our ears throb and our hearts beat.

Les Bruits du Monde, what a formula! Like the title chosen over thirty years ago by Peter Greenaway for his superb exhibition at the Louvre entitled Le Bruit des Nuages (The Noise of Clouds), the title of Joel Person’s Images is intended to reflect a completely different kind of sky.

Meeting in « Kaleidoscopie Chorus Achromata »* 

In the studio, over a cup of coffee, I come face to face with the artist as draughtsman, but above all in front of a large white wall on which, with the touch of a finger, subjects of all kinds cohabit. Unfinished or impeccably finished (implacable?), his drawings have been inspired by various databases. The creative spirit is set in motion.

The overall effect is really striking.

You don’t know where to look…

It’s like being in a TV surveillance booth, responsible for a multitude of images that you have to see and then scrupulously decipher.

This masterful kaleidoscope leaves no doubt as to the quality of the artist’s workmanship.

A further paradox is that this graphic ensemble emanates a sort of muted sonority. Before our very eyes, we feel the sensation of a crackling sound, preparing us, without a moment’s hesitation, to feel our own emotions.

Although colorless, the source of emotions according to the ancients, drawing nonetheless has that uncanny ability to speak to the soul of the layman who ventures into sacred land shaded in black. Joel Person’s pencil strokes, like so many lines, form his personal alphabet, with which he builds his narratives, composes his stories. What seduces us sometimes also disconcerts us. How do you go from an overtly violent street scene to a sublime portrait of a thoroughbred Arabian stallion? Any answer to this question is futile. The best thing to do is not to sulk in pleasure, but to take these plural images as they come, in good company, the company that, thanks to the artist’s talent, allows us to open our eyes and appreciate…his new Sounds of the World.

If Person is an artist in the literal sense

Joel is an artist in the figurative sense.

 

     –   Edwart Vignot, Art historian

 

« Kaleidoscopie Chorus Achromata »*  neologism specially coined to describe part of Joel Person’s artistic work: relating to a diversity of things, people, multiple situations without color…

The post LES BRUITS DU MONDE
Joël Person
20.09.2023 – 28.10.2023 first appeared on Loo & Lou Gallery.]]> CHARBONLydie Arickx09.06.2023 – 28.07.2023 https://looandlougallery.com/exhibitions/charbonlydie-arickx09-06-2023-28-07-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=charbonlydie-arickx09-06-2023-28-07-2023-2 Fri, 09 Jun 2023 12:31:02 +0000 https://looandlougallery.com/?p=21629 Toute l’œuvre d’Elisabeth Daynès transgresse le règne de notre espèce, seule à dominer la terre, seule dans la lumière, au sommet de l’évolution.
Née en 1960, Elisabeth Daynès vit et travaille à Paris. Dès ses débuts de plasticienne dans l’univers théâtral, elle se confronte à la question de l’identité et de la métamorphose. A partir des années 1990, cette passion la conduit à récréer le corps des humains de la préhistoire, avec une précision hallucinatoire : en produisant ces œuvres cachées depuis la fondation du monde, elle devient une paléoartiste d’envergure internationale.

The post CHARBON
Lydie Arickx
09.06.2023 – 28.07.2023 first appeared on Loo & Lou Gallery.]]>

CHARBON

Lydie Arickx

Loo & Lou Gallery – Haut Marais
09.06 – 28.07.23
 

  • Sans titre 1, 2022, Mixed media, 40x30cm © Biancharickx production

  • Charbon (triptych), 2023, Charcoal on paper, 304 x 335,4 cm | © Biancharickx production

  • Tête jaune, 2023, Mixed media, 292 x 207,5 cm | © Biancharickx production

  • Sans titre 7, 2023, Mixed media, 29,7 x 21 cm | © Biancharickx production

  • Sans titre 15, 2023, Mixed media, 29,7 x 21 cm | © Biancharickx production

  • Exhibition view of “Charbon” | © François Benichou-Mahé

  • Exhibition view of “Charbon” | © François Benichou-Mahé

  • Exhibition view of “Charbon” | © François Benichou-Mahé

  • Exhibition view of “Charbon” | © François Benichou-Mahé

  • Exhibition view of “Charbon” | © François Benichou-Mahé

  • Exhibition view of “Charbon” | © François Benichou-Mahé

Charcoal: in choosing this title for her new exhibition at Loo & Lou Gallery, Lydie Arickx is not only referring to the material that inspired some of the works on display, but also to a deeper interweaving of memories that seems to be woven together like the past sediments of her own life. Doesn’t coal refer to that dark country dotted with slag heaps, peopled with memories of mines and corons, particularly in the north of France, where his family still has deep ties? Doesn’t it also evoke images of shameful atavism, child labor and the “black faces” of Germinal, silicosis, the cries of miners’ wives and the blasts of firedamp? Hasn’t it served as fuel for a whole imaginary world of social revolt, that of a people who “thunder in their crater”, rising up like an underground force, and will soon shatter the earth? By summoning this ore laden with all these fragments of human and plant life – coal being no more than an extract of fossilized trees and plants compressed in the viscous night of this region’s subsoils – Lydie Arickx also continues her exploration of the arborescence of the living, while drawing on the mystical depths of Flemish painting.

By going to the coalface, Lydie Arickx is not afraid of dealing with a material that is not only tainted by the dirt of anthracite, but also demonized by its responsibility for global warming. The artist, no stranger to the art of systematic bricolage, even confides her wonder at this new ingredient likely to enrich her laboratory of plastic experimentation. Lydie Arickx has long been a devotee of “wild thought”, which Claude Lévi-Strauss described as “the inscription, in the pictorial world, of techniques considered inadequate, unacceptable and unprofessional”. Hasn’t she always resorted to the most unorthodox materials, totally alien to the rules of academic painting?

It was in an impromptu way, using its medicinal virtues, that she discovered the full aesthetic potential of this vegetable charcoal. By mixing it with water, it diffuses on contact with the paper and spreads out in a multitude of unexpected graphic gesticulations, drawing a venous network with gnarled ramifications that are as organic as they are magical.

Here, the artist finds a new way to realize the dream of an informal expressionism: that of a material without form, without framework and without corset; similar to the lianascence of certain Caribbean plants, whose extreme versatility lends itself to all transformations and deformations, indefinitely malleable. Lydie Arickx enriches this substance, sometimes mixing it with pigments and acrylic resin.

Like a Füssli watercolor revisited by the “turbulent infinity” of Henri Michaux’s mescaline drawings, evanescent and tenuous silhouettes fade in and out of view, lending the works the in-between quality of dream and fantasy. With its depth of black and remarkable matte finish, doesn’t this charcoal evoke that “work in black” that would have made the greatest alchemists dream? Doesn’t it embody the power to transmute values, bringing beauty out of the dark, impure depths of the vilest materials?
By restoring to the great flow of life the most sordid and apparently repugnant parts of existence, Lydie Arickx’s art seems to be permeated by a song of desire that is reminiscent of the lyricism of certain pages by Henri Miller: “I love everything that flows: rivers, sewers, lava, (…) all the pus and filth that as it flows purifies itself, everything that loses the sense of its origin, everything that travels the great circuit towards death and dissolution. “

Hence, no doubt, this tendency to “add another layer”, with this yellow face in particular, with its impasto of materials giving the painting the appearance of a veritable “bas-relief” of “material” glory.
So, by perpetually enriching the variety of materials in her plastic vocabulary, isn’t the artist inventing a language open to the gaping holes of life, in the same way that Hugo drew the illuminations of his poetry from the “Mouth of Shadow”? Because for the painter, as for the poet, isn’t it above all a matter of knowing how to “contemplate”?
Less than a creator of forms, the artist becomes a revelator, a “tool” for revealing the virtual properties of a material. Just as a child marvels at seeing his or her own drawing, so is he or she astonished by the emergence of forms forever in the making?
Lydie Arickx’s works are fully part of an aesthetic of play. To appreciate them, we should no doubt draw inspiration from the famous passage in Leonardo’s Notebooks entitled “A way of stimulating and awakening the intellect for various inventions”, and the “walls smeared with stains” from which “an infinity of things are born that you will be able to reduce to distinct and well-conceived forms”.
Thus, from limbo, and from the lineaments of a wash, a couple of embracing figures seem to tenderly form as the ink meanders.
By placing Lydie Arickx’s work under the Duchampian banner, could we not say, at last, that in this exhibition, “it is (also) the viewers who make the painting”?

 

– Philippe Godin, Art critic

The post CHARBON
Lydie Arickx
09.06.2023 – 28.07.2023 first appeared on Loo & Lou Gallery.]]> ÉVOLUTIONÉlisabeth Daynès28.04.2023 – 03.06.2023 https://looandlougallery.com/exhibitions/evolutionelisabeth-daynes28-04-2023-03-06-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=evolutionelisabeth-daynes28-04-2023-03-06-2023-2 Sat, 15 Apr 2023 15:07:53 +0000 https://looandlougallery.com/?p=21458 All the work of Elisabeth Daynès transgresses the reign of our species, alone to dominate the earth, alone in the light, at the top of the evolution.Born in 1960, Elisabeth Daynès lives and works in Paris. Since her beginnings as a visual artist in the world of theater, she has been confronted with the question of identity and metamorphosis. Since the 1990s, this passion has led her to recreate the bodies of prehistoric humans with hallucinatory precision: by producing these works hidden since the foundation of the world, she has become an international paleoartist.

The post ÉVOLUTION
Élisabeth Daynès
28.04.2023 – 03.06.2023 first appeared on Loo & Lou Gallery.]]>

ÉVOLUTION

Élisabeth Daynès

Loo & Lou Gallery – Haut Marais
28.04 – 03.06.23
 

  • Néandertalien, 2017, Silicon, natural hairs, yak hair, metal, wood, leather, 180x60x60 © François Benichou-Mahé

  • Ménine II, 2021, Metal, bronze foil, stabilized fungus, 120x110x40cm © François Benichou-Mahé

  • Arbre de vie II, 2023, Metal, jesmonit, silicon, 55x80cm © François Benichou-Mahé

  • Carbone (diptyque), 2022, wood, metal, jesmonit, 106x41cm each © François Benichou-Mahé

  • Pop pépinières, 2023, Metal, jesmonit © François Benichou-Mahé

  • Insta Venus, 2021, Bronze, 42x37x25cm © François Benichou-Mahé

  • Exhibition’s view © François Benichou-Mahé

  • Résilience, 2021, Plexiglass, burned wood, gold foil, metal, jesmonit, 156x58x66cm © François Benichou-Mahé

  • Exhibition’s view © François Benichou-Mahé

A young woman is swaddled in a chrysalis, ready to hatch into a new femininity. Her carefully sculpted, calm face exudes a poetic quality that exists on the edge of death and rebirth. She will soon emerge into an uncertain land that offers dreams and utopias. Is she Ophelia from the future? Plastic cocoons her body, suggesting the advent of new genetic processes that will seal our long descendance from Homo Sapiens. 

“Is it science fiction? No, it is a waiting room from the future”, Elisabeth Daynès answers. The artist, who works with paleogeneticists, anthropologists and biologists, is known for the faces and bodies of cavemen she recreates for museums and prehistoric sites. Within Evolution, a Neanderthal looks at us with irony, his arms crossed, wondering what we inherited from our ancestors and what generational abyss we are headed towards. A curious, hyper-realistically sculpted man asks himself the same question, as he peers into a relief of a flayed face through the prism of Alioscopy technology. A worrying otherworldliness manifests from this monstrous double of ourselves.

Monsters seem to have infiltrated the physical preoccupations of our time, haunted by the spectre of genetics and hybridization, for better or for worse. It cannot be mere coincidence that questions of gender, sexuality, and identity are raised at a time when social networks are turning human bodies into guinea pigs, ready to mutate in the name of the diktat of the beauty. Is there a genetic nightmare in sight? Probably…

Daynès speculates that we will soon be birthed from small hulls, resembling vulvas, that grow on charred trees. After visiting several research laboratories working on synthetic skin, she began questioning the scientific process of grafting. Her works emulate a hybridization of the living, and suggest augmented, artificial properties that interfere in the evolution of species. “This is a crazy time to be living in, with new norms, new mutations,” she observes. Passionate and anguished, she emphasizes the generational madness in holding Kardashian behinds and blistered lips as the pinnacle of beauty. Today, it is possible to change breasts as easily as it is to change dresses. The sixteen-year-old girls who get their mouths plumped often forget that these acts of cosmetic surgery are, for some, irreversible… 

A sculpture of proliferating breasts in the form of black charcoal and golden mushrooms suggest a different paradigm, where the womb will no longer serve for fertilization. Occasionally nightmarish and unpleasant, yet pop and grotesque, Daynès’ creations are futuristic anticipations of the Anthropocene, where the artist is unafraid to introduce a certain derision towards these new identities. Where do we come from, what are we, and where are we going?

– Julie Chaizemartin, Journalist and Art Critic
(Translation by Alexandra Gilliams)

ARTIST:
ELISABETH DAYNÈS
RELATED EXHIBITIONS:
FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020
RELATED PRESS:
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023

The post ÉVOLUTION
Élisabeth Daynès
28.04.2023 – 03.06.2023 first appeared on Loo & Lou Gallery.]]> DRAWINGSMark Powell28.04.2023 – 10.06.2023 https://looandlougallery.com/exhibitions/drawingsmark-powell28-04-2023-10-06-2023/?utm_source=rss&utm_medium=rss&utm_campaign=drawingsmark-powell28-04-2023-10-06-2023 Sat, 15 Apr 2023 13:43:32 +0000 https://looandlougallery.com/?p=21431 With the humble Bic Biro as his tool of choice, London-based Powell creates intricate portraits on antique documents. His favoured subjects are elderly, a natural fit for the paper he uses and his detailed style: post marks and typography merge with pen strokes to create a captivating whole.

The post DRAWINGS
Mark Powell
28.04.2023 – 10.06.2023 first appeared on Loo & Lou Gallery.]]>

Drawings

Mark Powell

L’Atelier
Loo & Lou Gallery – Haut Marais
28.04 – 10.06.23
 

  • Greater they say, 2022, Dessin au stylo à bille sur une ancienne carte du grand New York © Mark Powell

  • Along the Seine, 2022, Dessin au stylo à bille sur une carte de Paris des années 1890, 89,5 x 64 cm © Mark Powell

  • The greatest city, 2022, Dessin au stylo à bille sur une ancienne carte de 1939, 74 x 67 cm © Mark Powell

  • Never sleep and keep dancing, 2022, Dessin au stylo à bille sur une ancienne carte de New York, 42,5 x 81,5 cm © Mark Powell

  • Exhibition’s view © François Benichou-Mahé

  • From hut to house through calluses, 2023, Dessin au stylo à bille sur une ancienne carte des îles britanniques, 38,5 x 50 cm © Mark Powell

  • Exhibition’s view © François Benichou-Mahé

Mark Powell was born in 1980 in Leeds, Great Britain, and attended the University of Huddersfield, where he enrolled one day by chance when he met the head of the fine arts department to whom he showed some drawings. The meeting facilitated his enrolment, and Mark Powell began to study drawing and painting.

For this first collaboration with the Loo & Lou, the Atelier hosts a gallery of faces superimposed on fragments of maps and plans. Foreground and background merge their reliefs, wrinkles become roads, geological lines become wrinkles at the corner of the eyes. The artist draws his own topography, he whose eventful life and numerous peregrinations have led him from city to city, undoubtedly leafing through the maps and plans that he now covers with a refined line. His drawings are rooted in his own uprooting, in these paths taken or imagined whose sometimes evocative titles lead us to the crossroads. The terrestrial data become supports of their transformation into anatomical data, and conversely. The journey takes place in these comings and goings that inspire us with faces and landscapes.

The perseverance of the artist and the meticulousness of the line explode in the immediacy of the figuration which faces us with force, rendered simply by his instrument of preference, the ballpoint pen. It is a conscientious work that allows few failures but that requires clarity and delicacy. If Mark Powell feels close to Jean-Michel Basquiat, David Hockney or Samuel Basset, the finesse of his line reminds us of the careful and learned gesture of engraving. Claude Mellan in the 17th century detached the face of Christ, floating on the sheet of paper, representing it with a single stroke like a long path that takes up the woven thread of the shroud of Saint Veronica. Powell has fun with the same feat, drawing the weaving of the face.

If the first function of a map is to find one’s way, it is also the flattened face of a city, of a place: it is the schematic, essential and conventional representation behind which one can guess, if one wishes, the bubbling of life and the city agitation. It is no coincidence that Mark Powell also chooses old postcards as background archives that capture personal experiences, fragments of stories. We imagine the lives of these faces, all their possible directions; it is an invitation to travel, a work of an aesthetic as well as narrative quality.

– Nina Lashermes

ARTIST:
MARK POWELL
RELATED EXHIBITIONS:
ROADS THAT MAKE US
Mark Powell
12.01.2024 – 02.03.2024

The post DRAWINGS
Mark Powell
28.04.2023 – 10.06.2023 first appeared on Loo & Lou Gallery.]]> UNDER MY SKIN Arghaël10.03.2023 – 15.04.2023 https://looandlougallery.com/exhibitions/under-my-skin-arghael10-03-2023-15-04-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=under-my-skin-arghael10-03-2023-15-04-2023-2 Fri, 10 Mar 2023 07:19:39 +0000 https://looandlougallery.com/?p=21107 Après « Lyrics » en 2016 et « Ecritures automatiques » en 2019, TANC, de son vrai nom Tancrède Perrot, investit une nouvelle fois l’espace de Loo&Lou et poursuit dans cette nouvelle proposition son exploration entreprise à ses débuts sur la thématique de « l’Ecriture », quand pour tromper ses professeurs , il remplissait ses pages de cahiers d’une calligraphie indéchiffrable.

L’artiste est séduit alors par le mode d’expression que propose le Graffiti, courant né à Philadelphie dans les années 60 avant de prendre son essor une dizaine d’années après à New-York.
Imprégné de l’histoire de l’art, ses références sont à chercher chez Henri Michaux, Francis Kline, ou Simon Hantaï et dans les courants de l’Action painting et de l’Abstraction lyrique.
L’acte d’écriture s’apparentant chez lui à une performance, proche d’un état de transe. Sa gestuelle se veut une danse devant la toile ou une sorte de pratique d’un art martial à la fois zen et énergétique qui le poussent dans ses retranchements physiques.

L’exposition « Fragments » qui ouvrira ses portes en janvier 2023 présente les travaux récents de l’artiste. Pour plus de liberté, il introduit le papier dans son processus de création. Cela lui permet de peindre, et de projeter, sur des formats différents et désolidarisés, une composition à venir décidée de manière aléatoire. En mélangeant les styles de traits, les sens de lecture, il peint les fragments qu’il figera ensuite sur la toile en les marouflant, cherchant à restituer à la façon d’un puzzle, une image inconsciente.

The post UNDER MY SKIN
Arghaël
10.03.2023 – 15.04.2023 first appeared on Loo & Lou Gallery.]]>

Under My Skin

Arghaël

Loo & Lou Gallery – Haut Marais
10.03 – 15.04.23
 

  • Exhibition view | © Arghaël

  • Untitled 4, 2021, Oil and charcoal on linen canvas, 175 x 105 cm © Stéphane Cardinale

  • Shaz, 2021, Oil, ink and charcoal on linen canvas, 150 x 105,5 cm © Stéphane Cardinale

  • Exhibition view | © François Benichou-Mahé

  • Atelier’s view | © François Benichou-Mahé

  • Exhibition’s view | © Stéphane Cardinale

Under My Skin

Placing the practice of drawing and the nude motif at the very core of his artwork, Arghaël reconnects with a long tradition of bodily representation, ranging from prehistory with the Venus of Willendorf, to the ideal of ancient perfection with Praxiteles’ statuary, to the cult of flesh, whether magnified by Renoir or unsparing as  in Lucian Freud’s paintings.

As if the artist was seeking to anchor his work in a soil rich enough to bear the cadences and dances his art conjures up. Doesn’t each of his drawn figures seem to be caught up in some kind of vertigo, all the more intense as each defies our usual perception of human attributes and identity ? Aren’t their faces systematically scratched in a manner similar to  Artaud’s self-portraits ?

Immersing his live models in mysterious, indecipherable  animal or human postures, the artist invites us to enter an ambiguous world merging man and beast, which Bacon had explored in his paintings. A world of exploding vital forces within the very hollows of our flesh. In perhaps an even cruder way, Arghaël plays with our representation of sexual organs, at times eluded, at other times, added, freeing himself –and us- from the confines of gender to question the notion of sexual identities. Through the prism of current gender studies and debates on intersexuality, his recent work with transgender models revisits the classic figure of the hermaphrodite. With its lines in perpetual motion, never fully stabilized, and its profusion of forms constantly morphing into new ones, isn’t drawing the ultimate art form to open up the body to its multiple identities ?

From that perspective, Arghaël’s artistic protocol is pure kairos captured in the drawing act itself which, through its obsessive iteration, gives his art a rare power. Far from being mere sketches for future paintings or sculptures, the artist’s drawings stand their ground, free from so-called superior art forms and claiming a territory of their own. 

Far from configuring the silhouettes of his nudes, Arghaël’s raw linen canvas brings to life the invisible forces driving his models from within – under their skin. 

As a graphic acupuncturist would, his hand maps out a new anatomy of who we are, using strokes of charcoal or pastels to define meridians and reveal the latent energies hidden in the many folds of human skin. 

In Arghaël’s new pieces, charcoal gives way to increasingly elliptical forms, where lines are suggested yet enhanced by the fluorescence of pastels and touches of ochre chalk. The bodies spread and stretch like in André Kertész’s photographs, or contort themselves in poses evoking Hans Bellmer’s dismembered dolls. The hand that draws becomes one with the hand that sculpts, escaping the limits of reality to finally embrace its own, ever-lasting energy.

By Philippe Godin,
Art critic

The post UNDER MY SKIN
Arghaël
10.03.2023 – 15.04.2023 first appeared on Loo & Lou Gallery.]]> FRAGMENTS Tanc20.01.2023 – 25.02.2023 https://looandlougallery.com/exhibitions/fragments-tanc20-01-2023-25-02-2023-2/?utm_source=rss&utm_medium=rss&utm_campaign=fragments-tanc20-01-2023-25-02-2023-2 Tue, 20 Dec 2022 15:50:48 +0000 https://looandlougallery.com/?p=20592 Après « Lyrics » en 2016 et « Ecritures automatiques » en 2019, TANC, de son vrai nom Tancrède Perrot, investit une nouvelle fois l’espace de Loo&Lou et poursuit dans cette nouvelle proposition son exploration entreprise à ses débuts sur la thématique de « l’Ecriture », quand pour tromper ses professeurs , il remplissait ses pages de cahiers d’une calligraphie indéchiffrable.

L’artiste est séduit alors par le mode d’expression que propose le Graffiti, courant né à Philadelphie dans les années 60 avant de prendre son essor une dizaine d’années après à New-York.
Imprégné de l’histoire de l’art, ses références sont à chercher chez Henri Michaux, Francis Kline, ou Simon Hantaï et dans les courants de l’Action painting et de l’Abstraction lyrique.
L’acte d’écriture s’apparentant chez lui à une performance, proche d’un état de transe. Sa gestuelle se veut une danse devant la toile ou une sorte de pratique d’un art martial à la fois zen et énergétique qui le poussent dans ses retranchements physiques.

L’exposition « Fragments » qui ouvrira ses portes en janvier 2023 présente les travaux récents de l’artiste. Pour plus de liberté, il introduit le papier dans son processus de création. Cela lui permet de peindre, et de projeter, sur des formats différents et désolidarisés, une composition à venir décidée de manière aléatoire. En mélangeant les styles de traits, les sens de lecture, il peint les fragments qu’il figera ensuite sur la toile en les marouflant, cherchant à restituer à la façon d’un puzzle, une image inconsciente.

The post FRAGMENTS
Tanc
20.01.2023 – 25.02.2023 first appeared on Loo & Lou Gallery.]]>

FRAGMENTS

Tanc

Loo & Lou Gallery – Haut Marais
20.01 – 25.02.23
 

  • Exhibition view “Fragments”, 2023 © François Benichou-Mahé

  • Noir 4, 2022, Oil on linen canvas, 57 x 57 cm

  • UltraMarine 75, 2021, Oil on linen canvas, 57 x 57 cm

  • Fragments 19, 2023, Acrylic on paper mounted on canvas, 41 x 41 cm

  • Fragments 6, 2022, Acrylic on montval paper 300g mounted on canvas, 117 x 117 cm

  • Exhibition view “Fragments”, 2023 © François Benichou-Mahé

  • Fragments 13, 2023, Acrylic on montval paper 300g mounted on canvas, 160 x 120 cm

  • Exhibition view “Fragments”, 2023 © François Benichou-Mahé

Diffractions of an unknown writing 

With his Fragments series, Tanc operates a new variation within his own work. This time, the artist inventor of abstract writings reveals surprising diffracted calligraphies. 

He changes his practice, and passes from a continuous flow to a discontinuous flow. Thus the uninterrupted gesture which consisted in covering a surface becomes the occasion of a fragmentation of the surface itself. To the beautiful totality of a canvas composed like a page, from left to right, from top to bottom, the artist prefers the way of the fragment. Diffracting the One, he carries out a new internal cutting of the painting. Change its syntax by changing its rhythm. 

The passage from continuous to discontinuous, from unity to multiplicity, offers new possibilities to the artist. Energy is no longer the same. It is no longer the result of a single flow, but on the contrary of a multitude of flows.

Tanc proceeds by dispersion, fragmentation of writings. Moreover, he begins to work on disparate fragments of paper that he assembles, juxtaposes in larger compositions. The whole forms a puzzle of writings with a deconstructed style. 

Each piece of the puzzle has its variations. Variations in scale and style. The magnification, or close-up, allows discoveries. It reveals the digging of a surface or an unpublished grain from which new motifs emerge in the pictorial matter. This one appears fluid, scattered, letting emerge the emptiness between the lines. The drips give a sense of gravity to the painting. Wonderful veins of reality. 

Lines, drips, stains form segmented writings, intertwined in networks. From their optical synthesis, figurative images sometimes emerge: a blue tree blown down by the wind, branches bending under the weight of snow, unspeakable things reflected in the water, or, again, water trickling over the signs of an unknown writing. It is a matter of flow and blue. The use of two types of spray cans, one based on solvents, the other based on water, contributes to create accidents of textures favourable to the reverie of the eye.

Tanc’s work is situated at the intersection of several artistic worlds, oriental calligraphy, American action painting, from Franz Kline to Jackson Pollock, New York graffiti, Korean painting with the Dansaekhwa movement, and a constellation of artists that goes from Cy Twombly to Henri Michaux.

The Fragments series rethinks the relationship between the different styles previously developed by the artist, as it functions as a new mise en abyme of the work within the work. For, as Tanc himself says, his goal is to “rewrite his language constantly.

By Eric Monsinjon
Historian and art critic
December 2022

The post FRAGMENTS
Tanc
20.01.2023 – 25.02.2023 first appeared on Loo & Lou Gallery.]]> COLLAGESAnna De Leidi20.01.2023 – 25.02.2023 https://looandlougallery.com/exhibitions/collagesanna-de-leidi20-01-2023-23-02-2023/?utm_source=rss&utm_medium=rss&utm_campaign=collagesanna-de-leidi20-01-2023-23-02-2023 Tue, 20 Dec 2022 15:32:23 +0000 https://looandlougallery.com/?p=20574 For this first collaboration between Anna De Leidi and the Loo & Lou, the Italian artist is invited to invest the walls of the Atelier with a set of collages started during the isolation of the first confinements. 

Starting from an intuition, Anna de Leidi draws from a stock of various clippings, archival images and magazines to assemble them according to an artistic and personal development nourished by references to the history of art and political life - in particular the artistic avant-garde and the protest movements. The superimposed archival images accumulate layers of meaning, without denying the abstraction due to the fortuitous harmony of colors and shapes of the torn papers. Without any pre-determination, apart from that of this first intuition, the collage unfolds and composes itself to form a work embellished with an evocative title, sometimes on the borders of poetry. 
The artist summarizes his research as follows: "Narrative, composition, color".

The post COLLAGES
Anna De Leidi
20.01.2023 – 25.02.2023 first appeared on Loo & Lou Gallery.]]>

COLLAGES

Anna De Leidi

 
L’Atelier
Loo & Lou Gallery Haut Marais
20.01 – 25.02.2023

 

  • A constant state of poisoning, 2020, Collage and mixed media, 35 x 25 cm

  • You snooze you lose (me), 2021, Collage, 28,8 x 21 cm

  • Exhibition view, 2023 © François Benichou-Mahé

  • Exhibition view, 2023 © François Benichou-Mahé

  • Exhibition view, 2023 © François Benichou-Mahé

  • Exhibition view, 2023 © François Benichou-Mahé

“I work with the medium of collage, using recycled and found materials.  

I enjoy cruising through second-hand shops’ shelves and street libraries, searching for books and magazines, ephemera or other types of paper to use in my collages. 

The composition process always starts with a figurative subject or a small group of images which I feel are related to each other. 

From a figurative foundation I then continue by adding paper layers, juxtaposing textures, tones and fragments to create a whole that feels complex yet simplified to its essence and that acquires a stronger abstract and lyric nature as the work progresses. 

The subjects I seek, often presenting a narrative quality, are evocative of a story that feels at the same time intimate and universal.  

Related to historical and social themes that blend the boundaries between past and present, permanent and temporary, personal and political, they are a statement to the continuity of human existence. 

My work acts as a mirror that allows me to look into my identity and feelings while also bringing new purpose to images that would otherwise go unnoticed. 

I aim to highlight the connections that exist between my own experience and others’ and I always felt that collage was the perfect medium to establish this dialogue.”

  • Anna De Leidi
ARTIST:
ANNA DE LEIDI

Pour demander la liste complète des œuvres disponibles, veuillez nous contacter par courriel ou par téléphone (+33) 01 42 74 03 97.  

The post COLLAGES
Anna De Leidi
20.01.2023 – 25.02.2023 first appeared on Loo & Lou Gallery.]]> PIERRE-LUC POUJOL https://looandlougallery.com/artists-en/pierre-luc-poujol-2/?utm_source=rss&utm_medium=rss&utm_campaign=pierre-luc-poujol-2 Sat, 27 Jul 2024 12:44:29 +0000 https://looandlougallery.com/?p=23613 Pierre-Luc Poujol was born in 1963 in Alès, in the Cévennes region of France.

The post PIERRE-LUC POUJOL first appeared on Loo & Lou Gallery.]]>

Pierre-Luc Poujol

Pierre-Luc Poujol was born in 1963 in Alès, in the Cévennes region of France.
In 1984, he began brilliant studies at the Bordeaux School of Applied Arts, graduating top of his class (first prize in drawing, first prize in perspective, first prize in sketching).
After dividing his time between France and the United States for several years, in 2018 he finally set up his studio in the South of France, near Montpellier.
Influenced by the peasant roots of his farmer grandfather and lulled by the spiritual environment of his pastor father, Pierre-Luc Poujol developed an early sensitivity to the world and nature around him.
Rewarded for his work and artistic commitment, he has won numerous prestigious awards. In particular, he won the international prize awarded by UNESCO for the bimillennium of the Nativity.
From March 23 to May 26, 2024, he presents “Arborescences”, his new monographic exhibition at the Musée Paul Valéry, featuring over 70 paintings and wood sculptures on the theme of trees and forests.
A committed artist, Pierre-Luc Poujol will become the first ambassador of the French NGO Coeur de Forêt in spring 2022, for which he will lend his voice and his paintbrushes to help preserve our biodiversity.

 

One only has to enter Pierre-Luc Poujol’s studio, nestled in the heart of a lush forest, to immediately understand his closeness to the plant world. This is a source of inspiration for the artist, which he transcribes in both his painting and sculpture.
Each of Pierre-Luc Poujol’s works is the concrete form of a boundless quest, where the boundaries between traditional techniques and avant-garde approaches become blurred. For him, creation becomes a constantly evolving field of exploration.
In addition to the projection and dripping techniques that give his painting its uniqueness, Pierre-Luc Poujol also uses his own organic and unconventional tools in his creations: tree branches, plant ashes, charcoal, allowing him a more intimate connection with his subject.
In his painting, the artist expresses a real desire to become one with his work.

“To paint is to accept to lose” is how Pierre-Luc Poujol defines his artistic commitment. For him, painting represents a risk, a path, an adventure, and translates into concrete form a free, intuitive expression that seeks not to achieve a goal, but to constantly explore new territories.

 

CURRICULUM VITAE

 

Solo shows

2023        « The Art of living », Hugo Galley, New-York (Etats-Unis)

                 Maison de la Région Occitanie, New-York (Etats-Unis)

                 « Symbiose », Galerie Ida Médicis, Paris (France)

2022         Galerie Ariel Jakob, Paris (France)

                 « Résonance », Galerie Ida Médicis, Paris (France)

                 Culture Inside Gallery, Luxembourg (Luxembourg)

2021         Galerie Le Confort des Etranges, Toulouse (France)                                 

                « Résonances », Eglise Saint Jean Baptiste, Castelnau-le-Lez (France)

                 Nezhakanouni gallery, Marbella (Espagne)

                « The Forest call », Galerie Ida Médicis, Paris (France)

2020         Culture Inside Gallery, Luxembourg (Luxembourg)

                  « Voyage à Giverny », Galerie Ida Médicis, Paris (France)

2019         Culture Inside Gallery, Luxembourg (Luxembourg)

                  Galerie Ida Médicis, Paris (France)

2018        « Between the lines », Galerie Ida Médicis, Paris (France)

                  Galerie Acabas, Gstaad (Suisse)

                 Galerie Maxanart, La bastide Clairence (France)

2017        Culture Inside Gallery, Luxembourg (Luxembourg)

                  Art Bastion Gallery, Miami (Etats-Unis)

                  Galerie Diptyk, Nantes (France)

                  Galerie Maxanart, La bastide Clairence (France)

2016       “Dripping emotions”, Galerie Melting Art, Lille (France)

                 Culture Inside Gallery, Luxembourg (Luxembourg)

                 Galerie Acabas, Paris (France)

                Galerie ELV, Knocke (Belgique)

                Ricart Gallery, Miami (Etats-Unis)

2015       “Action dripping”, Galerie My Contemporary, Paris (France)

                 Galerie Audrey Marty, Saint Malo (France)

                “Between the lines”, Ricart Gallery, Miami (Etats-Unis)

                 Galerie Acabas, Paris (France)

2014       Galerie Acabas, Paris (France)

                « Entre les lignes », Galerie 13, Montpellier (France)

                Galerie Melting Art, Lille (France)

                Culture Inside Gallery, Luxembourg (Luxembourg)

 

2013        Exposition sous le patronage de l’ambassade de France au Luxembourg, Culture Inside Gallery, Luxembourg (Luxembourg)

                S&D Gallery, Londres (Royaume-Uni)

               Galerie Acabas, Paris (France)

                Exposition au Pavillon M, « Marseille-Provence, capitale européenne de la culture, Marseille (France)

2012       Galerie Acabas, Paris (France)

                Siège BNP, Nanterre (France)

2011        Exposition privée, Doha (Qatar)

                Galerie Acabas, Paris (France)

 

Shows in museums

2024        « Arborescences », Pierre-Luc Poujol, Musée Paul Valéry Sète (France)

2020        « Voyage à Giverny », Pierre-Luc Poujol, Musée Paul Valéry Sète (France)

 

Collections publiques et privées

Musée Paul Valéry, Sète (France)

Région Occitanie – Pyrénées / Méditerranée, Montpellier (France)    

Ville de Divonne les bains (France)                                                             

Ville de Castelnau-le-lez (France)

Siège BNP Paribas Cardiff, Paris (France)

Siège FDI Groupe, Montpellier (France)

Art Bastion, Design District, Miami (Etats-Unis)

Evêché de Montpellier (France)

 

Group shows

2018        « Dripping energy », Pulse, Miami (Etats-Unis)

2017       « Sur un arbre perché », Domaine de Restinclières (France)

                Galerie Maxanart, La bastide Clairence (France)

2016        Art Bastion Gallery, Miami (France)

                 St’Art, Strasbourg (France)

2015        Ricart Gallery, Miami (France)

                “Scope”, Bâle (Suisse)

                “Scope”, Miami (Etats-Unis)

2014        Ricart Gallery, Miami (France)

2011        BMAC Gallery, Brooklyn (Etats-Unis)

   Ward Nasse Gallery, New-York (Etats-Unis)

   Galerie Hors Champs, Paris (France)

2010        Galerie de Médicis, Paris (France)

 

AWARDS AND DISTINCTIONS

2002                Winner of the international competition to design the official Châteauneuf-du-Pape bottle

2000                Winner of the international competition for the creation of the “Bethlehem 2000” visual identity, under the patronage of UNESCO and the French government.

  • N°631 Series Carbone, 2023, Mixed technic, wood charcoal on paper, 150 x 200 cm

  • N°652 Series Arborescences, 2023, Mxed technic, acrylique on canvas, plant ash, 150 x 150 cm

  • N°653 Series Arborescences, 2023, mixed technic, acrylic on canvas, plant ash, 150 x 150 cm

  • N°636 Series Empreintes, 2023, mixed technic, acrylic on canvas, plant ash, 200 x 150 cm

  • N°303 Series Between the lines, 2016, Mixed technic on keyed frame, 100 x 100 cm | © Bruno Pantel
EXHIBITION:
SOLO SHOW
Pierre-Luc Poujol
08.11.2024 – 21.12.2024
FRANCHIR LE VISIBLE

07.05.2026 – 17.06.2026
RELATED PRESS:
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post PIERRE-LUC POUJOL first appeared on Loo & Lou Gallery.]]> NATURE // NATURESGroup show23.09.2022 – 23.12.2022 https://looandlougallery.com/exhibitions/nature-naturesgroup-show23-09-2022-23-12-2022/?utm_source=rss&utm_medium=rss&utm_campaign=nature-naturesgroup-show23-09-2022-23-12-2022 Fri, 16 Sep 2022 06:28:10 +0000 https://looandlougallery.com/?p=20115 NATURE //NATURES Group show   ARGHAËL // LYDIE ARICKX // FLO ARNOLD // DOMINIQUE LACLOCHE // CEDRIC LE CORF // CHRISTOPHE MIRALLES // JOËL PERSON // PAUL DE PIGNOL // OLIVIER DE SAGAZAN // JOHAN VAN MULLEM // JEAN CLAUDE WOUTERS   Loo & Lou Gallery Haut Marais23.09 – 23.12.2022 Vue de l’exposition ©François Benichou-Mahé Dominique Lacloche, […]

The post NATURE // NATURES
Group show
23.09.2022 – 23.12.2022 first appeared on Loo & Lou Gallery.]]>

NATURE //NATURES

Group show

 

ARGHAËL // LYDIE ARICKX // FLO ARNOLD // DOMINIQUE LACLOCHE // CEDRIC LE CORF // CHRISTOPHE MIRALLES // JOËL PERSON // PAUL DE PIGNOL // OLIVIER DE SAGAZAN // JOHAN VAN MULLEM // JEAN CLAUDE WOUTERS

 

Loo & Lou Gallery Haut Marais
23.09 – 23.12.2022

  • Vue de l’exposition ©François Benichou-Mahé

  • Dominique Lacloche, Grenade, 2022, Mixed technique on canvas, 200 x 135 cm

  • Cedric Le Corf, La Mare aux diables, 2022, Drypoint and etching, 65 x 110 cm

  • Vue de l’Atelier | ©François Benichou-Mahé

  • Christophe Miralles, Quatre Saisons 1, 2022, Paper, 45 x 32 cm

  • Vue de l’exposition ©François Benichou-Mahé

  • Jean Claude Wouters, Paysage italien, 2016, Silver print on matt baryte paper, treated with selenium, 140 x 118 cm

  • Joël Person, La Colombière 1, 1999, Oil on cardboard, 39 x 60 cm

  • Paul de Pignol, Grande Falaise, 2013, Bronze, 180 x 20 x 20 cm | ©François Benichou-Mahé

  • Johan Van Mullem, Sans titre 10, 2020, Ink on canvas, 100 x 70 cm

  • Arghaël, Sans titre 9, 2016, Charcoal and oil pastel, 34,5 x 48 cm

  • Flo Arnold, Rhizome, Papier Wenzhou, 2021, Wenshou paper, chained brass frame, oil painting, 200 x 120 x 50 cm | ©François Benichou-Mahé

  • Dominique Lacloche, Sans titre, 2022,Gelatin silver print on a leaf (gunnera manicata), 160 x 190 cm | ©François Benichou-Mahé

  • Exhibition’s view © François Benichou-Mahé

  • Paul de Pignol, Sans titre, 2022, Black pencil on paper, 142,5 x 100,5 cm

  • Vue de l’Atelier | ©François Benichou-Mahé

  • Exhibition’s view, Sans titre and Grande Falaise by Paul de Pignol © Arghaël

  • Lydie Arickx, Job 3, 2003, Ink and graphite on Ingres paper, 42×29,7cm

  • Exhibition’s view © Arghaël

“We live” is the title of the first manuscript published by Lydie Arickx in 2014, such could be the subtitle of this first group exhibition, so much the vital breath seems to spread through the works, certainly diverse but all sharing the idea of a communion with nature, Whether it is through the search for the unexpected and regenerating springs of natural materials, used as mediums, through the transgressive and revealing act of dissection – which can be likened to a pictorial introspection – or by resorting to the diluted traces of ink and pastel leading the figuration to the limits of its metamorphoses. 

The meeting of the eleven artists presented allows the viewer to embrace in a single vision the singular and quivering artistic identity of the gallery, made of moving materials and intimate roars. Aesthetics of engagement rather than contemplation in front of Lydie Arickx’s germinations and Olivier de Sagazan’s tortured masses, ferocious auscultation in the heart of Cedric le Corf’s ashen undergrowth and flayed sculptures, ghostly dance to the rhythm of Christophe Miralles’ anonymous bodies, outcrop of an interior cartography in the spontaneous and green features of Joël Person, proliferations and vegetable delicacies at Florence Arnold and Dominique Lacloche, telluric and fantastic visions at Paul de Pignol and Johan Van Mullem, veinous and troubled expressiveness at Arghaël, strange occultation of desired landscapes at the only photographer of the group, Jean-Claude Wouters. 

These artists explore the earth and the flesh more than they create dreamed spaces. Their motifs are those of our world, for better or for worse, without concession, with the tenderness of love and the tension of death. Borrowing not from a return to primitivism but from the source of a sublime classicism, made of landscapes and human figures, that is to say “nature and natures”, in echo and fusion, where the great history of painting and sculpture, from the anatomies of Gautier d’Agoty to the impressionist whispers, passing through the Spanish Golden Age, silently deafens. But here revisited in the light of a contemporaneity concerned with biological understanding and the preservation of nature. The latter is indeed everywhere. We want to save it, give it legal rights, exploit it with respect. To take it once again as the standard theme of an exhibition might therefore seem easy, except that here, in this exhibition, in this gallery, it is not just a fashionable straitjacket, it is the living flesh of the works. Nature is no longer the fixed model, it is the work, it is the living landscape, it is the bilious torment of its author, it is the mirror of man and his innumerable complexities. “The plant is a silent collaborator that I try to hear. I do not impose my vision on these leaves but compose it with them” confides Dominique Lacloche.

For the artists of the gallery all maintain an intimate link with the body – human or plant – and its secret grooves like so many valleys in which the gaze does not dare to penetrate at first sight. Abysses of suffering or eroticism, crucible of organic mutations and upheavals of life. Artists on the verge of their skin whose fragility and poetry become manifestos of resilience or cries for survival. Against the immobility of the image, we are in the existentialism of the form, probably requiring sometimes a certain fetishism or a kind of animist mysticism. However, the power of the imaginary always passes here by a matierist gesture, prosaic or more sophisticated, but whose characteristic is to leave the free field to the experimentation and the intuition. Whether they mimic states of enjoyment or morbidity, whether they ooze hedonism or melancholy, the human and plant figures presented in this exhibition are fragments of emotion, responding to the vast prism painted and drawn running from the formal to the informal, virtuoso and intranquil elasticities that, even when they correspond to the definition of still life, are above all presences. One enters freely into the realm of the senses.

  • – Julie Chaizemartin, Art critic 
ARTIST:
ARGHAËL
LYDIE ARICKX
FLO ARNOLD
DOMINIQUE LACLOCHE
CEDRIC LE CORF
CHRISTOPHE MIRALLES
JOËL PERSON
PAUL DE PIGNOL
OLIVIER DE SAGAZAN
JOHAN VAN MULLEM
JEAN CLAUDE WOUTERS
RELATED EXHIBITIONS:
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
UNDER MY SKIN
Arghaël
10.03.2023 – 15.04.2023
CHARBON
Lydie Arickx
09.06.2023 – 28.07.2023
FORÊT NOIRE
Cedric Le Corf
20.09.2023 – 28.10.2023
LES BRUITS DU MONDE
Joël Person
20.09.2023 – 28.10.2023
MON MAROC
Flo Arnold and Christophe Miralles
17.11.2023 – 23.12.2023
RELATED PRESS:
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022

To request the full list of available works, please contact us by mail or by telephone at (+33) 01 42 74 03 97.

The post NATURE // NATURES
Group show
23.09.2022 – 23.12.2022 first appeared on Loo & Lou Gallery.]]> FEDERICO MIRÓ https://looandlougallery.com/artists-en/federico-miro-2/?utm_source=rss&utm_medium=rss&utm_campaign=federico-miro-2 Fri, 27 Feb 2026 14:59:08 +0000 https://looandlougallery.com/?p=25649 Graduate of the Fine Arts programme at the University of Malaga (2009–2013). He completed his education by obtaining a master's degree in artistic research and creation at the Complutense University of Madrid (2013–2014).

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© Federico Miró

FEDERICO MIRÓ

Born in Malaga in 1991. 

Graduate of Fine Arts from the University of Malaga (2009–2013). He completed his education with a master’s degree in artistic research and creation from the Complutense University of Madrid (2013–2014).

To date, he has held eight solo exhibitions: “if this Word was mine, i’d take your dreams and make ’em multiply” at the F2 Gallery in Madrid (2026), “Contraste” at the Proyecto H Gallery in Mexico City (2024), ‘La trama del sí mismo y el otro’ at the JM Gallery (Málaga, 2022), ‘The invisible thread’ (2021) and ‘La verdad es otra’ at the F2 Gallery, Madrid (2018), ‘Federico Miró’ at the Red Gallery (Mallorca 2018), El ojo sorprendido, as part of entreacto at the Marta Cervera Gallery in Madrid (2014) and Hasta donde la mirada alcance at the Fine Arts Exhibition Hall in Malaga (2013) and a duo show at the Jorge López Gallery in 2025.

Among the group exhibitions in which he has participated, it is worth mentioning ‘Un lugar sin lugar’ at Galería Proyecto H (Mexico, 2023), ‘Una historia del arte reciente (1960-2020)’ at the Museo de Arte Abstracto (Cuenca, Spain, 2021) and ‘Au fil des toiles’ at the Musée des Beaux-Arts de Limoges. Limoges, France. ‘Neighbours’ at CAC Málaga (2017), “Circuitos” by the Community of Madrid at the Sala de Arte Joven in Madrid and at Laboral in Gijón (2017), ‘BIUNIC’ at the Valentín de Madariaga Foundation in Seville (2015), at the Griffin Gallery in London (2015), ‘Saque de puerta’ at the Centro Arte Complutense (2014), and the IKAS ART international university art exhibition in Bilbao (2011).

He has also participated in art fairs such as Just Mad (2017), Estampa (2017), ARCO Madrid (2018, 2019, 2020, 2021, 2022, 2023, 2024, 2025 and 2026), ARCO Lisbon (2018, 2019) and Art Cologne in Germany (2024) with the F2 gallery, Pinta Miami in 2023, 2024, 2025 and Zonamaco, in Mexico, with the H project.

He has received awards, grants and artistic residencies such as the Casa de Velázquez residency in Madrid, awarded by Malaga City Council, the Proyecto T residency at the Proyecto H Gallery, (Mexico, 2023), the Manuel Ángeles Ortiz First Prize for Painting from the University of Jaén (2020), the BMW Prize for Innovation in Painting (2017), first prize in the ‘Salón de Verano’ exhibition at the Moncloa Hall in Madrid (2014), the gold medal at the exhibition of scholarship holders from the Segovia landscape course (2013), the UMA painting prize (2013), the artistic residency at the Casa de Velázquez in Madrid (2014), the Viana Foundation scholarship in collaboration with Bilbao Arte (2014) and the landscape scholarship from the San Quirce Academy in Segovia (2013).

  • Untitled, 2026, Acrylic on canvas, 100 x 73 cm © Federico Miró

  • Untitled, 2026, Acrylic on canvas, 41 x 33 cm © Federico Miró

  • Untitled, 2026, Acrylic on canvas, 100 x 70 cm © Federico Miró

  • Untitled, 2026, Acrylic on canvas, 41 x 33 cm © Federico Miró

  • Untitled, 2026, Acrylic on canvas, 41 x 33 cm © Federico Miró
EXHIBITION:
ALLER-RETOUR

20.03.2026 – 30.04.2026
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post FEDERICO MIRÓ first appeared on Loo & Lou Gallery.]]> JOËL PERSON https://looandlougallery.com/artists-en/joel-person-2/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-2 Sat, 13 Mar 2021 15:37:44 +0000 https://looandlougallery.com/?p=13829 “Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression […]

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“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland and his first book Et il n’est plus de place alors pour la peur will be published in September of 2022 by Cahiers Dessinés.

  • Cheval Dragon 4, 2013, Black stone pencil on paper, 62 x 34 cm

  • Cheval Dragon 6, 2013, Black stone pencil on paper, 62 x 34 cm

  • Detail, Déferlante, 2021, 985 x 152cm

  • Detail, Déferlante, 2021, 985 x 152cm

  • Exhibition view, Déferlante, 2021, 985 x 152cm

  • Cheval Dragon 3, 2013, Black stone on paper, 62 x 34 cm

  • Cheval Dragon 1, 2013, Black stone pencil on paper, 62 x 34 cm

  • Exibition View, Série Cheval Dragon, 2013, Black stone pencil on paper, 62 x 34 cm

  • Autoportrait, Série Les Verticales, Black stone pencil on paper, 2020, 60 x 35 cm

  • No. 2, Série Bruits du Monde, Black stone pencil on paper, 2017, 29,5 x 29,5 cm

  • Exibition View, La déferlante ans Coastline, Black stone pencil on paper

  • La Déferlante Intérieure, Charcoal on paper, 2020-21, 244 x 95 cm

  • Exhibition view, Série Ligne de Vie, Pencil on paper, 1982, 31,5 x 25,5 cm

  • No. 3, Série Bruits du Monde, Black stone pencil on paper, 2017, 29,5 x 29,5 cm

  • L’étudiant aux Beaux-Arts, Charcoal on paper, 1985, 108 x 75 cm

  • No. 5, Série Bruits du Monde,Black stone pencil on paper, 2017, 29,5 x 29,5 cm

  • Exhibition view, Déferlante Intérieure and Robes Cabrées
EXHIBITION:
LE PARADIS PERDU
Joël Person
10.01.2026 – 28.02.2026
HORS LES MURS “LES PASSIONS”
Joël Person
19.09.2024 – 09.11.2024
LES BRUITS DU MONDE
Joël Person
20.09.2023 – 28.10.2023
NATURE // NATURES
Group show
23.09.2022 – 23.12.2022
DÉFERLANTE
Joël Person
19.05.2021 – 30.07.2021
GROUP SHOW

07.02.2026 – 28.02.2026
RELATED PRESS:
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post JOËL PERSON first appeared on Loo & Lou Gallery.]]> CEDRIC LE CORF https://looandlougallery.com/artists-en/cedric-le-corf-2/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-2 Tue, 22 Sep 2020 16:33:24 +0000 https://looandlougallery.com/?p=9285 Tanc cherche à noyer son ennui au lycée en noircissant les pages de son cahier d’écolier d’écritures automatiques aussi belles qu’indéchiffrables. Plus tard, le graffiti l’initie au travail plastique et devient l’art dans lequel il s’illustre et qui façonne son style.

The post CEDRIC LE CORF first appeared on Loo & Lou Gallery.]]>

Justa, 2019, Bois de chêne polychromé, 300 x 170 x 120 cm © Cedric Le Corf

CEDRIC LE CORF

Cedric Le Corf was born in 1985 in Bühl, near Baden-Baden (Germany), he lives and works in Brittany, in the Morbihan region. He graduated in 2009 with honours from the École Européenne Supérieure d’Art de Bretagne in Lorient.

The anatomical landscapes inspired by Jacques Fabien Gautier d’Agoty’s boards have resurfaced over time as an inspiration for Le Corf’s work. Little by little, a dismembered man is transformed into a landscape of a man. Humans, trees, and the earth all possess a kind of “skin” and with it, the ability to be flayed. Is it not true that a dissected body is merely a wide range of landscapes, full of mishaps, folds, and crevices? The slightest roughness in bone is reminiscent to the rocky landscapes of Patinir; the venous, arterial, or nervous network irrigates like rivers, plains, and estuaries; muscles, like the clay of Genesis, model gorges and mounds.

Using this metaphor, he uses plant roots as a landscape element to interlock bones, vertebrae, or joints made of porcelain. The root, in its etymological sense, is one element implanted inside another, much like the root of a tooth, a hair, or the dorsal root. It thus opposes the raw element of chaos to the mastery of creation, from roughness to polish, from decomposition to the inalterable, from the durability of art to the ephemeral man.

Imbued with the Rhineland and Armorican heritage, confronted with the pathos of Grünewald (Baldung Grien), the hanged men within “Des misères de la guerre” by Jacques Callot at “l’Ankou,” along with the macabre dances of Kernascléden, where the animate and the inanimate are mixed, to the horror of the mass graves of Sobibor, Le Corf tries, by attaching himself to a motif, to deafen the subject that the sculpture, the painting, or the engraving contains.

He has done several artist residencies, including the Dufraine Foundation in Chars, Académie des Beaux-Arts 2016-2018, the Spitzberg Expedition Residency 2017, Member of the Casa Velasquez in Madrid 2018-2019, and the Miro Foundation in Palma de Mallorca 2019.

He received the Georges Coulon Prize (sculpture) from the Institut de France, Académie des Beaux-Arts in 2017.

He has participated in numerous solo and group exhibitions in France, Germany, Spain and Belgium.

 

 

CURRICULUM VITAE

Awards

2020 – Prix Gravix, fondation Taylor, Paris

2017 – Prix Georges Coulon (sculpture) de l’Institut de France, Académie des Beaux Arts, Paris

Training

2009 –  DNSEP (mention), EESAB École Européenne Supérieure d’Art de Bretagne site de Lorient

2007 – DNAP (félicitations), EESAB École Européenne Supérieure d’Art de Bretagne site de Lorient

Residences

2019 – Fondation Miro à Palma de Majorque

2018-2019 – Membre de l’Académie de France à la Casa de Velazquez à Madrid

2017 – Résidence Spitzberg Expédition 2017, Association Marémotrice, Suisse

2016-2018 – Résidence à la Fondation Dufraine, Académie des Beaux Arts, Paris

Collection

Private collection (Lambert collection)

Solo swhow

2025 – Le sifflement du geai, Galerie Loo&Lou, Paris

2023 – Fôret Noire, Galerie Loo&Lou, Paris

2020 – Péninsules, Galerie Loo&Lou, Paris

2017  – Meisterhaft, Galerie Schmalfuss, Berlin

2016 – Os servatorio, Asklepios Medical School, Hamburg

2011 – Le voyage d’Issenheim, chapelle de Quelhuit, Île de Groix

2010 – L’homme paysage, travaux sur papier, Galerie-Galerie, Pont-Aven

          – Hommage à Jacques Fabien-Gauthier d’Agoty, Bühl / Baden

Collective shows (extracts)

2025 – Entailles, Association Pointe et Burin, Fondation Taylor

2024 – Collectif Körper, Galerie Taloté, Vannes

2022 – Nature // Natures, Galerie Loo&Lou, Paris

2021 – La Mare au diable, Nelly Stetenfeld et Cedric Le Corf, Chapelle St. Jaques, Clohart-Carnoët

         – Prétexte, du cheval à l’œuvre, Haras national du pin, Le Pin du Haras

2020 – Péninsules, Galerie Lou&Loo, Paris

          – Itinérance, Académie de France, Paris

          – VIVA VILLA, Collection Lampbert, Avignon

          – Itinérance, Madrid

          – ArtsLibris, ARCO, stand de la Casa de Velázquez, IFEMA, Madrid

         – Exposition et ateliers des artistes de l’Académie de France, Casa de Velázquez, Madrid

        – L’Âme du lieu, Château de Keroüartz, Lannilis

2018 – ESTAMPA, AFM 2018-2019, Madrid

          – Loups, y es-tu? Bestiaire et métamorphose, Château de Maisons, Maisons-Laffitte

2017 – Meisterhaft, Galerie Schmalfuss, Berlin

          – Spitzberg 2017, Galerie Graphem, Paris

2016 – Os servatorio, Asklepios Medical School, Hamburg

          – Biennale de l’estampe, Musée de Gravelines

2015 – Cabinet Da-End V, Galerie Da-End, Paris Nêtre, Plateforme, Paris

         – Lignes, Éclats d’art, Musée Bossuet, Meaux Gestern und Häuten, Villa Kolbe, Karlsruhe

2014 – XVII. Deutsche internationale Grafik-Triennale, Frechen

         – Le cabinet Da-end IV, Galerie Da-End, Paris

         – Kabinet d’estampes, Le Kabinet, Bruxelles

         – Gruppenausstellung, Kunsthalle Weissensee, Berlin

2013 – Mise à Nu, L’inlassable Galerie, Paris

2011 – Le voyage d’Issenheim, chapelle de Quelhuit, Île de Groix

2010 – L’homme paysage, travaux sur papier, Galerie-Galerie, Pont-Aven

          – Hommage à Jacques Fabien-Gauthier d’Agoty, Bühl / Baden

Edition

2020 – Péninsules – ArtPress octobre, l’Oeil septembre

2006 – Flux et reflux, cinq aquarelles originales – texte de Platon

2004 – L’homme et la coquille, gravures – texte de Paul Valery Editions

  • Radius-Cubitus, 2014, Bois et porcelaine, 85 x 60 x 15 cm © Cedric Le Corf

  • Écorché, 2017, Bois de frêne et porcelaine, 90 x 50 x 40 cm © Cedric Le Corf

  • L’ange anatomique, 2013, Bois et porcelaine, 90 x 15 x 160 cm © Cedric Le Corf

  • Le Vexin, hommage à Corot, 2018, 70×84 cm, Pointe sèche © Cedric Le Corf

  • Le Vexin II, hommage à Corot, 2018, 70x84cm, Pointe sèche © Cedric Le Corf

  • Le Vexin III, hommage a Corot, 2018, Pointe sèche, 70x84cm © Cedric Le Corf

  • La mare au diable, 2017, 50×40 cm, Pointe sèche © Cedric Le Corf

  • La mare au diable II, 2017, Pointe sèche, 50×40 cm © Cedric Le Corf

  • Scène de chasse, 2023, Acrylic on canvas, 200 x 160 cm

  • À l’aube, 2025, Acrylic on canvas, 40cm diameter

  • Entre chien et loup II, 2025, Acrylic on canvas, 97 x 70 cm

  • L’aurore, 2025, Acrylic on canvas, 140 x 119 cm
EXHIBITION:
LE SIFFLEMENT DU GEAI
Cedric Le Corf
17.09.2025 – 30.10.2025
FORÊT NOIRE
Cedric Le Corf
20.09.2023 – 28.10.2023
NATURE // NATURES
Group show
23.09.2022 – 23.12.2022
PÉNINSULES
Cedric Le Corf
16.09.2020 – 31.10.2020
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
GROUP SHOW

07.02.2026 – 28.02.2026
RELATED PRESS:
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post CEDRIC LE CORF first appeared on Loo & Lou Gallery.]]> AURÉLIE DEGUEST https://looandlougallery.com/artists-en/aurelie-deguest-2/?utm_source=rss&utm_medium=rss&utm_campaign=aurelie-deguest-2 Tue, 19 Apr 2022 11:31:11 +0000 https://looandlougallery.com/?p=19221 AURÉLIE DEGUEST   Untitled, 2020 | © Aurélie Deguest Untitled, 2020 | © Aurélie Deguest Untitled, 2020 | © Aurélie Deguest Vague noire, 2025 | © Aurélie Deguest Sillon (detail), 2025 | © Aurélie Deguest Reunited pieces, Atelier Aurélie Deguest, 2025 | © Aurélie Deguest Atelier Aurélie Deguest, 2025 | © Aurélie Deguest

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AURÉLIE DEGUEST

 

  • Untitled, 2020 | © Aurélie Deguest

  • Untitled, 2020 | © Aurélie Deguest

  • Untitled, 2020 | © Aurélie Deguest

  • Vague noire, 2025 | © Aurélie Deguest

  • Sillon (detail), 2025 | © Aurélie Deguest

  • Reunited pieces, Atelier Aurélie Deguest, 2025 | © Aurélie Deguest

  • Atelier Aurélie Deguest, 2025 | © Aurélie Deguest
EXHIBITION:
EXHIBITION
Aurélie Deguest
06.06.2025 – 26.07.2025
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post AURÉLIE DEGUEST first appeared on Loo & Lou Gallery.]]> Joren Van Acker https://looandlougallery.com/artists-en/joren-van-acker-2/?utm_source=rss&utm_medium=rss&utm_campaign=joren-van-acker-2 Thu, 27 Feb 2025 15:44:10 +0000 https://looandlougallery.com/?p=24426 L’existence y est précaire ; le mouvement, minimal.

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Joren Van Acker

Joren Van Acker is a Belgian contemporary artist, living and working in Ghent, renowned for his captivating large-scale charcoal drawings that resonate with vibrancy, depth, and a profound sense of mystery. Born in 1994, Van Acker’s artistic journey began early in life, shaped by a childhood steeped in the maritime and industrial history of his native Ghent. His grandparents ran a pub in the city’s old harbor, a place that became the fertile ground for his fascination with the docks, ships, and industrial landscapes of the 20th century. This unique environment sparked a lifelong interest in the interactions between man and machine, the beauty found in decay, and the stories embedded in forgotten places. Van Acker’s art draws heavily from the haunting beauty of ships, harbors, and the imposing structures of industrial architecture. His work transports viewers to a realm where time seems to stand still, where every stroke of charcoal serves as a window into the past and present, unveiling layers of history, emotion, and human experience. The use of light and shadow in his drawings—mastered through his impeccable control of chiaroscuro technique—creates an atmosphere of tension and intrigue, pulling the observer deeper into his enigmatic world. The interplay of light and dark is not just a visual tool but an emotional one, evoking the fragility and fleeting nature of time.

The essence of Van Acker’s artistry lies in his meticulous attention to detail, a commitment to creating works that are both figurative and abstract. His charcoal drawings are built up in layers, each one contributing to the overall depth and texture of the piece. Van Acker’s drawings have a magnetic quality, with lines that seem to vibrate and pull the viewer into the work. The intricate details and contrast of light and shadow create a sense of movement, as if the scenes are on the brink of change. This energy gives his art a cinematic feel, inviting the viewer into a larger narrative. Each drawing invites deeper exploration, revealing layers of history, memory, and emotion. Van Acker’s work not only captures images but brings them to life, blending the past and present, the real and imagined.

With growing recognition in global collections, his art captivates audiences with its narrative richness and visual intensity, showcasing the power of charcoal and the beauty of industrial landscapes. His work explores time, space, and human experience, reflecting the ever-changing nature of the world.

 

CURRICULUM VITAE

 

Exhibitions (selection)

2025

° ‘Wij zijn Natuur’, Museum Singer Laren, Laren (Nederlands)

° ‘Embodied Forgotten Places’, Loo&lou, Paris (France)

2024

° ‘Art on Paper’, (Studio23), Gare Maritime, Brussels (Belgium)

° ‘The sight that I depend on’, Studio23, Ghent (Belgium)

° ‘Luxembourg Art Week’, (Studio23), Ville-Haute Luxembourg (Luxembourg)

2023

° ‘CARBO’, Group exhibtion, Studio23, Ghent (Belgium)

° ‘NAFT Kunstenfestival’, SteM-site, Sint-Niklaas (Belgium)

° ‘Art on Paper’, (Studio23), Gare Maritime, Brussels (Belgium)

2022

° ‘Pursuit Of The Abyss’, Studio23, Ghent (Belgium)

° ‘SPOOR’ Kunstfestival, Ichtegem (Belgium)

° ‘Art On Paper’, (studio23), Espace Vanderborght, Brussels (Belgium)

2021

° ‘La Naissance d’une Carte’, Radar 20a, Ghent (Belgium)

° Zomersalon 2021 Buy local,  Kunsthal, Ghent (Belgium)

2020

° Zomersalon 2020 Buy Local, Kunsthal, Ghent (Belgium)

2019

° ‘On (déca) de/ans/ce’, Ontsteking, Ghent (Belgium)

2017

° ‘IDEAL-X’, KASK, Ghent (Belgium)

Graduation Show KASK, Bijloke site, KASK, Ghent (Belgium)

2016

° ’STOFWOLK#1’, Ghent (Belgium)

° MYND#4 in ‘MYND vier(t) feest’, Gouvernement, Ghent (Belgium)

° ’The Saint, The Fox and their dictionary’, Rio de Janeiro (Brazil)

2015

° ‘KOMPARASART’, LOODS12, Wetteren (Belgium)

° ‘FIXATIF’, KASK, Ghent (Belgium)

2014

° ’BLACK ROOM-BLANC WALL’, KASK, Ghent (Belgium)

 

  • The lighthousekeeper, 2025, Charcoal on paper, 180 x 150 cm | ©Studio23 ©Joren Van Acker

  • Into the Vlet, 2025, Charcoal on paper, 150 x 115 cm | ©Studio23 ©Joren Van Acker

  • Our eyes locked tot the tide, 2025, Charcoal on paper, 150 x 115 cm | ©Studio23 ©Joren Van Acker

  • Preparing the gangway II, 2025, Charcoal on paper, 150 x 115 cm | ©Studio23 ©Joren Van Acker

  • Securing the tugline, 2025, Charcoal on paper, 150 x 115 cm | ©Studio23 ©Joren Van Acker
EXHIBITION:
EMBODIED FORGOTTEN PLACES
Joren Van Acker
22.03.2025 – 10.05.2025
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post Joren Van Acker first appeared on Loo & Lou Gallery.]]> Xavier Servas https://looandlougallery.com/artists-en/xavier-servas-2/?utm_source=rss&utm_medium=rss&utm_campaign=xavier-servas-2 Thu, 27 Feb 2025 14:56:20 +0000 https://looandlougallery.com/?p=24394 L’existence y est précaire ; le mouvement, minimal.

The post Xavier Servas first appeared on Loo & Lou Gallery.]]>

Xavier Servas

“I’m a French artist and designer, born in 1984 near Paris. I have been living and working in Brussels since 2021.
After studying visual arts at the Université Paris 8 and object design at the Arts Décoratifs de Paris and the HFG Karlsruhe, I worked as a designer and artist in Vietnam, France and Belgium.

My initial interest is in matter and its changing states; it’s always from there that an idea takes shape.
The material guides me in part. This common thread helps me to structure objects that have their own temporality:

They show matter in motion or frozen, but always reflecting a more or less channeled evolution. In this way, I intend to explore the idea of a precarious, elusive existence.

I often refer to sleep or the larval state to underline an ambivalence between an organization of matter in evolution, present and alive but absent at the same time.

For some years now, I’ve been concentrating on creating inflatable structures from bladders and intestines, which I transform into leather using a process inspired by ancient practices, notably Inuit.”

 

CURRICULUM VITAE

 

Exhibitions

2025     “Woven Whispers”, Alcova, Milan (Italy)
              “(im)perméabilités”, Loo&Lou Gallery, Paris (France)

2024    “Wabi-Sabi Lab”, Domaine de Quincampoix, Les Molières (France)
                “Amarrées”, Au Charbon, Brussels (Belgium)
                “Radical Anthropocene Adhocsism”, Lionel Jadot, designer of the year, Maison et Objet, Paris (France)
                “La peau du Monde”, Chapelle Saint-Loup, Saint Loubès (France)

2023     Group show, Au Charbon, Brussels (Belgium)
               SAFFCA Fall salon, Brussels (Belgium)

2022     “L’heure intime du monde”, Yann Bagot, Galerie Robet Dantec, Belfort (France)
               SAFFCA opening exhibition, Brussels (Belgium)

2021    “A même la terre”, Centre Tignous d’Art Contemporain, Montreuil (France)

2020    Exposition collective, Usine Chapal, Montreuil (France)

 

  • Holidays, Protein membrane (pork casings), fan, PLA, beech trunnion, screws, polyester thread, 160 x 60 x 20 cm | © Xavier Servas

  • Sleeper #2, Bladder (beef), cpu fans, PLA, electronic components, around 20 x 50 x 20 cm | © Xavier Servas

  • Gaz #5, Watercolor, XSL pigments, ink on traditional Vietnamese paper (do) mounted on canvas, 65 x 45 cm | © Xavier Servas

  • Pupes #3, Protein membrane (pork), polyester yarn, PLA, fan | © Xavier Servas

  • Sédiments #3, Encaustic paint on oxidized copper, 13,5 x 13,5 cm | © Xavier Servas

  • Sédiments #11, Encaustic paint on oxidized copper, 13,5 x 13,5 cm | © Xavier Servas
EXHIBITION:
(IM)PERMÉABILITÉS
Xavier Servas
22.03.2025 – 10.05.2025
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post Xavier Servas first appeared on Loo & Lou Gallery.]]> SIMON LAVEUVE https://looandlougallery.com/artists-en/simon-laveuve-2/?utm_source=rss&utm_medium=rss&utm_campaign=simon-laveuve-2 Fri, 13 Dec 2024 14:35:54 +0000 https://looandlougallery.com/?p=23914 Pierre-Luc Poujol est né en 1963 à Alès dans les Cévennes.

The post SIMON LAVEUVE first appeared on Loo & Lou Gallery.]]>

Simon Laveuve

“Born in 1988, I’m originally from the Paris suburbs, where I still live. I grew up in a concrete tower, designed by the committed architect Renée Gailhoustet, who built all the social housing in Ivry-sur-Seine. Surrounded by dormitory towns, housing estates and the industrial zone, it was above all the town’s spatial layout, created in collaboration with Jean Renaudie, that inevitably left its mark on me.

My career path, too, has had an impact on my inspirations. As an author-photographer for over 10 years, I’ve worked in the fashion, music, reportage and publishing worlds… Specializing in portraiture and still life, people and their environment have always been at the heart of my work.

Since 2016, I’ve been building my own world in miniature, combining volume and staging. Habitat and survival are two central elements of my approach. Self-taught in the world of sculpture and modeling, I use a lot of salvaged elements. I like the principle of second life and recycling through art for creation. Detail, reading and meaning are directly linked to my earlier photographic work.

What most of my pieces have in common is that they feature a shelter. A shelter for man, made by man, whose figure is not necessarily present. I like to work on height and the inaccessible. Protection and abandonment. Fallen icons and their symbolisms. Resistance and insubordination.”

 

CURRICULUM VITAE

 

Exhibitions

2024        Small is beautiful, Fabbrica del Vapore, Milano (Italy)

2023        ST-ART : Foire Européenne d’art contemporain, Galerie Decorde, Strasbourg (France)

                 Small is Beautiful, Grand Place, Brussels (Belgium)

                 Stras Galeries Tour, Galerie Decorde, Strasbourg (France)

                 En Construction!, Musée des Arts Buissonniers
Saint-Sever-du-Moustier (France)

                 GROUP SHOW, Galerie Decorde, Strasbourg (France)

                 FEW – Festival d’art contemporain « Tempête!», Wattwiller (France)

                 Small is Beautiful, Broadway, New York (USA)

2022        HIEMS, Galerie Decorde, Strasbourg (France)

                 ST-ART : Foire Européenne d’art contemporain, Galerie Decorde, Parc Expo, Strasbourg (France)

                 Construction: boîtes et assemblages rêvés, Centre d’art La Tannerie, Houdan (France)

                 Small is Beautiful, South Kensington, London (UK)

2021         Small is Beautiful, Galerie Joseph, Paris

 

Édition

2024         Small Is Beautiful, Milano, Exhibition book (it)

2023         Small Is Beautiful, Brussels, Exhibition book (en/nl)

                   Festival d’art contemporain “Tempête!”, Exhibition book (fr)

                   Small Is Beautiful, New York, Exhibition book (en)

2022          Construction: boîtes et assemblages rêvés, La Tannerie, Exhibition book (fr)

                   Small Is Beautiful, London, Exhibition book (en)

2021         Small Is Beautiful, Paris, Exhibition book (fr)

2020         Small Scale Big World : The Culture of Mini Crafts, Beau livre by Sandu Publishing (en)

 

  • Daikichi, 2024, Mixed media, 38 x 16 x 18 cm | © Simon Laveuve

  • Daikichi (detail), 2024, Mixed media, 38 x 16 x 18 cm | © Simon Laveuve

  • Demain C’est Loin, 2024, Mixed media, 34 x 40 x 50 cm | © Simon Laveuve

  • Demain C’est Loin (detail), 2024, Mixed media, 34 x 40 x 50 cm | © Simon Laveuve

  • Voir Loin, 2023, Mixed media, 47 x 15 x 15 cm | © Simon Laveuve

  • Ici La Paix, 2024, Mixed media, 66 x 17 x 17 cm | © Simon Laveuve

  • Ici La Paix (detail), 2024, Mixed media, 66 x 17 x 17 cm | © Simon Laveuve

  • La Bouée, 2022, Mixed media, 47 x 19 x 19 cm | © Simon Laveuve

  • La Bouée (detail), 2022, Mixed media, 47 x 19 x 19 cm | © Simon Laveuve
EXHIBITION:
VOIR LOIN
Simon Laveuve
11.01.2025 – 01.03.2025
GROUP SHOW

07.02.2026 – 28.02.2026
RELATED PRESS:
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post SIMON LAVEUVE first appeared on Loo & Lou Gallery.]]> ÊTRE CHAIROlivier de Sagazan03.06.2022 – 29.07.2022 https://looandlougallery.com/exhibitions/etre-chairolivier-de-sagazan03-06-2022-29-07-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=etre-chairolivier-de-sagazan03-06-2022-29-07-2022-2 Sat, 28 May 2022 10:17:43 +0000 https://looandlougallery.com/?p=19431 ÊTRE CHAIR Olivier de Sagazan Loo & Lou Gallery Haut Marais03.06 – 29.07.2022 Exhibition View | Image: Alexandra Gilliams Exhibition View | Image: Alexandra Gilliams Untitled 10 (Detail), 2021, Grass, flowers, clay, mixed media, 140 x 40 x 60 cm | Image: Alexandra Gilliams Untitled 10 (Detail), 2021, Grass, flowers, clay, mixed media, 140 x […]

The post ÊTRE CHAIR
Olivier de Sagazan
03.06.2022 – 29.07.2022 first appeared on Loo & Lou Gallery.]]>

ÊTRE CHAIR

Olivier de Sagazan

Loo & Lou Gallery Haut Marais
03.06 – 29.07.2022

  • Exhibition View | Image: Alexandra Gilliams

  • Exhibition View | Image: Alexandra Gilliams

  • Untitled 10 (Detail), 2021, Grass, flowers, clay, mixed media, 140 x 40 x 60 cm | Image: Alexandra Gilliams

  • Untitled 10 (Detail), 2021, Grass, flowers, clay, mixed media, 140 x 40 x 60 cm | Image: Alexandra Gilliams

  • Untitled 17 (Detail), 2021, Grass, clay, mixed media, 132 x 28 x 18 cm | Image: Alexandra Gilliams

  • Untitled 13, 2021, Grass, clay, mixed media, 71 x 24 x 40 cm | Image: Alexandra Gilliams

  • Exhibition View | Image: Alexandra Gilliams

  • Exhibition View | Image: Alexandra Gilliams

  • Untitled 9, 2022, Acrylic, grass, clay and mixed materials, 130x160cm

    Untitled 9, 2022, Acrylic, grass, clay and mixed materials, 130x160cm

  • Untitled 3, 2022, Acrylic, grass, clay and mixed materials, 160x130cm

    Untitled 3, 2022, Acrylic, grass, clay and mixed materials, 160x130cm

  • Untitled 5, 2022, Acrylic, grass, clay and mixed materials, 160x130cm

    Untitled 5, 2022, Acrylic, grass, clay and mixed materials, 160x130cm

  • Untitled 6, 2022, Acrylic, grass, clay and mixed media on canvas, 160x130cm

  • Untitled 30, 2021, Grass, clay, mixed media, 35 x 10 x 19 cm | Image: Alexandra Gilliams

There is the body that is modeled, kneaded, triturated, excavated, dissected. It is transformed to the extreme with a certain fascination bestowed upon it. Between the palms of Olivier de Sagazan, matter takes life and is incarnated in unconscious doubles. Clay creatures are birthed and earth emerges through the images of the mythological beings, extirpating themselves with grand effort from the chtonian depths. Moving with clumsiness and dignity, they are an uneasy reflection of our deep, primitive nature; a throbbing, heart-rending echo that we have spent millennia repressing. Born of the earth, yet still partly stuck in it, they remind us that our bodies are made of the same vital matrix. This is “world flesh,” an idea conceptualized by Merleau-Ponty who envisaged the universe as a whole through a sensitive and fundamental correlation of the elements. De Sagazan never ceases to explore this primordial ontology in an ever more intense, ever more intimate desire to pierce the secrets of life.

Now, the artist attacks the landscape felt as a body, yet he has removed the human figure. “For me, a painting or a sculpture is always an organism. It is a question of bringing life to it,” he expresses. Facing the canvas, the artist creates more than he paints. His hands knead the clay and, this time, he has mixed it with grass, glue, and acrylic. Composite material that will never solidify, but could be sown. His body moves in front of crusty materials whose germinations stretch out in dazzling undergrowth. With large gestures from top to bottom, without any prior idea, he enhances it with bright colors, making the plants grow towards the light in a spontaneous, irrepressible impulse of elevation and depth. The texture becomes denser, materialist, welcoming reliefs and transcending any idea of representation. The painting here is not an image: it is breathing and has become “flesh.” Their naturalistic textures enhanced with expressionist colors inevitably brings to mind Anselm Kiefer’s dramatic fields of straw, mud, coal, and lead. Bright yellow, dreamy blue, acid green, a mysterious red… With De Sagazan, however, the landscape is anything but symbolic, it is the energy of nature whose magical body extends our own. The artist also sees self portraits in them, like a transfiguration of his conscious being within earth. He claims deep commitment in imagining a new alliance between man and nature: a nature that he has wrongly forgotten, to the point of disincarnating from it. Painting and sculpture would perhaps be the only gestures capable of making us feel this physical, biological link that unites our flesh to the world in an unfathomable sensitivity.

– Julie Chaizemartin, Art Critic

ARTIST:
OLIVIER DE SAGAZAN
RELATED EXHIBITIONS:
YOU AND I ARE EARTH
OLIVIER DE SAGAZAN
07.11.2018 – 19.01.2019
OLIVIER DE SAGAZAN
17.06.2016 – 30.07.2016 / 12.08.2016
RELATED PRESS:
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022

To request the full list of available works, please contact us by mail or by telephone at (+33) 01 42 74 03 97.  

The post ÊTRE CHAIR
Olivier de Sagazan
03.06.2022 – 29.07.2022 first appeared on Loo & Lou Gallery.]]> Andrew Ntshabele01.04.2022 – 27.07.2022 https://looandlougallery.com/exhibitions/andrew-ntshabele01-04-2022-21-05-2022/?utm_source=rss&utm_medium=rss&utm_campaign=andrew-ntshabele01-04-2022-21-05-2022 Thu, 31 Mar 2022 08:00:59 +0000 https://looandlougallery.com/?p=18662 ANDREW NTSHABELE L’Atelier08.04.2022 – 27.07.2022 Encounters 10, 2021, Acrylic and enamel on vintage newspaper, 140 x 134 cm There is a shaking in society 11 2021, Acrylic on contemporary newspaper, 158 x 114 cm There is a shaking in society 10, 2021, Acrylic on contemporary newspaper, 156 x 123 cm There is a shaking in […]

The post Andrew Ntshabele
01.04.2022 – 27.07.2022 first appeared on Loo & Lou Gallery.]]>

ANDREW NTSHABELE

L’Atelier
08.04.2022 – 27.07.2022

  • Encounters 10, 2021, Acrylic and enamel on vintage newspaper, 140 x 134 cm

  • There is a shaking in society 11 2021, Acrylic on contemporary newspaper, 158 x 114 cm

  • There is a shaking in society 10, 2021, Acrylic on contemporary newspaper, 156 x 123 cm

  • There is a shaking in society 16, 2021, Acrylic on vintage and contemporary newspaper, 160 x 130 cm

  • There is a shaking in society, 2021, Acrylic on vintage and contemporary newspaper, 114 x 160 cm

Loo & Lou Gallery is pleased to present recent works by the South African artist Andrew Ntshabele for his very first exhibition in France from April 1 to May 21, 2022.

Ntshabele has quickly developed a personal technique through painting figures in acrylic on large format supports made of collaged newspapers.

Andrew Ntshabele paints characters that he observes on the streets of Johannesburg as a reflection of the negative physical, socio-economic and political changes of the post-apartheid city of Johannesburg. Selectively choosing newspaper backgrounds with pertinent headlines, he paints over them with the resulting pressure and strain on citizens who live and work in a polluted city. Photographing and meeting his subjects around the city prompted him to investigate these difficulties in order to understand the root causes of the degradation of the city center.

After the Covid-19 pandemic hit, he feels that people should confront his art from a new perspective and try to find happiness in these difficult times. Within some of his more recent work, more joyful feelings are present. For this new series, he explored the work on a medium and large scale, using newspapers related to articles on Covid-19.

ARTIST:
ANDREW NTSHABELE
RELATED PRESS:
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022

To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.

The post Andrew Ntshabele
01.04.2022 – 27.07.2022 first appeared on Loo & Lou Gallery.]]> EMBRASURETana Borissova08.04.2022 – 21.05.2022 https://looandlougallery.com/exhibitions/embrasuretana-borissova08-04-2022-21-05-2022/?utm_source=rss&utm_medium=rss&utm_campaign=embrasuretana-borissova08-04-2022-21-05-2022 Thu, 31 Mar 2022 08:00:50 +0000 https://looandlougallery.com/?p=18636 EMBRASURE Tana Borissova Loo & Lou Gallery Haut Marais08.04 – 21.05.2022 Vue d’exposition © Alexandra Gilliams Vue d’exposition © Alexandra Gilliams Aile 7, 2020, Acrylic on canvas, 50 x 61 cm Aile 7, 2020, Acrylic on canvas, 50 x 61 cm Vue d’exposition © Alexandra Gilliams Vue d’exposition © Alexandra Gilliams Aile 8, 2020, Acrylic […]

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Tana Borissova
08.04.2022 – 21.05.2022 first appeared on Loo & Lou Gallery.]]>

EMBRASURE

Tana Borissova

Loo & Lou Gallery Haut Marais
08.04 – 21.05.2022

  • Vue d’exposition © Alexandra Gilliams

    Vue d’exposition © Alexandra Gilliams

  • Aile 7, 2020, Acrylic on canvas, 50 x 61 cm

    Aile 7, 2020, Acrylic on canvas, 50 x 61 cm

  • Vue d’exposition © Alexandra Gilliams

    Vue d’exposition © Alexandra Gilliams

  • Aile 8, 2020, Acrylic on canvas, 54 x 74 cm

    Aile 8, 2020, Acrylic on canvas, 54 x 74 cm

  • Aile 22, 2020, Acrylic on cardstock, 24 x33 cm

  • Embrasure 1, 2020, Acrylic on canvas, 38 x 46 cm

  • Embrasure 8, 2021, Acrylic on canvas, 114 x 162 cm

  • Vue d’exposition © Alexandra Gilliams

  • Embrasure 22, 2022, Acrylic on canvas, 73 x 100 m

“When approaching Tana Borissova’s paintings, a moment of epiphany may arise while gazing into their forms. Many of the works proposed in this exhibition escape the immediate classifications that we usually lend to this technique. The viewer may have difficulty grasping what exactly they are looking at, with no obvious sign emerging that can satisfy certain interpretations and reassuring identifications. The absence of any iconography and the spontaneity of the organic forms testify to a proximity manifesting itself as lyrical abstraction. Shall we not acknowledge a certain effort to resist different types of visual and conceptual anecdotes that have dominated the history of painting? 

Borissova shares the painter Nicolas de Staël’s “undecided” position by refusing to choose between abstraction and figuration. If her blue paintings evoke waterfalls, she refuses any reference to the idea of a landscape. Nature as it is shown here has nothing to do with a fleeting impression of a pastoral scene. It refers more to the ancient conception of phusis, designating a continuous birth of forms; a momentum that is miraculously captured in the thickness of her paint strokes. 

Borissova skilfully plays with the contrasts between the intensity of black backgrounds and a chromatic efflorescence that invades the canvas. She also produces a duality of transparency and opacity, tempering the impact of her rough impasto with the liquescence of the acrylic paint. By giving the motifs the appearance of crackling matter, the artist opens her painting to the elements of poetic fire and imaginary water. 

Her figures are forever in suspense, caught in between a stark presence and the heaviness of absence, like a passage, emergence, breakthrough, or burst. The canvas becomes a sequence of twisted, fragmented, and undulating forms, carrying its motives in aquatic and carnal becomings, as in the aerial and lyrical blazes of the Embrasure series. 

Emerging from the obscure depths of memory, Borissova offers us a moment that has been torn from oblivion and the alienation of the world.”

— Philippe Godin, Art Critic

ARTIST:
TANA BORISSOVA
RELATED EXHIBITIONS:
ÉCLATS DE NUIT
Tana Borissova
07.02.2020 – 14.03.2020
RELATED PRESS:
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
ÉCLATS DE NUIT
Tana Borissova
07.02.2020 – 14.03.2020

To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.

The post EMBRASURE
Tana Borissova
08.04.2022 – 21.05.2022 first appeared on Loo & Lou Gallery.]]> ATARAXIEJohan Van Mullem03.02.2022 – 19.03.2022 https://looandlougallery.com/exhibitions/ataraxiejohan-van-mullem03-02-2022-19-03-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=ataraxiejohan-van-mullem03-02-2022-19-03-2022-2 Sat, 29 Jan 2022 14:09:44 +0000 https://looandlougallery.com/?p=18336 ATARAXIE Johan Van Mullem Loo & Lou Gallery Haut Marais03.02 – 19.03.2022 Exhibition View | Image: Alexandra Gilliams Untitled, 2021, Ink on canvas, 200 x 345 cm Exhibition View | Image: Alexandra Gilliams Exhibition View | Image: Alexandra Gilliams Exhibition View | Image: Alexandra Gilliams Exhibition View | Image: Alexandra Gilliams Exhibition View | Image: […]

The post ATARAXIE
Johan Van Mullem
03.02.2022 – 19.03.2022 first appeared on Loo & Lou Gallery.]]>

ATARAXIE

Johan Van Mullem

Loo & Lou Gallery Haut Marais
03.02 – 19.03.2022

  • Exhibition View | Image: Alexandra Gilliams

  • Untitled, 2021, Ink on canvas, 200 x 345 cm

  • Exhibition View | Image: Alexandra Gilliams

  • Exhibition View | Image: Alexandra Gilliams

  • Exhibition View | Image: Alexandra Gilliams

  • Exhibition View | Image: Alexandra Gilliams

  • Exhibition View | Image: Alexandra Gilliams

  • Exhibition View | Image: Alexandra Gilliams

  • Untitled, 2020, Ink on canvas, 60 x 40 cm

  • Untitled, 2020, Ink on canvas, 100 x 70 cm

  • Untitled, 2020, Ink on canvas, 100 x 70 cm

A stream of consciousness…

For Johan Van Mullem’s second exhibition Ataraxie at Loo & Lou Gallery, introspection remains at the heart of his work, however his famous, abstract depictions of faces transform into a perspective of the outside world through landscapes. The select anthropomorphic portraits in this exhibition act as a catalyst for this transition, where human appears to amalgamate with nature. These ethereal portraits and settings have come forward from the depths of a silent and unconscious world within Van Mullem, “where emotional information is stored.” Distinctive scenic elements are composed through an expulsion of rapid movements that he anchors with a horizon line. According to the artist, landscapes offer a clarity of perception in an increasingly uncertain world. Painting allows him to release and attempt to understand the impressions that this world has forcibly imprinted on his subconscience since the beginning of his existence. His work additionally references his Flemish origins, and believes these impressions can be passed down through generations and from one kindred spirit to another. He has referenced Rembrandt and Da Vinci as “companions” throughout his journey as an artist.
 
Within this new series, Van Mullem develops his unique style of stream of consciousness painting that rests between figurative and abstraction that he has been working on since he was only five years old. He began creating art as a means of escape from his difficult, itinerant childhood as the son of a diplomat. He was born in the Congo but spent his formative years in Tunisia, a place that he described, after returning to visit as an adult, had such wonderful light that eventually introduced new colors and luminosity to his landscape paintings. Van Mullem works with oil-based etching inks, reminiscent of his time spent as an engraver, and builds them upon each other to depict storms, rain, and sunsets over mountains. The colors overlap, fade, and stretch, yet they rest together in harmony. Creating depth that he then glides over and erases, the light is unveiled and the subject comes to life; The sun comes out, a burst of rain splashes onto a body of water, the wind blows. The artist has created an imaginary world with unconventional colors that are a reflection of his soul and memories, rising from his conscious and subconscious. Landscapes have historically been a means of escape and of spiritual gain. In the 19th and 20th centuries, the Romantics created landscapes that evoked contemplation and existentialism, displaying the world as much larger than we are. The longer one looks at Van Mullem’s paintings, the more the unique topography becomes discernable and facilitates reflection, as if one is peering out through a fogged window, their own reflection in the glass cast over a vast landscape. 

— Alexandra Gilliams

ARTIST:
JOHAN VAN MULLEM
RELATED EXHIBITIONS:
Johan Van Mullem
24.04.2017 – 19.05.2017
RELATED PRESS:
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022

To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post ATARAXIE
Johan Van Mullem
03.02.2022 – 19.03.2022 first appeared on Loo & Lou Gallery.]]> FRANTZ METZGER https://looandlougallery.com/artists-en/frantz-metzger-2/?utm_source=rss&utm_medium=rss&utm_campaign=frantz-metzger-2 Fri, 13 Dec 2024 15:00:37 +0000 https://looandlougallery.com/?p=23945 Pierre-Luc Poujol est né en 1963 à Alès dans les Cévennes.

The post FRANTZ METZGER first appeared on Loo & Lou Gallery.]]>

Frantz Metzger

Bron in 1980. Lives and works in Lyon. 

 

My painting develops around questions linked to the apprehension of reality and its restitution as appearance or image.

The figure, whether human or animal, occupies a central place, first and foremost formally, but also as an object of reflection. Through the interplay of metaphors, analogies and correspondences, the figure can carry meaning as a mirror of temporal life.

“Inner, silent encounters between body and nature”, the appearance and annihilation of figures, led back to the abyss from which they sprang: life, death, earth and sky.

This painting remains an unfinished attempt, an effort to “communicate the incommunicable”, the renewed desire to create images, the place where the distant meets the now in a flash.

 

CURRICULUM VITAE

 

Solo shows

2024        Décompositions, galerie L’œil écoute, Lyon (France)

 

2022        Correspondances, galerie Marie Vitoux, Paris (France)

2021        Peintures, galerie L’œil écoute, Lyon (France)

2019        Selva Oscura, galerie Marie Vitoux, Paris (France)

2017        Souffle, galerie Anne-marie et Roland Pallade, Lyon (France)

2013        La maturation d’un peintre, galerie Anne-marie et Roland Pallade, Lyon (France)

2009        La nuit remue, galerie l’oeil écoute, Lyon (France)

2006        Peintures, MAPRA, Lyon (France)

 

Group shows

2024        Embrasements, galerie Marie Vitoux, Paris (France)

2022        Salon du dessin, Lyon (France)

2017        L’autre, Parc thermal Le Fayet, St Gervais (France)

2016        Group show, galerie Anne-marie et Roland Pallade, Lyon (France)

2012        Le temps retrouvé, galerie Anne-marie et Roland Pallade, Lyon (France)

2011        Salon de printemps, Lyon (France)

2010        Pourvoir aux Rêves, galerie Anne-marie et Roland Pallade, Lyon (France)

2009        Entre autrefois et aujourd’hui -Acte I, Le Polaris, Corbas (France)

2008        Salon de Mai, Espaces Commines, Paris (France)

2008        15 ans de Polaris/25 ans de Mapra, Le Polaris, Corbas (France)

 

Rewards

2015        Prix VERDAGUER décerné par l’Académie des Beaux-Arts 

2007        Prix Jean Chevalier, galerie Olivier Houg, Lyon (France)

 

Edition

2017        Catalog “Souffle”, galerie Anne-marie et Roland Pallade, Lyon (France)

2017       Catalog « l’autre» Parc thermal Le Fayet, St Gervais (France)

2013       Catalog «la maturation d’un peintre», galerie Anne-marie et Roland Pallade, Lyon (France)

2012        Catalog «Le temps retrouvé», galerie Anne-marie et Roland Pallade, Lyon (France)

2009        Catalog «Entre autrefois et aujourd’hui» (France)

2008        Catalog «Salon de Mai 2008» (France)

2008        Catalog «15 ans de Polaris/25 ans de MAPRA (France)

 

  • Cantique, 2024, Oil on canvas, 140 x 120 cm

  • Double, 2024, Oil on canvas, 140 x 150 cm

  • En bleu adorable, 2024, Oil on canvas, 140 x 120 cm

  • Homo Duplex, 2024, Oil on canvas, 140 x 150 cm

  • Sans titre, 2024, Oil on canvas, 33 x 27 cm
EXHIBITION:
SOLO SHOW
Frantz Metzger
11.01.2025 – 01.03.2025
RELATED PRESS:
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post FRANTZ METZGER first appeared on Loo & Lou Gallery.]]> Espaces MutantsCasa de Velázquez21.01.2022 – 18.02.2022 https://looandlougallery.com/exhibitions/espaces-mutantscasa-de-velazquez21-01-2022-18-02-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=espaces-mutantscasa-de-velazquez21-01-2022-18-02-2022-2 Wed, 26 Jan 2022 11:44:18 +0000 https://looandlougallery.com/?p=18169 Dear friends, We inform you that the gallery will be temporarily closed until March 2because the team will be in Madrid for the JUSTMAD art fair. Thank you and see you soon!  – Loo & Lou – ESPACES MUTANTS Artists in residence at the Casa de Velázquez 2021-2022 L’Atelier21.01 – 04.03.2022 Exhibition view | Image […]

The post Espaces Mutants
Casa de Velázquez
21.01.2022 – 18.02.2022 first appeared on Loo & Lou Gallery.]]>

Dear friends,

We inform you that the gallery will be temporarily closed until March 2
because the team will be in Madrid for the JUSTMAD art fair.

Thank you and see you soon!
 
– Loo & Lou –

ESPACES MUTANTS

Artists in residence at the Casa de Velázquez 2021-2022

L’Atelier
21.01 – 04.03.2022

  • Exhibition view | Image © Alexandra Gilliams

  • Exhibition view | Image © Alexandra Gilliams

  • Exhibition view | Image © Alexandra Gilliams

  • Carmen Ayala Marín | Image © Alexandra Gilliams

  • Mathilde Lestiboudois | Image © Alexandra Gilliams

  • Maxime Biou et Chloé Belloc | Image © Alexandra Gilliams

  • Anna López Luna | Image © Alexandra Gilliams

  • Lise Gaudier | Image © Alexandra Gilliams

  • Arnaud Rochard | Image © Alexandra Gilliams

  • Eve Malherbe | Image © Alexandra Gilliams

  • Mery Sales | Image © Alexandra Gilliams

  • Najah Albukai | Image © Alexandra Gilliams

  • Adrien Menu | Image © Alexandra Gilliams

  • Alberto Martín Menacho | Image © Alexandra Gilliams

  • Pablo Pérez Palacio | Image © Alexandra Gilliams

From January 21 to February 18, 2022, the exhibition ESPACES MUTANTS in the Atelier at Loo & Lou Gallery will present the work of the artists of the 2021-2022 promotion from the French Academy in Madrid, at the Casa de Velázquez. The exhibition reflects the collective spirit that unites these artists during their residency in Madrid, as well as the diversity of practices that coexist this year in the studios at the Casa de Velázquez: painting, engraving, sculpture, visual arts, photography, video, and film. The result of a close collaboration between the Casa de Velázquez and Loo & Lou Gallery, ESPACES MUTANTS also emphasizes the synergies that unite these two places, both as incubators of innovative practices and unwavering supporters of contemporary creation.

ESPACES MUTANTS is at once an immersive experience, an experimentation in curating and a moment of encounter with the public for the 13 participating artists: Najah ALBUKAI, Carmen AYALA MARÍN, Chloé BELLOC, Maxime BIOU, Lise GAUDAIRE, Mathilde LESTIBOUDOIS, Anna LÓPEZ LUNA, Eve MALHERBE, Alberto MARTÍN MENACHO, Adrien MENU, Pablo PÉREZ PALACIO, Arnaud ROCHARD, Mery SALES.

“Like the stars that can only be seen if you don’t look directly at them, the artistic gestures here escape perception. They flee, struggle, twist, and unravel under our fingers even as the work comes to life. How, then, could one restore it? How could one give an account of this ephemeral breath, to pay homage to it and to give it sight? How, above all, would one be able to capture the fragility of its emergence—to freeze it, without breaking it?

With this mutant space, the artists in residence at Casa de Velázquez offer us an infiltration into the heart of this abstract idea. An exhibition which is like a challenge between constellation and flow of thought, that plunges us into the suspension of time within creation and its metamorphoses. Sketches, research documents, finished pieces, or works in progress, the pieces here take place in the collective installation where singularities intermingle with what is shared. By exhibiting together for the first time, the artists draw a portrait of their experience working as residents while they deliver their first forceful lines.

ESPACES MUTANTS is thus hybrid and plural in nature. The materials, forms and textures intermingle; the directions that lead to interpretation are multiplied; the perspectives are drawn and transformed as connections are established and installed. At the heart of this laboratory, conceived as an immersive experience, a lot depends on the spectator who can activate each of these fragments, read between their lines and to allow themselves to be touched by the crackling breath of these creations in residence.”

 

About CASA DE VELÁZQUEZ

Casa de Velázquez is an institution under the authority of the French Ministry of Higher Education, Research and Innovation, and is part of the network of five French schools abroad (EFE). It is unique in that it supports both contemporary creation and research in the humanities and social sciences. Casa de Velázquez also plays a major role in disseminating and promoting the work carried out in residence through a rich and varied program, supported by a vast network of international partners.

The ACADÉMIE DE FRANCE IN MADRID is a privileged space that welcomes every year in residence some thirty artists of diverse geographical and cultural origins. Every year, thirteen artists are selected to develop their creative projects in residence.

 

For the complete list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97.  

The post Espaces Mutants
Casa de Velázquez
21.01.2022 – 18.02.2022 first appeared on Loo & Lou Gallery.]]> LIANESCENCESLydie Arickx16.11.2021 – 22.01.2022 https://looandlougallery.com/exhibitions/lianescenceslydie-arickx16-11-2021-22-01-2022-2/?utm_source=rss&utm_medium=rss&utm_campaign=lianescenceslydie-arickx16-11-2021-22-01-2022-2 Tue, 16 Nov 2021 16:51:50 +0000 https://looandlougallery.com/?p=17576 LIANESCENCES Lydie Arickx Loo & Lou Gallery Haut Marais16.11.2021 – 22.01.2022 L’évolution (Oscar), 2020, Bones and resin, 200 x 300 cm View of the exhibition “Lianescences” by Lydie Arickx | Image: Emilie Mathé Nicolas View of the exhibition “Lianescences” by Lydie Arickx | Image: Emilie Mathé Nicolas Chemin de Croix VII, 2020, Bones, 43 x […]

The post LIANESCENCES
Lydie Arickx
16.11.2021 – 22.01.2022 first appeared on Loo & Lou Gallery.]]>

LIANESCENCES

Lydie Arickx

Loo & Lou Gallery Haut Marais
16.11.2021 – 22.01.2022

  • L’évolution (Oscar), 2020, Bones and resin, 200 x 300 cm

  • View of the exhibition “Lianescences” by Lydie Arickx | Image: Emilie Mathé Nicolas

  • View of the exhibition “Lianescences” by Lydie Arickx | Image: Emilie Mathé Nicolas

  • Chemin de Croix VII, 2020, Bones, 43 x 31 x 20 cm

  • Chemin de Croix VIII, 2020, Magnetic ferrite, 39 x 39 x 18 cm

  • Chemin de Croix III, 2020, Resin and bones, 30 x 17,5 x 11 cm

Returning from Chambord…

After the spectacular and monumental exhibition Arborescences held at the Château de Chambord, Loo & Lou Gallery welcomes for the third time the artist Lydie Arickx: painter, sculptor, performer and major figure of the French expressionist scene whose work tirelessly celebrates the cycle of life. Supported by the Loo & Lou Foundation,  Arborescences is probably one of the artist’s most accomplished exhibitions.

Lianescences is a kind of extension of Arborescences for an audience that would like to live or relive part of the experience of an outsized and protean proposal.

Lianescences is, of course, not intended to be a repetition of Chambord, but will highlight a works selected especially for Loo & Lou Gallery, and focuses on some the most important and remarkable pieces. Crucifixes symbolizing the 14 stations of the Way of the Cross, presented in the Chapel of Chambord, or The Evolution (Oscar), a bas-relief of bone and resin scaling at 200 x 300 cm will be presented, but an accent will be placed on a presentation of works by the artist, of a more modest format, belonging to the cabinet of curiosities.

“The qualifier ‘expressionist’ that is often attached to the work of Lydie Arickx could be considered reductive. Her work certainly distorts the figure, twists material and gives an account of the violence of the world, but her consistent research of new materials and new forms nourishes her work beyond any label. Her pieces represent more precisely the fears, engulfments, rough, joyful moments and miracles we humans experience with a softness that is moving. After her projects at the Cordeliers convent, the La Piscine museum, the Conciergerie or Biron, she proposed a powerful exhibition at the Château de Chambord for four months. It evoked a reflection on life and its forms and highlighted the porosity between mineral, vegetal and animal, living beings inhabited by a breath with whom death cannot compete, but simply entertain. Whether she uses canvas, concrete, earth, metal, fabric, 3D prints, concrete or ash, Arickx transmits an unparalleled energy that makes her one of the most inventive and engaging artists of her generation.” – Text from the exhibition Arborescences, Château de Chambord, 2021

To request the complete list of available works, please contact us by email or by phone (+33) 01 42 74 03 97.  

The post LIANESCENCES
Lydie Arickx
16.11.2021 – 22.01.2022 first appeared on Loo & Lou Gallery.]]> NativityAurélia Jaubert09.11.2021 – 08.01.2022 https://looandlougallery.com/exhibitions/nativityaurelia-jaubert9-11-2021-8-1-2022/?utm_source=rss&utm_medium=rss&utm_campaign=nativityaurelia-jaubert9-11-2021-8-1-2022 Tue, 16 Nov 2021 17:20:26 +0000 https://looandlougallery.com/?p=17588 NATIVITY Aurélia Jaubert The Atelier9 November – 8 January 2022 Nativité (detail), 2019, Found canvases and tapestries assembled and sewn, 378 x 217 cm | Image: Emilie Mathé Nicolas Nativité, 2019, Found canvases and tapestries assembled and sewn, 378 x 217 cm | Image: Emilie Mathé Nicolas Nativité (detail), 2019, Found canvases and tapestries assembled […]

The post Nativity
Aurélia Jaubert
09.11.2021 – 08.01.2022 first appeared on Loo & Lou Gallery.]]>

NATIVITY

Aurélia Jaubert

The Atelier
9 November – 8 January 2022

  • Nativité (detail), 2019, Found canvases and tapestries assembled and sewn, 378 x 217 cm | Image: Emilie Mathé Nicolas

  • Nativité, 2019, Found canvases and tapestries assembled and sewn, 378 x 217 cm | Image: Emilie Mathé Nicolas

  • Nativité (detail), 2019, Found canvases and tapestries assembled and sewn, 378 x 217 cm | Image: Emilie Mathé Nicolas

  • Nativité (detail), 2019, Found canvases and tapestries assembled and sewn, 378 x 217 cm | Image: Emilie Mathé Nicolas

  • Nativité (detail), 2019, Found canvases and tapestries assembled and sewn, 378 x 217 cm | Image: Emilie Mathé Nicolas

  • Nativité (detail), 2019, Found canvases and tapestries assembled and sewn, 378 x 217 cm | Image: Emilie Mathé Nicolas

“The Nativité tapestry is made from hundreds of scraps of different canvases and tapestries that were collected here and there. Assembled together like a collage and sewn into a kind of patchwork, these different pieces form a large fresco that can be described as ‘pop’ due to its references to popular imagery and art history. Animals and characters evolve in varied landscapes where each scene follows one another in different depths of field: Millet and Chardin rub shoulders with Snow White, Renoir and Gauguin meet the Aristocats, and the Virgin presents a strange child to a fireman in the center a flurry of different situations. Nativité is one great, orchestrated bubble that could also be described as a collaboration since hundreds of other hands contributed to it, and it also pays tribute to these unknown female artisans. Together, these women and their work help form this ‘global’ art piece.”

– Aurélia Jaubert

This is Aurélia Jaubert’s first collaboration with Loo & Lou Gallery. In 2020, Nativité received a special mention from the jury at the Contextile Biennial in Guimares, Portugal.

“From her first paintings of colored mortars that she collaged with her original photographs to her more recent tapestries, Aurélia Jaubert has been fascinated by the metamorphoses that can occur in imagery through their passage from one medium to another and the illusions they can engender. She has progressively left the traditional surface of painting for heterogeneous compositions, concocting a kind of utopian mixture that reflects a sort of historical crisis of representation. Through borrowing and combining different approaches (painting, textiles, photography, digital images, collage, sewing, sculpture, sound, music and light), Jaubert sheds a light on what is leftover. Her gestures of an artist and collector of objects are made apparent through her interest in subtle manifestations of nature (reflections, bubbles, shadows, traces…) that she inserts into a cycle that reinstates them with an unexpected aesthetic value, all the while managing to remain faithful to the original image. Dreaming about the fantastic destiny of small accidents or objects of everyday life (burrs, stains, drips, colored debris, decommissioned magnetic tapes, old swimming pool buoys, fabric samples…), Jaubert, an ‘herbalist of the asphalt’, weaves together modern ruins in order to reveal elegant, surprising, bizarre and unprecedented imagery.” 

– Dominique Païni, independent critic and curator

Director of the Centre Pompidou (2000-2005)

Director of the Cinémathèque française (1990-2000)

ARTIST:
AURÉLIA JAUBERT
RELATED PRESS:
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021

Pour demander la liste complète des œuvres disponibles, veuillez nous contacter par courriel ou par téléphone (+33) 01 42 74 03 97.  

The post Nativity
Aurélia Jaubert
09.11.2021 – 08.01.2022 first appeared on Loo & Lou Gallery.]]> THE INDIAN YEARS – LES ANNÉES INDIENNES Fred Kleinberg 21.09.2021 – 30.10.2021 https://looandlougallery.com/exhibitions/the-indian-years-les-annees-indiennes-fred-kleinberg-21-09-2021-30-10-2021/?utm_source=rss&utm_medium=rss&utm_campaign=the-indian-years-les-annees-indiennes-fred-kleinberg-21-09-2021-30-10-2021 Wed, 22 Sep 2021 09:48:40 +0000 https://looandlougallery.com/?p=16966 THE INDIAN YEARS LES ANNEES INDIENNES Fred Kleinberg Loo & Lou Gallery Haut Marais21.09 – 30.10.2021 Monbay Victoria Terminus, 2004, Oil and collage on canvas, 200 x 200 cm View of the exhibition “Les Années Indiennes 2000 – 2010” View of the exhibition “Les Années Indiennes 2000 – 2010” – “Butterfly”, “Dog” et “Yogi” View […]

The post THE INDIAN YEARS – LES ANNÉES INDIENNES
Fred Kleinberg
21.09.2021 – 30.10.2021 first appeared on Loo & Lou Gallery.]]>

THE INDIAN YEARS

LES ANNEES INDIENNES

Fred Kleinberg

Loo & Lou Gallery Haut Marais
21.09 – 30.10.2021

  • Monbay Victoria Terminus, 2004, Oil and collage on canvas, 200 x 200 cm

  • View of the exhibition “Les Années Indiennes 2000 – 2010”

  • View of the exhibition “Les Années Indiennes 2000 – 2010” – “Butterfly”, “Dog” et “Yogi”

  • View of the exhibition “Les Années Indiennes 2000 – 2010” – “Indigo” and “Turmeric”

  • La Fuite II, 2005, Mixed media on canvas, 133 x 210 cm

  • La fuite I, 2005, Oil and collage on canvas, 130 x 197 cm

  • La Fuite II, Details, 2005, Mixed media on canvas, 133 x 210 cm

  • View of the exhibition “Les Années Indiennes 2000-2010” – “Relief”

  • Relief I, 2005, Mixed media and collage, 231 x 170 cm

  • View of the exhibition “Les Années Indiennes 2000 – 2010” – “Tsunami”

  • View of the exhibition “Les Années Indiennes 2000 – 2010” – “Tsunami”

  • View of the exhibition “Les Années Indiennes 2000 – 2010” – “Tsunami”

Paraphrasing the exergue of Nietzsche’s book Human, All Too Human, one could say that Fred Kleinberg’s work was made for free spirits, as the artist considers himself first and foremost a traveler… This is how he finds inspiration and the material for his pieces, and in this search he has also witnessed great contemporary tragedies. What Kleinberg seeks in this nomadic exploration is not only humanity and the exploration of other cultures, but also what philosopher Gilles Deleuze calls a “chaos-germ”, from which a style can emerge…”

Some thirty works produced between 2000 and 2010 in India

From this point of view, Fred Kleinberg’s Indian Years is not the travel diary of an artist in search of exoticism. Of the thirty or so works produced between 2000 and 2010 in India, we will not find the usual batch of images dear to tourist attractions, with its collection of sacred cows and the colourful abundance of women’s saris. In 2004, while doing an artist’s residency near Pondicherry, the painter had no idea that he was going to find himself at the heart of one of the most tragic natural disasters in history, in the face of which the torments of the shipwrecked Medusa or those of Jonah in the grip of divine wrath might seem like mere anecdotes. On December 26, an earthquake of rare violence provoked a tsunami that hit southern India. Among the rubble of his studio, which was completely destroyed, the artist found only a roll of paper returned by the sea, still bearing the scars of the tsunami’s violence; this became the support for the testimony that the painter had given to this tragedy.

A fresco over 18 meters long as a testimony to this extraordinary tragedy

Fred Kleinberg responded to the anger of nature with the rage of expression by creating a fresco in situ, using black chalk, in a format that was equal to this extraordinary tragedy: over 18 metres long! As the artist learned about the victims he knew, he drew a picture, like a dazibao, which gradually unfolds. This all-over fresco becomes the real seismograph of the catastrophe the painter witnesses. Like an immense graphic wave carrying all the spectres of those who have been swept away, this monumental work constitutes a sublime replica, drawing the viewer into the feeling of dread and aesthetic delight dear to the Romantics. The flow of the sea meets the flow of the continuous drawing, the only way to render the tangled impressions and images carried by the power of the tsunami. By using exclusively black and white, the artist gives his work a dramatic tension that evokes the darkest pieces of Goya as much as Picasso’s Guernica.

Fred Kleinberg’s practice of painting is ‘dialogic,’ with an emphasis on listening, and a desire to connect with the communities in which he creates.

Most of the other works in the exhibition demonstrate the commitment of Kleinberg’s art to a human adventure in which the artist engages in a “dialogical” practice of painting, emphasizing listening, and the desire to create links with the communities in which he creates.
Like the painting Relief, in which the formal questions and the choice of materials remain inseparable from the human experience that gave birth to them; the jute canvases with silk-screened motifs that frame the painting are cereal bag wrappers, recovered by the artist when he was distributing food with NGOs.
By integrating pieces of recovered posters into paintings such as Monbay Victoria terminus or La fuite, the painter also returns to a use of collage derived from Cubism, and suggests the impression of a world shattered in a string of coloured images. The use of the gum arabic technique for some of the works made in the wake of the tsunami, finally allows the artist to accentuate the spectral character of the painted figures. For it is the moods of flight, fear and survival that constitute the omnipresent affects of a majority of the pieces in the exhibition, uniting animal fear with human anguish in the same drama. Only the beautiful pastels of Sadhou figures or young girls, whose survivors from a world whose history seems to be a succession of atrocities, balance the impression of apocalypse that dominates this painting, a distant and noble descendant, no doubt, of a renewed romantic energy.

— Philippe Godin, Critique d’art

To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post THE INDIAN YEARS – LES ANNÉES INDIENNES
Fred Kleinberg
21.09.2021 – 30.10.2021 first appeared on Loo & Lou Gallery.]]> DÉFERLANTE Joël Person 19.05.2021 – 30.07.2021 https://looandlougallery.com/exhibitions/deferlante-joel-person/?utm_source=rss&utm_medium=rss&utm_campaign=deferlante-joel-person Fri, 02 Apr 2021 13:51:46 +0000 https://looandlougallery.com/?p=14103  DÉFERLANTE Joël Person Loo & Lou Gallery — Haut Marais19.05 – 30.07.2021 Exhibition view, Déferlante , Charcoal on paper, Assembly of two sheets, 2021, 985 x 152 cm | Image © F. Fontenoy Déferlante (detail), Charcoal on paper, Assembly of two sheets, 2021, 985 x 152 cm | Image © F. Fontenoy Déferlante (detail), Charcoal […]

The post DÉFERLANTE
Joël Person
19.05.2021 – 30.07.2021 first appeared on Loo & Lou Gallery.]]>

 DÉFERLANTE

Joël Person

Loo & Lou Gallery — Haut Marais
19.05 – 30.07.2021

  • Exhibition view, Déferlante , Charcoal on paper, Assembly of two sheets, 2021, 985 x 152 cm | Image © F. Fontenoy

  • Déferlante (detail), Charcoal on paper, Assembly of two sheets, 2021, 985 x 152 cm | Image © F. Fontenoy

  • Déferlante (detail), Charcoal on paper, Assembly of two sheets, 2021, 985 x 152 cm | Image © F. Fontenoy

  • Frédérique, 1984-2015, Charcoal on glued paper, 135 x 131 cm | Image © Joël Person

  • La déferlante intérieure, Charcoal on paper, 2020-21, 244 x 95 cm | Image © Emilie Mathé Nicolas

  • Exhibition view, La déferlante intérieure and Robes Cabrées | Image © Emilie Mathé Nicolas

  • Cheval dragon 1, Black stone on paper, 2013, 62 x 34 cm | Image © F. Fontenoy

  • Cheval dragon 4, Black stone on paper, 2013, 62 x 34 cm | Image © F. Fontenoy

  • Exhibition view, Série Robes cabrées, Black stone on paper, 2013, 62 x 34 cm | Image © F. Fontenoy

  • Les déferlantes, Gouache, Black stone on cardboard, 2013, 120 x 40 cm © Emilie Mathé Nicolas

  • Coastline, Black stone on paper, 2012, 69 x 41 cm | Image © Emilie Mathé Nicolas

  • Exhibition view, Coastline and La Déferlante, 2012 – 2013 | Image © Emilie Mathé Nicolas

  • Exhibition view, Coastline, La Déferlante and Robes Cabrées | Image © Emilie Mathé Nicolas

  • Mme Recamier, Série Les Verticales, 2020, Black stone on paper, 60x31cm | Image © Emilie Mathé Nicolas

  • Le Louvre, Série Les Verticales, 2020, Black stone on paper, 60 x 35,5 cm | Image © Emilie Mathé Nicolas

  • Autoportrait, Série Les Verticales, 2020, Black stone on paper, 60 x 35,5 cm | Image © Emilie Mathé Nicolas

During his studies at the Ecole des Beaux-Arts in Paris, from which he graduated in 1986 with honours, Joël Person was able to perfect his drawing skills by observing live models. This concern to constantly deepen his eye and his technique remains intact today. No matter the themes of predilection that he tackles: horses, hair, bodies, portraits or scenes of everyday life, he applies the same rigor to his work and gives way to the sole requirement of an extremely precise rendering that is likely to bring out the very presence of the subject he is drawing.

Even at a very young age, drawing was the only way for Person to express himself, given his dyslexia, which made him unsuitable for an educational system that was essentially focused on learning abstract language forms. Drawing was his resilience, and his way of reappropriating a world that had escaped him.

By practicing live drawing since his childhood, Person has reached a perfection in his art that should, in no way, be confused with academism and the traps of a demonstrative virtuosity, having no other end than to impress an audience eager with a trompe-l’oeil. His practice of drawing has nothing to do with superfluous work or presumptuous play, rather his taste for realism responds to the imperious desire to capture the truth of the subject. Whether it is with the immense frescoes of galloping horses or the more modest drawings, Person immediately inscribes his work in the highest pictorial tradition inherited from the Renaissance, and that of the romanticism of Delacroix or Géricault.

Even when he is inspired by visuals taken from social networks – those of CRS, yellow waistcoats or migrants – Person reworks each of these images on the spot. The reworking through drawing then brings a striking “aesthetic added value.” For example, the drawings of the CRS he is doing for Frédéric Pajak’s next magazine reveals a dimension worthy of the SF universe of a RoboCop. In front of the drawings that Person has produced from internet images, we measure the abyss that separates the attention opened by the artist’s gaze, pencil in hand, and this passive perception that feeds our addiction to social networks.

Person dreams of founding a school of drawing, like the “school of the gaze” instituted in Salzburg by Kokoschka after the Second World War. The ethics of his art remain faithful to Matisse’s teaching, which attributes to the artist the role of undoing the veil of clichés that stands between our perception and reality. Like our relationship with animals, these ultimate figures of otherness that the artist admirably deconstructs in all his work, inviting us to rediscover these silent masters.

Since Freud, we know that great works of art often find their impetus from a childhood memory linked to an emotional content mixing desire and prohibition. Person attributes his fascination for the equestrian motif to his childhood encounter with a Chinese statuette of a Tang horse belonging to his mother, which he was strictly forbidden to touch. Through drawing, he quickly managed to take hold of this impulsive universe where woman and animal seemed intimately linked.

In fact, many of the artist’s drawings of horses make this ambivalence of desire and fear perceptible, sometimes leading the artist to superimpose motifs with overtly erotic components on those of the equine figure.

Thus, with regard to his series of charcoal drawings, the Robes Cabrées, we are reminded of Paul Valery’s observation about Degas’ drawings: “The horse walks on its toes. Four nails carry it. No animal holds on to the first dancer, the star of the corps de ballet, like a thoroughbred in perfect equilibrium, which the hand of the one who rides it seems to hold suspended, and which moves forward with a small step in the sun. Degas painted him with a verse; he said of him: Tout nerveusement nu dans sa robe de soie. “

By repeating a series of galloping horses, whose tight framing on the animal’s chest accentuates the feeling of power and vitality, Person offers a masterpiece with Déferlante to the art of drawing. We find all the tension and eroticism of the bodies dear to the Romantics revisited by the rhythmic power of all-over. This work, whose black charcoal texture enhances the feeling of musical vitality experienced when contemplating it, bears witness to a limitless processual character. Indeed, by repeating these serial cavalcade motifs, the artist can multiply the dimension of his creation indefinitely, even to the point of envisaging the crazy dream of covering the Great Wall of China with them!

By decomposing drawing as a medium assigned to a certain function circumscribed to the space of a frame delimiting a sketch or a preparatory exercise, Person opens up a future for it that takes it beyond its traditional limits. Is it not the symbolic dimension of mythical and legendary horses – whether those of Neptune or of the Apocalypse – that run through history to signify the power of transport of which this animal has condensed the dreams? It is the strength of Person’s work to carry us away with the only recourse of drawing towards the mystery of art, and his insatiable desire for elsewhere…

— Philippe Godin, Art Critic

To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post DÉFERLANTE
Joël Person
19.05.2021 – 30.07.2021 first appeared on Loo & Lou Gallery.]]> LOUISE FRYDMAN Contemporary ceramics 26.02.2021 – 17.07.2021 https://looandlougallery.com/exhibitions/louise-frydman-contemporary-ceramics/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-contemporary-ceramics Fri, 26 Feb 2021 12:09:11 +0000 https://looandlougallery.com/?p=13193 CONTEMPORARY CERAMICS Louise Frydman Loo & Lou Gallery — George V26.02 – 17.07.2021 Composition detail, 2021, Ceramic Diptych, 160x130cm Composition, 2021, Ceramic diptych, 160x130cm Cauliflora detail, 2021, Earthenware, 125x27cm – 2 Corolle II, 2020, Ceramic, 54x53x12cm Efflorescence II, 2020, Earthenware, D 60cm Cauliflora detail, 2021, Earthenware, 125x27cm – 1 Corolle II, 2020, Wall sculpture, Ceramic, […]

The post LOUISE FRYDMAN
Contemporary ceramics
26.02.2021 – 17.07.2021 first appeared on Loo & Lou Gallery.]]>

CONTEMPORARY CERAMICS

Louise Frydman

Loo & Lou Gallery — George V
26.02 – 17.07.2021

  • Composition detail, 2021, Ceramic Diptych, 160x130cm

  • Composition, 2021, Ceramic diptych, 160x130cm

  • Cauliflora detail, 2021, Earthenware, 125x27cm – 2

  • Corolle II, 2020, Ceramic, 54x53x12cm

  • Efflorescence II, 2020, Earthenware, D 60cm

  • Cauliflora detail, 2021, Earthenware, 125x27cm – 1

  • Corolle II, 2020, Wall sculpture, Ceramic, D 60 cm

  • Cauliflora, 2021, Earthenware, H 125 x D 27 cm

  • Composition II, 2021, Diptych, Ceramic, L 95 x l 61 cm

    Cauliflora, 2021, Earthenware, H 125 x D 27 cm

  • Composition II, 2021, Diptych, Ceramic, L 95 x l 61 cm

    Efflorescence II, 2020, Wall sculpture, Glazed earthenware, D 60 cm

  • Exhibition view, Contemporary ceramic, 2020, George V

  • Exhibition view, Contemporary ceramic, 2020, George V

“My work is an exploration of the forms of nature. I model the earth and give birth to delicate pieces, which I wrap in a powdery white, on which the light comes to rest to make the lines vibrate. Movement appears as an essential element of my work, through living forms and suspended moving parts. I seek the meeting between strength and fragility by working my sculptures in an ethereal way in their forms, and powerful in their dimensions. A petal, a tree, the wind… It is my emotion that I try to show.”

— Louise Frydman

This presentation echoes the group exhibition “Bing! Bing! 砰 砰 ! Céramique Contemporaine” presented by ICICLE (35e Avenue George V, Paris 8e) from March 1 to September 8, 2021. Open Monday through Saturday, 9:30 am – 5:30 pm.

“In Mandarin, the character 砰 (pēng) is the equivalent of the French onomatopoeia “bing!”: it evokes a shock, a clash, and means a rupture, a sudden event that modifies reality.”

ARTIST:
LOUISE FRYDMAN
RELATED EXHIBITIONS:
NATURE FRAGILE
Louise Frydman
13.11.2019 – 04.01.2020

To request the full list of available works, please contact us by e-mail or by telephone (+33) 01 42 74 03 97. 

The post LOUISE FRYDMAN
Contemporary ceramics
26.02.2021 – 17.07.2021 first appeared on Loo & Lou Gallery.]]> TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022 https://looandlougallery.com/press/tanc-capitales-artistik-rez0-october-2022/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-capitales-artistik-rez0-october-2022 Tue, 10 Jan 2023 15:44:18 +0000 https://looandlougallery.com/?p=20630 TANC, ” CAPITALES”, ARTISTIK REZO, OCTOBER 2022

The post TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022 first appeared on Loo & Lou Gallery.]]>

TANC, ” CAPITALES”, ARTISTIK REZO, OCTOBER 2022




OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

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NATURE // NATURES, TÉLÉRAMA SORTIR, DECEMBER 2022

 


EXIBITION:
NATURE // NATURES
Group show
23.09.2022 – 23.12.2022
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022 first appeared on Loo & Lou Gallery.]]> Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022 https://looandlougallery.com/press/et-il-nest-plus-de-place-alors-pour-la-peur-de-joel-person-liberte-hebdo-november-december-2022/?utm_source=rss&utm_medium=rss&utm_campaign=et-il-nest-plus-de-place-alors-pour-la-peur-de-joel-person-liberte-hebdo-november-december-2022 Thu, 08 Dec 2022 16:18:17 +0000 https://looandlougallery.com/?p=20469 FIRST MONOGRAPHY : JOËL PERSON, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022  

The post Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022 first appeared on Loo & Lou Gallery.]]>

FIRST MONOGRAPHY : JOËL PERSON, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022

 



ARTIST:
JOËL PERSON
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022 first appeared on Loo & Lou Gallery.]]> GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022 https://looandlougallery.com/press/galeristes-portrait-bruno-blosse-arts-magazine-october-november-2022/?utm_source=rss&utm_medium=rss&utm_campaign=galeristes-portrait-bruno-blosse-arts-magazine-october-november-2022 Wed, 02 Nov 2022 17:24:00 +0000 https://looandlougallery.com/?p=20400 GALERISTE’S PORTRAIT : BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022   Discover the whole article here.  

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GALERISTE’S PORTRAIT : BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022

 

Discover the whole article here.

 

The post GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022 first appeared on Loo & Lou Gallery.]]> 07.06.2022 | La Déferlante : drawing performance by Joël Person https://looandlougallery.com/news/07-06-2022-la-deferlante-drawing-performance-by-joel-person/?utm_source=rss&utm_medium=rss&utm_campaign=07-06-2022-la-deferlante-drawing-performance-by-joel-person Tue, 07 Jun 2022 10:44:22 +0000 https://looandlougallery.com/?p=19523 Joël Person pays tribute to Rosa Bonheur and her Horse Market by continuing her 10m long fresco in the park of the Château.
Performance drawn on July 15-16 and 17, 2022.

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The artist Joël Person in Rosa Bonheur’s open air studio for a drawing performance

Published on June 07, 2022

 

With Rosa Bonheur and Joël Person everything is a story of horses galloping on monumental formats. First those of Rosa: her “Horse Market”, a tour de force of the painter to demonstrate to the world that “genius has no sex”; then those of Joel: his “Breaking” of horses which exert on the spectator and the painter a fascination for these graceful and powerful beings. Half a century separates them, but undeniably, Joel is a child of Rosa. 

So for the bicentenary of Rosa’s birth, Joel pays tribute to Rosa by continuing his “Déferlante”, a 10 m long fresco. For 3 days, he puts down his brushes in Rosa Bonheur’s open-air workshop: her park! And challenges himself to add 5 meters to his monumental canvas! He will be accompanied throughout his journey by musicians. Thus linking the 2 passions of Rosa Bonheur and Joel Person: music and painting.

This performance echoes Joël Person’s exhibition “Déferlante” held at the Loo & Lou Gallery from May to July 2021.

 

LA DÉFERLANTE

Drawing performance

Friday 15th, Saturday 16th, Sunday 17th of July

All day – Free

 

Château de Rosa Bonheur

12 rue Rosa Bonheur

77810 Thomery

More information here

 
 

The post 07.06.2022 | La Déferlante : drawing performance by Joël Person first appeared on Loo & Lou Gallery.]]> 02.04.2022 | Carte blanche for photographer Jean-Christophe Ballot at the Cercle Suédois in partnership with the Galerie Nathalie Béreau https://looandlougallery.com/news/https-www-nathaliebereau-com-carte-blanche-exposition-au-cercle-suedois-paris/?utm_source=rss&utm_medium=rss&utm_campaign=https-www-nathaliebereau-com-carte-blanche-exposition-au-cercle-suedois-paris Sat, 02 Apr 2022 16:57:56 +0000 https://looandlougallery.com/?p=18897 The photographer Jean-Cristophe Ballot is part of "Carte blanche", a group exhibition organized by the Galerie Nathalie Béreau at the Cercle Suédois in Paris.
Exhibition on view from April 6 to April 22, 2022

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Photographer Jean-Christophe Ballot participates in the group exhibition “Carte Blanche” at the Cercle Suédois in Paris

Published on April 02, 2022

The Galerie Nathalie Béreau has organized an exhibition in the heart of a Haussmanien apartment on Rue de Rivoli, the Cercle Suédois,  for the first time.

The main theme of this exhibition is nature in the broadest sense of the word with the participation of three artists working with different techniques: Jean-Christophe Ballot (photographs), Isabelle Tournoud (drawings), and Charles Hair (ceramics). 

For this exhibition, Jean-Christophe Ballot proposes photographs from a trip he took in Australia in 2004. This includes images of the red desert in the center of the continent, the forest, or rocks from the northeast; images that suit the works by the other two artists wonderfully.

The Cercle Suédois was founded in 1891 in Paris. Established on the Rue de Rivoli, the center organizes events dedicated to Swedish traditions and culture (themed lunches, traditional parties…), as well as other gatherings connected to the zeitgeist (After Work, Thursday Apéro, brunches …) for members and their invited guests.

This year, the Swedish Art Association (AAS) celebrates its 65th anniversary. Close to the artists, the association is very active: organization of exhibitions, valorization of the collection of works created since the beginning of the “Cercle”, editions works of art each year, helps the exposed artists, and hosts artistic meetings and conferences.

Exhibition on view at the Cercle Suédois from April 6 – 22, 2022

Cercle Suédois in Paris

242 rue de Rivoli

75001 Paris

More information here

 
 

The post 02.04.2022 | Carte blanche for photographer Jean-Christophe Ballot at the Cercle Suédois in partnership with the Galerie Nathalie Béreau first appeared on Loo & Lou Gallery.]]> 02.04.2022 | Fred Kleinberg participates in group exhibition at Galerie Capazza – “Coexister” / On view from March 26 to June 26, 2022 https://looandlougallery.com/news/02-04-2022-fred-kleinberg-exhibited-at-the-galerie-capazza-coexister-collective-exhibition-from-march-26-to-june-26-2022/?utm_source=rss&utm_medium=rss&utm_campaign=02-04-2022-fred-kleinberg-exhibited-at-the-galerie-capazza-coexister-collective-exhibition-from-march-26-to-june-26-2022 Sat, 02 Apr 2022 16:07:41 +0000 https://looandlougallery.com/?p=18879 COEXISTER : Fred Kleinberg is part of the group exhibition of permanent and guest artists organized by the Capazza Gallery
Exhibition on view until June 26, 2022!

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Fred Kleinberg participates in the group exhibition “COEXISTER” at the Galerie Capazza

Published on April 4, 2022

 

From March 26 to June 26, 2022, Fred Kleinberg joins a group of artists at the Capazza Gallery for their new exhibition, Coexister. 

Galerie Capazza is pleased to present this group exhibition that mixes represented and guest artists, and is in partnership with Galerie Arts d’Australie – Stéphane Jacob. 

“Coexist. Pursue this idea and observe how many waves it will raise, how the radiations will reach the darkest shores. Coexist. To practice, to invite distant colleagues and artists, to propose an opening of the paths towards creation. Coexist. Works with four hands, works that evoke humanity. To coexist with nature, with the passing of time, with the interal or external storm. Several hundred answers have been made for this theme. To coexist in the discovery of the artworks, to pass, to exchange, to share, to be moved, to wonder…”
– Laura et Denis Capazza-Durand

On the occasion of this group exhibition, Fred Kleinberg will present paintings from his Reborn series, produced between 2012 and 201. In his own words, this series “focuses on the power of the landscape, on the horizon, ramification, fluidity, change, and transformation. Nature wants to be speculum, mirror of the impulses and the instincts of the man.”

Exhibition on view at the Galerie Capazza from March 26 to June 26, 2022

Galerie Capazza

1 rue des Faubourgs

18330 Nancy

Tél : 02 48 51 80 22

More information here 

 

Fred Kleinberg, Fluidité II, 2014, oil on canvas, 200 x 200 cm

Fred Kleinberg, Recouvrement, 2014, oil on canvas, 200 x 200 cm

The post 02.04.2022 | Fred Kleinberg participates in group exhibition at Galerie Capazza – “Coexister” / On view from March 26 to June 26, 2022 first appeared on Loo & Lou Gallery.]]> 02.04.2022 | Joël Person’s drawings in the magazine “Amour” by Les Cahiers dessinés https://looandlougallery.com/news/02-04-2022-joel-persons-drawings-in-the-magazine-amour-by-les-cahiers-dessines/?utm_source=rss&utm_medium=rss&utm_campaign=02-04-2022-joel-persons-drawings-in-the-magazine-amour-by-les-cahiers-dessines Sat, 02 Apr 2022 15:22:07 +0000 https://looandlougallery.com/?p=18861 Participation of Joël Person to the issue n°2 of the magazine L'Amour : "Contre l'actualité" launched on 03/23/2022

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Joël Person participates in the second issue of the magazine L’Amour, launched on 03.23.22 at the Palais de Tokyo bookstore

 

Published on April, 2nd 2022

For his second collaboration with the magazine L’Amour, Joël Person contributes eight drawings to accompany texts of Frederic Pajak.

The theme of this second issue of L’Amour is intimate: “Contre l’actualité”. In the same spirit as the first issue published in October 2021, various writers and artists are solicited to contribute in order to create a confrontation of opinions and feelings. This issue is intended “for a public that seeks to find itself in a daily life abused by the speeches and ideologies distorting public opinion” through the prism of art. 

Now available in bookstores in Paris
 
The magazine L’Amour, brought by Les Cahiers dessinés, explores current events against the grain in various forms – short stories, diary entries, drawings, etc. The launch of this issue took place on March 23, 2022 at the Palais de Tokyo bookstore. 
 
Frédéric Pajak is a writer, drawer, editor, curator and director, founder, and editor-in-chief of several magazines and journals featuring the work of writers and artists on specific themes. 
 
 

The post 02.04.2022 | Joël Person’s drawings in the magazine “Amour” by Les Cahiers dessinés first appeared on Loo & Lou Gallery.]]> 29.09.2021 | Nuit Blanche – Projection mapping by Jean-Julien Pous on the Town Hall of the 3rd district https://looandlougallery.com/news/29-09-2021-nuit-blanche-projection-mapping-by-jean-julien-pous-on-the-town-hall-of-the-3rd-district/?utm_source=rss&utm_medium=rss&utm_campaign=29-09-2021-nuit-blanche-projection-mapping-by-jean-julien-pous-on-the-town-hall-of-the-3rd-district Wed, 29 Sep 2021 15:08:13 +0000 https://looandlougallery.com/?p=17053 Projection of a work by the artist Jean-Julie Pous on Saturday 2 October at the Mairie du IIIème arrondissement de Paris

The post 29.09.2021 | Nuit Blanche – Projection mapping by Jean-Julien Pous on the Town Hall of the 3rd district first appeared on Loo & Lou Gallery.]]>

Nuit Blanche 2021 

Published on 29 September 2021

Projection mapping by the artist Jean-Julien Pous on Saturday 2 October
on the facade of the Town Hall of the 3rd arrondissement. 

INSTANT KARMA

In his book Where Does the Dust Itself Collect, XuBing tells us:

– Body, Bodhi tree; heart, case of the light mirror. Rub again and again, without raising dust. If there was nothing to begin with, where would the dust come from?

Combining Line Oshin’s paintings, Maria Blowers’ animation and Audrey Poujoula’s music, Jean-Julien Pous evokes his deep attachment to his native land (China), the mugginess of summer’s spent there, the smell of flowers and decay exalted by the warmth of the perfumed harbor.The tree, a symbol of longevity and immortality in Hinduism and Buddhism, has an excellent feng shui and comes to life with the crested ibis, the bronze stournes and bats that it shelters.

Projected on the city hall of Paris Centre, its complex network of roots, like thousands of long wrinkled fingers, evoke in a carnal way the complex, painful and interconnected history of a population that counts in billions. In continuity with the surrounding nature of the Square du Temple – Elie Wiesel, it is like an open window on the other side of the mirror: the swan song of a wild nature that we have dried up and that bites us.

From 8pm to 2am

This project is supported by the Fondation Loo & Lou pour l’Art contemporain, under the aegis of the Fondation de Luxembourg

The post 29.09.2021 | Nuit Blanche – Projection mapping by Jean-Julien Pous on the Town Hall of the 3rd district first appeared on Loo & Lou Gallery.]]> EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022 https://looandlougallery.com/press/exposition-collective-nature-natures-transfuge-october-2022/?utm_source=rss&utm_medium=rss&utm_campaign=exposition-collective-nature-natures-transfuge-october-2022 Tue, 04 Oct 2022 12:22:45 +0000 https://looandlougallery.com/?p=20261 “NATURE // NATURES”, Group show, TRANSFUGE, OCTOBER 2022

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“NATURE // NATURES”, Group show, TRANSFUGE, OCTOBER 2022


The post EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022 first appeared on Loo & Lou Gallery.]]> OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022 https://looandlougallery.com/press/olivier-de-sagazan-etre-chair-transfuge-june-july-2022/?utm_source=rss&utm_medium=rss&utm_campaign=olivier-de-sagazan-etre-chair-transfuge-june-july-2022 Fri, 03 Jun 2022 14:05:44 +0000 https://looandlougallery.com/?p=19489 “ÊTRE CHAIR”, Olivier de Sagazan, TRANSFUGE, JUNE-JULY 2022

The post OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022 first appeared on Loo & Lou Gallery.]]>


The post OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022 first appeared on Loo & Lou Gallery.]]> “EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022 https://looandlougallery.com/press/embrasure-tana-borissova-transfuge-mai-2022/?utm_source=rss&utm_medium=rss&utm_campaign=embrasure-tana-borissova-transfuge-mai-2022 Tue, 03 May 2022 11:59:54 +0000 https://looandlougallery.com/?p=19375 “EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022

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The post “EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022 first appeared on Loo & Lou Gallery.]]> “Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022 https://looandlougallery.com/press/andrew-ntshabele-peintures-on-art-media-april-2022/?utm_source=rss&utm_medium=rss&utm_campaign=andrew-ntshabele-peintures-on-art-media-april-2022 Wed, 27 Apr 2022 12:58:19 +0000 https://looandlougallery.com/?p=19345 “Andrew Ntshabele-Peintures“, ON ART MEDIA, APRIL 2022

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“Andrew Ntshabele-Peintures“, ON ART MEDIA, APRIL 2022


The post “Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022 first appeared on Loo & Lou Gallery.]]> “Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022 https://looandlougallery.com/press/andrew-ntshabele-there-is-a-shaking-in-society-franceinfo-afrique-april-2022/?utm_source=rss&utm_medium=rss&utm_campaign=andrew-ntshabele-there-is-a-shaking-in-society-franceinfo-afrique-april-2022 Tue, 26 Apr 2022 09:50:36 +0000 https://looandlougallery.com/?p=19323 “Andrew Ntshabele-There is a shaking in society“, Franceinfo Afrique, APRIL 2022

The post “Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022 first appeared on Loo & Lou Gallery.]]>

“Andrew Ntshabele-There is a shaking in society“, Franceinfo Afrique, APRIL 2022



The post “Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022 first appeared on Loo & Lou Gallery.]]> “Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022 https://looandlougallery.com/press/tana-borissova-embrasure-on-en-parle-aralya-fr-april-2022/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-embrasure-on-en-parle-aralya-fr-april-2022 Tue, 12 Apr 2022 11:10:13 +0000 https://looandlougallery.com/?p=19129 “Tana Borissova-Embrasure”, On en parle in ARALYA.FR, APRIL 2022

The post “Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022 first appeared on Loo & Lou Gallery.]]>

“Tana Borissova-Embrasure”, On en parle in ARALYA.FR, APRIL 2022


The post “Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022 first appeared on Loo & Lou Gallery.]]> “Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022 https://looandlougallery.com/press/johan-van-mullem-ataraxie-on-en-parle-aralya-fr-february-2022/?utm_source=rss&utm_medium=rss&utm_campaign=johan-van-mullem-ataraxie-on-en-parle-aralya-fr-february-2022 Tue, 01 Feb 2022 12:07:39 +0000 https://looandlougallery.com/?p=18377 “Johan Van Mullem – Ataraxie”, On en parle in ARALYA.FR, FEBRUARY 2022

The post “Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022 first appeared on Loo & Lou Gallery.]]>

“Johan Van Mullem – Ataraxie”, On en parle in ARALYA.FR, FEBRUARY 2022


The post “Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022 first appeared on Loo & Lou Gallery.]]> LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021 https://looandlougallery.com/press/lydie-arickx-article-in-loeil-magazine-745-summer-2021/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-article-in-loeil-magazine-745-summer-2021 Thu, 15 Jul 2021 10:54:40 +0000 https://looandlougallery.com/?p=15967 L'Oeil Magazine proposes in its "creation" section an article written by Fabien Simode on Lydie Arickx's work. This is on the occasion of her exhibition "Arborescence" at the Château de Chambord.

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Lydie Arickx –Lydie Arickx / L’Oeil Magazine, Summer 2021



The post LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021 first appeared on Loo & Lou Gallery.]]> LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021 https://looandlougallery.com/press/lydie-arickx-artist-of-wild-pleasure-beaux-arts-magazine-august-2021/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-artist-of-wild-pleasure-beaux-arts-magazine-august-2021 Wed, 28 Jul 2021 14:04:45 +0000 https://looandlougallery.com/?p=16688 Lydie Arickx, artist of wild pleasure in Beaux-Arts Magazine of August 2021 by the journalist Marie Darrieussecq

The post LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021 first appeared on Loo & Lou Gallery.]]>

Lydie Arickx, ARTIST OF “WILD PLEASURE”, BEAUX ARTS MAGAZINE, AUGUST 2021






The post LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021 first appeared on Loo & Lou Gallery.]]> LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021 https://looandlougallery.com/press/lydie-arickx-article-in-art-absolument-magazine-num-97-2021/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-article-in-art-absolument-magazine-num-97-2021 Fri, 16 Jul 2021 09:39:58 +0000 https://looandlougallery.com/?p=16113 The magazine Art Absolument proposes an article written by Emma Noyant on Lydie Arickx's work. This is on the occasion of her exhibition "Arborescence" at the Chateau de Chambord, the article is entitled "Lydie Arickx, life and death at Chambord".

The post LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021 first appeared on Loo & Lou Gallery.]]>

“Lydie Arickx, life and death at Chambord”/ Art Absolument, 2021







The post LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021 first appeared on Loo & Lou Gallery.]]> LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021 https://looandlougallery.com/press/lydie-arickx-vital-matter-arts-hebdomedia-september-2021/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-vital-matter-arts-hebdomedia-september-2021 Thu, 30 Sep 2021 14:55:10 +0000 https://looandlougallery.com/?p=17069 An article by Véronique Godé in Arts Hebdomédias on the exhibition "Arborescences" by Lydie Arickx at the Château de Chambord

The post LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021 first appeared on Loo & Lou Gallery.]]>

Lydie Arickx, “LYDIE ARICKX VITAL MATTER, ART HEBDO MEDIA, SEPTEMBER 2021

The post LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021 first appeared on Loo & Lou Gallery.]]> AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021 https://looandlougallery.com/press/aurelia-jaubert-la-memoire-condensee-artension-october-2021/?utm_source=rss&utm_medium=rss&utm_campaign=aurelia-jaubert-la-memoire-condensee-artension-october-2021 Fri, 10 Dec 2021 11:09:17 +0000 https://looandlougallery.com/?p=17964 Aurélia Jaubert, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021

The post AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021 first appeared on Loo & Lou Gallery.]]>

Aurélia Jaubert, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021




ARTIST:
AURÉLIA JAUBERT
EXIBITION:
Nativity
Aurélia Jaubert
09.11.2021 – 08.01.2022
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021 first appeared on Loo & Lou Gallery.]]> FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021 https://looandlougallery.com/press/fred-kleinberg-seismic-paintings-art-absolument-october-2021/?utm_source=rss&utm_medium=rss&utm_campaign=fred-kleinberg-seismic-paintings-art-absolument-october-2021 Fri, 15 Oct 2021 13:44:56 +0000 https://looandlougallery.com/?p=17243 Fred Kleinberg, “SEISMIC PAINTER”, ART ABSOLUMENT, OCTOBER 2021

The post FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021 first appeared on Loo & Lou Gallery.]]>

Fred Kleinberg, “SEISMIC PAINTER”, ART ABSOLUMENT, OCTOBER 2021


ARTIST:
FRED KLEINBERG
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
EXIBITION:
THE INDIAN YEARS – LES ANNÉES INDIENNES
Fred Kleinberg
21.09.2021 – 30.10.2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021 first appeared on Loo & Lou Gallery.]]> THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021 https://looandlougallery.com/press/the-everyday-heroes-of-fred-kleinberg-connaissances-des-arts-october-2021/?utm_source=rss&utm_medium=rss&utm_campaign=the-everyday-heroes-of-fred-kleinberg-connaissances-des-arts-october-2021 Fri, 24 Sep 2021 09:59:17 +0000 https://looandlougallery.com/?p=17040 In the "Galleries - Art Market" section of the October 2021 issue of Connaissance des arts magazine, an article by Marie Maertens on the exhibition Les Années Indiennes by Fred Kleinberg

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In the “Galleries – Art Market” section of the October 2021 magazine of Connaissance des arts magazine, an article by Marie Maertens on the exhibition Les Années Indiennes by Fred Kleinberg

The post THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021 first appeared on Loo & Lou Gallery.]]> FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021 https://looandlougallery.com/press/fred-kleinberg-force-indienne-magazine-artension-september-2021/?utm_source=rss&utm_medium=rss&utm_campaign=fred-kleinberg-force-indienne-magazine-artension-september-2021 Fri, 17 Sep 2021 15:33:16 +0000 https://looandlougallery.com/?p=16862 Fred Kleinberg Indian force by Artension magazine in September 2021, article written by journalist Christian Noorbergen

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Fred Kleinberg “FRED KLEINBERG FORCE INDIENNE” ARTENSION, SEPTEMBRE 2021 

The post FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021 first appeared on Loo & Lou Gallery.]]> DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021 https://looandlougallery.com/press/in-the-strange-world-of-the-living-with-lydie-arickx-le-figaro-june-2021/?utm_source=rss&utm_medium=rss&utm_campaign=in-the-strange-world-of-the-living-with-lydie-arickx-le-figaro-june-2021 Fri, 16 Jul 2021 10:41:10 +0000 https://looandlougallery.com/?p=16123 Reportage du Figaro sur l'exposition d'envergure Arborescences de Lydie Arickx au château de Chambord

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Lydie Arickx —Dans le monde étrange du vivant avec Lydie Arickx / Le Figaro, june 2021

Read the article online.

 

The post DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021 first appeared on Loo & Lou Gallery.]]> JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021 https://looandlougallery.com/press/joel-person-dans-latelier-de-joel-person-arteez-may-2021/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-dans-latelier-de-joel-person-arteez-may-2021 Fri, 14 May 2021 14:01:34 +0000 https://looandlougallery.com/?p=15509 Joël Person — Dans l’atelier de Joël Person / ARTEEZ, May 2021 Read the full article here.

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Joël Person — Dans l’atelier de Joël Person / ARTEEZ, May 2021

Read the full article here.

The post JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021 first appeared on Loo & Lou Gallery.]]> 18.09.2021 | Exhibition of Didier Genty’s work at the Issy Biennial and at Artcité https://looandlougallery.com/news/18-09-2021-exhibition-of-didier-gentys-work-at-the-issy-biennial-and-at-artcite/?utm_source=rss&utm_medium=rss&utm_campaign=18-09-2021-exhibition-of-didier-gentys-work-at-the-issy-biennial-and-at-artcite Sat, 18 Sep 2021 16:37:54 +0000 https://looandlougallery.com/?p=16887 Exhibition of Didier Genty's work at the Issy Biennial (from 15 September to 7 November 2021) and at Artcité (from 16 september to 16 october 2021)

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Works by Didier Genty featured in the Issy Biennial and at Artcité

Published on 18 September 2021

ARTCITÉ

The Artcité event will take place in Fontenay-Sous-Bois. Didier Genty’s works will be presented there for a month, with an exceptional opening of the NEF in the Halle Roublot on Saturday 25 September from 10am to 7pm on Sunday 26 September from 10am to 6pm. There will be a closing reception on Saturday 16 October at 5pm at Maison du citoyen.

From 16 September to 16 October
 
The different locations of the exhibition:
 
Hall de l’hôtel de ville
 
Médiathèque Louis Aragon
 
Maison du citoyen et de la vie associative
 
Halle Roublot
 
Ancien SMJ
 
Ateliers de gravure à la Médiathèque
 
 
 
 

The Biennale d’Issy is a contemporary art event that began in 1995, following one entitled Sud 92 which was created in 1984. It is at the heart of contemporary culture in Issy, supported and encouraged by the Mayor of Issy-les-Moulineaux.

Numerous cultural projects have been carried out during this event: the French Playing Card Museum (1997), the Cube (2001), the Ateliers des Arches (2002), and Les Arcades (2005).

Parallel to these new artistic centres, it was necessary to associate an event that brings together contemporary creation in the city, and is open to artists of all expressions and all nationalities. The challenge was met with a constantly increasing number of applications.
Didier Genty’s works can be seen at the French Playing Card Museum in Issy-les-Moulineaux.

From 15 September to 7 November

The different location of the Biennial:

Musée Français de la Carte à Jouer

Médiathèque Centre-Ville

Ecole de Formation des Barreaux

Place de l’Hôtel de Ville

More information about the event

 

The post 18.09.2021 | Exhibition of Didier Genty’s work at the Issy Biennial and at Artcité first appeared on Loo & Lou Gallery.]]> 18.09.2021 | Prétexte, du cheval à l’oeuvre, a work by Cedric le Corf at Haras National du Pin https://looandlougallery.com/news/18-09-2021-pretexte-du-cheval-a-loeuvre-a-work-by-cedric-le-corf-at-the-haras-national-du-pin/?utm_source=rss&utm_medium=rss&utm_campaign=18-09-2021-pretexte-du-cheval-a-loeuvre-a-work-by-cedric-le-corf-at-the-haras-national-du-pin Sat, 18 Sep 2021 15:22:00 +0000 https://looandlougallery.com/?p=16872 Exhibition "Prétexte, du cheval à l'oeuvre" at the Haras National du Pin from 10 July to 1st November 2021

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The work Justa I by Cedric le Corf presented in the exhibition Prétexte, du cheval à l’oeuvre at Haras National du Pin

Published on 18 September 2021

This exhibition includes some twenty contemporary artists, including eleven women artists. These artists, of all nationalities and from various disciplines (painting, sculpture, photography, art objects), express their questions through their artistic production. The figure of the horse is often a pretext for raising questions about oneself, others and society in general.

From 22 July to 7 November
 
The visit of the exhibition is included in the Haras du Pin visit, 9 euros for the normal rate and 8 euros for the reduced rate (free for children under 7).
– Open every day from 10am to 6pm –

Haras National du Pin
61310 Le Pin au Haras

 Phone : +33 (0)2 33 36 68 68

 
 
 
 

The post 18.09.2021 | Prétexte, du cheval à l’oeuvre, a work by Cedric le Corf at Haras National du Pin first appeared on Loo & Lou Gallery.]]> 15.07.2021 | Exhibitions by Lydie Arickx at the Cappazza gallery and at the Abbaye de Flaran https://looandlougallery.com/news/15-07-2021-exhibitions-by-lydie-arickx-at-the-cappazza-gallery-and-at-the-abbaye-de-flaran/?utm_source=rss&utm_medium=rss&utm_campaign=15-07-2021-exhibitions-by-lydie-arickx-at-the-cappazza-gallery-and-at-the-abbaye-de-flaran Thu, 15 Jul 2021 16:26:20 +0000 https://looandlougallery.com/?p=16082 The artist Lydie Arickx exhibits this summer at the Capazza gallery and at the Abbaye de Flaran

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Lydie Arickx | Ongoing exhibitions at the Capazza gallery and at the Abbaye Flaran 

Published on July 15, 2021

Exhibition “La vie nue” at the Capazza gallery :

Around forty works – paintings and sculptures – by the artist, a major figure of French expressionism, will be presented at the Capazza gallery.

This exhibition, curated by Yannick Mercoyrol (Director of Heritage and Cultural Programming at the Domaine National de Chambord), is on view in Nançay as an echo to the exhibition Arborescences by Lydie Arickx which will be held at the Château de Chambord, from May 30 to October 17, 2021, and for which the Galerie Capazza is a partner.

Opening hours of the exhibition at the Capazza gallery in Nançay :
24 July to 26 September : Saturdays, Sundays and public holidays / 10:00-12:30 and 14:30-19:00
Sunday 15 August : 10am-12.30pm and 2.30pm-7pm

More information:
www.galerie-capazza.com

Exhibition “Ne me consolez pas…” at l’Abbaye de Flaran

Flaran Abbey invites you to discover the exhibition of Lydie Arickx (contemporary painting).

After studying at the Ecole supérieure d’Arts graphiques Penninghen, Lydie Arickx (1954-), a painter and sculptor of Flemish origin, has been taking part in international exhibitions and events since the 1980s. Recognised as one of the great French contemporary artists and supporting a militant approach to contemporary art made up of perpetual experimentation, it seemed natural that she should be welcomed at the Flaran Departmental Heritage Centre. This flagship exhibition of the summer offers, in the Cistercian spaces of the abbey church, not a retrospective but a refined communion with the place. These twenty painted and sculpted works from 1998 to 2018, with their unfeigned expressiveness, are a striking reflection of his multiple works.

Opening hours of the exhibition at Flaran Abbey :
Until October 17, 2021: daily / 9:30-12:30 and 14:00-18:00

From €5
 
More information :
 

The post 15.07.2021 | Exhibitions by Lydie Arickx at the Cappazza gallery and at the Abbaye de Flaran first appeared on Loo & Lou Gallery.]]> 15.07.2021 | Faire tapisserie, Exhibition by Aurélia jaubert https://looandlougallery.com/news/15-07-2021-faire-tapisserie-exhibition-by-aurelia-jaubert/?utm_source=rss&utm_medium=rss&utm_campaign=15-07-2021-faire-tapisserie-exhibition-by-aurelia-jaubert Thu, 15 Jul 2021 15:37:15 +0000 https://looandlougallery.com/?p=16055 Exhibition by Aurelia Jaubert on view until August 29th at the Manufacture de Roubaix

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Exhibition Faire Tapisserie by Aurélia Jaubert at the Manufacture de Roubaix 

Published on July 15, 2021

Upcoming exhibition at Loo & Lou Gallery :
A collaboration with Aurélia Jaubert in the Atelier in November 2021
 

To make tapestry: “to remain in one’s place by being reduced to a decorative object” or “not to be invited to dance”… As a nod to this outdated expression, Aurélia Jaubert and the artists invited to take part in this exhibition place tapestry at the heart of contemporary issues and questions.

By reusing fragments of canvas or tapestry as well as certain artistic codes attached to this practice and then by diverting them, these artists reaffirm the creative capacity of this medium. Thus, tapestry is no longer just a decorative and popular object but once again becomes a “noble” art through which the artist expresses his contemporary view of the world and its representations, often with humour.

The origin of this exhibition project is Collection Grands maîtres, a tapestry designed in 2020 by Aurélia Jaubert and presented during the Objet-Textile Biennial at the Manufacture de Roubaix. Having received the museum prize on this occasion, this piece is the starting point for the presentation that will be devoted to Aurélia Jaubert’s textile work.
Made from hundreds of pieces of canvas and tapestries collected here and there, assembled together in the manner of a collage, sewn into a sort of patchwork, Aurélia Jaubert’s tapestries form large frescoes.
These frescoes can be described as “pop” since they are made up of hundreds of references to popular imagery and art history.

At the Manufacture, along with the four tapestries: Nativity (2019), Collection Grands maîtres (2020), Penelope Painting (2020), Untitled (2021), Aurélia Jaubert will also present two other series linked to textiles: SUPER VHS/Mixtape (2015-2016) and Rebuts d’atelier (2007-2010). These series bear witness to her research into diverted and ennobled materials, changes of scale and different forms of representation.

Alongside the work of Aurélia Jaubert, the work of four artists working in this medium will also be presented: Clarence Guena, Benoit Jammes, Paul York and Emmanuelle Villard. Through their approaches and the techniques they use, they also renew the art and perception of tapestry today.

From 26 June to 29 August
Free admission without reservation
from Tuesday to Sunday from 2pm to 6pm

The post 15.07.2021 | Faire tapisserie, Exhibition by Aurélia jaubert first appeared on Loo & Lou Gallery.]]> 26.05.2021 | Online Event: Conversation between Joël Person and Agnès Callu https://looandlougallery.com/news/26-05-2021-interview-between-joel-person-and-agnes-callu-at-loo-lou-gallery/?utm_source=rss&utm_medium=rss&utm_campaign=26-05-2021-interview-between-joel-person-and-agnes-callu-at-loo-lou-gallery Wed, 26 May 2021 14:45:29 +0000 https://looandlougallery.com/?p=15612 Online event: Conversation between Joël Person and Agnès Callu on June 11, 2021 at 6pm on our Instagram account.

The post 26.05.2021 | Online Event: Conversation between Joël Person and Agnès Callu first appeared on Loo & Lou Gallery.]]>

Joël Person, View of the exhibition Déferlante, Déferlante interieure ; Robes cabrées

Online event :
Conversation between Joël Person and Agnès Callu

Published on May 26, 2021

As an extension of the two exhibitions currently on view by Joël Person, Déferlante and Bruits du Monde, Loo & Lou Gallery is pleased to invite you on Friday, June 11th from 6 to 7 pm to a conversation that will be on Instagram live (@looandlou) between the historian and art historian (PhD/HDR) Agnès Callu (IIAC, EHESS/CNRS) and Joël Person on the topic
The Chamade, or The Perspectives of the Line
 
On this occasion, they will discuss the power of drawing strokes which, articulated in the manner of dynamic rhizomes, produce a drawing on the spot. The latter captures, in the shifted poetry of reality, a horse race with a classicising movimento at the same time as it cavalcades in a tempo as feverish as it is contemporary.

 
Friday June 11, 2021
  6pm – 7pm

 
Sous le ventre d’un cheval emballé (exhibition catalogue), Joël Person, Haras national du Pin, 2020

 
Epistémologie du dessin, Concepts, readings and interpretations (XIX-XXIe siècles), Agnès Callu, Éditions Jacques André, 2021

The post 26.05.2021 | Online Event: Conversation between Joël Person and Agnès Callu first appeared on Loo & Lou Gallery.]]> 19.05.2021 | Public performance “Botticelli’s Spring” by Lydie Arickx at the Château de Chambord https://looandlougallery.com/news/19-05-2021-public-performance-botticellis-spring-by-lydie-arickx-at-the-chateau-de-chambord/?utm_source=rss&utm_medium=rss&utm_campaign=19-05-2021-public-performance-botticellis-spring-by-lydie-arickx-at-the-chateau-de-chambord Fri, 14 May 2021 10:53:47 +0000 https://looandlougallery.com/?p=15486 The large-scale exhibition "Arborescences" by Lydie Arickx at the Château de Chambord will bring together nearly 150 works by the artist. She will perform in the afternoons on the second floor of the castle from 19 May.

The post 19.05.2021 | Public performance “Botticelli’s Spring” by Lydie Arickx at the Château de Chambord first appeared on Loo & Lou Gallery.]]>

Lydie Arickx

Public performances during the exhibition “Arborescences”  

Château de Chambord

Performances from May 19 to 25, 2021 from 4pm – 6pm
With the support of the Loo & Lou Foundation

Published on May 14, 2021

 

The Arborescences exhibition at the Château de Chambord will be preceded by a residency during which Lydie Arickx will propose a public performance lasting several weeks. The artist regularly organises cultural events on major national stages (Art Sénat in 2001…) combining contemporary art and performance (creativity courses for schools, companies, hospitals…; cultural events, exhibitions, etc.) and it is quite natural that she will propose a performance during the spring residency which will precede the installation of the exhibition. For a week, under the watchful eye of schoolchildren who have come specifically but also of visitors, the artist will work on a gigantic 8 x 5.50 m canvas previously printed with Botticelli’s Spring. The result will be an integral part of the exhibition and will be visible to the public from 30 May.

Public performances from May 19 to 25, 2021, 4pm-6pm, on the second floor of the castle (included in the entrance fee)
Release and signing of the manuscript “D’encre et d’encore” published by Diabase.

Sandro Botticelli, Spring, 1478-1482, 203 x 314 cm, Gallery of the Offices, Florence, Italy

National Estate of Chambord,  © Léonard de Serres

The post 19.05.2021 | Public performance “Botticelli’s Spring” by Lydie Arickx at the Château de Chambord first appeared on Loo & Lou Gallery.]]> 07.05.2021 | A new selection of Johan Van Mullem’s work is now available https://looandlougallery.com/news/07-05-2021-a-new-selection-of-johan-van-mullems-work-is-now-available/?utm_source=rss&utm_medium=rss&utm_campaign=07-05-2021-a-new-selection-of-johan-van-mullems-work-is-now-available Fri, 07 May 2021 14:46:46 +0000 https://looandlougallery.com/?p=13997 Check out the new selection of works by Johan Van Mullem now available.

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New selection of available works by Johan Van Mullem

published the 7th of May 2021

P18010 (2018) Ink on canvas, 160 x 130 cm

A new selection of Johan Van Mullem’s works is now available and on view through the website. If you are interested in acquiring a piece, do not hesitate to contact us on contact@looandlougallery.com or by phone at 01 42 74 03 97.

An exhibition dedicated to Johan Van Mullem will be on view at the gallery in 2022. 

Discover Johan Van Mullem’s available works here: 

https://looandlougallery.com/artistes/johan-van-mullem/

  • P18003, 2018, Ink on canvas, 170 x 120 cm

  • P20065, 2020, Ink on canvas, 100 x 70 cm

  • P20064, 2021, Ink on canvas, 100 x 70 cm

The post 07.05.2021 | A new selection of Johan Van Mullem’s work is now available first appeared on Loo & Lou Gallery.]]> 27.04.2021 | Olivier de Sagazan presents his project “La Messe de l’Âne / Ainsi sois moi” at the Venice Dance Biennale https://looandlougallery.com/news/27-04-2021-olivier-de-sagazan-presents-his-project-la-messe-de-lane-ainsi-sois-moi-at-the-venice-dance-biennale/?utm_source=rss&utm_medium=rss&utm_campaign=27-04-2021-olivier-de-sagazan-presents-his-project-la-messe-de-lane-ainsi-sois-moi-at-the-venice-dance-biennale Tue, 27 Apr 2021 16:20:36 +0000 https://looandlougallery.com/?p=14826 Olivier de Sagazan and his company will fly to Italy to present La Messe de l'Âne / Ainsi sois moi at the Venice Dance Biennale

The post 27.04.2021 | Olivier de Sagazan presents his project “La Messe de l’Âne / Ainsi sois moi” at the Venice Dance Biennale first appeared on Loo & Lou Gallery.]]>

Olivier de Sagazan presents his project “La Messe de l’Âne / Ainsi sois moi” at the Venice Dance Biennale.

published on 27 avril 2021

Olivier de Sagazan’s show Ainsi sois moi  / Image:  © Thomas Hermilly

Olivier de Sagazan’s show Ainsi sois moi questions the fact of being alive / Image: Olivier de Sagazan

More than a year after hosting Ainsi sois moi (then called Corps-Textes) in November 2019 at the Theatre, Olivier de Sagazan’s team is coming back to the stage, to let you (re)discover it in a revisited form.

After his visit to Saint-Nazaire, the artist and his company will fly to Italy to present:

La Messe de l’Âne / Ainsi sois moi 
at the Venice dance Biennale :

 27 July 2021
9:00 PM
Teatro Piccolo Arsenale

As well as a workshop in the l’Arsenale – Sale d’Armi

 More information :
https://www.labiennale.org/en/dance/2021
Click here to see the full programme


Images : Olivier de Sagazan

The post 27.04.2021 | Olivier de Sagazan presents his project “La Messe de l’Âne / Ainsi sois moi” at the Venice Dance Biennale first appeared on Loo & Lou Gallery.]]> 05.10.2021 | Cedric le Corf and Hélène Damville exhibited at Nature Contre Nature – Prints and drawings at the Taylor Foundation https://looandlougallery.com/news/05-10-2021-cedric-le-corf-and-helene-damville-exhibited-at-nature-contre-nature-prints-and-drawings-at-the-taylor-foundation/?utm_source=rss&utm_medium=rss&utm_campaign=05-10-2021-cedric-le-corf-and-helene-damville-exhibited-at-nature-contre-nature-prints-and-drawings-at-the-taylor-foundation Tue, 05 Oct 2021 13:42:02 +0000 https://looandlougallery.com/?p=17157 The exhibition Nature Contre Nature at the Taylor Foundation presents works by artists Cedric le Corf and Hélène Damville. Exhibition visible until October 23!

The post 05.10.2021 | Cedric le Corf and Hélène Damville exhibited at Nature Contre Nature – Prints and drawings at the Taylor Foundation first appeared on Loo & Lou Gallery.]]>

Nature Contre Nature – Prints and drawings at the Taylor Foundation

Published on 5 October 2021

La Taille et le Crayon presents
Nature 
Contre Nature

with guest printmakers and designers

CEDRIC LE CORF – HELENE DAMVILLE – CLAIRE ILLOUZ (guest of honnor) – SARAH BARTHELEMY-SIBI – CAROLINE BOUYER – PAULINE BRAMI – MARIA CHILLON – CHRYSAV – VERONIQUE DESMASURES – PAOLA DIDONG – JEAN LODGE – IRIS MIRANDA – GUILLAINE QUERRIEN – FABIENNE SCHOULER

“Counter-nature means here the search for complementarities, for new sharing between us and things. The line promotes, not the landscape, but the plant form – bark, lichen, root, rhizome, branch, moss, leaf – as well as the animal or mineral form, and refuses any compromise with the blurring and erasure that may have haunted drawing and engraving.

It is this refusal of ideality that gives the feeling of a nature finally freed from the omnipotence of man to the point of confusion. Present in many of the works, the metonymic fragmentation of the sensible data succeeds in rendering the fullness of organic matter, without ever becoming exhausted in any nostalgia for the totality.

The drawings, engravings and sculptures in this exhibition invite us to strange encounters with nature.

Far from shrinking the visible, these works show the shadow of the sensitive world and its irremediable density. They are all attempts to no longer draw or paint “after nature” but with nature.

To achieve this, the artists have not sought to domesticate nature by means of the line or the point, but have preferred to lean against it, in order to make the line, the cut, the weaving or the crumpled, the instrument of a productive redoubling. They have chosen to situate themselves as close as possible to the plant world and its horizontal abundance, to go and meet the slopes and ridges that offer their improbable verticality to the eye, to hybridize plant material and mineral matter, to chase the memory of a woody form or an insect in flight.”

—Michel De Fornel,sociologist, linguist, director of studies at EHESS

Founded in Paris in October 2000 by a group of engravers, amateurs and art critics, motivated by the promotion of contemporary graphic creation, the association La Taille et le Crayon aims to highlight the richness of the creative relationships between drawing techniques and engraving processes.

Exhibition in the Atelier of the Taylor Foundation from 30 September to 23 October 2021

Fondation Taylor
Association des Artistes

1 rue La Bruyère

75009 Paris

Tél : 01 48 74 85 24

More information here

 

Cedric le Corf, Radius-Cubitus, Ansicht 2, 2014, Wood and porcelain, 85 x 60 x 15 cm

Hélène Damville, Lierre-bois, 2013, Xylography, 45 x 60 cm

The post 05.10.2021 | Cedric le Corf and Hélène Damville exhibited at Nature Contre Nature – Prints and drawings at the Taylor Foundation first appeared on Loo & Lou Gallery.]]> 22.06.2021 Catalogue from Joël Person’s exhibition at the Haras National du Pin available now at the gallery https://looandlougallery.com/news/22-06-2021-catalogue-of-joel-persons-exhibition-at-the-haras-national-du-pin-available-at-the-gallery/?utm_source=rss&utm_medium=rss&utm_campaign=22-06-2021-catalogue-of-joel-persons-exhibition-at-the-haras-national-du-pin-available-at-the-gallery Tue, 22 Jun 2021 15:36:09 +0000 https://looandlougallery.com/?p=15898 The catalogue of Joël Person's exhibition at the Haras du Pin "Sous le ventre d'un cheval emballé" is now available for sale at the Loo & Lou gallery

The post 22.06.2021 Catalogue from Joël Person’s exhibition at the Haras National du Pin available now at the gallery first appeared on Loo & Lou Gallery.]]>

The catalogue of Joël Person’s exhibition at the Haras du Pin available for sale at the gallery

Published on 22 June 2021

Dear friends ,

We are pleased to announce that the catalogue of Joël Person‘s exhibition at the Haras du Pin Sous le ventre d’un cheval emballé is now available for sale at the gallery!

Foreword

The Haras National du Pin is pleased to welcome the exhibition of Joël Person. His nervous and delicate charcoal drawings lead us to a horse’s movements, from their morphology to the artist’s memories.

The exhibition “Joël Person, Sous le ventre d’un cheval emballé” (Joël Person, Under the belly of a wrapped horse) is aimed at all audiences and takes them on a sensitive journey to the heart of the equine world. Person’s universe has found the ideal setting in this place. Heritage and creation are definitely faithful allies in the service of the Orne and the people of Orne, especially young people.

— Christophe de Balorre, President of the Etablissement Publique du Haras national du Pin 

 

Equus asinus

Joël Person is neither the first nor the last to draw horses. Numerous artists have devoted themselves to them, showing them alone and frozen in a pose, or else mounted by a rider too dignified, twisted in their nobility. I know nothing about the equestrian world and I don’t want to know anything about it: I am content to examine the drawings – my friend, the writer Paul Nizon, considers the horse to be “the taxi of man”. Poor beast, to be worked at mercy, “beast of burden” as we still say. What I see in Joël’s drawings, apart from the appeal to realism – which may seem outdated and even old-fashioned, whereas it is only timeless – is the enigma that emerges from these large equids drowned in pencil and charcoal.

— Frédéric Pajak

The book contains the works from the exhibition, as well as texts on the artist’s work, an interview, and a biography.

This catalogue is available for purchase at the gallery for 14.60€ ! Please contact us by email or phone (+33) 01 42 03 97 if you would like more information about the book.

– Loo & Lou –

The post 22.06.2021 Catalogue from Joël Person’s exhibition at the Haras National du Pin available now at the gallery first appeared on Loo & Lou Gallery.]]> JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021 https://looandlougallery.com/press/joel-person-deferlante-and-bruits-du-monde-connaissance-des-arts-april2021/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-deferlante-and-bruits-du-monde-connaissance-des-arts-april2021 Sat, 27 Mar 2021 15:18:00 +0000 https://looandlougallery.com/?p=14005 Joël Person — Déferlante and Bruits du Monde / Connaissance des Arts, April 2021

The post JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021 first appeared on Loo & Lou Gallery.]]>

Joël Person — Déferlante and Bruits du Monde / Connaissance des Arts, April 2021



The post JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021 first appeared on Loo & Lou Gallery.]]> JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021 https://looandlougallery.com/press/joel-person-dessins-sur-le-vif-et-deferlantes-open-ring-march-2021/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-dessins-sur-le-vif-et-deferlantes-open-ring-march-2021 Wed, 31 Mar 2021 12:57:56 +0000 https://looandlougallery.com/?p=14064 Joël Person — Dessins sur le vif et déferlantes, Open Ring, March 2021 “Born in 1962 in Abidjan, Ivory Coast, Joel Person graduated in 1986 from the Beaux Arts de Paris with honors. Always seeking to deepen his practice of drawing from live models, whatever his theme of predilection: horses, hair, bodies, erotic poses, portraits, […]

The post JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021 first appeared on Loo & Lou Gallery.]]>

Joël Person — Dessins sur le vif et déferlantes, Open Ring, March 2021

“Born in 1962 in Abidjan, Ivory Coast, Joel Person graduated in 1986 from the Beaux Arts de Paris with honors. Always seeking to deepen his practice of drawing from live models, whatever his theme of predilection: horses, hair, bodies, erotic poses, portraits, news scenes or concerts, between classic line and intense concentration he seeks to render the resemblance with the outpouring of life. His work has been the subject of numerous exhibitions, mainly in France and China, and has been purchased by many private and public collections, such as the Hermès collection (Paris Faubourg St Honoré, Dubai, Las Vegas, Shanghai) or the Jenish Museum in Vevey, Switzerland.”

See full article here.

ARTIST:
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
DÉFERLANTE
Joël Person
19.05.2021 – 30.07.2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON
EXIBITION:
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
DÉFERLANTE
Joël Person
19.05.2021 – 30.07.2021
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021 first appeared on Loo & Lou Gallery.]]> 30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN https://looandlougallery.com/press/30-03-2021-interview-with-joel-person-on-the-show-telematin/?utm_source=rss&utm_medium=rss&utm_campaign=30-03-2021-interview-with-joel-person-on-the-show-telematin Sat, 17 Apr 2021 11:51:00 +0000 https://looandlougallery.com/?p=14630 Interview with Joël Person on the show Télématin

The post 30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN first appeared on Loo & Lou Gallery.]]>

Interview with Joël Person on the show Télématin 

Published March 30, 2021

Joël Person’s work was presented by Jérôme Cassou in Télématin’s “Cultures” segment on March 30, 2021.

We invite you to watch it here.



The post 30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN first appeared on Loo & Lou Gallery.]]> JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021 https://looandlougallery.com/press/joel-person-wall-street-international-january-2021/?utm_source=rss&utm_medium=rss&utm_campaign=joel-person-wall-street-international-january-2021 Sat, 09 Jan 2021 12:27:01 +0000 https://looandlougallery.com/?p=10716 Joël Person — Déferlante and Bruits du monde / Wall Street International Magazine, January 2021 Link to the article (in French).

The post JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021 first appeared on Loo & Lou Gallery.]]>

ARTIST:
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
DÉFERLANTE
Joël Person
19.05.2021 – 30.07.2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON
EXIBITION:
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
DÉFERLANTE
Joël Person
19.05.2021 – 30.07.2021
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021 first appeared on Loo & Lou Gallery.]]> CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021 https://looandlougallery.com/press/catherine-wilkening-la-vie-transfiguree-mediapart-february-2021/?utm_source=rss&utm_medium=rss&utm_campaign=catherine-wilkening-la-vie-transfiguree-mediapart-february-2021 Fri, 26 Feb 2021 16:51:29 +0000 https://looandlougallery.com/?p=13283 Catherine Wilkening, la vie transfigurée – Mediapart, February 2021 Link to the article

The post CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021 first appeared on Loo & Lou Gallery.]]>

ARTIST:
CATHERINE WILKENING
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021 first appeared on Loo & Lou Gallery.]]> Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021 https://looandlougallery.com/press/catherine-wilkening-les-chemins-des-delices-art-decoration-2021/?utm_source=rss&utm_medium=rss&utm_campaign=catherine-wilkening-les-chemins-des-delices-art-decoration-2021 Tue, 02 Mar 2021 16:28:06 +0000 https://looandlougallery.com/?p=13554 Catherine Wilkening, Les Chemins des Délices, Art & Décoration, March/April 2021

The post Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021 first appeared on Loo & Lou Gallery.]]>

Catherine Wilkening, Les Chemins des Délices, Art & Décoration, March/April 2021

ARTIST:
CATHERINE WILKENING
EXIBITION:
LES CHEMINS DES DÉLICES
Catherine Wilkening
09.02.2021 – 19.03.2021
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021 first appeared on Loo & Lou Gallery.]]> Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021 https://looandlougallery.com/press/catherine-wilkening-telerama-sortir-february-2021/?utm_source=rss&utm_medium=rss&utm_campaign=catherine-wilkening-telerama-sortir-february-2021 Wed, 17 Feb 2021 16:05:45 +0000 https://looandlougallery.com/?p=11592 Les Chemins des Délices, Catherine Wilkening – Télérama Sortir, February 2021

The post Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021 first appeared on Loo & Lou Gallery.]]>

ARTIST:
CATHERINE WILKENING
EXIBITION:
LES CHEMINS DES DÉLICES
Catherine Wilkening
09.02.2021 – 19.03.2021
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021 first appeared on Loo & Lou Gallery.]]> Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021 https://looandlougallery.com/press/catherine-wilkening-arts-magazine-february-2021/?utm_source=rss&utm_medium=rss&utm_campaign=catherine-wilkening-arts-magazine-february-2021 Sat, 13 Feb 2021 12:29:11 +0000 https://looandlougallery.com/?p=11064 Les Chemins des Délices, Catherine Wilkening – Arts Magazine, February 2021

The post Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021 first appeared on Loo & Lou Gallery.]]>

Les Chemins des Délices, Catherine Wilkening – Arts Magazine, February 2021

ARTIST:
CATHERINE WILKENING
EXIBITION:
LES CHEMINS DES DÉLICES
Catherine Wilkening
09.02.2021 – 19.03.2021
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021 first appeared on Loo & Lou Gallery.]]> Benoît Luyckx, Être en Nature, Art Absolument, October 2020 https://looandlougallery.com/press/benoit-luyckx-artabsolument-october-2020/?utm_source=rss&utm_medium=rss&utm_campaign=benoit-luyckx-artabsolument-october-2020 Tue, 20 Oct 2020 15:25:47 +0000 https://looandlougallery.com/?p=9835 Art Absolument : Benoît Luyckx – Être en Nature, October 2020

The post Benoît Luyckx, Être en Nature, Art Absolument, October 2020 first appeared on Loo & Lou Gallery.]]>

ARTIST:
BENOÎT LUYCKX
ÊTRE EN NATURE
Benoît Luyckx
28.11.2020 – 30.01.2021
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Benoît Luyckx, Être en Nature, Art Absolument, October 2020 first appeared on Loo & Lou Gallery.]]> Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020 https://looandlougallery.com/press/benoit-luyckx-connaissance-des-arts-december-2020/?utm_source=rss&utm_medium=rss&utm_campaign=benoit-luyckx-connaissance-des-arts-december-2020 Fri, 08 Jan 2021 11:43:38 +0000 https://looandlougallery.com/?p=10655 Benoît Luyckx — Être en Nature / Connaissance des Arts, December 2020

The post Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020 first appeared on Loo & Lou Gallery.]]>

Benoît Luyckx — Être en Nature / Connaissance des Arts, December 2020


ARTIST:
BENOÎT LUYCKX
EXIBITION:
ÊTRE EN NATURE
Benoît Luyckx
28.11.2020 – 30.01.2021
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020 first appeared on Loo & Lou Gallery.]]> Cedric Le Corf, Péninsules, ArtPress, October 2020 https://looandlougallery.com/press/cedric-le-corf-peninsules-artpress-octobre-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-peninsules-artpress-octobre-2020-2 Tue, 06 Oct 2020 09:45:29 +0000 https://looandlougallery.com/?p=9711 ArtPress : Péninsules, de Cedric Le Corf

The post Cedric Le Corf, Péninsules, ArtPress, October 2020 first appeared on Loo & Lou Gallery.]]>

ARTIST:
CEDRIC LE CORF
EXIBITION:
PÉNINSULES
Cedric Le Corf
16.09.2020 – 31.10.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Cedric Le Corf, Péninsules, ArtPress, October 2020 first appeared on Loo & Lou Gallery.]]> Cedric Le Corf, Péninsules, L’OEIL, September 2020 https://looandlougallery.com/press/cedric-le-corf-peninsules-loeil-september-2020/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-peninsules-loeil-september-2020 Tue, 29 Sep 2020 13:03:15 +0000 https://looandlougallery.com/?p=9525

ARTIST:
CEDRIC LE CORF
EXIBITION:
PÉNINSULES
Cedric Le Corf
16.09.2020 – 31.10.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Cedric Le Corf, Péninsules, L’OEIL, September 2020 first appeared on Loo & Lou Gallery.]]> Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020 https://looandlougallery.com/press/cedric-le-corf-peninsules-le-journal-des-arts-september-2020/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-peninsules-le-journal-des-arts-september-2020 Thu, 24 Sep 2020 12:54:32 +0000 https://looandlougallery.com/?p=9471

ARTIST:
CEDRIC LE CORF
EXIBITION:
PÉNINSULES
Cedric Le Corf
16.09.2020 – 31.10.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020 first appeared on Loo & Lou Gallery.]]> Cedric Le Corf, Péninsules, Connaissance des arts, August 2020 https://looandlougallery.com/press/cedric-le-corf-connaisance-des-arts-2020-en/?utm_source=rss&utm_medium=rss&utm_campaign=cedric-le-corf-connaisance-des-arts-2020-en Tue, 25 Aug 2020 13:17:18 +0000 https://looandlougallery.com/?p=9235

ARTIST:
CEDRIC LE CORF
EXIBITION:
PÉNINSULES
Cedric Le Corf
16.09.2020 – 31.10.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Cedric Le Corf, Péninsules, Connaissance des arts, August 2020 first appeared on Loo & Lou Gallery.]]> ANDREW NTSHABELE https://looandlougallery.com/artists-en/andrew-ntshabele-2/?utm_source=rss&utm_medium=rss&utm_campaign=andrew-ntshabele-2 Thu, 24 Mar 2022 16:51:33 +0000 https://looandlougallery.com/?p=18674 Andrew was born in the small rural town of Moruleng in the North West Province of South Africa. During his formative years, his family moved to the bustling city of Johannesburg, where he still resides today.

The post ANDREW NTSHABELE first appeared on Loo & Lou Gallery.]]>

ANDREW NTSHABELE

Ntshabele has quickly developed a personal technique through painting figures in acrylic on large format supports made of collaged newspapers.

Andrew Ntshabele depicts characters that he observes on the streets of Johannesburg as a reflection of the negative physical, socio-economic, and political changes of the post-apartheid city of Johannesburg. Selectively choosing newspaper backgrounds with pertinent headlines, he paints over them with the resulting pressure and strain on citizens who live and work in a polluted city. Photographing and meeting his subjects around the city prompted him to investigate these difficulties in order to understand the root causes of the degradation of the city center.

After the Covid-19 pandemic hit, Andrew Ntshabele would like viewers to confront his art from a new perspective and try to find happiness in these difficult times. Within some of his recent work, more joyful feelings are present. For this new series, he explores both medium and large supports using newspaper articles about Covid-19.

Born in 1986 in a small town in South Africa, he studied at the University of Art in Johannesburg and graduated in 2013 with a major in painting. Since then, he has been living and working in Johannesburg. 

 

“I believe and know that the old world as we know it is a thing of the past…we are entering a digital age and now more than ever it is important to preserve history and document it. I am fascinated and excited to do this through my art.”

– Andrew Ntshabele

  • The greater purpose 8, 2022, Acrylic and lacquer on vintage documents, 90 X 70 cm

  • There is a shaking in society 12, 2021, Acrylic and lacquer on newspaper, 160 x 129 cm

  • The greater purpose 2, 2022, Acrylic and lacquer on vintage documents, 90 X 70 cm

  • There is a shaking in society 16, 2021, Acrylic and lacquer on newspaper, 160 x 130 cm

  • Encounters 10, 2021, Acrylic and lacquer on newspaper, 140 x 134 cm

  • There is a shaking in society 11, 2021, Acrylic and lacquer on newspaper, 158 x 114 cm

  • There is a shaking in society 10, 2021, Acrylic and lacquer on newspaper, 156 x 123 cm

  • The greater purpose 7, 2022, Acrylic and lacquer on vintage documents, 90 X 70 cm

  • The greater purpose 5, 2022, Acrylic and lacquer on vintage documents, 90 X 70 cm
EXHIBITION:
THE SILENT COMPANIONS
Andrew Ntshabele
13.09.2024 – 26.10.2024
Andrew Ntshabele
01.04.2022 – 27.07.2022
RELATED PRESS:
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post ANDREW NTSHABELE first appeared on Loo & Lou Gallery.]]> TANA BORISSOVA https://looandlougallery.com/artists-en/tana-borissova-2/?utm_source=rss&utm_medium=rss&utm_campaign=tana-borissova-2 Thu, 06 Feb 2020 17:00:45 +0000 https://looandlougallery.com/?p=7907 At an age when most young people are reciting the poems of Paul Éluard, Tanc sought to drown his boredom in high school by filling the pages of his school notebook with automatic writing, as beautiful as it was illegible.

The post TANA BORISSOVA first appeared on Loo & Lou Gallery.]]>

Tana Borissova

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997. She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

  • Embrasure 8, acrylic on canvas, 114×162 cm, 2021, Tana Borissova

  • Embrasure 1, acrylic on canvas, 38×46 cm, 2020, Tana Borissova

  • Aile 7, acrylic on canvas, 50×61 cm, 2020, Tana Borissova

  • Exhibition view, Éclats de nuit, Tana Borissova © Emilie Mathé Nicolas

  • Exhibition view, Éclats de nuit, Tana Borissova © Emilie Mathé Nicolas

  • Exhibition view, Éclats de nuit, Tana Borissova © Emilie Mathé Nicolas

  • Exhibition view, Éclats de nuit, Tana Borissova © Emilie Mathé Nicolas
EXHIBITION:
CŒUR DU TEMPS
Tana Borissova
31.05.2024 – 27.07.2024
EMBRASURE
Tana Borissova
08.04.2022 – 21.05.2022
ÉCLATS DE NUIT
Tana Borissova
07.02.2020 – 14.03.2020
RELATED PRESS:
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post TANA BORISSOVA first appeared on Loo & Lou Gallery.]]> SERGE REZVANI https://looandlougallery.com/artists-en/serge-rezvani-2/?utm_source=rss&utm_medium=rss&utm_campaign=serge-rezvani-2 Mon, 18 Mar 2024 16:31:29 +0000 https://looandlougallery.com/?p=23069 “Il n’y a pas de nouvelle, ni de vieillevague, moins encore d’homme vieux, de jeunesse ou de vieillesse du monde. Dans la répétition apparente des vagues, il y a chaque fois des variantes, et dans chaque variante, un homme différent. Seul. Qui va naître et mourir une seule, une dernière fois, pour toujours, comme on dit pour rien mais on pourrait dire pour tout."

The post SERGE REZVANI first appeared on Loo & Lou Gallery.]]>

Serge Rezvani, Repentir I AA, Oil on canvas, 195 x 195 cm, 1962/1992 © Thierry Cohen

Serge Rezvani was born in Teheran on March 23, 1928, to a Persian father, a dancer and magician, and a Russian mother, a violinist and horsewoman.

Arriving in France at the age of one, his childhood was spent in the middle of nowhere, tossed about by the sufferings of a sick mother who led him to unbelievable Russian emigrant boarding houses, where only his precocious drawing skills enabled him to preserve himself, to exist by being admired a little.

Fleeing the terror of this prison world, at age 15 he hid under a false identity in German-occupied Paris, taking refuge in the workshops of the illustrious Académie de la Grande-Chaumière.

“I wanted to live painting, not produce paintings. I kept nothing that came out of my hands; drawings fell to the ground without my bothering to pick them up; for months I painted on the same canvas, which I scraped away when the layer became too thick. I loved the act of painting, I loved the life that the act of painting imposed, I loved the extraordinary tension that somehow took me out of myself when, standing in front of the canvas, I was no longer me but what was being done on the canvas.”

At the age of 17, a chance meeting with Paul Eluard led to the production of Elle se fait élever un palais dans la forêt, a rare book, published in an edition of 16 copies, illustrated with Serge’s engravings and a moving premonition of the wonderful love story he would have a few years later with Lula.

Serge and his friends, painters Jacques Lanzmann, Pierre Dmitrienko and sculptor Raymond Mason, believed in the power of the artist to change the world, and in painting as destiny.

The shimmer of his early works, humble compositions in rabbit-skin glue on burlap canvas, is perfectly at home in the informal art scene, too hastily dubbed the Second School of Paris. Critical and commercial success (exhibitions at Maeght (Les Mains éblouies), Arnaud, Berggrüen, Lucien Durand, Jacqueline Ranson in Paris and Hanover in London), painfully questioned Rezvani’s relationship with painting.

Having adopted Picasso’s dictum that it’s not what the artist does that counts, it’s what he is, he decided to flee Paris and the unbreathable climate of the art trade, to live with the absolute love of his life, Danièle-Lula, whom he had met in 1950.

It was in the Massif des Maures, a continent unique in the world, a place closed in on itself, that the couple settled in a small isolated house, La Béate. In this happy retreat, Rezvani assumes his desire for absolute distance, to be on the side, to deny the society of numbers in a simple and total quest for truth. Paradoxically, his painting expresses deep anguish, the traumatic overtones of a brutal experience. This duality between torment and joy illustrates the parallel lives of an artist who has always refused to cheat.

Then came the transition from brush to pen, isolation slowly imposing writing.

In the meantime, Serge, under the pseudonym Bassiak (va-nu-pieds in Russian), had passed on his tenderness and humor in a number of famous songs (Le Tourbillon (de la vie), Ma ligne de chance…) that delighted filmmakers François Truffaut and Jean-Luc Godard and their audiences, and today belong to a certain collective memory.

Les Années-Lumière (1967), Les Années Lulla (1968), Le Portrait ovale (1976) and Le Testament amoureux (1981) are passionate books that tell the story of their author’s life, and are among the milestones of Serge’s prolific literary and theatrical output, as he likes to call himself a multi-disciplinary artist. So, if painting is sometimes absent, it soon returns, for the author, nourished and enriched by the experience of writing, now knows that his hand can reveal what the brain doesn’t know.

Thus, in 1971, Les horreurs de la guerre électronique (The horrors of electronic warfare), presented at the Toiles sur le Vietnam exhibition at the ARC, the contemporary department of the Musée d’art moderne in Paris. These were large-scale canvases against the war then being waged by the United States in Vietnam.

Then there’s the formidable series of large canvases painted in 1974 and chosen to be shown in the still unfinished Centre Pompidou, a marvellous visionary declamation that can only be conceived as the paintings of someone who writes.

From then on, a subtle interplay governed the links between Serge’s painting and his writing. Thus, in 1992, following Repentirs, paintings from the 1960s reworked thirty years later, echoes the 1993 publication by Stock [of] Repentirs du peintre. Multi-disciplinary!

This fertile duality, appeased and tamed, finds one of its ultimate and sublime echoes in Les Réserves, initiated in the late 1990s, shortly before Lula’s death in 2004.

“I write as I paint, and I paint as I write,” says Serge Rezvani, a free man who has always refused to “live what I don’t want, in order to live what I don’t know.”

  • Serge Rezvani © Thierry Cohen

  • Serge Rezvani © Thierry Cohen

 

EXHIBITIONS (Extracts)

1947
Groupe « Les Mains Éblouies »
Galerie Maeght – Paris

1948
Groupe « Les Mains Éblouies »
Galerie Maeght – Paris

1949
Groupe « Les Mains Éblouies »
Galerie Maeght – Paris

1950
Galerie M.A.I. – Paris

1951
Galerie Arnaud – Paris

1953
Galerie Berggrüen – Paris

1955
Galerie La Licorne – Bruxelles
Galerie Kléber – Paris

1957
Galerie Diderot – Paris

1959
Galerie Lucien Durand – Paris

1960 
Galerie Lucien Durand – Paris

1961
Hanover Gallery – Londres

1964
Galerie Saint-Germain – Paris
Galerie Cavalero – Cannes

1966
Galerie Jacqueline Ramson – Paris
Galerie Cavalero – Cannes

1969
Galerie Cavalero – Cannes

1971
« Les horreurs de la guerre électronique »
Musée d’Art Moderne – A R C – Paris

1975
« Les plages »
Centre Georges Pompidou (Centre Culturel du Marais) – Paris

1987
OEuvres abstraites de 1947 à 1952
Galerie Callu Mérite – Paris

1988
OEuvres abstraites de 1947 à 1952 – 2ème partie
Galerie Callu Mérite – Paris

1994
« Repentirs » et « Blanches »
Galerie Lucie Weill & Seligmann – Paris

1999
« Donna »
Galeria del Leone – Venise

2012
« Ils croient jouer au football… » 
Galerie Guillaume – Paris

Collections

LaM -Villeneuve d’ascorbique
Musée de Nantes
Musée de Saint Etienne
Centre Pompidou

Stained glasses

Église Sainte Anne – Saint-Nazaire
Église Saint Nicolas – Oye-et-Pallet

Bourgogne-Franche-Comté

EXHIBITION:
Le Salon Loo & Lou
31.05.2024 – 23.10.2024
REZVANI PAINTINGS
Serge Rezvani
22.03.2024 – 18.05.2024
GROUP SHOW

07.02.2026 – 28.02.2026
RELATED PRESS:
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post SERGE REZVANI first appeared on Loo & Lou Gallery.]]> MARK POWELL https://looandlougallery.com/artists-en/mark-powell-2/?utm_source=rss&utm_medium=rss&utm_campaign=mark-powell-2 Wed, 12 Apr 2023 08:55:03 +0000 https://looandlougallery.com/?p=21290 With the humble Bic Biro as his tool of choice, London-based Powell creates intricate portraits on antique documents. His favoured subjects are elderly, a natural fit for the paper he uses and his detailed style: post marks and typography merge with pen strokes to create a captivating whole.

The post MARK POWELL first appeared on Loo & Lou Gallery.]]>

MARK POWELL

Born in 1980 in Leeds (UK). Lives and works in Brighton (UK).

From a poor background, Mark Powell began working at the age of 11 to buy food and clothing and to help pay the rent of the family home. After working a number of jobs, he attended the English National University of Huddersfield for three years, studying drawing and painting – he graduated in 2006. On old and/or used paper – envelopes, road maps, subway maps, playing cards, newspaper sheets – the artist draws exclusively with a ballpoint pen (Biro), “the simplest and most readily available”. The artist, for whom the portrait is the major exercise, affirms: “The individual is a fascinating thing, of intrigues and scars. I reject a society fed with images of perfection”. His subject wants to question our common perception of “acceptable beauty”. It is a question here of transcribing less the physical aspect than a presence judged “brightness of the true”. This notion of beauty is never to be appreciated according to any aesthetic scale, it is not either to be situated in an idealism, but to be considered in a poetized realism. By its visible restitution of lived truths, it is for Mark Powell a materialized definition of “the beauty of the world”. The artist exhibits in the United States, Europe and England.

– Text Anne Richard / HEY! modern art & pop culture (Excerpt from the exhibition catalog HEY! The Drawing, 2022)

 

EXPOSITIONS

2019
Group shows Hang Up Gallery, London, UK
2018
Hang Up Ten Hang Up Gallery, London, UK
2017
Justanothergallery, San Diego, USA
2016
Solo show Castle Galleries Mayfair, London, UK
3 man show avec Shepard Fairey Subliminal Projects, Los Angeles, USA
Solo show Moniker Art Fair, London, UK
2015
Solo show Graham Baker Gallery, London, UK 
2011 à 2014
The Other Art Fair, London, UK

  • Greater they say, 2022, Ballpoint pen drawing on a antique map of greater New York, 39 x 51 cm

  • The greatest city, 2022, Ballpoint pen drawing on a antique 1939 map, 74 x 67 cm

  • Never sleep and keep dancing, 2022, Ballpoint pen drawing on a antique map of New York, 42,5 x 81,5 cm

  • Along the Seine, 2022, Ballpoint pen drawing on a 1890s map of Paris, 89,5 x 64 cm

  • Heartstrings are ear drums, 2022, Ballpoint pen drawing on a collection of antique postcards, 55 x 61,5 cm

  • From hut to house through calluses, 2023, Ballpoint pen drawing on a antique map of the British Isles, 38,5 x 50 cm
EXHIBITION:
ROADS THAT MAKE US
Mark Powell
12.01.2024 – 02.03.2024
DRAWINGS
Mark Powell
28.04.2023 – 10.06.2023
RELATED PRESS:
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post MARK POWELL first appeared on Loo & Lou Gallery.]]> SYLC https://looandlougallery.com/artists-en/sylc-2/?utm_source=rss&utm_medium=rss&utm_campaign=sylc-2 Thu, 14 Dec 2023 11:43:20 +0000 https://looandlougallery.com/?p=22557 From painting to drawing, and through sculpture, the visual artist SylC places humanity at the center of her work. Strongly infused with dreamlike elements, her oeuvre reveals our true identity, our paradoxes, our dualities... By frequently associating the human with the animal or the plant, the artist sheds light on the woven connections between beings and those we maintain with nature; she highlights hybridization and metamorphosis, symbols of the complexity of our personalities, but also of adaptation, renewal, and the perpetual evolution of our identity.

The post SYLC first appeared on Loo & Lou Gallery.]]>

SYLC

Born in France in 1973 and graduated from the National School of Applied Arts and Crafts Olivier de Serres in Paris. Lives and works in Vallée de Chevreuse (78), a few kilometers from Paris.

From painting to drawing, including sculpture, the visual artist SylC places humanity at the center of her work. Strongly tinged with dreamlike elements, her work reveals our true identity, our paradoxes, our dualities… By frequently associating the human with the animal or the plant, the artist highlights the ties woven between beings and those we maintain with nature. She emphasizes hybridization and metamorphosis, symbols of the complexity of our personalities, but also of adaptation, renewal, and the perpetual evolution of our identity. The bodies are treated with delicacy and transparency, as if to better detach the soul from the corporeal envelope. SylC is also interested in the delicate transition from childhood to adulthood, the loss of innocence that ensues, and our gradual construction as individuals.

As if to awaken us further, the artist deliciously plays with our senses, using the space between the viewer and the artwork as a revealer. She seeks to evoke intimate sensations and perceptions in us, bringing forth emotions and deep feelings that suddenly make us so human…

Through this approach, SylC appeals to our unconscious and unveils what is not visible. Her work strives to trace back to the origin of things, embarking on a journey to the source where the sayable and the unsayable collide. Behind SylC’s ethereal and phantasmagorical visions, a certain reality is nevertheless discernible. But the artist encourages us, in the exploration of her mysterious work, to look beyond, urging us to discover new territories, infinite and still unknown to our perception.

SylC collaborates with galleries in France, Europe, and the USA. From the early 2010s, the artist dedicates a significant part of her work to several thematic projects, resulting in series such as Mothers, La ronde des chiens fous, Le parfum des saisons, Human Birds, Osmose(s), Avec ou sans cavalier, Deep into the Wild, and Reflet(s).

At the invitation of public institutions, her work has been featured in solo exhibitions, including at the Chapelle and Cloître des Dames Blanches (City of La Rochelle), the Chapelle des Jésuites (City of Chaumont), and the Château d’Eau (City of Bourges).

Present in public collections (FDAC de l’Orne, Cities of Le Mans, La Rochelle, Maisons-Laffitte, Guyancourt) and private ones, SylC is the recipient of numerous awards in Switzerland and France, including two from the Fondation Taylor. Four monographs have been published on her works in recent years.

EXPOSITIONS

2024
Reflet(s), Loo & Lou Gallery, Paris, France
Un autre monde, Centre André Malraux, Le Pecq, France
2023
Présence(s), Conseil départemental de l’Orne, Alençon, France
Galerie Paragone, Bergues, France
The Artistic red dot Gallery, La Saunerie, Parcé-sur-Sarthe, France
Comparaisons, Grand Palais Éphémère, Groupe “Résonances intérieures”
2022
Supplément d’âme, Mairie de Bordeaux, cour Mably, Bordeaux, France
2021
Les liens subtils, Galerie Openbach, Paris, France
Art Fair Lyon Art Paper, Lyon, France
Chapitre(s), Natacha Dassault Art Gallery, Paris, France
A season in Naxos III, Petalouda Art Gallery, Naxos, Greece
2020
Collection du FIAA – Fonds international d’art actuel, Le Mans, France
A season in Naxos II, Petalouda Art Gallery, Naxos, Greece
2019
Poésie, Galerie Estelle Lebas, Lille-Haubourdin, France
Art Fair Lyon Art Paper, Lyon, France
Avec ou sans cavalier, Centre Ianchelevici, Maisons-Laffitte, France
A season in Naxos I, Petalouda Art Gallery, Naxos, Greece
Art Fair Lille Art Up, Galerie Audrey Marty (Saint-Malo), Lille, France
2018
Osmose(s), Galerie Olivier Rousseau, Tours, France
Résonance(s), Galerie d’art actuel socles & cimaises, Nancy, France
2017
Works on paper, Galerie Audrey Marty, Saint-Malo, France
Humanimale, Chapelle des Jésuites, Chaumont, France
Ethereal Visions, Art in Gstaad Gallery, Gstaad, Switzerland
2016
Gosti & SylC, Galerie Au-delà des apparences, Annecy, France
Human birds, Espace Saint-Pierre, Avallon, France
SylC, Hall Spassov Gallery, Seattle, United-States
Invited Puls’art, Pavillon Monod, Le Mans, France
Le parfum des saisons, Chapelle des Ursulines, Lannion, France
2015
Trois expositions dans la ville, Chapelle des dames blanches, Cloître des dames blanches & Hôtel de Ville, La Rochelle, France
La ronde des chiens fous, Le Château d’eau, Bourges, France

  • Deep into the wild (II), 2021, Acrylic and oil pastel on canvas, 100 x 81cm

  • Solaire, 2022, Acrylic and oil pastel on canvas, 130 x 97 cm

  • Reflet nocturne, 2022, Acrylic and oil pastel on canvas, 100 x 100 cm

  • Reflet(s) XII, 2022, Acrylic and oil pastel on canvas, 130 x 195 cm

  • Deep into the wild, dessin #7, 2021, Graphit, charcoal, acrylic, color pen and oily pastel on paper, 40 x 30 cm

  • Reflet(s) XVII, 2022, Acrylic and oil pastel on canvas, 61 x 50 cm
EXHIBITION:
REFLET(S)
SylC
12.01.2024 – 02.03.2024
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post SYLC first appeared on Loo & Lou Gallery.]]> Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020, https://looandlougallery.com/press/https-www-lefigaro-fr-sortir-paris-un-week-end-a-la-galerie-20200701-2/?utm_source=rss&utm_medium=rss&utm_campaign=https-www-lefigaro-fr-sortir-paris-un-week-end-a-la-galerie-20200701-2 Thu, 02 Jul 2020 11:57:39 +0000 https://looandlougallery.com/?p=9031

ARTIST:
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
ELISABETH DAYNÈS
EXIBITION:
FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020, first appeared on Loo & Lou Gallery.]]> Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020, https://looandlougallery.com/press/https-www-connaissancedesarts-com-art-contemporain-quatrieme-tour-des-galeries-post-confinement-11141824-2/?utm_source=rss&utm_medium=rss&utm_campaign=https-www-connaissancedesarts-com-art-contemporain-quatrieme-tour-des-galeries-post-confinement-11141824-2 Wed, 24 Jun 2020 09:43:06 +0000 https://looandlougallery.com/?p=8905


ARTIST:
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
ELISABETH DAYNÈS
EXIBITION:
FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020, first appeared on Loo & Lou Gallery.]]> Elisabeth Daynès, Find Yourself, FIGARO SORTIR, Juillet 2020, https://looandlougallery.com/presse-fr/https-www-lefigaro-fr-sortir-paris-un-week-end-a-la-galerie-20200701/?utm_source=rss&utm_medium=rss&utm_campaign=https-www-lefigaro-fr-sortir-paris-un-week-end-a-la-galerie-20200701 Thu, 02 Jul 2020 11:52:31 +0000 https://looandlougallery.com/?p=9022

PRESSE :
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Elisabeth Daynès, Find Yourself, FIGARO SORTIR, Juillet 2020, first appeared on Loo & Lou Gallery.]]> Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020, https://looandlougallery.com/press/https-sortir-telerama-fr-evenements-expos-elisabeth-daynes-find-yourselfn6650321-phpccroui-2/?utm_source=rss&utm_medium=rss&utm_campaign=https-sortir-telerama-fr-evenements-expos-elisabeth-daynes-find-yourselfn6650321-phpccroui-2 Thu, 18 Jun 2020 11:07:53 +0000 https://looandlougallery.com/?p=8830

ARTIST:
ELISABETH DAYNÈS
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
EXIBITION:
FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020, first appeared on Loo & Lou Gallery.]]> Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020, https://looandlougallery.com/press/https-toutelaculture-com-actu-agenda-du-weekend-du-12-juin-2/?utm_source=rss&utm_medium=rss&utm_campaign=https-toutelaculture-com-actu-agenda-du-weekend-du-12-juin-2 Sat, 13 Jun 2020 11:01:20 +0000 https://looandlougallery.com/?p=8785

ARTIST:
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
ELISABETH DAYNÈS
EXIBITION:
FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020, first appeared on Loo & Lou Gallery.]]> Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020, https://looandlougallery.com/press/http-agenda-pointcontemporain-com-elisabeth-daynes-find-yourself-loo-lou-gallery-paris-2/?utm_source=rss&utm_medium=rss&utm_campaign=http-agenda-pointcontemporain-com-elisabeth-daynes-find-yourself-loo-lou-gallery-paris-2 Fri, 12 Jun 2020 11:57:59 +0000 https://looandlougallery.com/?p=8762



ARTIST:
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
ELISABETH DAYNÈS
EXIBITION:
FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020, first appeared on Loo & Lou Gallery.]]> Elisabeth Daynes, Find Yourself, Le Parisien, June 2020 https://looandlougallery.com/press/http-www-parisetudiant-com-etudiant-sortie-elisabeth-daynes-find-yourself-html-2/?utm_source=rss&utm_medium=rss&utm_campaign=http-www-parisetudiant-com-etudiant-sortie-elisabeth-daynes-find-yourself-html-2 Thu, 11 Jun 2020 14:54:56 +0000 https://looandlougallery.com/?p=8685

ARTIST:
ELISABETH DAYNÈS
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
EXIBITION:
10.06.20 | Virtual Visit of the exhibition “Find yourself”
FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Elisabeth Daynes, Find Yourself, Le Parisien, June 2020 first appeared on Loo & Lou Gallery.]]> Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020 https://looandlougallery.com/press/http-ow-ly-dxrz102gbkn-2/?utm_source=rss&utm_medium=rss&utm_campaign=http-ow-ly-dxrz102gbkn-2 Fri, 12 Jun 2020 10:11:30 +0000 https://looandlougallery.com/?p=8702

ARTIST:
ELISABETH DAYNÈS
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
EXIBITION:
10.06.20 | Virtual Visit of the exhibition “Find yourself”
FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020 first appeared on Loo & Lou Gallery.]]> TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020, https://looandlougallery.com/non-classe-en/tanc-ecritures-automatiques-telerama-sortir-january-2020/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-ecritures-automatiques-telerama-sortir-january-2020 Thu, 20 Feb 2020 11:21:20 +0000 https://looandlougallery.com/?p=8144

ARTISTE :
TANC
PRESSE :
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020, first appeared on Loo & Lou Gallery.]]> TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020, https://looandlougallery.com/press/tanc-ecritures-automatiques-le-quotidien-de-lart-january-2020/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-ecritures-automatiques-le-quotidien-de-lart-january-2020 Thu, 20 Feb 2020 12:18:09 +0000 https://looandlougallery.com/?p=8160

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JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020, first appeared on Loo & Lou Gallery.]]> TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020 https://looandlougallery.com/press/tanc-ecritures-automatiques-telerama-sortir-january-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=tanc-ecritures-automatiques-telerama-sortir-january-2020-2 Thu, 20 Feb 2020 11:29:20 +0000 https://looandlougallery.com/?p=8151

OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020 first appeared on Loo & Lou Gallery.]]> CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020 https://looandlougallery.com/press/casa-de-velazquez-at3li3r-v3lazqu3z-le-monde-janvier-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=casa-de-velazquez-at3li3r-v3lazqu3z-le-monde-janvier-2020-2 Wed, 19 Feb 2020 17:33:48 +0000 https://looandlougallery.com/?p=8135


EXIBITION:
CARTE BLANCHE (2)
AT3LI3ER V3LAZQU3Z
17.01.2020 – 31.01.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020 first appeared on Loo & Lou Gallery.]]> TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020 https://looandlougallery.com/press/bruno-blosse-loeil-january-2020/?utm_source=rss&utm_medium=rss&utm_campaign=bruno-blosse-loeil-january-2020 Tue, 21 Jan 2020 11:40:23 +0000 https://looandlougallery.com/?p=7836

ARTIST:
TANC
ÉCRITURES AUTOMATIQUES
Tanc
17.01.2020 – 14.03.2020
EXIBITION:
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
ÉCRITURES AUTOMATIQUES
Tanc
17.01.2020 – 14.03.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020 first appeared on Loo & Lou Gallery.]]> BRUNO BLOSSE, artistic direction, L’Oeil, January 2020 https://looandlougallery.com/press/bruno-blosse-loeil-january-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=bruno-blosse-loeil-january-2020-2 Tue, 21 Jan 2020 11:57:36 +0000 https://looandlougallery.com/?p=7853

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MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
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JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post BRUNO BLOSSE, artistic direction, L’Oeil, January 2020 first appeared on Loo & Lou Gallery.]]> LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019 https://looandlougallery.com/press/louise-frydman-nature-fragile-que-faire-a-paris-november-2019/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-nature-fragile-que-faire-a-paris-november-2019 Fri, 15 Nov 2019 16:38:55 +0000 https://looandlougallery.com/?p=7098

ARTIST:
LOUISE FRYDMAN
JUST MAD
27.02.20 – 01.03.20
EXIBITION:
NÉ DU LIMON
Paul de Pignol
06.11.2019 – 04.01.2020
NATURE FRAGILE
Louise Frydman
13.11.2019 – 04.01.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019 first appeared on Loo & Lou Gallery.]]> LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020 https://looandlougallery.com/press/louise-frydman-nature-fragile-connaissance-des-arts-january-2020/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-nature-fragile-connaissance-des-arts-january-2020 Sat, 18 Jan 2020 16:28:34 +0000 https://looandlougallery.com/?p=7807

ARTIST:
LOUISE FRYDMAN
JUST MAD
27.02.20 – 01.03.20
EXIBITION:
NÉ DU LIMON
Paul de Pignol
06.11.2019 – 04.01.2020
NATURE FRAGILE
Louise Frydman
13.11.2019 – 04.01.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020 first appeared on Loo & Lou Gallery.]]> LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019 https://looandlougallery.com/non-classe-en/louise-frydman-nature-fragile-le-parisien-november-2019/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-nature-fragile-le-parisien-november-2019 Fri, 15 Nov 2019 16:30:28 +0000 https://looandlougallery.com/?p=7092

ARTISTE :
LOUISE FRYDMAN
NATURE FRAGILE
Louise Frydman
13.11.2019 – 04.01.2020
JUST MAD
27.02.20 – 01.03.20
EXPOSITION :
NÉ DU LIMON
Paul de Pignol
06.11.2019 – 04.01.2020
PRESSE :
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019 first appeared on Loo & Lou Gallery.]]> PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019 https://looandlougallery.com/press/paul-de-pignol-ne-du-limon-journal-des-arts-december-2019/?utm_source=rss&utm_medium=rss&utm_campaign=paul-de-pignol-ne-du-limon-journal-des-arts-december-2019 Sat, 18 Jan 2020 16:32:35 +0000 https://looandlougallery.com/?p=7815

ARTIST:
PAUL DE PIGNOL
EXIBITION:
NÉ DU LIMON
Paul de Pignol
06.11.2019 – 04.01.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019 first appeared on Loo & Lou Gallery.]]> LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019 https://looandlougallery.com/press/louise-frydman-nature-fragile-le-parisien-november-2019-2/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-nature-fragile-le-parisien-november-2019-2 Fri, 15 Nov 2019 16:37:29 +0000 https://looandlougallery.com/?p=7099

ARTIST:
LOUISE FRYDMAN
JUST MAD
27.02.20 – 01.03.20
EXIBITION:
NÉ DU LIMON
Paul de Pignol
06.11.2019 – 04.01.2020
NATURE FRAGILE
Louise Frydman
13.11.2019 – 04.01.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019 first appeared on Loo & Lou Gallery.]]> PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019 https://looandlougallery.com/press/paul-de-pignol-ne-du-limon-artension-november-2019/?utm_source=rss&utm_medium=rss&utm_campaign=paul-de-pignol-ne-du-limon-artension-november-2019 Tue, 05 Nov 2019 17:05:06 +0000 https://looandlougallery.com/?p=6962

ARTIST:
PAUL DE PIGNOL
EXIBITION:
NÉ DU LIMON
Paul de Pignol
06.11.2019 – 04.01.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019 first appeared on Loo & Lou Gallery.]]> LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019 https://looandlougallery.com/press/louise-frydman-nature-fragile-transfuge-november-2019/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-nature-fragile-transfuge-november-2019 Fri, 15 Nov 2019 16:28:18 +0000 https://looandlougallery.com/?p=7063

ARTIST:
LOUISE FRYDMAN
JUST MAD
27.02.20 – 01.03.20
EXIBITION:
NÉ DU LIMON
Paul de Pignol
06.11.2019 – 04.01.2020
NATURE FRAGILE
Louise Frydman
13.11.2019 – 04.01.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019 first appeared on Loo & Lou Gallery.]]> PAUL DE PIGNOL, Review Art Absolument, October 2019 https://looandlougallery.com/press/paul-de-pignol-la-gazette-drouot-october-2019/?utm_source=rss&utm_medium=rss&utm_campaign=paul-de-pignol-la-gazette-drouot-october-2019 Tue, 05 Nov 2019 17:05:00 +0000 https://looandlougallery.com/?p=6725

ARTIST:
PAUL DE PIGNOL
EXIBITION:
NÉ DU LIMON
Paul de Pignol
06.11.2019 – 04.01.2020
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post PAUL DE PIGNOL, Review Art Absolument, October 2019 first appeared on Loo & Lou Gallery.]]> ELISABETH DAYNÈS https://looandlougallery.com/artists-en/elisabeth-daynes-2/?utm_source=rss&utm_medium=rss&utm_campaign=elisabeth-daynes-2 Tue, 09 Jun 2020 16:21:08 +0000 https://looandlougallery.com/?p=8517 Tanc cherche à noyer son ennui au lycée en noircissant les pages de son cahier d’écolier d’écritures automatiques aussi belles qu’indéchiffrables. Plus tard, le graffiti l’initie au travail plastique et devient l’art dans lequel il s’illustre et qui façonne son style.

The post ELISABETH DAYNÈS first appeared on Loo & Lou Gallery.]]>

ELISABETH DAYNÈS

Elisabeth Daynès was born in Beziers, France in 1960. She currently lives and works in Paris. In the early stages of her career in theater, she was fascinated by questions of identity and metamorphosis. From the 1990s, this passion led her to painstakingly recreate the bodies of prehistoric hominids, on which she had based the most advanced scientific knowledge. She thus became a world-renowned paleo artist, notably with her reconstructions of fossil hominids for the Museum of Tautavel or her recreation of the Australopithecus Lucy in 1999 for the Field Museum in Chicago. In 2010, she was awarded the John J. Lanzendorf PaleoArt Prize. In 2011, the Ile-de-France Museum of Prehistory devoted a solo exhibition to her work, while a number of her sculptures of hominids were inaugurated in South Korea. Through her work on origins, she invites us to the question the appearance and faces of humans, today and in the future. 

Today, the artist brings reflection about identity, the significance of the skull, and the face, from our origins, to today, until the future. Using a wide variety of formats, materials, and treatments as well as reimagining and recreating the skull’s patterns, she shows all the faces we could have had, and that we will have one day, if such is our desire as artists. The skull is at the beginning and the end of all things, framing the base of each one of our identities. It is the part where the skeleton is the most salient.

Her collection of flayed in relief underlines the aspects of a plural and abundant humanity. Insisting on the miraculous moment when the flesh covers the bones, magnifying the muscles of the face and expressions. She invites us to an extraordinary one on one with five characters searching for an identity.

Elisabeth Daynès also wants to show that at a time of social media and omnipresent imagery, anyone is hence free to invent an infinite amount of narcissistic mirrors: the border between the real and the virtual, the artificial and the natural is now blurred. Her art toys discontinuously with science because science plays a big role in our imaginary.  

In this day and age, physical appearance and the perpetual search for perfection has become an obsession. The idea of changing one’s nose or mouth for a professional meeting or a dinner among friends does not sound so far-fetched in today’s world where technology has taken over biological evolution. 

 

  • Breastland II marron (detail), 2020, Marble plaster, metal, Corian, 93 x 93 x 5 cm,© Loo & Lou Gallery

  • Soul in the Shell, 2016, Silicon, glass, metal, 200 x 40 x 40 cm © Elisabeth Daynès

  • Nez, 2017, Marble plaster, 110 x 65 x 10 cm © Elisabeth Daynès

  • Human II, 2015, Lenticular array, Alioscopy system, 130 x 95 x 7 cm © Elisabeth Daynès

  • Human VI, 2015, Lenticular array, Alioscopy system, 130 x 95 x 7 cm © Elisabeth Daynès

  • Human IV, 2015, Lenticular array, Alioscopy system, 130 x 95 x 7 cm © Elisabeth Daynès

  • Le Déconnecté (detail), 2019, Silicon, natural hair, jesmonite, 168 x 55 x 64 cm © Loo & Lou Gallery

  • Le Curieux, 2015, Silicon, natural hair, jesmonite, 130 x 95 x 7 cm © Loo & Lou Gallery

  • Detox, 2019, Silicon, natural hair, jesmonite, 110 x 90 x 45 cm © Loo & Lou Gallery

  • Breast pépinières roses, 2020, Marble plaster, metal, slate, 31 x 20 x 16 cm © Elisabeth Daynès

  • Breast pépinière marron, 2020, Marble plaster, metal, slate, 20 x 10 x 16 cm © Elisabeth Daynès

  • Breast pépinière rose, 2020, Marble plaster, metal, slate, 20 x 10 x 16 cm © Elisabeth Daynès

  • OuÏe (detail), 2014, Marble plaster, 65 x 55 x 10 cm © Loo & Lou Gallery

  • Blister, 2018, Silicon, plexi, metal, 18 x 11 x 3 cm © Loo & Lou Gallery

  • Breastland III chair, 2020, Marble plaster, metal, Corian, 93 x 93 x 5 cm © Loo & Lou Gallery
EXHIBITION:
ÉVOLUTION
Élisabeth Daynès
28.04.2023 – 03.06.2023
FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020
RELATED PRESS:
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post ELISABETH DAYNÈS first appeared on Loo & Lou Gallery.]]> LES CHEMINS DES DÉLICES Catherine Wilkening 09.02.2021 – 19.03.2021 https://looandlougallery.com/exhibitions/les-chemins-des-delices-catherine-wilkening-09-02-2021-20-03-2021-2/?utm_source=rss&utm_medium=rss&utm_campaign=les-chemins-des-delices-catherine-wilkening-09-02-2021-20-03-2021-2 Fri, 05 Feb 2021 15:30:21 +0000 https://looandlougallery.com/?p=10815 LES CHEMINS DES DELICES Catherine Wilkening Loo & Lou Gallery – Haut Marais09.02 – 19.03.2021 View of the exhibition “Les Chemins des Délices” by Catherine Wilkening | Image © Emilie Mathé Nicolas / Loo & Lou Gallery View of the exhibition “Les Chemins des Délices” by Catherine Wilkening | Image © Emilie Mathé Nicolas / […]

The post LES CHEMINS DES DÉLICES
Catherine Wilkening
09.02.2021 – 19.03.2021 first appeared on Loo & Lou Gallery.]]>

LES CHEMINS DES DELICES

Catherine Wilkening

Loo & Lou Gallery – Haut Marais
09.02 – 19.03.2021

  • View of the exhibition “Les Chemins des Délices” by Catherine Wilkening | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Les Chemins des Délices” by Catherine Wilkening | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Maculée Conception (2020) Porcelain, gold leaf, copper, plaster, 125 x 44 x 34 cm © Emilie Mathé Nicolas

  • View of the exhibition “Les Chemins des Délices” by Catherine Wilkening | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Les Chemins des Délices” by Catherine Wilkening | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Les Chemins des Délices” by Catherine Wilkening | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Envole-moi (2019) Enameled porcelain, 130 x 90 cm © Emilie Mathé Nicolas

  • Envole-moi (detail) 2019, Enameled porcelain 130 x 90 cm © Emilie Mathé Nicolas

  • E-mio (2020) Porcelain, Murano glass, 51 x 45 © Emilie Mathé Nicolas

  • Petite Croix I, II and III (2021) Enameled porcelain 18 x 14 cm © Emilie Mathé Nicolas

  • Erectus 49 (2019) Enameled porcelain 49 x 20 x 25 cm © Emilie Mathé Nicolas

  • Erectus 69 (2019) Enameled porcelain 69 x 15 x 17 cm © Emilie Mathé Nicolas

  • Eros (2020) Porcelain, Murano glass, 60 x 45 cm © Emilie Mathé Nicolas

  • Il Lupo (2013) Black earth, chamotte, mixed media 90 x 40 x 30 © Emilie Mathé Nicolas

  • L’Envole (2013) Black earth, chamotte, mixed media 97 x 20 x 15 cm © Emilie Mathé Nicolas

  • Marie (2013) Black earth 60 x 40 x 40 cm © Emilie Mathé Nicolas

  • Mortel Immortel (2020) Porcelain, wood, gold leaf, plaster, 210 x 81 x 52 cm © Emilie Mathé Nicolas

  • Narcisse (2013) Black earth, chamotte, mixed media, 90 x 20 x 25 cm © Emilie Mathé Nicolas

  • Prière (2008) Oxidized, enameled black earth, chamotte 45 x 45 x 45 cm © Emilie Mathé Nicolas

For over fifteen years, Catherine Wilkening has concentrated on universal themes that surround the female figure – birth, life, death, and rebirth. Now, her work collides with the figure of the Madonna, one of the most canonical forms in Western art. Wilkening avoids both the image of the divine and the melancholic beauty that encompasses the ideal Christian Virgin, including a contemporary and provocative kitsch approach. Instead, she proposes a series of sculptures that evoke restlessness and agitation, in the image of some other beauty – a beauty of which we do not know is the end or, as Rainer Maria Rilke once said, just “the beginning of terror which we are barely able to endure.”

An intense wind blows on the Madonnas by Wilkening that fold their porcelain garments with a baroque gesture that appears to continue infinitely. Decadent and expressionist, shamanic and lyrical, these works are a hymn to a swaying and swarming sensation, an invitation to rid the urge of quick judgements.

Sometimes the sculptor creates her Madonnas ex nihilo from an erection of porcelain that she miraculously assembles – such as the bizarre piece, Le Papillon, evoking a disturbing version of Golgotha. At other times, the artist appropriates vintage sculptures dedicated to the celebration of the Virgin Mary that she diverts from their ecumenical representation to reintegrate them into her mystical and baroque universe.

She customizes them almost through voodoo, covering them with porcelain and glass, gold leaf and acacia branches. The large-format pieces impose themselves, grabbing the viewer’s attention. The viewer may be enticed to change their focus as they get closer to the sculpture, discovering worlds within worlds, and infinite forms wrapped in each fold of material. The base of the sculpture Mortel Immortel, which seemed from afar to be lace, turns out to be an accumulation of butterflies. It is a baroque universe where each volute and wing contains another form, and each of the works carries within it a set of worlds that is folded inside the other. The artist additionally recovers old fragments of forgotten sculptures that she integrates into her new works.

Wilkening is looking for “the monumental in the minuscule.” She conquers the grandeur of her works by exploring all the possibilities of the miniature, enveloping the infinitely large in the infinitely small. Moreover, Wilkening’s sculptures cannot be deciphered through a quick glance. It is necessary to look at them for a long time to reach the meaning of their forms.

The exquisite obsessions of the artist are hidden from our eyes in a maze of the extreme finesse of the porcelain. Wilkening holds the secret! Under the apparent softness and consistency of the white enamel, the chastity of the virgins quickly crumbles under a great pleasure that arises from our souls, revealing the violence of scarifications cracking the skin of the ceramic, the abundance of floral patterns, animal bones and accumulations of small rear-ends, expression of a generosity of life that takes on all the reigns of creation. The artist’s use of new materials such as gold leaf, Murano glass or acacia wood helps to thwart any quick recognitions. The eye hesitates between the aerial, vegetal, and animalistic elements. Glass and porcelain become strange fabrics enveloping a Madonna who is no longer Catholic! Through the infinite exploration of minute detail, Wilkening evokes certain spiritualist artists that obsessively operate as miniaturists on immense formats, folding and unfolding their composition as they advance, practicing a form of automatism. The sculptures are sometimes worked for hundreds of hours, showing a certain asceticism from the artist. Hence the mantric and hallucinatory dimension of some of these pieces that were born in the isolation of confinement. The sculptor made this constraint her own as the expression of a happy and protective solitary retreat where she was able to concentrate and intensify her practice.

This exhibition, Les Chemins des Délices, witnesses the overabundance of an unfulfilled and restless life, taking ever further without the slightest bit of rest, the work of an artist who, in the figure of the Madonna, recognizes her fellow man, her sisters, and the mystery of fecundity and creation.

— Philippe Godin, Art Critic

To request the full list of available works, please contact us by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post LES CHEMINS DES DÉLICES
Catherine Wilkening
09.02.2021 – 19.03.2021 first appeared on Loo & Lou Gallery.]]> ÊTRE EN NATURE Benoît Luyckx 28.11.2020 – 30.01.2021 https://looandlougallery.com/non-classe/etre-en-nature-benoit-luyckx-en/?utm_source=rss&utm_medium=rss&utm_campaign=etre-en-nature-benoit-luyckx-en Wed, 09 Dec 2020 11:28:10 +0000 https://looandlougallery.com/?p=10294 ÊTRE EN NATURE Benoît Luyckx Loo & Lou Gallery – Haut Marais28.11.2020 – 30.01.2021 Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery Vue […]

The post ÊTRE EN NATURE
Benoît Luyckx
28.11.2020 – 30.01.2021 first appeared on Loo & Lou Gallery.]]>

ÊTRE EN NATURE

Benoît Luyckx

Loo & Lou Gallery – Haut Marais
28.11.2020 – 30.01.2021

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vue de l’exposition “Être en Nature” de Benoît Luyckx | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

Benoît Luyckx has been creating sculptures out of stone with precision for more than forty years. He works with the actual size of the stone as it has it has been cut, and without the aid of an assistant nor new technologies. Though he is perpetually searching, the Belgian-born sculptor has developed a true signature style. His universal and powerful works are recognizable through the way he purifies and breathes life into robust stones that artists have been experimenting with for millennia.

At the heart of his work is the texture of stone, sometimes striated, natural, or smoothed, often with an aspect of minimalism. “I like calm, pure things,” remarked the artist. Luyckx enjoys venturing to quarries in France, Italy, or Belgium, treating them as open-air workshops in the middle of nature. He began his career with limestone, which is softer, before quickly turning to white marble, first from Carrara in Italy, then from Greece, before handling black marble from Belgium, until he eventually discovered Belgian blue stone for himself, which quickly became his favorite.

At Loo & Lou Gallery, Être en Nature unveils about twenty important works made over a period of ten years. The title works as a double meaning of a communion with nature and also of the simple notion of existing. Être en Nature is also the name of one of his sculptures: a graceful bust set in the abyss. The torso is a reoccurring theme in his work, and throughout the course of his career it begins moving towards an amplified purification, in order to signify the essence of being and its spirituality. This is the case of Nude Reverse, a torso in white marble, which with its conceptual forms reveals a smooth and veiled body endowed with soft curves, offering a sublimation of the feminine in a silent vibration. The juxtaposition between polished and rough gives life to the material and expresses the duality that inhabits it. Soft and Rock II is another perfect example of this idea. If the body is a guiding thread, Luyckx tends towards an appreciation of landscapes, where busts become more and more abstract, and give way to other forms from nature. It can be the subtle evocation of fields and the sensual dimension of undulating ears of wheat bending in the wind…

Most of his sculptures are on a pivot, turning and dancing on themselves, playing with light, shadow, and new perceptions. In Luyckx’s works, escape and reverie are the driving force behind creation free of interpretation.

— Alexia Lanta Maestrati

ARTISTE :
BENOÎT LUYCKX
PRESSE :
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020

To request the full list of available works, please contact us  by e-mail or by telephone at (+33) 01 42 74 03 97. 

The post ÊTRE EN NATURE
Benoît Luyckx
28.11.2020 – 30.01.2021 first appeared on Loo & Lou Gallery.]]> PÉNINSULES Cedric Le Corf16.09.2020 – 31.10.2020 https://looandlougallery.com/exhibitions/peninsules-cedric-le-corf-en/?utm_source=rss&utm_medium=rss&utm_campaign=peninsules-cedric-le-corf-en Wed, 30 Sep 2020 16:10:58 +0000 https://looandlougallery.com/?p=9623 PÉNINSULES from the Iberian to the Armorican Peninsula Cedric Le Corf Loo & Lou Gallery – Haut Marais16.09 – 29.10.2020 View of the exhibition “Péninsules” by Cedric Le Corf | Image © Emilie Mathé Nicolas / Loo & Lou Gallery Justa 1 (detail), 2019, Oakwood, polychrome, 300 x 170 x 120 cm © Loo & […]

The post PÉNINSULES
Cedric Le Corf
16.09.2020 – 31.10.2020 first appeared on Loo & Lou Gallery.]]>

PÉNINSULES

from the Iberian to the Armorican Peninsula

Cedric Le Corf

Loo & Lou Gallery – Haut Marais
16.09 – 29.10.2020

  • View of the exhibition “Péninsules” by Cedric Le Corf | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Justa 1 (detail), 2019, Oakwood, polychrome, 300 x 170 x 120 cm © Loo & Lou Gallery

  • View of the exhibition “Péninsules” by Cedric Le Corf | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Calva (2017) Wood, porcelain and glass, 44 x 24 cm © Loo & Lou Gallery

  • Écorché (2017) Ashwood, porcelain, 90 x 50 x 40 cm © Loo & Lou Gallery

  • Uterus gravidus II (2015) Wood and porcelaine, 44 x 24 cm © Loo & Lou Gallery

  • Vanité 6 (2013) Oil on canvas, 30 x 30 cm © Loo & Lou Gallery

  • Vanité 17 (2013) Oil on canvas, 30 x 30 cm © Loo & Lou Gallery

  • Vanité 7 (2013) Oil on canvas, 30 x 30 cm © Loo & Lou Gallery

  • Écorché (2017) Wood and porcelain, 40 x 50 x 60 cm © Loo & Lou Gallery

  • Dissectio (2015) Wood and porcelain, 99 x 119 x 80 cm © Loo & Lou Gallery

  • Justa 1 (2019) Oakwood, polychrome, 300 x 170 x 120 cm © Loo & Lou Gallery

  • Le Vexin, hommage à Corot (2018) Drypoint etching, 70 x 84 cm © Loo & Lou Gallery

  • Ossuaire (2019) Drypoint etching, ⌀ 44 cm © Loo & Lou Gallery

  • Le Vexin III, hommage à Corot (2018) Drypoint etching, 70 x 84 cm © Loo & Lou Gallery

There are artists who have a brutal inertia and others who are reclusively inclined, both symmetrical ways of separating art from life. This great modernist separation remains significantly followed. Separating oneself from the world and its breath, its increasing fragility, was never something Cedric Le Corf consented to. He does not practice detachment or indifference, and refuses to break with the natural order. The order itself, not merely its depiction: an order that is hard to define, irreducible to our reason, and all the more necessary to excavate from within, through the irrepressible energy of the shapes.

More than figurative, Cedric Le Corf’s sculptures, prints, and drawings consequently capture the heart, perhaps sacredly, through organic mystery in which we are merely the ephemeral passengers. What is it made of, this world, his world, which he himself calls baroque, out of expressionist choice and active listening of its elements, in which he seeks his proper place? The anatomy, both human and animal, seems to be the key player, and almost the implacable law from which derive all kinds of bones: skulls, jaws, limbs, fragments… If it were not for the fact that Le Corf employs materials, from wood to porcelain, which immediately restore the truth of his approach, one might say of Le Corf that he strips more than he sculpts.

His darkest works, which evoke Gericault and Delacroix (although there’s no banal mimicry), contain a tender, active, rough humour, which is not the effect of overly clever contrasts. Rather there is a suggestion, since there is an element of the baroque, of a sense of the circulations and mutations at the heart of which the vital forces victoriously confront the powers of suffering, doubt and death. It’s no secret that Le Corf’s curiosity has always taken him in the direction of those humanists most determined to understand the machinery of bodies and fluids responsible for such a miraculous operation. Michael Servetis, a martyr for truth, and Andreas Vesalius sit in his imaginary pantheon, as do the somewhat closer Philippe Etienne Lafosse, Jacques Fabien Gautier d’Agoty and Honore Fragonard, cousin to the famous painter. In the ancient world, anatomy and dissection were one and the same: there was no alternative to opening up the body in order to understand. But what of art, where the “open form” often remains an excuse for works empty of any meaning. I like Le Corf’s response and his way of naturally reconnecting with the great Sevillians, from Montañés to the young Velazquez (beyond the Romantics and Baselitz). For them, depiction was suddenly threatened by its very realism, figuration by disfiguration. The boundaries gently fall away and, as Le Corf might say, bodies become landscapes. In blurring the kingdoms, anatomy comes to life and enchants us.

— Stéphane Guégan
Scientific advisor to the Presidency of the Musée d’Orsay and the Musée de l’Orangerie

Hölderlin called it the “journey to the colony”. In order to find our origins, we must abandon them, forget them. Victor Ségalen, after exploring the Middle East and the Pacific, returned to Brittany. My journey is also marked by “steles”.

Imbued with a Rhenish heritage, from Dürer to Grünewald, and schools of polychrome wood, I penetrated the marine ode in my studio on the island of Groix, in Berlin, the laceration of German expressionism, then, in residence at the Academy of Fine Arts at the Villa des Pinsons in Chars, the landscapes’ tranquility of the Vexin painted by Corot. Then, as a member of the Casa Velázquez in Madrid, I discovered Spanish baroque and its worship of death, its sculptures painted with waxy flesh or enameled ceramics by Juan de Juni and Alonso Berruguete. And finally, the eternal return to the Celtic land where by a happy coincidence in the meandering Scorff Valley’s landscape, only a few steps away from the enclosures, the porz a maro (the gates of death), the famous dance of death of Kernascléden, and the marvelous rood screen of St Fiacre, I put my bag down and opened my workshops, an imaginary museum in the colors of the “Sarrazin”. A return to the source can only be accomplished if a poet sings, I had to take this detour, the foreign road to start over again without end.

— Cedric Le Corf

Losing the daily Midi; crossing courtyards, arches,
bridges; try the branched paths; run out of breath at the steps, ramps, climbing ;

Avoid the precise stele; go around the usual walls; stumble
ingenuously among these fake rocks; jump this ravine ;
to linger in this garden; to go back sometimes,

And by a reversible lace finally mislead the quadruple sense of the Points of Heaven.

— Victor Ségalen – Steles

The post PÉNINSULES
Cedric Le Corf
16.09.2020 – 31.10.2020 first appeared on Loo & Lou Gallery.]]> LYDIE ARICKX, La Gazette Drouot, October 2019 https://looandlougallery.com/press/lydie-arickx-la-gazette-drouot-october-2019/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-la-gazette-drouot-october-2019 Tue, 08 Oct 2019 15:03:20 +0000 https://looandlougallery.com/?p=6627

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LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
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JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post LYDIE ARICKX, La Gazette Drouot, October 2019 first appeared on Loo & Lou Gallery.]]> FIND YOURSELF Elisabeth Daynès05.06.2020 – 23.07.2020 https://looandlougallery.com/exhibitions/find-yourself-elisabeth-daynes-2/?utm_source=rss&utm_medium=rss&utm_campaign=find-yourself-elisabeth-daynes-2 Tue, 09 Jun 2020 15:36:26 +0000 https://looandlougallery.com/?p=8485 FIND YOURSELF Elisabeth Daynès Loo & Lou Gallery – Haut Marais05.06 – 23.07.20 Click here to take a virtual tour of the exhibition Click here to download the exhibition leaflet Breastland II marron (2020) Marble plaster, metal, Corian, 93 x 93 x 5 cm © Loo & Lou Gallery View of the exhibition “Find yourself” […]

The post FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020 first appeared on Loo & Lou Gallery.]]>

  • Breastland II marron (2020) Marble plaster, metal, Corian, 93 x 93 x 5 cm © Loo & Lou Gallery

  • View of the exhibition “Find yourself” by Elisabeth Daynès | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • OuÏe (2014) Marble plaster, 65 x 55 x 10 cm © Loo & Lou Gallery

  • Femme au miroir (2020) Silicon, natural hair, jesmonite, 180 x 47 x 70 cm © Loo & Lou Gallery

  • Le Déconnecté (2019) Silicon, natural hair, jesmonite, 168 x 55 x 64 cm © Loo & Lou Gallery

  • Identity (2019) Silicon, synthetic materials, wood, metal, 50 x 23 x 20 cm © Loo & Lou Gallery

  • Soul in the Shell (2016) Silicon, glass, metal, 200 x 40 x 40 cm © Loo & Lou Gallery

  • Trash (2019) Silicon, 90 x 60 x 40 cm © Loo & Lou Gallery

  • Le Curieux (2015) Silicon, natural hair, jesmonite, 130 x 95 x 7 cm © Loo & Lou Gallery

  • Soul in the Shell (detail), 2016, Silicon, glass, metal, 200 x 40 x 40 cm © Loo & Lou Gallery

  • Detox (2019) Silicon, natural hair, jesmonite, 110 x 90 x 45 cm © Loo & Lou Gallery

  • Detox (2019) Silicon, natural hair, jesmonite, 110 x 90 x 45 cm © Loo & Lou Gallery

Elisabeth Daynès was born in 1960, and she currently lives and works in Paris. She is well known for her paleoart, and has exposed her sculptures in museums around the world, such as the Field Museum, Chicago; Perot, Dallas; Gyeonggi-do Jeongo Museum, Seoul; CosmoCaixa Science Museum, Barcelona; INAH, Mexico; Narodni Museum, Prague; Calouste Gulbekkian Foundation; Musée de l’Homme, Paris, etc.

For some dozens of years she has merged her scientific reconstructions with art, crossed by a reflection on the subject of the human figure in a contemporary world. Her first exhibition was dedicated to “La Vérité des Visages,” or “the Truth of Faces,” as she has began investigating identity and incarnation. She has followed these themes within a number of other exhibitions, such as Humans, Curieux face-à-face, Bouche B. In 2019, she participated in the art fair, “Art Up Lille,” and displayed her work in two exhibitions: the first at la galerie du jour agnès b. in Paris, and the second at the 836M Gallery in San Francisco. In 2020, Loo & Lou Gallery welcomes the exhibition, “Find yourself.”

For Elisabeth Daynès, the face is a place of mystery, the opposite of a simple surface that one could view as an ephemeral mask. In the piece Trash, abandoned faces are assembled in a multicolored mound, with red lips resembling flower petals that a distracted hand might have scattered. Fleeting masks that their owners had discarded, who were already taken by dreams of other faces. Here she questions if the lifespan of a face could be similar to one of a flower.

Faces or mirages? Versatile and volatile, these abandoned masks portray a measure of thirst for metamorphosis that agitates society. While science continues to offer us new possibilities, and the rewriting of oneself has become a planetary practice, the artist explores the limits of a future where appearance would be a ready-to-wear garment.

A face could be acquired in the same way and know the fate of any other object… that of being discarded. Elisabeth Daynès believes that the face is, on the contrary, the place for the expression of emotion and thought, as well as the the emergence of being. She embodies this in her hyperrealistic statues, which appear to be astonishingly real. This is made apparent by a plunge into an intense confrontation with lost identity. She expresses it in the woman peering the mirror in quest of her truth, or in the model with her closed eyes, signaling itself from her appeasement.

Poetics of the face are her focus: the celebration of the metaphysical power of a face in Identity, an ode to the vegetal in Les Ménines, and in the effervescent bouquets of blooming mouths. Focusing on one part of the body or the face, isolating and transforming it, Elisabeth Daynès has created surrealist fields of flowering red lips and breasts with tender shades of pink in an unusual nursery of mushrooms. She manages to sublimate anatomical detail by giving it poetic strength and creates an art in details where the detail becomes a world in itself. In this way, she teaches us that the face can become a landscape for those who know how to look at it…

The post FIND YOURSELF
Elisabeth Daynès
05.06.2020 – 23.07.2020 first appeared on Loo & Lou Gallery.]]> ÉCRITURES AUTOMATIQUESTanc17.01.2020 – 14.03.2020 https://looandlougallery.com/exhibitions/ecritures-automatiquestanc17-01-2020-07-14-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=ecritures-automatiquestanc17-01-2020-07-14-2020-2 Tue, 04 Feb 2020 12:31:10 +0000 https://looandlougallery.com/?p=7937 Écritures automatiques Tanc Loo & Lou Gallery – Haut Marais17.01 – 14.03.20 View of the exhibition “Écritures automatiques” by Tanc | Image © Emilie Mathé Nicolas / Loo & Lou Gallery View of the exhibition “Écritures automatiques” by Tanc | Image © Emilie Mathé Nicolas / Loo & Lou Gallery Numéro 156 Allstarz (detail), 2019, […]

The post ÉCRITURES AUTOMATIQUES
Tanc
17.01.2020 – 14.03.2020 first appeared on Loo & Lou Gallery.]]>

Écritures automatiques

Tanc

Loo & Lou Gallery – Haut Marais
17.01 – 14.03.20

  • View of the exhibition “Écritures automatiques” by Tanc | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Écritures automatiques” by Tanc | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Numéro 156 Allstarz (detail), 2019, Acrylic on linen canvas, 195 x 135 cm ©Loo & Lou Gallery

  • Sans titre (2020) Acrylic, 100 x 80 cm ©Loo & Lou Gallery

  • View of the exhibition “Écritures automatiques” by Tanc | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Écritures automatiques” by Tanc | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Écritures automatiques” by Tanc | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Écritures automatiques” by Tanc | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Ultramarine (detail) 2019, Oil on canvas, 86 x 70 cm ©Loo & Lou Gallery

Long before he can recall, Tanc has always considered writing as a refuge. As a young student, he would trick his teachers by filling the pages of his notebooks, not with notes, but with symbols that were as indecipherable as they were fascinating. Today, in the intimacy of his studio, Tanc has continued this mania but has adjusted it to his moods, influences, and current obsessions.

Referencing how the process triumphs over the result, Tanc relies heavily on his gestures, which are both frantic and spontaneous. Following his own rhythm, he uses pulses that evoke his memories, unraveling a language of emotion, regardless of its illegibility, using various materials and supports. The language is meant neither to be imposed on the viewer nor translated. Instead, we are encouraged to make our own interpretations. Although he is capable of engaging himself profoundly until exhaustion in a process, tool, form or style, the evolution of his work becomes clear thanks to his numerous series: the Spheres (an ode to spray paint) through to the series of Oscillations (an exploration in sketching), moving to pieces saturated with scratched and scribbled writing. These series by Tanc thus move towards a more complete array of abstraction. Oil paint is amassed onto the canvas directly from the tube, pressed and squeezed until it is finished, and place in a fashion similar to the stirring of tumultuous ocean waves.

Finally, Tanc’s work would not be entirely complete without a reference to music. As a composer himself, electronic music seems to stem from the same sincere and spontaneous creative process, with a similar sentiment: freedom. Similar to Paul Klee during his time who linked painting and music together, today Tanc explores the point where these two disciplines largely inspire and speak to one another.

Ceaselessly exploring his own psyche, Tanc has left a part of himself in his sonar and visual wakes. The hand that writes or draws, that composes or plays, no matter the words, within language and with writing, seems to be saying the same things.

— Sabella Augusto

ARTIST:
TANC
RELATED EXHIBITIONS:
LYRICS
Tanc
08.04.2016 – 04.06.2016
FRAGMENTS
Tanc
20.01.2023 – 25.02.2023
RELATED PRESS:
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020

The post ÉCRITURES AUTOMATIQUES
Tanc
17.01.2020 – 14.03.2020 first appeared on Loo & Lou Gallery.]]> LYDIE ARICKX, Arts in The City, September 2019 https://looandlougallery.com/press/lydie-arickx-arts-in-the-city-september-2019/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-arts-in-the-city-september-2019 Fri, 27 Sep 2019 09:47:35 +0000 https://looandlougallery.com/?p=6594

ARTIST:
LYDIE ARICKX
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
EXIBITION:
TOILES VIVANTES
Lydie Arickx
18.09.2019 – 26.10.2019
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post LYDIE ARICKX, Arts in The City, September 2019 first appeared on Loo & Lou Gallery.]]> LYDIE ARICKX, Toute la Culture, September 2019 https://looandlougallery.com/press/lydie-arickx-toute-la-culture-september-2019/?utm_source=rss&utm_medium=rss&utm_campaign=lydie-arickx-toute-la-culture-september-2019 Tue, 24 Sep 2019 10:26:22 +0000 https://looandlougallery.com/?p=6551

ARTIST:
LYDIE ARICKX
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
EXIBITION:
TOILES VIVANTES
Lydie Arickx
18.09.2019 – 26.10.2019
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
OTHER PRESS:
JOHAN VAN MULLEM, ARALYA, MARCH 2026
JOËL PERSON, TRANSFUGE, FEBRUARY 2026
LIFANG, TRANSFUGE, DECEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LA GAZETTE DROUOT, NOVEMBER 2025
LOO & LOU GALLERY, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
JOËL PERSON, LUXEMBOURG ART WEEK, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
ANELE PAMA, AKAA, LE QUOTIDIEN DE L’ART, NOVEMBER 2025
BASTIEN VITTORI , “CREUSER”, TRANSFUGE, OCTOBER 2025
CEDRIC LE CORF , “LE SIFFLEMENT DU GEAI”, TRANSFUGE, SEPTEMBRE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, ARALYA, JUNE 2025
OLIVIER DE SAGAZAN, “TOUJOURS, JAMAIS”, TRANSFUGE, JUNE 2025
SIMON LAVEUVE, “VOIR LOIN”, BEAUX-ARTS MAGAZINE, FEBRUARY 2025
FRANTZ METZGER, “SOLO SHOW”, TRANSFUGE, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, POSCA, FEBRUARY 2025
SIMON LAVEUVE, “VOIR LOIN”, COLOSSAL, FEBRUARY 2025
PIERRE-LUC POUJOL, “SOLO SHOW”, TRANSFUGE, DECEMBER 2024
PIERRE-LUC POUJOL, BEAUX-ARTS MAGAZINE, NOVEMBER 2024
PIERRE-LUC POUJOL, LUXEMBOURG ART WEEK, BEAUX-ARTS MAGAZINE, OCTOBER 2024
JOËL PERSON, “LES PASSIONS”, POLLEN, SEPTEMBER 2024
TANA BORISSOVA, “CŒUR DU TEMPS”, TRANSFUGE, JUNE 2024
SERGE REZVANI, “REZVANI, PEINTURES”, QUOTIDIEN DE L’ART, 25 APRIL 2024
SERGE REZVANI, “REZVANI, PEINTURES”, TRANSFUGE, MAY 2024
MARK POWELL, “ROADS THAT MAKE US”, TRANSFUGE, JANUARY 2024
FLO ARNOLD AND CHRISTOPHE MIRALLES, “MON MAROC”, TRANSFUGE, DECEMBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, CONNAISSANCE DES ARTS, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, BEAUX-ARTS, OCTOBER 2023
MARK POWELL, “ROADS THAT MAKE US”, ARTISTIK REZO, JANUARY 2024
JOËL PERSON, “LES BRUITS DU MONDE”, TRANSFUGE, OCTOBER 2023
JOËL PERSON, “LES BRUITS DU MONDE”, FACTUEL MEDIA, SEPTEMBRE 2023
CEDRIC LE CORF, “FORÊT NOIRE”, TRANSFUGE, SEPTEMBER 2023
CEDRIC LE CORF, “FORÊT NOIRE”, L’OEIL, SEPTEMBER 2023
LYDIE ARICKX, “CHARBON”, ART ABSOLUMENT, JULY 2023
LYDIE ARICKX, “CHARBON”, L’OFFICIEL, JUNE 2023
LYDIE ARICKX, “CHARBON”, MÉDIAPART, JUIN 2023
ELISABETH DAYNÈS, “ÉVOLUTION”, SCIENCES ET AVENIR, MAY 2023
JOHAN VAN MULLEM, “FOR LOVE’S S(N)AKE!”, ARTS LIBRE, MAY 2023
ARGHAËL, “UNDER MY SKIN”, TRANSFUGE, MARCH 2023
TANC, “FRAGMENTS”, URBAN ART, FEBRUARY 2023
TANC, “FRAGMENTS”, TÉLÉRAMA SORTIR, FEBRUARY 2023
TANC, “FRAGMENTS”, TRANSFUGE, FEBRUARY 2023
TANC, “FRAGMENTS”, L’OFFICIEL DES SPECTACLES, JANUARY 2023
TANC, “FRAGMENTS”, PARIS TONKAR, JANUARY 2023
TANC, “FRAGMENTS”, ARTISTIK REZO, JANUARY 2023
TANC, “FRAGMENTS”, TOUTE LA CULTURE, JANUARY 2023
TANC, “FRAGMENTS, ART HEBDO MÉDIAS, JANUARY 2023
TANC, “CAPITALES”, ARTISTIK REZ0, OCTOBER 2022
Nature // Natures, TÉLÉRAMA SORTIR, DECEMBER 2022
Et il n’est plus de place alors pour la peur de Joël Person, LIBERTÉ HEBDO, NOVEMBER-DECEMBER 2022
GALERISTE’S PORTRAIT, BRUNO BLOSSE, ARTS MAGAZINE, OCTOBER-NOVEMBER 2022
EXPOSITION COLLECTIVE, “NATURE//NATURES”, TRANSFUGE, OCTOBER 2022
OLIVIER DE SAGAZAN, “ÊTRE CHAIR”, TRANSFUGE, JUNE-JULY 2022
“EMBRASURE”, Tana Borissova, TRANSFUGE, MAY 2022
“Andrew Ntshabele-Peintures”, ON ART MEDIA, APRIL 2022
“Andrew Ntshabele-There is a shaking in society”, Franceinfo Afrique, APRIL 2022
“Tana Borissova-Embrasure”, On en parle, ARALYA.FR, APRIL 2022
“Johan Van Mullem – Ataraxie”, On en parle, ARALYA.FR, FEBRUARY 2022
LYDIE ARICKX ARTICLE IN L’OEIL MAGAZINE #745 SUMMER 2021
LYDIE ARICKX, ARTIST OF WILD PLEASURE, BEAUX-ARTS MAGAZINE AUGUST 2021
LYDIE ARICKX ARTICLE IN ART ABSOLUMENT MAGAZINE NUM 97- 2021
LYDIE ARICKX, VITAL MATTER, ARTS HEBDOMÉDIA SEPTEMBER 2021
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
FRED KLEINBERG, “SEISMIC PAINTINGS”, ART ABSOLUMENT, OCTOBER 2021
THE EVERYDAY HEROES OF FRED KLEINBERG, CONNAISSANCE DES ARTS OCTOBER 2021
FRED KLEINBERG, FORCE INDIENNE, MAGAZINE ARTENSION SEPTEMBER 2021
DANS LE MONDE ETRANGE DU VIVANT, LE FIGARO, JUNE 2021
JOËL PERSON, DANS L’ATELIER DE JOËL PERSON, ARTEEZ, MAY 2021
JOËL PERSON, DEFERLANTE AND BRUITS DU MONDE, CONNAISSANCE DES ARTS, APRIL 2021
JOËL PERSON, DESSINS SUR LE VIF ET DEFERLANTES, OPEN RING, MARCH 2021
30.03.2021 | INTERVIEW WITH JOËL PERSON ON THE SHOW TELEMATIN
JOËL PERSON, WALL STREET INTERNATIONAL, JANUARY 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
Cedric Le Corf, Péninsules, ArtPress, October 2020
Cedric Le Corf, Péninsules, L’OEIL, September 2020
Cedric Le Corf, Péninsules, Le Journal des Arts, September 2020
Cedric Le Corf, Péninsules, Connaissance des arts, August 2020
Elisabeth Daynès, Find Yourself , Le Figaro sortir, Juillet 2020,
Elisabeth Daynès, Find Yourself, Connaissance des arts, June 2020,
Elisabeth Daynès, Find Yourself, Télérama sortir JUNE 2020,
Elisabeth Daynès, Find Yourself, Toute La Culture, JUNE 2020,
Elisabeth Daynes, Find Yourself, Le Point Contemporain, June 2020,
Elisabeth Daynes, Find Yourself, Le Parisien, June 2020
Elisabeth Daynes, Find Yourself, Que faire à Paris ?, June 2020
TANC, ECRITURES AUTOMATIQUES, Le QUOTIDIEN DE L’ART, JANUARY 2020,
TANC, ECRITURES AUTOMATIQUES, TELERAMA SORTIR, JANUARY 2020
CASA DE VELAZQUEZ, AT3LI3R V3LAZQU3Z, le Monde, January 2020
TANC, ECRITURES AUTOMATIQUES, Point contemporain, January 2020
BRUNO BLOSSE, artistic direction, L’Oeil, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
PAUL DE PIGNOL, NÉ DU LIMON, Journal des arts, December 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
PAUL DE PIGNOL, NÉ DU LIMON, Artension, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
PAUL DE PIGNOL, Review Art Absolument, October 2019
LYDIE ARICKX, La Gazette Drouot, October 2019
LYDIE ARICKX, Arts in The City, September 2019
LYDIE ARICKX, Toute la Culture, September 2019
NELSON MAKAMO, Connaissance des Arts, July 2019
NELSON MAKAMO, Beaux Arts Magazine, July 2019
NELSON MAKAMO, Figaro Scope, July 2019
NELSON MAKAMO, Elle Décoration, July 2019
NELSON MAKAMO, RFI, June 2019
NELSON MAKAMO, Arts in the City, June 2019
NELSON MAKAMO, Vivre Paris, June 2019
NELSON MAKAMO, Connaissance des Arts, June 2019
NELSON MAKAMO, Arts in the city, June 2019
NELSON MAKAMO, Que faire à Paris ?, June 2019
NELSON MAKAMO, Télérama, June 2019
NELSON MAKAMO, City Buzz, May 2019
NELSON MAKAMO, Colossal, May 2019
NELSON MAKAMO, France 24, May 2019
ARGHAËL, « Métamorphe(s) », Where in Paris, May 2019
ARGHAËL, « Métamorphe(s) », L’Oeil, April 2019
« Art Paris 2019 », Connaissance des Arts, April 2019
ARGHAËL, « Métamorphe(s) », Art in the City, April 2019
ARGHAËL, « Métamorphe(s) », Art Magazine, March/April 2019
FRED KLEINBERG, « Germination, peintures et pastels », Toute la culture, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », La Diagonale de l’art, Libération, March 2019
FRED KLEINBERG, « Germination, peintures et pastels », Slash Paris, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Figaroscope, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Miroir de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Le Quotidien de l’Art, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Art for breakfast, February 2019
FRED KLEINBERG, « Germination, peintures et pastels », Que faire à Paris ?, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », Beaux Arts magazine, January 2019
OLIVIER DE SAGAZAN, « You and I are earth », L’Oeil, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Paris Capitale, December 2018
OLIVIER DE SAGAZAN, « You and I are earth », Connaissance des arts, December 2018
JEAN CHRISTOPHE BALLOT, « L’éternité et un jour », La Gazette Drouot, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Archistorm, November 2018
OLIVIER DE SAGAZAN, « You and I are Earth », Que faire à Paris ?, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Arts Magazine, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Réponses Photo, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 20 minutes, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’officiel des spectacles, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », Itartbag, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », L’oeil de la photographie, November 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », TK 21, October 2018
TONY SOULIE, « Florilèges », Artistes, October 2018
TONY SOULIE, « Florilèges », Paris Capitale, October 2018
TONY SOULIE, « Florilèges », 20 minutes, October 2018
JEAN-CHRISTOPHE BALLOT, « L’éternité et un jour », 9 lives, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, October 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », L’officiel des spectacles, September 2018
TONY SOULIE, « Florilèges », Connaissances des arts, September 2018
TONY SOULIE, « Florilèges », Figaro Scope, September 2018
TONY SOULIE, « Florilèges », Arts in the city, September 2018
TONY SOULIE, « Florilèges », L’oeil, September 2018
TONY SOULIE, « Florilèges », Connaissance des arts, September 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Newsletter Le Royal Monceau, July-August 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscillation », Connaissance des arts, June 2018
CARTE BLANCHE (01) à CLARA DAQUIN, « Une légère oscilltion », Point Contemporain Agenda, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Quotidien de l’art, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », Mowwgli, June 2018
CARTE BLANCHE (01) à Clara Daquin, « Une légère oscillation », 20 Minutes, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Le Parisien, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Mowwgli, June 2018
SEUM, Stéphanie Mercier et Véronique Augry, Que faire à Paris, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Artact.net, June 2018
FLO ARNOLD, « Vertige du monde », MutualArt, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », MutualArt, June 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Expo in the City, June 2018
CHRISTOPHE MIRALLES, « Territoire unique », Connaissance des arts, June 2018
FLO ARNOLD, « Vertiges du monde », Télérama, June 2018
FLO ARNOLD, « Vertige du monde », 20 Minutes, June 2018
FLO ARNOLD, « Vertige du monde », Art for breakfast, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », L’Oeil, May 2018
FLO ARNOLD, « Vertige du Monde », 20 Minutes, May 2018
FLO ARNOLD, « Vertige du monde », Figaro Scope, May 2018
FLO ARNOLD, « Vertige du monde », Connaissance des arts, June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Arts Magazine, May/June 2018
CHRISTOPHE MIRALLES, « Territoire Unique », Mowwgli, Aprill 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Arts Hebdo Médias, May 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, Les Echos Week End, April 2018
CHRISTOPHE MIRALLES – FLO ARNOLD, « Territoire Unique », EXPO IN THE CITY, April 2018
DIDIER GENTY, « La folle qui ri t», Arts Magazine, May 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, April 2018
LYDIE ARICKX, Cimaises, Beaux-Arts Actuels, October 2017
CHRISTOPHE MIRALLES – FLO ARNOLD, Connaissance des arts, May 2018
LOO & LOU GALLERY, Paris ZigZag, May 2017
DIDIER GENTY, « La folle qui rit », Connaissance des Arts, April 2018
DIDIER GENTY, « La folle qui rit », ItArtBag, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
DIDIER GENTY, « La folle qui rit », Art for Breakfast, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord
DIDIER GENTY, « La folle qui rit », Arts Magazine, March 2018
DDESSIN, Arghaël, Mowwgli, March 2018
DIDIER GENTY, « La folle qui rit », EXPO IN THE CITY, March 2018
DIDIER GENTY, « La folle qui rit », Paris Capitale, March 2018
DIDIER GENTY, « La folle qui rit », Journal des Arts, February 2018
DIDIER GENTY, « La folle qui rit », L’Oeil, March 2018
JUSTMAD, Tanc – François Borie, Yahoo Noticias, February 2018
JUSTMAD, Tanc – François Borie, La buena firma, February 2018
JUSTMAD, Tanc – François Borie, ABC.es, February 2018
JUSTMAD, Tanc – François Borie, La voz de Càdiz, February 2018
PAUL DE PIGNOL, « Incarnation », ArtyBuzz, June 2017
JUSTMAD, Tanc – François Borie, Wall Street International, February 2018
JUSTMAD, Tanc – François Borie, El Confidencial, February 2018
JUSTMAD, Tanc – François Borie, Brit Es Magazine, February 2018
JUSTMAD, Tanc – François Borie, PAC, February 2018
JUSTMAD, Tanc – François Borie, TimeOut, February 2018
DIDIER GENTY, « La folle qui rit », Le Figaroscope, February 2018
DIDIER GENTY, « La folle qui rit », Télérama, February 2018
JUST MAD, Tanc – François Borie, Artribune, February 2018
JUSTMAD, Tanc-François Borie, Arte a un click, February 2018
DIDIER GENTY, « La folle qui rit », Mowwgli, February 2018
DIDIER GENTY, « La folle qui rit », Mapado, February 2018
DIDIER GENTY, « La folle qui rit », Le Parisien Etudiant, February 2018
DIDIER GENTY, « La folle qui rit », Que faire à Paris, February 2018
LYDIE ARICKX, « Gravité », Le Figaro, December 2017
LYDIE ARICKX, « Gravité », Where, December 2017
LYDIE ARICKX, « Gravité », Miroir de l’Art, November 2017
LYDIE ARICKX, « Gravité », Paris Capital, November 2017
LYDIE ARICKX, « Gravité », 20 Minutes, October 2017
LYDIE ARICKX, « Gravité », Ouvretesyeux ARTV, October 2017
LYDIE ARICKX, « Gravité », News Art Today TV, October 2017
LYDIE ARICKX, « Gravité », Connaissance des arts, October 2017
LYDIE ARICKX, « Gravité », Expo in the city, October 2017
LYDIE ARICKX, « Gravité », Arts Magazine, October 2017
LYDIE ARICKX, « Gravité », Artension n°145, September – October 2017
LYDIE ARICKX, « Gravité », Art for Breakfast, September 2017
LYDIE ARICKX, « Gravité », Le Parisien, September 2017
LYDIE ARICKX, « Gravité », Que Faire à Paris, September 2017
LYDIE ARICKX, « Gravité », Paris Art, September 2017
LYDIE ARICKX, « Gravité », Expo In The City, September 2017
LYDIE ARICKX, « Gravité », Beaux Arts, September 2017
LYDIE ARICKX, « Gravité », 20 Minutes, September 2017
LYDIE ARICKX, « Gravité », L’œil, September 2017
PAUL DE PIGNOL, « Incarnations », Artension, July – August 2017
LYDIE ARICKX, « Gravité », Mowwgli, August 2017
PAUL DE PIGNOL, « Incarnations », La Gazette de Drouot, June 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
JOHAN VAN MULLEM, Sortir Paris, March 2017
JOHAN VAN MULLEM, Expo in the City, March 2017
JOHAN VAN MULLEM, Paris Art, March 2017
ARGHAËL, « Skin(s) », Art SixMix, December 2016
ARGHAËL, « Skin(s) », Télérama, December 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , ParisArt, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Arty-Buzz, October 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque » , Actuphoto, September 2016
JEAN CLAUDE WOUTERS, « Portraits et buddahs, l’agneau mistyque », Exponaute, September 2016
OLIVIER DE SAGAZAN, Aralya n°43, July-August 2016
OLIVIER DE SAGAZAN, Exponaute, July 2016
OLIVIER DE SAGAZAN, Paris Art June 2016
OLIVIER DE SAGAZAN, Untitled Magazine, June 2016
OLIVIER DE SAGAZAN, JetSociety, June 2016
OLIVIER DE SAGAZAN, Art Absolument May-June 2016
OLIVIER DE SAGAZAN, Beaux Arts Magazine June 2016
TANC, « Lyrics », Artlimited, April 2016
TANC, « Lyrics », exponaute April 2016
CAMILLE GRANDVAL, « Mon Entropie », novaplanet.com, April 2016
CAMILLE GRANDVAL, « Mon entropie », arty-buzz.fr April 2016
OLGA ITYGUILOVA, « Hidden World », arty-buzz.fr March 2016
CAMILLE GRANDVAL, « Mon entropie », Le Vadrouilleur Urbain April 2016
CAMILLE GRANDVAL, « Mon entropie », Connaissance des Arts, April 2016
ARGHAËL, « Raw », La Gazette Drouot, March 2016
OLGA ITYGUILOVA, « Hidden world », Le Vadrouilleur Urbain, March 2016
ARGHAËL, « Raw », Paris Update, March 2016
OLGA ITYGUILOVA, « Hidden world », L’Oeil de la Photographie, March 2016
OLGA ITYGUILOVA, « Hidden world », Exponaute, February 2016
OLGA ITYGUILOVA, « Hidden world », Jeunes Critiques d’Art, February 2016
ARGHAËL, « Raw » Exponaute, February 2016
AHN SUN MI, « Gong Zone », Actuphoto.com, January 2016
ARGHAËL, « Skin(s) », Télérama, January 2016
ARGHAËL, « Skin(s) », Time Out, January 2016
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Officiel des Galeries & Musées, January 2016
AHN SUN MI, « Gong Zone », L’oeil de la Photographie, January 2016
AHN SUN MI, « Gong Zone », Robin des Arts, December 2015
AHN SUN MI, « Gong Zone », Catherine Ahnell Gallery, December 2015
AHN SUN MI, « Gong Zone » / KAYIP, « In the land of nowhere », L’Oeil # 684 , December 2015
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
MATTHIAS CONTZEN, « Universe », Ateliers d’Art de France, November 2015
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
MATTHIAS CONTZEN, « Universe », Le journal des Arts n°437, September 2015
MATTHIAS CONTZEN, « Universe », Résidence Décoration, August 2015
MATTHIAS CONTZEN, « Universe », La Gazette Drouot, July 2015

The post LYDIE ARICKX, Toute la Culture, September 2019 first appeared on Loo & Lou Gallery.]]> ÉCLATS DE NUITTana Borissova07.02.2020 – 14.03.2020 https://looandlougallery.com/exhibitions/eclats-de-nuittana-borissova07-02-2020-14-03-2020/?utm_source=rss&utm_medium=rss&utm_campaign=eclats-de-nuittana-borissova07-02-2020-14-03-2020 Thu, 06 Feb 2020 17:00:46 +0000 https://looandlougallery.com/?p=7822 Éclats de nuit Tana Borissova Loo & Lou Gallery – L’Atelier07.02 – 14.03.20 Vague 14 (detail) 2019, Acrylic on canvas, 114 x 162cm © Emilie Mathé Nicolas / Loo & Lou Gallery View of the exhibition “Éclats de Nuit” by Tana Chaney | Image © Emilie Mathé Nicolas / Loo & Lou Gallery Vague 21 […]

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Tana Borissova
07.02.2020 – 14.03.2020 first appeared on Loo & Lou Gallery.]]>

Éclats de nuit

Tana Borissova

Loo & Lou Gallery – L’Atelier
07.02 – 14.03.20

  • Vague 14 (detail) 2019, Acrylic on canvas, 114 x 162cm © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Éclats de Nuit” by Tana Chaney | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Vague 21 (detail) 2019, Acrylic on canvas, 114 x 162cm © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Éclats de Nuit” by Tana Chaney | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Éclats de Nuit” by Tana Chaney | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Eclat de nuit 12 (detail), 2020, Acrylic on canvas, 33 x 46 cm © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Éclats de Nuit” by Tana Chaney | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Éclats de Nuit” by Tana Chaney | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Éclats de Nuit” by Tana Chaney | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

The universe is an infinite body dressed in stern and thick paint. Waves of pure, discrete, and shameless energies spread on the canvas, surrendering to the fever of depths. Tana Borissova’s paintings represent a mental storm, the secret inner charms, where in every painting is an immense feeling.

They are wandering and sensual, mystical, astonishing and sumptuous, allusive, possessed, bitten by death-life in a skin-paint. Tracks of beings from the origins are splashed in the night, as marks of life. In the veils and the dark folds of Borissova’s work, appear from the end of times a stretched tension, the density of the night and a seizing and fitful source of presence. Thereby, inflamed bodies become sacred, thanks to the heavy-less troubled lights crossing the rarefied air of psychic rivers.  

It’s the fire of the first embraces, where air is burning, where surfaces corroborate, where every sign become pure. Borissova’s thick skies absorb outlines and turn it into profound brumes, deconstructing the world. Feverish blues of the far reaches, exalt the inside of the human boundless matter. Drive into a corner, Borissova’s work is loaded to the bone. Color is not likened to surfaces anymore, but to thickness.

— Christian Noorbergen

le plus vieux jaillissement est un début
donneur de possibilités il en fait sa cible
l’invisible plus palpitant que le visible
provoque la rencontre

vies et désirs entrechoqués
nouvelle voûte céleste à chaque étincelle
à chaque claquement de porte
l’indomptable sauvage vitalité
se cache sous la couche sereine de la peau

l’élan surgit de la fissure
par les lèvres du temps
dans le mouvement perd du rouge
dans le passage perd du noir

Tana Borissova

ARTIST:
TANA BORISSOVA
RELATED EXHIBITIONS:
EMBRASURE
Tana Borissova
08.04.2022 – 21.05.2022
RELATED PRESS:
EMBRASURE
Tana Borissova
08.04.2022 – 21.05.2022

The post ÉCLATS DE NUIT
Tana Borissova
07.02.2020 – 14.03.2020 first appeared on Loo & Lou Gallery.]]> NATURE FRAGILELouise Frydman13.11.2019 – 04.01.2020 https://looandlougallery.com/exhibitions/nature-fragilelouise-frydman13-11-2019-04-01-2020/?utm_source=rss&utm_medium=rss&utm_campaign=nature-fragilelouise-frydman13-11-2019-04-01-2020 Sat, 07 Dec 2019 14:38:49 +0000 https://looandlougallery.com/?p=7579 NATURE FRAGILE Louise Frydman Loo & Lou Atelier – Haut Marais 13.11.19 – 04.01.20 View of the exhibition “Nature Fragile” by Louise Frydman | Image © Emilie Mathé Nicolas / Loo & Lou Gallery View of the exhibition “Nature Fragile” by Louise Frydman | Image © Emilie Mathé Nicolas / Loo & Lou Gallery View of […]

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Louise Frydman
13.11.2019 – 04.01.2020 first appeared on Loo & Lou Gallery.]]>

NATURE FRAGILE

Louise Frydman

Loo & Lou Atelier – Haut Marais
 13.11.19 – 04.01.20

  • View of the exhibition “Nature Fragile” by Louise Frydman | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Nature Fragile” by Louise Frydman | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Nature Fragile” by Louise Frydman | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Nature Fragile” by Louise Frydman | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Nature Fragile” by Louise Frydman | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Nature Fragile” by Louise Frydman | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • View of the exhibition “Nature Fragile” by Louise Frydman | Image © Emilie Mathé Nicolas / Loo & Lou Gallery

  • Nymphe (2019) Ceramic and steel, 170 x 55 cm © Emilie Mathé Nicolas / Loo & Lou Gallery

Art and architecture 

Louise Frydman’s sculptures are presented in a space where they respond to each other until they reveal some aspects of the space, allowing the spectator to have a better understanding of the room. Thus the artist questions the existing link between art and architecture. She wants to remain direct and intimate with the public. She has a poetic vision of the world that invites the imaginary into spaces dedicated to art as well as those accessible to the greatest number of people. New questions and new sensitive experiments are aroused by the installation.

The post NATURE FRAGILE
Louise Frydman
13.11.2019 – 04.01.2020 first appeared on Loo & Lou Gallery.]]> NÉ DU LIMONPaul de Pignol06.11.2019 – 04.01.2020 https://looandlougallery.com/exhibitions/ne-du-limonpaul-de-pignol06-11-2019-04-01-2020/?utm_source=rss&utm_medium=rss&utm_campaign=ne-du-limonpaul-de-pignol06-11-2019-04-01-2020 Tue, 05 Nov 2019 17:05:24 +0000 https://looandlougallery.com/?p=6717 NÉ DU LIMON Paul de Pignol Loo & Lou Gallery – Haut Marais05.11.19 – 04.01.20 View of the exhibition “Né du Limon” by Paul de Pignol © Loo & Lou Gallery Vénus ouvert VI (2003) Bronze (2/4), 120 x 15 x 15 cm© Loo & Lou Gallery Paul de Pignol, Figure de cendre, fusain, 96×64 […]

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Paul de Pignol
06.11.2019 – 04.01.2020 first appeared on Loo & Lou Gallery.]]>

NÉ DU LIMON

Paul de Pignol

Loo & Lou Gallery – Haut Marais
05.11.19 – 04.01.20

  • View of the exhibition “Né du Limon” by Paul de Pignol © Loo & Lou Gallery

  • Vénus ouvert VI (2003) Bronze (2/4), 120 x 15 x 15 cm© Loo & Lou Gallery

  • Paul de Pignol, Figure de cendre, fusain, 96×64 cm, 2016 ©

  • Paysage (detail) 2018, Oil on canvas, 200 x 50cm © Loo & Lou Gallery

  • Rive de Narcisse (detail) 2018, Bronze, 189 x 129 x 38 cm © Loo & Lou Gallery

  • View of the exhibition “Né du Limon” by Paul de Pignol © Loo & Lou Gallery

  • Figure de cendre (2016) Fusain, 96 x 64 cm © Loo & Lou Gallery

  • View of the exhibition “Né du Limon” by Paul de Pignol © Loo & Lou Gallery

  • Petit gisant (2014) Fer, 17 x 24 x 5 cm © Loo & Lou Gallery

  • Grande Vénus IV (2018) Bronze (1/8), 173 x 43 x 40 © Loo & Lou Gallery

Here comes the humus’ season, of rot’s proliferation, of leafs’ maceration, by operation of the law according to which anything begotten will be in the proximity of excreting, organs of creation are being combined with those of urine, and everything that will be born will be wrapped by slime, mucus and blood, as well as asparagus’ purity and mint’s greenness comes from manure.

— Alejo Carpentier, extracted from Partage des eaux

Before man and its shape, before what will soon be the field of the original outlines and prints, out of infinity, breaks the wideness of a word fit to the arising of mankind: the landscape.

Man is not born yet or barely born and it has already been given the profusion of the landscape of its birth: mud dig by a shovel, a Garden of Eden molded with a punch, a fertile ground as thick as rough. Here is all it will require for mankind to prosper in its being and initiate its history: a vastness well furnished, slightly aggressive from the assault of the diggings, a land without borders, suitable to blossom of desire. There one word to describe it: silt.

It is the name of the matter as well as the kneading, the name of birth and of belonging. What arises from the protective cocoon is mankind in its primordial and definitive nakedness, holding onto the lean shape of the beginning and the slow length of the first days. Facing the landscape, and within it as well, as it would stand in front of its mother, it becomes the shape of its yearning and an opening for expectation. It can walk, subsequently, as night is fading.

— Claude Louis-Combet, July 2019

The post NÉ DU LIMON
Paul de Pignol
06.11.2019 – 04.01.2020 first appeared on Loo & Lou Gallery.]]> TOILES VIVANTESLydie Arickx18.09.2019 – 26.10.2019 https://looandlougallery.com/exhibitions/toiles-vivanteslydie-arickx18-09-2019-26-10-2019-2/?utm_source=rss&utm_medium=rss&utm_campaign=toiles-vivanteslydie-arickx18-09-2019-26-10-2019-2 Tue, 17 Sep 2019 16:05:59 +0000 https://looandlougallery.com/?p=6505 TOILES VIVANTES Lydie Arickx Loo & Lou Gallery and L’Atelier – Haut Marais 18.09 – 26.10.19 Portée (2014) Oil and pigments on emery cloth, 116 x 89 cm ©BianchArickx Mer Hallucinée II (2019) Oil and pigments on black canvas, 116 x 145 cm ©BianchArickx Mer Hallucinée III (2019) Oil and pigments on black canvas, 116 x […]

The post TOILES VIVANTES
Lydie Arickx
18.09.2019 – 26.10.2019 first appeared on Loo & Lou Gallery.]]>

TOILES VIVANTES

Lydie Arickx

Loo & Lou Gallery and L’Atelier – Haut Marais 
18.09 – 26.10.19

  • Portée (2014) Oil and pigments on emery cloth, 116 x 89 cm ©BianchArickx

  • Mer Hallucinée II (2019) Oil and pigments on black canvas, 116 x 145 cm ©BianchArickx

  • Mer Hallucinée III (2019) Oil and pigments on black canvas, 116 x 145 cm ©BianchArickx

  • Père (2019) Oil, pigments and pastel on linen canvas glued on wood, 200 x 135 cm ©BianchArickx

  • Mère (2019) Oil, pigments and pastel on linen canvas glued on wood, 200 x 135 cm ©BianchArickx

  • Sans titre (2016) Oil on emery cloth, 300 x 200 cm ©BianchArickx

  • Sans Titre (2019) Oil, pastel and pigment on black canvas glued on wood, 193 x 266 cm ©Loo & Lou Gallery

  • Strangulation (2019) Oil on bed sheet, 183 x 325 cm ©Loo & Lou Gallery

  • Arythmie (2019) Oil on black canvas, 115 x 145 cm ©Loo & Lou Gallery

  • View of the exhibition “Toiles Vivantes” by Lydie Arickx © Loo & Lou Gallery

  • View of the exhibition “Toiles Vivantes” by Lydie Arickx © Loo & Lou Gallery

  • View of the exhibition “Toiles Vivantes” by Lydie Arickx © Loo & Lou Gallery

Lydie Arickx draws and paints with a violence that is, rather, an expressive hyper sensibility. She fears not being able to create in a large way, and makes work using materials that work for her in that moment, be it with brushes, brooms, or her hands. She needs to be able to go hand-in-hand with her pieces, while experiencing a sort of struggle and groups herself with different materials and elements. Her work is focused on motifs that relate to consecrated expression. She pursues this inspiration through her pieces that she makes in the studio.

Her pieces are to be viewed as captured in an immediate confrontation between the world and human beings. Her large scale paintings and sculptures begin at a special moment of communion between object and experience, and are further developed.

Her large paintings of dissected human bodies or large oceans are above all examples of astonishingly large scale developments of her experiences, with all of their intensity. What is most striking is the sense of “coming and going,” a kind of repetition that occurs between them. No matter the scale, one could say that sincerity and truth reveal that the artist and her emotions are completely present within the works. Each moment her practice has its own purpose, even if it will be taken up again and placed into another experience. There is a way of being for the artist that cannot be improvised, that is probably not even spontaneous, but comes from an asceticism, a conquest of the self and of one’s sensibility.

What is also striking is that the strength of feeling does not envelop anything that is pathos. There is an excess of affect that blunts so many other expressionist approaches. The drawings of dissected bodies, to take the most perilous example, are exceptionally strong but also bear witness to a rejection of the mortuary and the macabre. They are poor human bodies transfigured by the vision of art, brought to another reality by the artist’s gaze. Here, as in the landscape drawings, there is a lyrical feeling. The subject triggers a vibration in the artist that leads to a transfiguration, and this transfiguration no longer brings us into the presence of this or that body but of the human and of life in general. Similarly, in Aux, the dance of death becomes the manifestation of the human in general. In the works by Arickx, the elements, nature, and life manifest through a temperament of fire and ice.

The post TOILES VIVANTES
Lydie Arickx
18.09.2019 – 26.10.2019 first appeared on Loo & Lou Gallery.]]> ART PARIS 09.04-12.04.26 https://looandlougallery.com/fairs/art-paris-09-04-12-04-26-2/?utm_source=rss&utm_medium=rss&utm_campaign=art-paris-09-04-12-04-26-2 Fri, 20 Feb 2026 17:57:11 +0000 https://looandlougallery.com/?p=25606 Loo and Lou returns to Art Paris with a solo show by Belgian artist Johan Van Mullem.

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09.04-12.04.26 first appeared on Loo & Lou Gallery.]]>

09.04 – 12.04.2026
Paris

Johan Van Mullem

 

Johan Van Mullem opens his inks to other hypotheses, a fullness where light, finding refuge in matter, unfolds an interweaving of subtle associations that draws the eye into a meditative dive. Visionary faces, dissolved by an interior sfumato effect, are now succeeded by horizons crossed by nascent greens, ethereal blues and glowing ochres. Caught in a double movement of sedimentation and expansion, his cartoons and canvases, now sources of radiance, stratify and liberate themselves, revealing their depth. Light, sovereign, emanates from the layers themselves, revealing transparencies and bringing forth atmospheres of celestial mists and windswept expanses. Each work seems to be in tune with the elements, permeated by their instability and shifting breath. The eye perceives the humid air, the density of the clouds, the shiver of restless water. As a counterpoint, a fleeting silhouette emerges: an inverted, drenched, liquefied nude, bright yellow, almost phosphorescent – an epiphany whose fragile suspense captures both its own appearance and its disappearance. Van Mullem works with engraving and printing inks, which he dilutes and then reapplies in patient layers. A penetrating luminescence then spreads, where each touch retains the memory of what was covered. And even at the heart of abstraction, his works retain the memory of solar golds and the liquid element, like a persistence buried beneath the material. Born in Congo in 1959 and nourished by his early years spent in Tunisia, the artist has imprinted his practice with the mark of his travels and movements, giving rise to a body of work that captures all the pulsations of the world.

JOHAN VAN MULLEM

Johan Van Mullem was born in Congo in 1959 to Belgian parents. He grew up moving around the world as a result of his parents various diplomatic postings, including a seven year stay in Tunisia. The artist has always been an autodidact. He started drawing at the age of five and  never stopped, following in his father and grandfather’s footsteps. His family roots are in the city of Bruge, and from which he went on to study architecture in Brussels. Later on, Johan began exploring with etching and painting. Today he paints with etching ink, and is considered to be one of the only artists who uses this medium as a way to create paintings.
 
Since his youth, Van Mullem has persisted in his search for wrinkled faces, seeking the beauty that he recognized in the experience that is “engraved” on faces and in hands. Since then, the face remains the major subject of his work. The subjects appear  rejuvenated, disappearing or emerging in a halo of light in an old-fashioned sfumato, offering an escape into a world of emotion. His work is an invitation to look inward and go on a journey of omnipresent emotional charge of which one  cannot part ways indifferently, an effect of the bewildering depth of his paintings.
 
The superimposition and erasure of many smooth layers of diluted inks further accentuates the feeling of viewing a presence on the canvas that is difficult to describe. Van Mullem has mastered this specific and unique technique through self-learning, executing his pieces in etching ink as an extension of his experience as an engraver, giving his work an additional, exceptional character.
 
A multifaceted artist, designer, poet, musician, painter and sculptor, Van Mullem strives to create a diverse but absolutely coherent œuvre that builds bridges to link and awaken our senses. Though his pieces are contemporary, they can suggest references to historical masterpieces.
 
His paintings are in major private collections and Museum collections throughout Europe. He has held solo exhibitions in Art Galleries located in London, Paris, New York and Brussels. His work was exhibited in various European Museums.

The post ART PARIS
09.04-12.04.26 first appeared on Loo & Lou Gallery.]]> ART MADRID 04.03-.08.03.26 https://looandlougallery.com/fairs/art-madrid-04-03-08-03-26-2/?utm_source=rss&utm_medium=rss&utm_campaign=art-madrid-04-03-08-03-26-2 Fri, 20 Feb 2026 17:45:52 +0000 https://looandlougallery.com/?p=25585 Pour la seconde fois, Loo and Lou participe la foire Luxembourg Art Week en présentant un solo show de Joël Person appelé "Le Paradis Perdu".

The post ART MADRID
04.03-.08.03.26 first appeared on Loo & Lou Gallery.]]>

04.03 – 08.03.2026
Madrid

Cedric Le Corf

 
We are delighted to announce that Loo & Lou will be participating in Art Madrid from 4 to 8 March 2026, showcasing the work of Cedric Le Corf. We will be presenting a selection of the artist’s paintings and sculptures at stand B5 of the fair, for a second colourful collaboration.

CEDRIC LE CORF

At the same time, another wonderful reunion is on the horizon!

As part of the collaboration between Casa de Velázquez and Loo & Lou Gallery, Cedric Le Corf’s sculpture Justa (2019) will be on display from 2 to 8 March 2026 in the gardens of the Madrid institution, during Madrid’s contemporary art fair week and Loo & Lou Gallery’s participation in Art Madrid.

Visits are possible during the Casa de Velázquez’s opening hours, from 10 a.m. to 8 p.m., Monday to Sunday.

Casa de Velázquez
Ciudad Universitaria
C/ de Paul Guinard, 3
E – 28040 Madrid

The post ART MADRID
04.03-.08.03.26 first appeared on Loo & Lou Gallery.]]> 24.04.2021 | Acquisition of the work “Confinement” by Joël Person by the Jenisch Vevey Museum in Switzerland https://looandlougallery.com/news/24-04-2021-acquisition-of-the-work-confinement-by-joel-person-by-the-jenisch-vevey-museum-in-switzerland/?utm_source=rss&utm_medium=rss&utm_campaign=24-04-2021-acquisition-of-the-work-confinement-by-joel-person-by-the-jenisch-vevey-museum-in-switzerland Sat, 24 Apr 2021 15:05:29 +0000 https://looandlougallery.com/?p=14809 Acquisition of the work "Confinement" by Joël Person by the Musée Jenisch Vevey for the exhibition Portrait, Autoportrait

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Acquisition of the work “Confinement” by Joël Person by the Jenisch Vevey Museum in Switzerland.

 

Published on 24 April 2021

 

The work “Confinement” from the series “Les Verticales” is now a part of the permanent collection of the Musée Suisse Jenisch Vevey. It will be presented during the exhibition “Portrait, Autoportrait,” which was curated by Frédéric Pajak and assisted by Emmanuelle Neukomm, curator Fine Arts, and will be on view from May 29 to September 5, 2021.

For more information on the exhibition Portrait, Self-Portrait, click on this link: : Portrait, Selfportrait

Joël Person, Confinement, série Les Verticales, 2013-2020, black stone pencil on paper, 497 x 25o cm, Jenisch Vevey Museum, © Marine Pierrot Detry


Article by journalist Antoine Duplan for the newspaper Le Temps Week-End Supplément culture et société of 29 May 2021

The post 24.04.2021 | Acquisition of the work “Confinement” by Joël Person by the Jenisch Vevey Museum in Switzerland first appeared on Loo & Lou Gallery.]]> 17.04.2021 | Joël Person in residence at the Pablo Casals Festival https://looandlougallery.com/news/17-04-2021-joel-person-in-residence-at-the-pablo-casals-festival/?utm_source=rss&utm_medium=rss&utm_campaign=17-04-2021-joel-person-in-residence-at-the-pablo-casals-festival Sat, 17 Apr 2021 14:15:41 +0000 https://looandlougallery.com/?p=14657 Joël Person in residence at the Pablo Casals Festival

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Joël Person in residence at the Pablo Casals Festival from 30 July to 13 August 2021

Published on April 17, 2021

AN ARTIST IN ACTION

“The painter and illustrator Joël Person, a graduate of the Beaux-Arts de Paris, will be live drawing the daily life of the festival, its public concerts, and its different atmospheres. It will be up to him to see and render with his hand what he has seen, to take the pulse of the event on paper. His work will be exhibited everyday in relation to the other events, because more than ever the Pablo Casals Festival will make room for interconnections and transdisciplinarity, so that the music may be experienced through all its facets.”

For more information on the Pablo Casals Festival, click here : Festival Pablo Casals


Images : 1. Festival Pablo Casals de Prades : the world of chamber music. D.R.
https://www.lasemaineduroussillon.com/
2. Joël Person, Répétition à l’Opéra Comique, serie Carnets de notes, 2020, black stone pencil on paper, 50 x 25 cm

The post 17.04.2021 | Joël Person in residence at the Pablo Casals Festival first appeared on Loo & Lou Gallery.]]> 30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord https://looandlougallery.com/press/arborescences-exhibition-by-lydie-arickx-at-the-chateau-de-chambord/?utm_source=rss&utm_medium=rss&utm_campaign=arborescences-exhibition-by-lydie-arickx-at-the-chateau-de-chambord Tue, 20 Apr 2021 14:03:59 +0000 https://looandlougallery.com/?p=14740 Photographs by Jean-Christophe Ballot will be presented at the "Regards de Loire" exhibition at the Château de Tours.

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ARBORESCENCES exhibition by Lydie Arickx at the Château de Chambord from 30 May to 17 October 2021

Château de Chambord
41250, Chambord

published on 20 April 2021

Lydie Arickx in her workshop for the newspaper SUD OUEST,  © Isabelle Louvier

The term “expressionist” that is often attached to the work of Lydie Arickx is reductive. It is true that her work distorts the figure, twists the material and gives an account of the violence of the world. But her constant search for new materials and new forms nourishes her work beyond any label, in order to express fears, swallows, harsh joys or miraculous apparitions, sometimes with a touching gentleness. Whether she uses canvas, concrete, earth, metal, fabric, 3D prints, concrete or ash, Lydie Arickx transmits an unparalleled energy that makes her one of the most inventive and engaging artists. After her projects at the Cordeliers convent, the La Piscine museum, the Conciergerie and Biron, she will be offering a sensual and powerful exhibition at Chambord for four months, which will lead to a reflection on life and its forms, highlighting the porosity between the medium, the plant and the animal, each form inhabited by a breath that even death cannot complete, but simply entertain.

Arborescences will present around 150 works (drawings, paintings, sculptures, installations, etc.) by the artist. Many of them were created specifically for the exhibition. The event will run from 30 May to 17 October, health conditions permitting. Two public performances by the artist will take place on the afternoons of 12 and 23 April on the second floor of the castle.

Press review

 

Château de Chambord © Martin Ruegner / Getty Images

Lydie Arickx in her workshop for the newspaper SUD OUEST,  © Isabelle Louvier

The post 30.05.2021 – 17.10.2021 | Arborescences” exhibition by Lydie Arickx at the Château de Chambord first appeared on Loo & Lou Gallery.]]> 18.03.2021 | Benoît Luyckx creates a piece for Vinci Immobilier as part of the “1 immeuble, 1 œuvre” project https://looandlougallery.com/news/18-03-2021-benoit-luyckx-imagine-une-oeuvre-pour-vinci-immobilier-dans-le-cadre-du-projet-1-immeuble-1-oeuvre/?utm_source=rss&utm_medium=rss&utm_campaign=18-03-2021-benoit-luyckx-imagine-une-oeuvre-pour-vinci-immobilier-dans-le-cadre-du-projet-1-immeuble-1-oeuvre Sat, 20 Mar 2021 14:37:51 +0000 https://looandlougallery.com/?p=13956 Benoît Luyckx creates the piece "Falbala" for Vinci Immobilier as part of the "1 immeuble, 1 œuvre" project

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Benoît Luyckx creates a piece for Vinci Immobilier as part of the “1 immeuble, 1 œuvre” project 

published the 18th of March 2021

Falbala (detail), 2021, Bronze | Image : Vinci Immobilier © Fabrice Rambert

The “1 Immeuble, 1 Oeuvre” art program was launched in 2015 under the aegis of the Ministry of Culture, with the immediate support of the FPI, which has been accompanying its development for the past 5 years. Today, more and more FPI members are voluntarily committing, by signing the ministerial charter, to finance the acquisition or production of a work from an artist for each of their real estate programs.

In Thiais, Benoît Luyckx’s bronze sculpture faces Vinci Immobilier’s 1930s-inspired housing. The work invites the imagination and poetry through its purity of form and grace.

More information about “1 immeuble, 1 oeuvre” by the Ministry of Culture and the Federation of Real Estate Developers of France: https://www.unimmeubleuneoeuvre.fr/

The post 18.03.2021 | Benoît Luyckx creates a piece for Vinci Immobilier as part of the “1 immeuble, 1 œuvre” project first appeared on Loo & Lou Gallery.]]> 11.03.2021 | Release of the book Impermanence by Catherine Wilkening https://looandlougallery.com/news/11-03-2021-release-of-the-book-impermanence-by-catherine-wilkening/?utm_source=rss&utm_medium=rss&utm_campaign=11-03-2021-release-of-the-book-impermanence-by-catherine-wilkening Thu, 11 Mar 2021 11:53:52 +0000 https://looandlougallery.com/?p=13786 The book Impermanence by Catherine Wilkening will be released Tuesday 16th March !

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Release of the book Impermanence by Catherine Wilkening

Published on 11 March 2021

 

Dear friends ,

We are pleased to announce the imminent release of the book Impermanence by Catherine Wilkening.

“Twenty years ago, to an actress who was proudly showing off photos of her sculptures during a film shoot, I replied: “I’ve been sculpting for years too, but in my head… I take some clay and I throw it on a wall, I create shapes, I imagine… in my head.” It’s as if I was waiting for something to happen, a shock, to allow me to give flesh to my dream, to dare to put my hands in the material. Since then I have never stopped sculpting, challenging my curiosity further and further, creating dozens of sculptures, more and more audacious, both in size and in structure…”

– Catherine Wilkening

This book offers magnificent impressions of the artist’s sculptural work over two decades as well as texts written by critic Philippe Godin.

This singular object will be available for purchase from Tuesday 16 March at the gallery for €25!

Do not hesitate to contact us by email or phone (+33) 01 42 03 97 if you want more information about the book Impermanence.

– Loo & Lou –

 

 

The post 11.03.2021 | Release of the book Impermanence by Catherine Wilkening first appeared on Loo & Lou Gallery.]]> 27.02.2021 | New online catalogue with a selection of works under 1000 € https://looandlougallery.com/news/catalogue-2020-en/?utm_source=rss&utm_medium=rss&utm_campaign=catalogue-2020-en Sat, 12 Dec 2020 18:13:20 +0000 https://looandlougallery.com/?p=10456 We are delighted to present you a brand new online catalogue with artworks under 1000 euros.

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NEW ONLINE CATALOG

published on February 27, 2021

Dear friends,

We are delighted to present to you a brand new online catalog with works available under 1000 euros.

We have also begun listing a selection of available works for each exhibition on our website. If you are interested in pieces from our current or previous exhibitions, please do not hesitate to contact the gallery.

We invite you to consider acquiring a piece and supporting artists who have been impacted heavily by this health crisis.

Please do not hesitate to contact us by e-mail or telephone (+33) 01 42 03 97 if would like more information on the pieces and/or artists represented by Loo & Lou Gallery.

– Loo & Lou –

The post 27.02.2021 | New online catalogue with a selection of works under 1000 € first appeared on Loo & Lou Gallery.]]> 07.01.2021 | Louise Frydman featured in book entitled “1 immeuble, 1 oeuvre” https://looandlougallery.com/news/07-01-2021-louise-frydman/?utm_source=rss&utm_medium=rss&utm_campaign=07-01-2021-louise-frydman Fri, 08 Jan 2021 11:05:59 +0000 https://looandlougallery.com/?p=10621 Louise Frydman is honoured in the new edition of the book "1 immeuble, 1 œuvre". The artist won the "1 immeuble, 1 œuvre" prize in 2019 thanks to her works Forêt blanche and La Fée des pétales.

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Louise Frydman featured in the book “1 immeuble, 1 oeuvre”

published on January 7, 2021

La Fée des pétales (2017) Mobile Ceramic, 200 x 150 cm | Image : Vinci Immobilier © Carole Desheulles

Louise Frydman is featured in the new edition of the book “1 immeuble, 1 œuvre.”
The artist obtained the prize “1 immeuble, 1 œuvre” in 2019 for her works Forêt blanche and La Fée des pétales.

Excerpt from the book. Image : Louise Frydman

More information about the “1 immeuble, 1 oeuvre” device of the French Ministry of Culture and the Federation of Real Estate Developers of France: https://www.unimmeubleuneoeuvre.fr/

The post 07.01.2021 | Louise Frydman featured in book entitled “1 immeuble, 1 oeuvre” first appeared on Loo & Lou Gallery.]]> 03.2020 – 03.2021 | Catherine Wilkening at the Naïa Museum of Imaginary Arts https://looandlougallery.com/news/mars-2020-mars-2021-catherine-wilkening-at-the-naia-museum-of-imaginary-arts/?utm_source=rss&utm_medium=rss&utm_campaign=mars-2020-mars-2021-catherine-wilkening-at-the-naia-museum-of-imaginary-arts Wed, 28 Oct 2020 12:06:09 +0000 https://looandlougallery.com/?p=9918 Catherine Wilkening joins a group exhibition at the Naïa Museum of Imaginary Arts in Rochefort-en-Terre.

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Catherine Wilkening, in exhibition at the Naïa Museum of Imaginary Arts

Naïa Museum of Imaginary Arts

14 Rue du Château, 56220 Rochefort-en-Terre

published on October 28, 2020

© Catherine Wilkening

Catherine Wilkening joins a group exhibition at the Naïa Museum of Imaginary Arts in Rochefort-en-Terre (Brittany). Inaugurated in March 2020, it will be on view until March 2021.

“The works of the artist are veritable ossuaries testifying to a war pursued relentlessly, with regard to the great macho fabulations which populate our memories (not only the cinematographical ones…) An aberrant ode to cannibalism !”

— Naïa Museum

The museum is open from Monday to Sunday from 10h30 to 18h30.

More info at: Naïa Museum

View of the exhibition © Beautiful Bizarre

The post 03.2020 – 03.2021 | Catherine Wilkening at the Naïa Museum of Imaginary Arts first appeared on Loo & Lou Gallery.]]> 23.10.2020 – 17.01.2021 | Exhibition “Regards de Loire” by Jean-Christophe Ballot at the Château de Tours https://looandlougallery.com/news/23-10-2020-17-01-2021-exhibition-regards-de-loire-by-jean-christophe-ballot-at-the-chateau-de-tours/?utm_source=rss&utm_medium=rss&utm_campaign=23-10-2020-17-01-2021-exhibition-regards-de-loire-by-jean-christophe-ballot-at-the-chateau-de-tours Tue, 27 Oct 2020 17:44:48 +0000 https://looandlougallery.com/?p=9900 Photographs by Jean-Christophe Ballot will be presented during the exhibition "Regards de Loire", at the Château de Tours.

The post 23.10.2020 – 17.01.2021 | Exhibition “Regards de Loire” by Jean-Christophe Ballot at the Château de Tours first appeared on Loo & Lou Gallery.]]>

Exhibition 
“Regards de Loire”, with the participation of Jean-Christophe Ballot

Château de Tours
25 Avenue André Malraux, 37000 Tours

published on October 27, 2020

Excerpt from the book L’EAU GRANDE, page 25, CRÉAPHIS Editions © Jean-Christophe Ballot

On the occasion of the celebrations of the 20th anniversary of the inscription of the Loire Valley on the UNESCO World Heritage List, the Val de Loire Mission presents a collective exhibition at the castle of Tours.

Photographs by Jean-Christophe Ballot will be presented during this exhibition. Imola Gebauer and Bruno Marmiroli – curators of the exhibition – have retained the work he had done on the floods of the Loire, published in the book L’eau grande, published by Créaphis.

The exhibition is on view until January 17, 2021, from Tuesday to Sunday from 2 to 6 pm. 

More details: Château de Tours

© Château de Tours

The post 23.10.2020 – 17.01.2021 | Exhibition “Regards de Loire” by Jean-Christophe Ballot at the Château de Tours first appeared on Loo & Lou Gallery.]]> 14.10 – 30.10.2020 | Exhibition Secrets and Lies by Amy Gibson on view at our George V space https://looandlougallery.com/news/14-10-30-10-2020-exhibition-amy-gibson-secrets-and-lies-on-view-at-our-george-v-space/?utm_source=rss&utm_medium=rss&utm_campaign=14-10-30-10-2020-exhibition-amy-gibson-secrets-and-lies-on-view-at-our-george-v-space Fri, 16 Oct 2020 16:27:08 +0000 https://looandlougallery.com/?p=9775 The photography exhibition “Secrets and Lies” by the artist Amy Gibson is on view at our George V space by appointment until October 30th

The post 14.10 – 30.10.2020 | Exhibition Secrets and Lies by Amy Gibson on view at our George V space first appeared on Loo & Lou Gallery.]]>

Exhibition
“Secrets and Lies” by Amy Gibson

Loo & Lou Gallery George V
45 avenue George V, 75008 Paris

published 16th October 2020

The photography exhibition “Secrets and Lies” by Amy Gibson is on view at our George V space from Tuesday to Saturday, 11am – 7pm, until October 30th by appointment via secretsandliesrsvp@gmail.com.

The gallery will be open all day on Tuesday, October 27th from 11am to 7pm.


“Everyone has inside of them a princess, a king, a monster, an idiot, and a hero. When we enjoy and have fun pretending to be these characters we access part of ourselves that has been there all along.”

— Amy Gibson

© Amy Gibson

The post 14.10 – 30.10.2020 | Exhibition Secrets and Lies by Amy Gibson on view at our George V space first appeared on Loo & Lou Gallery.]]> 07.10.2020 | Drawings by Paul de Pignol, published in number 18 of the Cahiers de l’école du paysage de Blois. https://looandlougallery.com/news/07-10-2020-drawings-by-paul-de-pignol-published-in-number-18-of-the-cahiers-de-lecole-du-paysage-de-blois/?utm_source=rss&utm_medium=rss&utm_campaign=07-10-2020-drawings-by-paul-de-pignol-published-in-number-18-of-the-cahiers-de-lecole-du-paysage-de-blois Thu, 01 Oct 2020 15:23:06 +0000 https://looandlougallery.com/?p=9685 We are happy to share with you the launch event of issue 18 of the Cahiers de l'école du paysage de Blois in which Paul de Pignol had the honor to publish some of his drawings!

The post 07.10.2020 | Drawings by Paul de Pignol, published in number 18 of the Cahiers de l’école du paysage de Blois. first appeared on Loo & Lou Gallery.]]>

07.10.2020 – Drawings by Paul de Pignol, published in number 18 of the Cahiers de l’école du paysage de Blois

VOLUME Bookshop – 47 rue Notre dame de Nazareth, 75003 Paris

published on October 1st 2020

The bookshop VOLUME will host this Wednesday, October 7th at 7:30 pm an event to launch the issue of the number 18 of the Cahiers de l’école du paysage de Blois. Dedicated to the measure of the living (la mesure du vivant), it contains 6 drawings by Paul de Pignol. 

© Paul de Pignol

The post 07.10.2020 | Drawings by Paul de Pignol, published in number 18 of the Cahiers de l’école du paysage de Blois. first appeared on Loo & Lou Gallery.]]> 24.09.20 | Louise Frydman, winner of the Arvore Award at the 2020 edition of JustMAD https://looandlougallery.com/news/louise-frydman-en-residence-dans-le-cadre-du-prix-arvore-2/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-en-residence-dans-le-cadre-du-prix-arvore-2 Thu, 24 Sep 2020 10:52:10 +0000 https://looandlougallery.com/?p=9462 Louise Frydman, winner of the Arvore Award at the 2020 edition of JustMAD

The post 24.09.20 | Louise Frydman, winner of the Arvore Award at the 2020 edition of JustMAD first appeared on Loo & Lou Gallery.]]>

Louise Frydman – Árvore Award 2020

Cooperativa Árvore, Porto (Portugal)

published 24th September 2020

The Árvore Residence Award was created in 2019 and aims to promote ceramics as an autonomous language of contemporary artistic creation. One of this initiative’s objectives is to support the continued study of creative and research work of visual artists in this field.

In 2020 the Prize for Artistic Residency – JUSTMAD was awarded, which in its editions has a program of artistic residencies oriented towards artistic creation. Thus, after a meeting with members of the management of Árvore – Cooperativa de Actividades Artísticas, CRL and Semíramis Gonzalez, artistic director of the contemporary art fair JUSTMAD, which took place last February in Madrid, they decided to reward the French artist Louise Frydman.

The pieces produced during the artist’s residency will be part of the artist’s solo exhibition in rooms 2 and 3 of the Árvore from 10 to 31 October 2020.

Source : Cooperativa Arvore 

  • © Diana Pinheiro

  • © Diana Pinheiro

  • © Diana Pinheiro

  • © Diana Pinheiro

  • © Diana Pinheiro

  • © Diana Pinheiro

© Diana Pinheiro

The post 24.09.20 | Louise Frydman, winner of the Arvore Award at the 2020 edition of JustMAD first appeared on Loo & Lou Gallery.]]> 10.09.20 – 13.09.20 | Art Paris 2020 https://looandlougallery.com/news/10-09-20-13-09-20-art-paris-2020/?utm_source=rss&utm_medium=rss&utm_campaign=10-09-20-13-09-20-art-paris-2020 Wed, 16 Sep 2020 15:10:19 +0000 https://looandlougallery.com/?p=9406 Loo and Lou Gallery will participate in the 2020 edition of Art Paris Art Fair. This year, the gallery will present the artistic universes of Cedric Le Corf, Hélène Damville, Pierre-Édouard and Paul de Pignol from September 10th to 13th.

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ART PARIS 2020

10.09 – 13.09.2020

published 08 September 2020

Images : Jean-Louis Loisy

For the 2020 edition of Art Paris, Loo & Lou Gallery is offering a glance of the French scene faithful to its
artistic program, with four artists: Pierre-Édouard, Cédric Le Corf, Hélène Damville and Paul de Pignol.
Though their practices are different, from paintings and drawings to sculptures and etchings, these
artists from different generations, with French origin or residing within the hexagon, create work
inspired by landscapes and have a certain fascination for the living.

You can visit the stand virtually by clicking here

More information :

Download the press release

The post 10.09.20 – 13.09.20 | Art Paris 2020 first appeared on Loo & Lou Gallery.]]> 05.09 – 11.10.2020 | Jean-Christophe Ballot – Photographies // Maison Henri IV, Saint-Valery en Caux https://looandlougallery.com/news/05-09-11-10-2020-jean-christophe-ballot-photographies-maison-henri-iv-saint-valery-en-caux-2/?utm_source=rss&utm_medium=rss&utm_campaign=05-09-11-10-2020-jean-christophe-ballot-photographies-maison-henri-iv-saint-valery-en-caux-2 Wed, 16 Sep 2020 16:35:39 +0000 https://looandlougallery.com/?p=9419 We are pleased to share with you the exhibition of the photographer Jean-Christophe Baillot at the Maison Henri IV (Saint-Valery en Caux, Normandy).

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05.09 – 11.10.2020 // Jean-Christophe Ballot – Photographies

Maison de Henri IV, Saint-Valery en Caux

published 16th September 2020

© Jean-Christophe Ballot

The exhibition presents four works dispersed in time and space.

Thirty-seven years have passed between his first trip to Berlin in 1983 and the new urban landscapes of the winter of 2019/2020.

Between the portraits of Buddha in Burma and the landscapes of the road to Santiago de Compostela through France and Spain, between the inner journey of the Vanities, still lifes, installations or observation of funeral rites in Toraja country, Jean-Christophe Ballot holds a sensitive line carried by a contemplative look at the world. 

Practical information :

From September 5th to October 11th, 2020

Maison Henri IV. Quai de la Batellerie, Saint Valery en Caux, 76460 France

Telephone: +33 2 35 57 14 13

The post 05.09 – 11.10.2020 | Jean-Christophe Ballot – Photographies // Maison Henri IV, Saint-Valery en Caux first appeared on Loo & Lou Gallery.]]> 19.06.20 | SAVE THE DATE – EVENT – ARTS PLUS METIERS https://looandlougallery.com/news/save-the-date-arts-plus-metiers-2/?utm_source=rss&utm_medium=rss&utm_campaign=save-the-date-arts-plus-metiers-2 Fri, 19 Jun 2020 16:20:58 +0000 https://looandlougallery.com/?p=8851 We are happy to announce our participation in ARTS PLUS METIERS, a festive weekend of discoveries, from July 4th to 11th on Rue Notre-Dame de Nazareth and in its surrounding neighborhood, Arts et Métiers.

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SAVE THE DATE – EVENT

ARTS PLUS METIERS

published June 19, 2020

SAVE THE DATE!

We are happy to announce our participation in ARTS+MÉTIERS, a festive week of discoveries (discover
galleries, selections of artworks for sale below 1 000 €, special offers in stores and restaurants,
workshops) from July 4th to 11th on Rue Notre-Dame de Nazareth and in its surrounding neighborhood,
Arts et Métiers.

During this week we will be presenting a temporary exhibition, parallel to Elisabeth Daynès’, of works
under 1 000 € by Flo Arnold, Tana Chaney, Didier Genty and Paul de Pignol. The gallery will be open
Sunday, July 5th from 2 to 7 PM!

Are you a playful and supportive soul? Return to childhood by participating in the raffle and you could go
home with works of art, books, a tailor-made cocktail, or even a bouquet of seasonal and ethical flowers,
and discover, or rediscover, the neighborhood in a playful way.

For the raffle, we are offering two catalogues by Lydie Arickx that are worth 55 € each.

Tickets are currently for sale for 5 € at the gallery and all proceeds will go to the neighborhood
association of Paris-Centre that works for the reintegration and support of artists and creators who are
in difficult situations.

See you there!

See you there!

The post 19.06.20 | SAVE THE DATE – EVENT – ARTS PLUS METIERS first appeared on Loo & Lou Gallery.]]> 10.06.20 | Virtual Visit of the exhibition “Find yourself” https://looandlougallery.com/news/10-06-20-virtual-visit-of-the-exhibition-find-yourself/?utm_source=rss&utm_medium=rss&utm_campaign=10-06-20-virtual-visit-of-the-exhibition-find-yourself Fri, 12 Jun 2020 09:57:59 +0000 https://looandlougallery.com/?p=8713 Connect here to see the exhibition Find yourself by Elisabeth Daynès!

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VIRTUAL VISIT OF THE EXHIBITION “FIND YOURSELF”

published June 12, 2020

Click here to see the exhibition Find yourself by Elisabeth Daynès !

The post 10.06.20 | Virtual Visit of the exhibition “Find yourself” first appeared on Loo & Lou Gallery.]]> 10.06.20 | MARAIS GALLERY SUNDAY #2 – June 14th https://looandlougallery.com/news/10-06-20-sunday-gallery-day-june-14/?utm_source=rss&utm_medium=rss&utm_campaign=10-06-20-sunday-gallery-day-june-14 Wed, 10 Jun 2020 15:36:04 +0000 https://looandlougallery.com/?p=8654 Loo & Lou Gallery has the pleasure to announce its participation in the project "marais.guide" this Sunday, June 14, 2020 from 2 to 6pm.

The post 10.06.20 | MARAIS GALLERY SUNDAY #2 – June 14th first appeared on Loo & Lou Gallery.]]>

MARAIS GALLERY SUNDAY #2

Sunday, June 14th from 2 – 6pm

published June 10, 2020

Loo & Lou Gallery has the pleasure to announce its participation with
“marais.guide“ this Sunday, June 14, 2020 from 2 to 6pm.
 
Across four large areas and in the heart of the marais, you
will have the possibility to discover artists and exhibitions
that are currently being presented across the different
galleries within the district.
 
The team at Loo & Lou will be delighted to welcome you
in the Haut-Marais area with the exhibition
Find yourself by the artist Elisabeth Daynès, which is
currently on view until July 24, 2020.
 
We would like to invite you to connect directly on your
Smartphone with the application marais.guide which will
guide you throughout your gallery route, as well as offer
you more information about the participating galleries.
 
See you then!

The post 10.06.20 | MARAIS GALLERY SUNDAY #2 – June 14th first appeared on Loo & Lou Gallery.]]> 30.05.20 | Art Paris Digital • Art Paris Live • Art Paris Hors les murs https://looandlougallery.com/news/30-05-20-art-paris-digital-art-paris-live-art-paris-hors-les-murs/?utm_source=rss&utm_medium=rss&utm_campaign=30-05-20-art-paris-digital-art-paris-live-art-paris-hors-les-murs Wed, 10 Jun 2020 15:36:02 +0000 https://looandlougallery.com/?p=8655 We invite you to discover our virtual stand in the 100% digital edition of Art Paris 2020. For this edition, Loo & Lou Gallery is pleased to present a view of the French scene, faithful to its artistic line, with four artists: Pierre-Édouard, Cédric Le Corf, Hélène Damville, et Paul de Pignol.

The post 30.05.20 | Art Paris Digital • Art Paris Live • Art Paris Hors les murs first appeared on Loo & Lou Gallery.]]>

ART PARIS DIGITAL • ART PARIS LIVE • ART PARIS HORS LES MURS

published May 30, 2020

We invite you to discover our virtual stand in the 100% digital edition of Art Paris 2020. For this edition,
Loo & Lou Gallery is pleased to present a view of the French scene, faithful to its artistic line, with four
artists: Pierre-Édouard, Cédric Le Corf, Paul de Pignol, and Hélène Damville. Though their materials and
practices are different, from paintings and drawings to sculptures and etchings, these artists from
different generations, with French origin or residing within the hexagon, create work inspired by
landscapes and have a certain fascination for the living.

ART PARIS DIGITAL by ARTSY
Works by
Pierre-Édouard, Cédric Le Corf, Paul de Pignol, and Hélène Damville
are now available on Artsy.net until June 20th.
 

ART PARIS LIVE
Take a virtual visit with our “Viewing Room 3D” on Artparis.com. 

 

ART PARIS – HORS LES MURS
More information to come…

Image: Cedric Le Corf, Écorché, 2017, Ashwood, porcelain, 90 x 50 x 40 cm

The post 30.05.20 | Art Paris Digital • Art Paris Live • Art Paris Hors les murs first appeared on Loo & Lou Gallery.]]> 12.06.2018 | Jean-Christophe Ballot is taking part in the conference “La photographie aujourd’hui et demain” at the Petit Palais https://looandlougallery.com/news/12-06-2018-jean-christophe-ballot-is-taking-part-in-the-conference-la-photographie-aujourdhui-et-demain-at-the-petit-palais/?utm_source=rss&utm_medium=rss&utm_campaign=12-06-2018-jean-christophe-ballot-is-taking-part-in-the-conference-la-photographie-aujourdhui-et-demain-at-the-petit-palais Wed, 18 Nov 2020 15:49:02 +0000 https://looandlougallery.com/?p=10031 The photographer Jean-Christophe Ballot is taking part in the conference "La photographie aujourd'hui et demain" at the Petit Palais.

The post 12.06.2018 | Jean-Christophe Ballot is taking part in the conference “La photographie aujourd’hui et demain” at the Petit Palais first appeared on Loo & Lou Gallery.]]>

Jean-Christophe Ballot is taking part in the conference “La photographie aujourd’hui et demain” at the Petit Palais

Petit Palais
Avenue Winston Churchill, 75008 Paris

Petit Palais  © Stéphane Couturier / Petit Palais / Roger-Viollet

The photographer Jean-Christophe Ballot will take part in the conference “La photographie aujourd’hui et demain”, which will be held at the Petit Palais on June 12, 2018.

Photographers Stéphane Couturier and Julien Lescoeur will participate in this conference, which will be hosted by Susana Gállego Cuesta.

It will take place on June 12, 2018 at 12:30 pm at the Petit Palais. 

More information: Petit Palais

The post 12.06.2018 | Jean-Christophe Ballot is taking part in the conference “La photographie aujourd’hui et demain” at the Petit Palais first appeared on Loo & Lou Gallery.]]> Art Madrid 05.03-09.03.25 https://looandlougallery.com/fairs/art-madrid-05-03-09-03-25-2/?utm_source=rss&utm_medium=rss&utm_campaign=art-madrid-05-03-09-03-25-2 Wed, 26 Feb 2025 11:16:04 +0000 https://looandlougallery.com/?p=24347 For the second time in a row, Loo and Lou return to the Art Madrid contemporary art fair for its 2025 edition! The works on display combine the worlds of Johan Van Mullem and Pierre-Luc Poujol.

The post Art Madrid
05.03-09.03.25 first appeared on Loo & Lou Gallery.]]>

05.03 – 09.03.2025
Madrid, Spain

Johan Van Mullem & Pierre-Luc Poujol

 
For the second time in a row, Loo and Lou return to the Art Madrid contemporary art fair for its 2025 edition! The works on display combine the worlds of Johan Van Mullem and Pierre-Luc Poujol.

  • JOHAN VAN MULLEM

    Johan Van Mullem was born in Congo in 1959 to Belgian parents. He grew up moving around the world as a result of his parents various diplomatic postings, including a seven year stay in Tunisia. The artist has always been an autodidact. He started drawing at the age of five and  never stopped, following in his father and grandfather’s footsteps. His family roots are in the city of Bruge, and from which he went on to study architecture in Brussels. Later on, Johan began exploring with etching and painting. Today he paints with etching ink, and is considered to be one of the only artists who uses this medium as a way to create paintings.
     
    Since his youth, Van Mullem has persisted in his search for wrinkled faces, seeking the beauty that he recognized in the experience that is “engraved” on faces and in hands. Since then, the face remains the major subject of his work. The subjects appear  rejuvenated, disappearing or emerging in a halo of light in an old-fashioned sfumato, offering an escape into a world of emotion. His work is an invitation to look inward and go on a journey of omnipresent emotional charge of which one  cannot part ways indifferently, an effect of the bewildering depth of his paintings.
     
    The superimposition and erasure of many smooth layers of diluted inks further accentuates the feeling of viewing a presence on the canvas that is difficult to describe. Van Mullem has mastered this specific and unique technique through self-learning, executing his pieces in etching ink as an extension of his experience as an engraver, giving his work an additional, exceptional character.
     
    A multifaceted artist, designer, poet, musician, painter and sculptor, Van Mullem strives to create a diverse but absolutely coherent œuvre that builds bridges to link and awaken our senses. Though his pieces are contemporary, they can suggest references to historical masterpieces.
     
    His paintings are in major private collections and Museum collections throughout Europe. He has held solo exhibitions in Art Galleries located in London, Paris, New York and Brussels. His work was exhibited in various European Museums.

  • PIERRE-LUC POUJOL

    Pierre-Luc Poujol was born in 1963 in Alès, in the Cévennes region of France.
    In 1984, he began brilliant studies at the Bordeaux School of Applied Arts, graduating top of his class (first prize in drawing, first prize in perspective, first prize in sketching).
    After dividing his time between France and the United States for several years, in 2018 he finally set up his studio in the South of France, near Montpellier.
    Influenced by the peasant roots of his farmer grandfather and lulled by the spiritual environment of his pastor father, Pierre-Luc Poujol developed an early sensitivity to the world and nature around him.
    Rewarded for his work and artistic commitment, he has won numerous prestigious awards. In particular, he won the international prize awarded by UNESCO for the bimillennium of the Nativity.
    From March 23 to May 26, 2024, he presents “Arborescences”, his new monographic exhibition at the Musée Paul Valéry, featuring over 70 paintings and wood sculptures on the theme of trees and forests.
    A committed artist, Pierre-Luc Poujol will become the first ambassador of the French NGO Coeur de Forêt in spring 2022, for which he will lend his voice and his paintbrushes to help preserve our biodiversity.

The post Art Madrid
05.03-09.03.25 first appeared on Loo & Lou Gallery.]]> JustMad 06.03.24-09.03.25 https://looandlougallery.com/fairs/justmad-06-03-24-09-03-25-2/?utm_source=rss&utm_medium=rss&utm_campaign=justmad-06-03-24-09-03-25-2 Wed, 26 Feb 2025 11:00:25 +0000 https://looandlougallery.com/?p=24328 Loo and Lou returns to Madrid's JustMad contemporary art fair! On this occasion, the gallery presents a solo show by painter Tana Borissova.

The post JustMad
06.03.24-09.03.25 first appeared on Loo & Lou Gallery.]]>

06.03 – 09.03.2025
Madrid

Tana Borissova

 
Loo and Lou returns to Madrid’s JustMad contemporary art fair! On this occasion, the gallery presents a solo show by painter Tana Borissova.

TANA BORISSOVA

Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997. She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

The post JustMad
06.03.24-09.03.25 first appeared on Loo & Lou Gallery.]]> Luxembourg Art Week 22.11.24-24.11.24 https://looandlougallery.com/fairs/luxembourg-art-week-22-11-24-24-11-24-2/?utm_source=rss&utm_medium=rss&utm_campaign=luxembourg-art-week-22-11-24-24-11-24-2 Fri, 28 Jun 2024 15:29:19 +0000 https://looandlougallery.com/?p=23524 Loo and Lou is pleased to announce its first participation in the Luxembourg Art Week contemporary art fair for its 2024 edition. On this occasion, the gallery will present a solo-show of works by Pierre-Luc Poujol.

The post Luxembourg Art Week
22.11.24-24.11.24 first appeared on Loo & Lou Gallery.]]>

22.11 – 24.11.2024
Luxembourg

Pierre-Luc Poujol

 
Loo and Lou is pleased to announce its first participation in the Luxembourg Art Week contemporary art fair for its 2024 edition. On this occasion, the gallery will present a solo-show of works by Pierre-Luc Poujol.

PIERRE-LUC POUJOL

The post Luxembourg Art Week
22.11.24-24.11.24 first appeared on Loo & Lou Gallery.]]> Art on Paper 03.10.24-06.10.24 https://looandlougallery.com/fairs/art-on-paper-03-10-24-06-10-24-2/?utm_source=rss&utm_medium=rss&utm_campaign=art-on-paper-03-10-24-06-10-24-2 Tue, 02 Jul 2024 10:28:37 +0000 https://looandlougallery.com/?p=23542 Loo and Lou is pleased to announce its first participation in the Art on Paper contemporary art fair for its 2024 edition. On this occasion, the gallery will present a solo-show by artist Joël Person.

The post Art on Paper
03.10.24-06.10.24 first appeared on Loo & Lou Gallery.]]>

03.10 – 06.10.2024
Brussels, Belgium

Joël Person

 
We are delighted to announce our first participation in the 2024 edition of the contemporary art fair Art on Paper with Joël Person‘s solo-show. This event is part of a collaboration with the Cabinet de curiosités Jonathan F. Kugel (Brussels).

JOËL PERSON

“Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

— Philippe Garnier, Les Cahiers Dessinés #9

The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland and his first book Et il n’est plus de place alors pour la peur will be published in September of 2022 by Cahiers Dessinés.

The post Art on Paper
03.10.24-06.10.24 first appeared on Loo & Lou Gallery.]]> Art Madrid 06.03.24-10.03.24 https://looandlougallery.com/fairs/art-madrid-06-03-24-10-03-24-2/?utm_source=rss&utm_medium=rss&utm_campaign=art-madrid-06-03-24-10-03-24-2 Tue, 23 Jan 2024 16:56:44 +0000 https://looandlougallery.com/?p=22843 Loo and Lou is pleased to announce its participation in the Art Madrid contemporary art fair for its 2024 edition in Madrid, Spain. On this occasion, the gallery will present a duo-show featuring works by Cedric Le Corf and Joël Person.

The post Art Madrid
06.03.24-10.03.24 first appeared on Loo & Lou Gallery.]]>

06.03 – 10.03.2024
Madrid, Spain

Cedric Le Corf & Joël Person

 
We are delighted to announce our participation in the 2024 edition of the Art Madrid contemporary art fair with the duo-show by Cedric Le Corf and Joël Person.

  • CEDRIC LE CORF

    Cedric Le Corf was born in 1985 in Bühl, near Baden-Baden (Germany), he lives and works in Brittany, in the Morbihan region. He graduated in 2009 with honours from the École Européenne Supérieure d’Art de Bretagne in Lorient.

    The anatomical landscapes inspired by Jacques Fabien Gautier d’Agoty’s boards have resurfaced over time as an inspiration for Le Corf’s work. Little by little, a dismembered man is transformed into a landscape of a man. Humans, trees, and the earth all possess a kind of “skin” and with it, the ability to be flayed. Is it not true that a dissected body is merely a wide range of landscapes, full of mishaps, folds, and crevices? The slightest roughness in bone is reminiscent to the rocky landscapes of Patinir; the venous, arterial, or nervous network irrigates like rivers, plains, and estuaries; muscles, like the clay of Genesis, model gorges and mounds.

    Using this metaphor, he uses plant roots as a landscape element to interlock bones, vertebrae, or joints made of porcelain. The root, in its etymological sense, is one element implanted inside another, much like the root of a tooth, a hair, or the dorsal root. It thus opposes the raw element of chaos to the mastery of creation, from roughness to polish, from decomposition to the inalterable, from the durability of art to the ephemeral man.

    Imbued with the Rhineland and Armorican heritage, confronted with the pathos of Grünewald (Baldung Grien), the hanged men within “Des misères de la guerre” by Jacques Callot at “l’Ankou,” along with the macabre dances of Kernascléden, where the animate and the inanimate are mixed, to the horror of the mass graves of Sobibor, Le Corf tries, by attaching himself to a motif, to deafen the subject that the sculpture, the painting, or the engraving contains.

    He has done several artist residencies, including the Dufraine Foundation in Chars, Académie des Beaux-Arts 2016-2018, the Spitzberg Expedition Residency 2017, Member of the Casa Velasquez in Madrid 2018-2019, and the Miro Foundation in Palma de Mallorca 2019.

    He received the Georges Coulon Prize (sculpture) from the Institut de France, Académie des Beaux-Arts in 2017.

    He has participated in numerous solo and group exhibitions in France, Germany, Spain and Belgium.

  • JOËL PERSON

    “Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

    Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

    — Philippe Garnier, Les Cahiers Dessinés #9

    The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland and his first book Et il n’est plus de place alors pour la peur will be published in September by Cahiers Dessinés.

The post Art Madrid
06.03.24-10.03.24 first appeared on Loo & Lou Gallery.]]> JustMad 07.03.24-10.03.24 https://looandlougallery.com/fairs/justmad-07-03-24-10-03-24-2/?utm_source=rss&utm_medium=rss&utm_campaign=justmad-07-03-24-10-03-24-2 Tue, 23 Jan 2024 16:37:08 +0000 https://looandlougallery.com/?p=22822 Loo and Lou is pleased to announce its participation to the art fair JustMad 2024, in Madrid, Spain. On this occasion, the gallery will present the work of artist Mark Powell from March 7 to 10, 2024.

The post JustMad
07.03.24-10.03.24 first appeared on Loo & Lou Gallery.]]>

07.03 – 10.03.2024
Madrid, Spain

Mark Powell

 
We are pleased to announce our participation in the 2024 edition of the JustMad contemporary art fair in Madrid.

MARK POWELL

Born in 1980 in Leeds (UK). Lives and works in Brighton (UK).

From a poor background, Mark Powell began working at the age of 11 to buy food and clothing and to help pay the rent of the family home. After working a number of jobs, he attended the English National University of Huddersfield for three years, studying drawing and painting – he graduated in 2006. On old and/or used paper – envelopes, road maps, subway maps, playing cards, newspaper sheets – the artist draws exclusively with a ballpoint pen (Biro), “the simplest and most readily available”. The artist, for whom the portrait is the major exercise, affirms: “The individual is a fascinating thing, of intrigues and scars. I reject a society fed with images of perfection”. His subject wants to question our common perception of “acceptable beauty”. It is a question here of transcribing less the physical aspect than a presence judged “brightness of the true”. This notion of beauty is never to be appreciated according to any aesthetic scale, it is not either to be situated in an idealism, but to be considered in a poetized realism. By its visible restitution of lived truths, it is for Mark Powell a materialized definition of “the beauty of the world”. The artist exhibits in the United States, Europe and England.

– Text Anne Richard / HEY! modern art & pop culture (Excerpt from the exhibition catalog HEY! The Drawing, 2022)

The post JustMad
07.03.24-10.03.24 first appeared on Loo & Lou Gallery.]]> AKAA 20.10.23-22.10.23 https://looandlougallery.com/fairs/akaa-20-10-23-22-10-23-2/?utm_source=rss&utm_medium=rss&utm_campaign=akaa-20-10-23-22-10-23-2 Sat, 23 Sep 2023 09:02:25 +0000 https://looandlougallery.com/?p=21956 Loo and Lou Gallery is present at the AKAA contemporary art fair for the 2023 edition, in Paris, France. On this occasion, the gallery will present the work of artist Andrew Ntshabele from October 20 to 22, 2023.

The post AKAA
20.10.23-22.10.23 first appeared on Loo & Lou Gallery.]]>

20.10 – 22.10.2023
Paris, France

Andrew Ntshabele

We are pleased to announce our participation at 2023 edition of  African Art & Design Fair AKAA in Paris. 

ANDREW NTSHABELE

Ntshabele has quickly developed a personal technique through painting figures in acrylic on large format supports made of collaged newspapers.

Andrew Ntshabele depicts characters that he observes on the streets of Johannesburg as a reflection of the negative physical, socio-economic, and political changes of the post-apartheid city of Johannesburg. Selectively choosing newspaper backgrounds with pertinent headlines, he paints over them with the resulting pressure and strain on citizens who live and work in a polluted city. Photographing and meeting his subjects around the city prompted him to investigate these difficulties in order to understand the root causes of the degradation of the city center.

After the Covid-19 pandemic hit, Andrew Ntshabele would like viewers to confront his art from a new perspective and try to find happiness in these difficult times. Within some of his recent work, more joyful feelings are present. For this new series, he explores both medium and large supports using newspaper articles about Covid-19.

Born in 1986 in a small town in South Africa, he studied at the University of Art in Johannesburg and graduated in 2013 with a major in painting. Since then, he has been living and working in Johannesburg.

 

“I believe and know that the old world as we know it is a thing of the past…we are entering a digital age and now more than ever it is important to preserve history and document it. I am fascinated and excited to do this through my art.”

– Andrew Ntshabele

The post AKAA
20.10.23-22.10.23 first appeared on Loo & Lou Gallery.]]> JUSTMAD 24.02.23-27.02.23 https://looandlougallery.com/fairs/justmad-24-02-23-27-02-23/?utm_source=rss&utm_medium=rss&utm_campaign=justmad-24-02-23-27-02-23 Sat, 25 Mar 2023 11:16:46 +0000 https://looandlougallery.com/?p=21188 Loo and Lou Gallery is back at the JUSTMAD contemporary art fair for the 2023 edition, in Madrid, Spain. On this occasion, the gallery will present the work of artists Tana Borissova, Andrew Ntshabele, Joel Person and Johan Van Mullem from February 24 to 27, 2023.

The post JUSTMAD
24.02.23-27.02.23 first appeared on Loo & Lou Gallery.]]>

24.02 – 27.02.2023
Madrid, Spain

Tana Borissova, Andrew Ntshabele, Joël Person, Johan Van Mullem

We are pleased to announce our participation in the 2023 edition of the contemporary art fair JUSTMAD in Madrid.

  • TANA BORISSOVA

    Tana Borissova was born in Sofia, Bulgaria in 1978. She has been living and working in Paris, France since 1997. She became interested in art through books that she discovered during her childhood. While studying in a high school of applied arts in Sofia, her desire to create art was awoken when she began creating oil paintings, watercolors, and drawings. When she arrived in Paris at the age of nineteen, she was accepted to the École Nationale Supérieure des Beaux-arts (ENSBA), where she studied with Vladimir Velickovic and Dominique Gauthier. She graduated in 2003.

    In her work, Borissova explores the body, the space within it, and its interactions with the outside world. She does so by referencing nature and its metamorphoses, movements, momentum, and contradictions that go beyond a scale of time.

    The gallery Myriam Bouagal exhibited her first solo show, Corps, in January 2014, as well as her second show in June 2015, Ma place mon corps, which included inks and paintings. In September 2017, she presented her work in the Arrivage Gallery in Troyes. She published a collection of inks and texts for the occasion. In May 2019, she presented a selection of her inks and paintings with Loo & Lou Gallery during the JustLX art fair in Lisbon, Portugal at the Museu da Carris. From January to March 2020, the Loo & Lou Atelier hosted an exhibition of her paintings entitled Éclats de nuit.

  • ANDREW NTSHABELE

    Ntshabele has quickly developed a personal technique through painting figures in acrylic on large format supports made of collaged newspapers.

    Andrew Ntshabele depicts characters that he observes on the streets of Johannesburg as a reflection of the negative physical, socio-economic, and political changes of the post-apartheid city of Johannesburg. Selectively choosing newspaper backgrounds with pertinent headlines, he paints over them with the resulting pressure and strain on citizens who live and work in a polluted city. Photographing and meeting his subjects around the city prompted him to investigate these difficulties in order to understand the root causes of the degradation of the city center.

    After the Covid-19 pandemic hit, Andrew Ntshabele would like viewers to confront his art from a new perspective and try to find happiness in these difficult times. Within some of his recent work, more joyful feelings are present. For this new series, he explores both medium and large supports using newspaper articles about Covid-19.

    Born in 1986 in a small town in South Africa, he studied at the University of Art in Johannesburg and graduated in 2013 with a major in painting. Since then, he has been living and working in Johannesburg.

     

    “I believe and know that the old world as we know it is a thing of the past…we are entering a digital age and now more than ever it is important to preserve history and document it. I am fascinated and excited to do this through my art.”

    – Andrew Ntshabele

  • JOËL PERSON

    “Joël Person was born in 1962 in Abidjan, Ivory Coast and he currently lives and works in Paris. After graduating from the École nationale supérieure des Beaux-Arts de Paris, he devoted himself to portraiture before focusing drawing horses and erotic poses. He combines the classical purity of the line with a rare intensity of expression in his paintings and drawings. Person knows the traps of virtuosity. He looks for the moment where a nervous influx or spurt of life might change the careful framework of a figure.

    Since his childhood he has been fascinated by horses whose physical structure he finds to be saturated with energy. He is equally captivated by the human figure. Eluding his own figurative technique, he looks for a breaking point in the static ritual of the pose. The moment a model rears up and flees elsewhere, he captures it with a contraction of the forehead, a twisting of the shoulder, a tilt of the face; Person maintains an illusion of realism. The intense life within his portraits is not born from the expressionist style, but rather from an anxious tension. It emerges from the artist’s confrontation between the “self” with others; a sudden surge towards freedom, a raw solitude which suddenly and briefly arises between the surface of the body, and the tension of the nervous system.”

    — Philippe Garnier, Les Cahiers Dessinés #9

    The artist has had several solo and group exhibitions in France and China, and many institutions have taken an interest in his universe. He has participated in residencies throughout the world that testify to his international career (China, several times, Bosnia-Herzegovina, Ireland, Slovenia…). His work is a part of many private collections and is present in several important collections, notably within the collection at Hermès; his drawings and paintings are exhibited in their boutiques around the world (Paris, Milan, Istanbul, Tokyo, Shanghai, Dubai and Las Vegas…). Person has also taught drawing at the Prép’Art and Atelier Hourdé. His drawing Confinement has been acquired by the musée Jenisch in Vevey, Switzerland and his first book Et il n’est plus de place alors pour la peur will be published in September by Cahiers Dessinés.

  • JOHAN VAN MULLEM

    Johan Van Mullem was born in Congo in 1959 to Belgian parents. He grew up moving around the world as a result of his parents various diplomatic postings, including a seven year stay in Tunisia. The artist has always been an autodidact. He started drawing at the age of five and  never stopped, following in his father and grandfather’s footsteps. His family roots are in the city of Bruge, and from which he went on to study architecture in Brussels. Later on, Johan began exploring with etching and painting. Today he paints with etching ink, and is considered to be one of the only artists who uses this medium as a way to create paintings.
     
    Since his youth, Van Mullem has persisted in his search for wrinkled faces, seeking the beauty that he recognized in the experience that is “engraved” on faces and in hands. Since then, the face remains the major subject of his work. The subjects appear  rejuvenated, disappearing or emerging in a halo of light in an old-fashioned sfumato, offering an escape into a world of emotion. His work is an invitation to look inward and go on a journey of omnipresent emotional charge of which one  cannot part ways indifferently, an effect of the bewildering depth of his paintings.
     
    The superimposition and erasure of many smooth layers of diluted inks further accentuates the feeling of viewing a presence on the canvas that is difficult to describe. Van Mullem has mastered this specific and unique technique through self-learning, executing his pieces in etching ink as an extension of his experience as an engraver, giving his work an additional, exceptional character.
     
    A multifaceted artist, designer, poet, musician, painter and sculptor, Van Mullem strives to create a diverse but absolutely coherent œuvre that builds bridges to link and awaken our senses. Though his pieces are contemporary, they can suggest references to historical masterpieces.
     
    His paintings are in major private collections and Museum collections throughout Europe. He has held solo exhibitions in Art Galleries located in London, Paris, New York and Brussels. His work was exhibited in various European Museums.

The post JUSTMAD
24.02.23-27.02.23 first appeared on Loo & Lou Gallery.]]> JUSTLX 19.05.22-22.05.22 https://looandlougallery.com/fairs/justlx-19-05-22-22-05-22-2/?utm_source=rss&utm_medium=rss&utm_campaign=justlx-19-05-22-22-05-22-2 Tue, 19 Apr 2022 10:32:24 +0000 https://looandlougallery.com/?p=19198 Loo and Lou Gallery is back at the JUSTLX contemporary art fair for the 2022 edition, in Lisbon, Portugal. On this occasion, the gallery will present the work of artists Catherine Wilkening and Aurélie Deguest from May 19 to May 22, 2022.

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19.05.22-22.05.22 first appeared on Loo & Lou Gallery.]]>

19.05 – 22.05.2022
Lisboa, Portugal

Catherine Wilkening, Aurélie Deguest

We are pleased to announce our participation in the 2022 edition of the contemporary art fair JUSTLX in Lisboa.

  • CATHERINE WILKENING

    For over fifteen years, Catherine Wilkening has concentrated on universal themes that surround the female figure – birth, life, death, and rebirth. Now, her work collides with the figure of the Madonna, one of the most canonical forms in Western art. Wilkening avoids both the image of the divine and the melancholic beauty that encompasses the ideal Christian Virgin, including a contemporary and provocative kitsch approach. Instead, she proposes a series of sculptures that evoke restlessness and agitation, in the image of some other beauty. An intense wind blows on the Madonnas by Wilkening that fold the porcelain garments with a baroque gesture that appears to continue infinitely. Sometimes the sculptor creates her Madonnas ex nihilo from an erection of porcelain that she miraculously assembles

    At other times, the artist appropriates vintage sculptures dedicated to the celebration of the Virgin Mary that she diverts from their ecumenical representation to reintegrate them into her mystical and baroque universe. Wilkening is looking for «the monumental in the minuscule.» She conquers the grandeur of her works by exploring all the possibilities of the miniature, enveloping the infinitely large in the infinitely small. Moreover, Wilkening’s sculptures cannot be deciphered through a quick glance. It is necessary to look at them for a long time to reach the meaning of their forms. The exquisite obsessions of the artist are hidden from our eyes in a maze of extreme finesse of the porcelain. Under the apparent softness and consistency of white enamel, the chastity of the Madonnas quickly crumble and reveal scarifications cracking the skin of the ceramic, the abundance of floral patterns, animal bones and accumulations of small rear-ends, expression of a generosity of life that takes on all the reigns of creation. The artist’s use of new materials such as gold leaf, Murano glass or acacia wood helps to thwart summary recognitions. The eye hesitates between the aerial, vegetal, and animalistic elements.

    Through the infinite exploration of minute detail, Wilkening evokes certain spiritualist artists that obsessively operate as miniaturists on immense formats, folding and unfolding their composition as they advance, practicing a form of automatism. The sculptures are sometimes worked for hundreds of hours, showing a certain asceticism from the artist. Hence the mantric and hallucinatory dimension of some of these pieces born in the isolation of confinement. The sculptor made this constraint her own as the expression of a happy and protective solitary retreat where she was able to concentrate and intensify her practice. — Philippe Godin, art critic

  • AURÉLIE DEGUEST

    In her last solo exhibition Faces at Loo & Lou Gallery in 2015, Deguest explored a powerful and bloodless expressionist figurative style through ten portraits that she painted in acrylic and oil. Far from any physical resemblance, she focuses on a carnal and provocative representation that challenges the gaze, intimidates, and seduces. Since then, without ever moving away from her painting, the artist has devoted herself fully to other personal projects. Today she offers us a series of large format portraits entitled “Women in prayer”. A theme that imposed itself upon the artist after much working introspectively, like many other artists, during the period of Covid pandemic. She felt the need during this time to reconnect with a form of spirituality. These latest works will come into dialogue with Catherine Wilkening’s spectacular porcelain Madonnas.

The post JUSTLX
19.05.22-22.05.22 first appeared on Loo & Lou Gallery.]]> JUSTMAD 24.02.22-27.02.22 https://looandlougallery.com/fairs/justmad-24-02-22-27-02-22-2/?utm_source=rss&utm_medium=rss&utm_campaign=justmad-24-02-22-27-02-22-2 Thu, 27 Jan 2022 17:34:20 +0000 https://looandlougallery.com/?p=18276 La Loo and Lou Gallery est de retour à la foire d'art contemporain JUSTMAD édition 2022, à Madrid, Espagne. A cette occasion, la galerie présentera le travail des artistes Flo Arnold, Christophe Miralles et Johan Van Mullem du 24 au 27 février 2022.

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24.02.22-27.02.22 first appeared on Loo & Lou Gallery.]]>

24.02 – 27.02.2022
Palacio Neptuno, Madrid, Spain

Flo Arnold, Christophe Miralles, Johan Van Mullem

Loo & Lou Gallery has the immense pleasure to announce our participation in the contemporary art fair JUSTMAD for our fifth year in a row.

  • FLO ARNOLD

    Flo Arnold was born in France and grew up in Casablanca, Morocco. She currently lives and works between Morocco and France. She has had many solo shows in France and abroad, notably at the Marrakesh Biennial in Morocco in 2014 and in 2016, and at the Loo & Lou Gallery in Paris, France in 2018. She also presented with the Loo & Lou Foundation in 2018 the monumental installation “Le Secret des signes” during “Nuit Blanche” at the Church of Saint Paul in Paris (France). Additionally, Arnold participated in several group shows, at the Foundation Pierre Berger and the Institut du Monde Arabe in 2013; at the Musée de la Palmeraie in Marrakesh (Morocco), in 2014 ; and at the Institut Bernard Magrez, in Bordeaux (France), in 2017, among others.

    The crossing of cultures is a key element in her work and has been forged by her many trips through Africa, Europe, and the United States. Her installations display an existential nomadism as her artistic gestures are born from her journeys. In 2016, she participated in the Biennale de Marrakech, during which she exhibited for the first time her waterproof paper on coated brass installations at the Musée de la Palmeraie. 

    Her creations are often backlit and sometimes supplemented with sound. She uses Japanese white paper to suggest ephemerality and fragility, but also a kind of evanescence emphasized by the appearance of levitation. Arnold’s sculptures indeed appear to be floating, and create a space for contemplation and spirituality. 

    “My life is the story of earth and encounters, my identity ‘citizen of the world’. My childhood influenced my artistic research, always in motion, changing countries, houses, cultures. I’ve learned a lot from the people around me.”

    In Loo & Lou Atelier, she installed a piece in situ entitled Vertige du Monde. A germination of organic, backlit paper devoured the space as if it were overgrown vegetation, that was accompanied by a soundtrack. The interior space disappeared under a spotless “waterfall.” With this piece, she emphasized that in order to forget the dizziness of the world around us, we must live in a sphere without borders nor limitations in the search for our inner peace.

  • CHRISTOPHE MIRALLES

    Christophe Miralles is a Franco-Spanish artist who lives and works between Burgundy and Casablanca. He has received many prizes such as the Azart Prize in 2005. His work has been the subject of numerous monographic exhibitions in France and abroad, integrating various collections.

    From his roots in Morocco, one can note the influences that resonate between the two shores of the Mediterranean, which never cease to collide with one another. Undoubtedly, Spanish painting from the Golden Age has sealed his relationship with light.

    Human figures suspended in the air haunt his canvases, inducing feelings of worry mixed with a certain nostalgia. The combination of simplified forms and subtle nuances in colors allows him to give a timeless aspect to his paintings, where the material is the main subject.

    Miralles creates oil and lacquer paintings on paper and canvas. He brought together a series of paintings for an exhibition at Loo & Lou gallery entitled Territoire Unique in April 2018. His work is based on themes of humanity, travel, and tolerance. Colors burn through his canvases, engorging them in flames, with the ashes slowly falling on his large, black papers. He is a painter anchored in contemporary society, a territory that he hopes is unique for each person.

  • JOHAN VAN MULLEM

    Johan Van Mullem was born in Congo in 1959 to Belgian parents. He grew up moving around the world as a result of his parents various diplomatic postings, including a seven year stay in Tunisia. The artist has always been an autodidact. He started drawing at the age of five and  never stopped, following in his father and grandfather’s footsteps. His family roots are in the city of Bruge, and from which he went on to study architecture in Brussels. Later on, Johan began exploring with etching and painting. Today he paints with etching ink, and is considered to be one of the only artists who uses this medium as a way to create paintings.
     
    Since his youth, Van Mullem has persisted in his search for wrinkled faces, seeking the beauty that he recognized in the experience that is “engraved” on faces and in hands. Since then, the face remains the major subject of his work. The subjects appear  rejuvenated, disappearing or emerging in a halo of light in an old-fashioned sfumato, offering an escape into a world of emotion. His work is an invitation to look inward and go on a journey of omnipresent emotional charge of which one  cannot part ways indifferently, an effect of the bewildering depth of his paintings.
     
    The superimposition and erasure of many smooth layers of diluted inks further accentuates the feeling of viewing a presence on the canvas that is difficult to describe. Van Mullem has mastered this specific and unique technique through self-learning, executing his pieces in etching ink as an extension of his experience as an engraver, giving his work an additional, exceptional character.
     
    A multifaceted artist, designer, poet, musician, painter and sculptor, Van Mullem strives to create a diverse but absolutely coherent œuvre that builds bridges to link and awaken our senses. Though his pieces are contemporary, they can suggest references to historical masterpieces.
     
    His paintings are in major private collections and Museum collections throughout Europe. He has held solo exhibitions in Art Galleries located in London, Paris, New York and Brussels. His work was exhibited in various European Museums.

The post JUSTMAD
24.02.22-27.02.22 first appeared on Loo & Lou Gallery.]]> ZⓈONAMACO FOTO 09.02.22-13.02.22 https://looandlougallery.com/fairs/zsonamaco-09-02-22-13-02-22/?utm_source=rss&utm_medium=rss&utm_campaign=zsonamaco-09-02-22-13-02-22 Thu, 27 Jan 2022 17:30:01 +0000 https://looandlougallery.com/?p=18267 Loo and Lou Gallery will be at ZⓈONAMACO FOTO 2022, a contemporary art fair in Mexico City, Mexico. The gallery will present the work of the artist Jean-Claude Wouters at booth F34 from february 9 to february 13, 2022.

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09.02.22-13.02.22 first appeared on Loo & Lou Gallery.]]>

09.02 – 13.02.2022
Booth F34
Citibanamex Center, Mexico City, Mexico

Jean-Claude Wouters

Loo & Lou Gallery has the immense pleasure to announce our participation in the contemporary art fair ZⓈONAMACO Foto for the first time.

Our proposal revolves around the universe of the belgian artist, Jean-Claude Wouters. 

JEAN-CLAUDE WOUTERS

Jean Claude Wouters (b. 1956) is a Belgian artist who has lived and worked in Brussels, Paris, Tokyo, Italy, Dubai and Los Angeles. He studied drawing from an early age, and moved on to ballet, filmmaking and various performing arts. Wouters shows an intense sensitivity to the nature of both the body and spirit. He works with three analog cameras: a 135, a polaroid, and a medium format 67, and uses 6×7 negatives in order to avoid photographic grain on his images. He asks his subjects to face a window, employing only natural light to illuminate them.

After developing and printing this original image, he rephotographs it and uses strong light from the sky that reflects into his lens’ aperture. He repeats this process several times in order to layer it with light, which gradually erase the appearance of the person. The final negative is printed in the darkroom on 80 x 100 cm matte Baryta paper, a unique copy which is then treated using selenium for preservation purposes, a method similar to one used to preserve photographs taken in the 19th century. This negative used is then dipped in sand and placed into a small wooden box which accompanies the
portrait.

Read more

The post ZⓈONAMACO FOTO
09.02.22-13.02.22 first appeared on Loo & Lou Gallery.]]> JUSTMAD 09.07.21-11.07.21 https://looandlougallery.com/fairs/justmad-09-07-21-11-07-21-2/?utm_source=rss&utm_medium=rss&utm_campaign=justmad-09-07-21-11-07-21-2 Fri, 18 Jun 2021 10:31:39 +0000 https://looandlougallery.com/?p=15811 Loo and Lou Gallery participated in JUSTMAD 2021, a contemporary art fair in Madrid, Spain. The gallery presented the work of artists Hélène Damville, Paul de Pignol, Olivier de Sagazan and Cedric le Corf at booth V1 from July 9 to 11, 2021.

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09.07.21-11.07.21 first appeared on Loo & Lou Gallery.]]>

09.07 – 11.07.2021
Booth V1
Palacio Neptuno, Madrid, Spain

Hélène Damville, Paul de Pignol, Olivier de Sagazan, and Cedric le Corf

Loo & Lou Gallery has the immense pleasure to announce our participation in the contemporary art fair JUSTMAD for the fourth year in a row.

Our proposal revolves around the universe of four French artists, who are painters, engravers, illustrators, and sculptors. This proposal honors the theme of the landscape as well as living matter, both animal and vegetal.

  • HÉLÈNE DAMVILLE

    Born into a family of artists in Normandy, Hélène Damville has been practicing drawings inspired by nature since her youth. This passion for the observation of life (both fauna and flora) led her to explore the Natural History Museum of Paris where she discovered Buffon and the naturalists. Copying works by her teachers, she familiarized herself with the complexity of skeletons and their articulations, as well as the networks and ramifications of the plant world. These dry elements represent life’s architecture as well as the traces left by passed lives. Parallel to her assiduous visits to museums, she completed her studies by following artistic anatomy classes and graduating with a Masters in Oriental Philosophy from the Sorbonne. In this environment of scientific, philosophic, and artistic analysis, she built up her portfolio of etchings. The desire to be close to living matter pushed her to choose engraving as the main media in her research; Engraving, but more specifically directly carving on metal and wood. Through lines and vigorous strokes, the artist is able to translate the essence of life in her work. She was trained with a copper chisel by André Bongibault at the studio L’Estampe de Chaville, then later perfects ornamental engraving on metal at l’École Boulle. In her pieces, humans are rarely directly represented.

    From engraving to tattooing
    We find a natural extension in Damville’s pieces from working lines in the wood to the ancient art of tattooing. She is currently an apprentice in the Parisian tattoo salon belonging to Alessio Pariggiano. Since she loves working with organic material, Damville found the artistic niche she has been looking for.

    From 2014 to 2015, she was an artist member of the French Academy in Madrid, Casa de Velazquez. In 2017, she won the Jean Asselbergs Prize, Taylor Foundation.

  • PAUL DE PIGNOL

    Paul de Pignol was born in Toulouse in 1965. He currently lives and works in Paris. In 1984, he entered the National School of Fine Arts in Paris, where he worked in Pierre Carron’s painting studio. He created his first sculpture, inspired by the Venus of Lucas Cranach, entitled “Fille au Ballon” in 1989. Little by little, sculpting was integrated into his practice. In 2010, de Pignol decided to dedicate a specific workshop to drawing in Paris, establishing a link between the two disciplines a short time afterwards. Whether sculpting or drawing, de Pignol plunges into an intimate essence of the being. He focuses his work on feminine figures, linking them with universal themes of birth, life, and death. Throughout his study of the female figure, he began questioning its function, weight, and composition, as well as its deconstruction and presence both of the interior and exterior. De Pignol’s paintings are an extension of his work and research as a sculptor. His gestures are similar, wherein he erases matter in order to add light, stroke by stroke, giving his unravelling bodies a spectral presence. Since 2017, after years of failure, rejection, and wandering, de Pignol found pictorial language relative to his research. One of his recent exhibitions at Loo & Lou Gallery, Né du limon, is the result of this quest. With a fascination for landscapes, the artist is inspired by the Fontainebleau forest that surrounds his studio. The idea that any life can be birthed from decay fascinates him, and inspires him to create organic and living landscapes, where you can feel the turf and soil. We are close to Golem. This exhibition reunited for the first time drawings, sculptures, and canvases, in what represented for the artist a joyous and fertile renewal, thanks to both the subject matter and the use of multiple medias.

  • OLIVIER DE SAGAZAN

    Born in 1959 at Brazzaville in Congo, Olivier de Sagazan lives and works in Saint-Nazaire. Trained as a biologist, he is interested in the living and, through his pieces, seeks to establish a sort of genealogy of the sensibility. He aims to better understand how, at some point, inert material structured by cells engenders life and sensitivity. For about 25 years, Olivier de Sagazan’s work has principally revolved around the human body. In parallel with his creations – paintings, sculptures, installations – de Sagazan produces performances, popularly seen by the entire world, during which he utilizes his own body as a mold, with clay and paint as his mediums. Converting his face and body, he manoeuvers through choreographed gestures, alloting for radical metamorphoses. The artist predominantly uses clay and plants that he gathers and kneads in order to create lifelike material. From these elements, a polymorphic world appears composed of different characters like a bestiary where humans intertwine with animals.

  • CEDRIC LE CORF

    Cedric Le Corf was born in 1985 in Bühl, near Baden-Baden (Germany), he lives and works in Brittany, in the Morbihan region. He graduated in 2009 with honours from the École Européenne Supérieure d’Art de Bretagne in Lorient.

    The anatomical landscapes inspired by Jacques Fabien Gautier d’Agoty’s boards have resurfaced over time as an inspiration for Le Corf’s work. Little by little, a dismembered man is transformed into a landscape of a man. Humans, trees, and the earth all possess a kind of “skin” and with it, the ability to be flayed. Is it not true that a dissected body is merely a wide range of landscapes, full of mishaps, folds, and crevices? The slightest roughness in bone is reminiscent to the rocky landscapes of Patinir; the venous, arterial, or nervous network irrigates like rivers, plains, and estuaries; muscles, like the clay of Genesis, model gorges and mounds.

    Using this metaphor, he uses plant roots as a landscape element to interlock bones, vertebrae, or joints made of porcelain. The root, in its etymological sense, is one element implanted inside another, much like the root of a tooth, a hair, or the dorsal root. It thus opposes the raw element of chaos to the mastery of creation, from roughness to polish, from decomposition to the inalterable, from the durability of art to the ephemeral man.

    Imbued with the Rhineland and Armorican heritage, confronted with the pathos of Grünewald (Baldung Grien), the hanged men within “Des misères de la guerre” by Jacques Callot at “l’Ankou,” along with the macabre dances of Kernascléden, where the animate and the inanimate are mixed, to the horror of the mass graves of Sobibor, Le Corf tries, by attaching himself to a motif, to deafen the subject that the sculpture, the painting, or the engraving contains.

    He has done several artist residencies, including the Dufraine Foundation in Chars, Académie des Beaux-Arts 2016-2018, the Spitzberg Expedition Residency 2017, Member of the Casa Velasquez in Madrid 2018-2019, and the Miro Foundation in Palma de Mallorca 2019. He received the Georges Coulon Prize (sculpture) from the Institut de France, Académie des Beaux-Arts in 2017. He has participated in numerous solo and group exhibitions in France, Germany, Spain and Belgium. His work is included in numerous private collections (Yvon Lambert collection).

The post JUSTMAD
09.07.21-11.07.21 first appeared on Loo & Lou Gallery.]]> ART PARIS10.09.20 – 13.09.20 https://looandlougallery.com/fairs/art-paris-2020-3/?utm_source=rss&utm_medium=rss&utm_campaign=art-paris-2020-3 Tue, 21 Jul 2020 15:15:52 +0000 https://looandlougallery.com/?p=9119 Loo and Lou Gallery will participate in the 2020 edition of Art Paris Art Fair. This year, the gallery will present the artistic universes of Cedric Le Corf, Hélène Damville, Pierre-Édouard and Paul de Pignol from September 10th to 13th.

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10.09.20 – 13.09.20 first appeared on Loo & Lou Gallery.]]>

ART PARIS
2020

10.09 – 13.09.2020

For the 2020 edition of Art Paris, Loo & Lou Gallery is offering a glance of the French scene faithful to its
artistic program, with four artists: Pierre-Édouard, Cédric Le Corf, Hélène Damville and Paul de Pignol.
Though their practices are different, from paintings and drawings to sculptures and etchings, these
artists from different generations, with French origin or residing within the hexagon, create work
inspired by landscapes and have a certain fascination for the living.

  • CEDRIC LE CORF

    Cedric Le Corf was born in 1985 in Bühl, near Baden-Baden (Germany), he lives and works in Brittany, in the Morbihan region. He graduated in 2009 with honours from the École Européenne Supérieure d’Art de Bretagne in Lorient.

    The anatomical landscapes inspired by Jacques Fabien Gautier d’Agoty’s boards have resurfaced over time as an inspiration for Le Corf’s work. Little by little, a dismembered man is transformed into a landscape of a man. Humans, trees, and the earth all possess a kind of “skin” and with it, the ability to be flayed. Is it not true that a dissected body is merely a wide range of landscapes, full of mishaps, folds, and crevices? The slightest roughness in bone is reminiscent to the rocky landscapes of Patinir; the venous, arterial, or nervous network irrigates like rivers, plains, and estuaries; muscles, like the clay of Genesis, model gorges and mounds.

    Using this metaphor, he uses plant roots as a landscape element to interlock bones, vertebrae, or joints made of porcelain. The root, in its etymological sense, is one element implanted inside another, much like the root of a tooth, a hair, or the dorsal root. It thus opposes the raw element of chaos to the mastery of creation, from roughness to polish, from decomposition to the inalterable, from the durability of art to the ephemeral man.

    Imbued with the Rhineland and Armorican heritage, confronted with the pathos of Grünewald (Baldung Grien), the hanged men within “Des misères de la guerre” by Jacques Callot at “l’Ankou,” along with the macabre dances of Kernascléden, where the animate and the inanimate are mixed, to the horror of the mass graves of Sobibor, Le Corf tries, by attaching himself to a motif, to deafen the subject that the sculpture, the painting, or the engraving contains.

    He has done several artist residencies, including the Dufraine Foundation in Chars, Académie des Beaux-Arts 2016-2018, the Spitzberg Expedition Residency 2017, Member of the Casa Velasquez in Madrid 2018-2019, and the Miro Foundation in Palma de Mallorca 2019.

    He received the Georges Coulon Prize (sculpture) from the Institut de France, Académie des Beaux-Arts in 2017.

    He has participated in numerous solo and group exhibitions in France, Germany, Spain and Belgium.

    Private collection (Lambert collection)

    Cedric Le Corf is represented by Loo and Lou Gallery, Paris

  • HÉLÈNE DAMVILLE

    Born into a family of artists in Normandy, Hélène Damville has been practicing drawings inspired by nature since her youth.This passion for the observation of life (both fauna and flora) led her to explore the Natural History Museum of Paris where
    she discovered Buffon and the naturalists. Copying works by her teachers, she familiarized herself with the complexity of skeletons and their articulations, as well as the networks and ramifications of the plant world. These dry elements represent life’s architecture as well as the traces left by passed lives. Parallel to her assiduous visits to museums, she completed her studies by following artistic anatomy classes and graduating with a Masters in Oriental Philosophy from the Sorbonne. In this environment of scientific, philosophic, and artistic analysis, she built up her portfolio of etchings.

    The desire to be close to living matter pushed her to choose engraving as the main media in her research; Engraving, but more specifically directly carving on metal and wood. Through lines and vigorous strokes, the artist is able to translate the essence of life in her work. She was trained with a copper chisel by André Bongibault at the studio L’Estampe de Chaville, then later perfects ornamental engraving on metal at l’École Boulle. In her pieces, humans are rarely directly represented.

    From engraving to tattooing
    We find a natural extension in Damville’s pieces from working lines in the wood to the ancient art of tattooing. She is currently an apprentice in the Parisian tattoo salon belonging to Alessio Pariggiano. Since she loves working with organic material, Damville found the artistic niche she has been looking for.

    – Pascal Hemery

    From 2014 to 2015, she was an artist member of the French Academy in Madrid, Casa de Velazquez.

    In 2017, she won the Jean Asselbergs Prize, Taylor Foundation.

  • PIERRE-ÉDOUARD

    Pierre-Edouard was born in 1959.

    His first series of drawings was created in the early 1980s and was shown by Claude Bernard in Paris. It is the series of “men on the ground”. A vision which apprehends all forms from the angle of an uninterrupted modelling, using the almost musical shadow. Then came the paintings shown by Claude Bernard in 1989, a development of the theme of “men on the ground” and “characters to scale”. Here we see a kind of deconstruction of the figure – the image is now incomplete. At the beginning of the 1990s, he tackled the theme of women in weightlessness in a series of sculptures that were shown in 1994. This theme of the body in horizontality and weightlessness will literally devour his work.

    In 2004, he was awarded the 1st Prize of the Prince Pierre de Monaco Foundation and an exhibition followed the following year in the Principality. In 2010, he was elected member of the Académie des Beaux-Arts of the Institut de France.

    He collaborates with the Gallery ” Ditesheim & Mafféï fine Arts ” (Switzerland) (www.galerieditesheim.ch/galerie/) which will hold an exhibition in 2011 and shows him regularly in fairs and exhibitions.

    In 2009 he returned to painting. The works are parallel to the sculptures, but the formats are getting bigger. Pierre-Edouard ventures into a new space. Despite the non-figurative essence of these works, he continues to explore the theme of a body in suspense. A human body that resembles a gigantic sperm whale.
    Pierre-Edouard’s work as a whole is an articulation of the planes of space in a modulation without beginning or end. It is a work in suspense that questions the monumentality of form.

    In 2013, he published the book “Baleines et Déesses” (Whales and Goddesses) with Editions William Blake and Co. A monograph of his engraved work, for which he wrote the text.

    His works are in private collections in France, Switzerland, Belgium and the United States.

    The Louis-Dreyfus Family Collection (www.ld-collection.org/ ) has a large number of drawings, paintings and sculptures.

     

  • PAUL DE PIGNOL

    Paul de Pignol was born in Toulouse in 1965. He currently lives and works in Paris, France.

    In 1984, he entered the National School of Fine Arts in Paris, where he worked in the studio of the painter, Pierre Carron. He created his first sculpture, inspired by the Venus of Lucas Cranach, entitled “Fille au Ballon” in 1989. Little by little, sculpture became integrated into his practice.

    In in addition to the studio in Montigny-sur-Loing he used for his sculptures, Paul de Pignol decided to dedicate a specific workshop to drawing in Paris in 2010; he established a link between these disciplines a short time afterwards. Paul de Pignol’s drawings and sculputres are a plunge into an intimate essence of being. He focuses his work on feminine figures, linking them with universal themes of birth, life, and death.

    Throughout his study of the female figure, he began questioning its function, weight, and composition, as well as its deconstruction and presence both inside and outside.

    Paul de Pignol’s paintings are an extension of his work and research as a sculptor; his gestures are similar, wherein he erases matter in order to add light, stroke by stroke, giving his unveiled bodies a spectral presence.

    Since 2017, after years of wandering, Paul de Pignol found pictoral language relative to his research.

    One of his most recent exhibitions, “Né du limon,” is the result of this quest. With a fascination for landscapes, Paul de Pignol is inspired by the Fontainebleau forest that surrounds his studio. The idea that any life can birth from decay fascinate him, and he creates organic and living landscapes, where you can feel the turf and soil. We are close to the Golem.

The post ART PARIS
10.09.20 – 13.09.20 first appeared on Loo & Lou Gallery.]]> JUST MAD27.02.20 – 01.03.20 https://looandlougallery.com/fairs/justmad-27-02-20-01-03-20-2/?utm_source=rss&utm_medium=rss&utm_campaign=justmad-27-02-20-01-03-20-2 Sat, 15 Feb 2020 17:00:10 +0000 https://looandlougallery.com/?p=8042 The Loo and Lou Gallery will be present on the 2019 Edition of Just Mad in Madrid, Spain. On this occasion, three artist will be presented, Flo Arnold, Christophe Miralles and Paul de Pignol. The gallery will take place on the stand C12 from 26.02.19 until 03.03.19.

The post JUST MAD
27.02.20 – 01.03.20 first appeared on Loo & Lou Gallery.]]>

JUST MAD
2020

27.02.2020 – 01.03.2020
Loo and Lou Gallery participated in the 2020 edition of JustMad in Madrid, Spain during which four artists were presented: Flo Arnold, Dan Barichasse, Amélie Ducommun and Louise Frydman.

  • AMÉLIE DUCOMMUN

    Amélie Ducommun is a franco-swiss artist born in 1983. She graduated from the Ecole Nationale Supérieure des Arts Décoratifs (ENSAD), from the Schools of Fine-Arts of Barcelona and Lyon. For two years, she has been a resident artist at the Casa de Velazquez (2009-2011). She is living and working in Barcelona.
    Amélie Ducommun has participated in many collective and individual exhibitions in France and abroad. Moreover, she participated in several contemporary art fares. Her work appears in many private and public collections, such as: the Fundació Joan Miró, the Casa de Velazquez…
    More than everything, the artist is interested in nature and scrutinizes the relation she has with it. Her working process takes its roots in questioning memories of landscapes and the perception we have of the natural elements its composed by. Amélie Ducommun tries to capture the light and the first impression of the landscape in her work.
    For the last decade, she got inspired by the landscapes of the French Atlantic coast focusing on waters and the aquatic world. Waters’ memories are translated through withdraws of traces on the canvas.

    Recently, she put together “Walking in Memories”, a complete experience: works are suspended to the walls, sometimes in the style of “Kakemono”, but also presented on the ground. It is an invitation for the spectator to enter Amélie Ducommun’s universe.

  • FLO ARNOLD

    Her cultural crossbreeding, a key element of her work, has been forged by many trips and stays abroad, in Africa, Europe and the United States. Her installations show this existential nomadism: her artistic gestures are the result of her path.
    She took part in the 2016 Biennial of Marrakesh, where she exhibited at the Musée de la Palmeraie, for the first time one of her installations of water-repellant paper on curled brass.
    Her creations are often backlit and sometimes supplemented with sound.
    The material used, japanese white paper, suggests the ephemeral and the fragile, but also a form of evanescence underlined by their apparent levitation.
    Flo Arnold’s sculptures thus float in spaces inviting us to contemplation, spirituality, and to an inner journey.
    As a world’s citizen, she metaphorically feeds her sculptures of her encounters.

    Flo Arnold was born in France and grew up in Casablanca, Morocoo. She had many solo shows in France and abroad, particularly at the Marrakesh Biennial in 2014 and 2016 ; and at the Loo & Lou Gallery, in Paris, in 2018. She also participated in several group shows, at the Fondation Pierre Berger and the Institut du Monde Arabe in Paris in 2013; at the Musée de la Palmeraie in Marrakesh in 2014 ; and at the Institut Bernard Magrez, in Bordeaux, in 2017, among others.

  • LOUISE FRYDMAN

    Louise Frydman is a French artist born in 1989 in Paris. She set her art studio in Burgundy.
    She graduated from the prestigious art school ESAG-Penninghen in 2012 and studied photography at ICP – International Center of Photography of New-York. For two years, she assisted the paper artist Sabrina Transiskus, on many projects including an exhibition with Sèvres – Cité de la céramique at Le Caroussel du Louvres.
    Working with paper brought her to the use of clay, which has become her favorite matter to work with.
    Her work consists mainly of white sculptures and mobile installations and is mostly inspired by nature.
    When she met ceramist Jean-François Reboul in 2015, it enabled her to deepen her learning and affirm her artistic approach.
    The same year she created her first monumental installation «La Fée des Pétales» for the Hôtel de Croisilles, in Paris.
    In 2016, her sculptures were shown during a personal exhibition in Le Musée de la Tour du Moulin in Burgundy.
    She presented her work in 2017 and 2019 at the Révélations art fair at Le Grand Palais in Paris. Louise now collaborates with luxury brands such as Hermès, Bonpoint, Yiqing Yin Haute Couture, she works for the real estate company Vinci Construction and sells her sculptures to interior designers such as Minassian Chahan. Her sculptures are currently presented at the designer Philippe Hurel’s showroom in Paris.
    She works with the Parisian gallery Amélie Maison d’Art since 2015.
    The Loo & Lou gallery presented her work at the JustLX Art fair in Lisbon in May 2019. She prepares her first solo show at the gallery for November.
    In June 2019, Louise Frydman received the Prize « l’immeuble, 1’oeuvre», presented by the Minister of Culture Franck Riester, for her collaboration with Vinci Immobilier.
    She was also selected at the ICAA International Competition Blanc de Chine and her work is shown in Beijing until August 1st, 2019.

  • DAN BARICHASSE

    Dan Barichasse was born in Casablanca, Morocco, in 1949. He lives and works in Paris. He began his pictorial journey in 1976. Dan Barichasse’s work evolved from minimal and formal shapes to the contemporary approach of the landscape taking shapes in patterns. Gradually, memory, time, creation, begetting came in circle as themes engraving his work with permanency and mutation. Series such as “Au commencement”, “Passage”, “Figures aux sources”, “Déluges” are giving the image of this time lapse, in which a poetic pictorial language emerged. Still today, invocation of mineral, vegetal, animal and human figures shows from this vocabulary. The mutation process of matter is questioned in Dan Barichasse’s work, from reshape to rotting, matter comes to dust, to the essential origins of the shapes, refined in spirituality (as in “Poussières d’ombres”, “Peintures pauvres”, “Buisson ardent”). An extreme fluidity symbolizes his work, ephemeral, shadows, dust and fire come to terms with endless and strong urging of shapes, as in the series “Éternel éphémère”, “Âmes errantes” and “Tondos”.

    Dan Barichasse’s work have been acquired by the Fond National d’Art Contemporain and the Paris’ city hall collections. He participated in about thirty solo-shows and several collective exhibitions in France and abroad (Belgium, Spain, Israel, Quebec…).

ARTIST:
FLO ARNOLD
LOUISE FRYDMAN
OTHER FAIRS:
ART PARIS
09.04-12.04.26
ART MADRID
04.03-.08.03.26
LUXEMBOURG ART WEEK
21.11-.23.11.25
AKAA
24.10-.26.10.25
Art Madrid
05.03-09.03.25
JustMad
06.03.24-09.03.25
Luxembourg Art Week
22.11.24-24.11.24
Art on Paper
03.10.24-06.10.24
Art Madrid
06.03.24-10.03.24
JustMad
07.03.24-10.03.24
AKAA
20.10.23-22.10.23
JUSTMAD
24.02.23-27.02.23
JUSTLX
19.05.22-22.05.22
JUSTMAD
24.02.22-27.02.22
ZⓈONAMACO FOTO
09.02.22-13.02.22
JUSTMAD
09.07.21-11.07.21
ART PARIS
10.09.20 – 13.09.20
JUST MAD
27.02.20 – 01.03.20
JUSTLX
16.05.19 – 20.05.19
ART PARIS ART FAIR
04.04.2019 – 07.04.2019
JUST MAD
26.02.19 – 03.03.19
ART PARIS ART FAIR
05.04.2018 – 08.04.2018
DDESSIN
23.03.2018 – 25.03.2018
JUST MAD
20.02.18 – 25.02.18
ART PARIS ART FAIR
30.03.17 – 02.04.17

The post JUST MAD
27.02.20 – 01.03.20 first appeared on Loo & Lou Gallery.]]> ANNA DE LEIDI https://looandlougallery.com/artists-en/anna-de-leidi-2/?utm_source=rss&utm_medium=rss&utm_campaign=anna-de-leidi-2 Tue, 20 Dec 2022 14:59:18 +0000 https://looandlougallery.com/?p=20553 Starting from an intuition, Anna de Leidi draws from a stock of various clippings, archival images and magazines to assemble them according to an artistic and personal development nourished by references to the history of art and political life - in particular the artistic avant-garde and the protest movements. The superimposed archival images accumulate layers of meaning, without denying the abstraction due to the fortuitous harmony of colors and shapes of the torn papers. Without any pre-determination, apart from that of this first intuition, the collage unfolds and composes itself to form a work embellished with an evocative title, sometimes on the borders of poetry. 
The artist summarizes her research as follows: "Narrative, composition, color".

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ANNA DE LEIDI

Anna De Leidi lives and works in Udine, Italy.

As a teenager her interest focused mostly towards modern art and art history. So she decides to pursue a degree in art history. During her studies she develops a passion for collage art, 20th century avantgardists and Neo-avant-gardists, whom she admires, identifing herself with their defiant political attitude and their anti-establishment manners and techniques.

After graduating with a dissertation on the Moma 1961 Exhibition “The Art of Assemblage”, she leaves Turin, where she was living, to travel outside of Italy. Europe at the time felt stuffy and saturated with too much known history, so she decides to move very far, in search of a completely different scenario. She spends eight years in Australia, where she becomes independent and learns new skills that were lacking in her studies; she picks the culinary field and worked in cheffing, moving further away from my previous experience and immersing herself in another culture to fully be part of it.

When Covid-19 hit Australia and bans were put in place, De Leidi finds myself forced at home, browsing through books and magazines and spontaneously starts cutting and pasting to create collages. It became a fundamental daily practice. She then uses Instagram as a medium to meet and gather around a virtual community of collage artists and put up her own gallery, “Coll_usional”, discovering new ways of connecting through art at a time of anguishing isolation.

Through 2020, making collages enabled her to express and rediscover parts of her identity that were left dormant for some years and fuelled both a personal and artistic growth that eventually led her to decide to move back to Italy.

The creative process is quite simple and usually begins with a gut feeling: the instinctual selection of an image, often a human figure, and grows by associating shapes and colours to that core image, often in relation to music lyrics or other sentences that keep bouncing around her head as she cuts and pastes, and become an obsession. The outcome of the composition is not really predetermined, but it unfolds and finds it flow as she goes along. Through a particular scene, which often has some levels of personal references, she always tries to convey the sense of the universal meaning of human experiences.

Since her return to Italy, Anna De Leidi has mainly focused on grassroot activism and d.i.y. practices. She has contributed to various collage magazines, both printed and online and co-founded a collage collective called Arto. Her major artistic achievement so far has been having her works being exhibited in a group show called “A Visual Culture” (March 24, 2021 — April 4, 2021) at Van Der Plas Gallery, N.Y.

  • A constant state of poisoning, 2020, Collage and mixed media, 35 x 25 cm

  • Non ci resta che lavorare, 2022, Collage and mixed media, 27,3 x 35,5 cm

  • The boatbuilder, 2020, Collage, 28,8 x 21 cm

  • But does it float?, 2020, Collage, 28,8 x 21 cm

  • 14:09, 2020, Collage and mixed media, 35 x 25 cm

  • Silent agreement, 2021, Collage and mixed media, 28,8 x 21 cm

  • The queer art of failure – tra il dire e il fare, 2022, Collage, 28,8 x 21 cm

  • You snooze you lose (me), 2021, Collage, 28,8 x 21 cm
EXHIBITION:
COLLAGES
Anna De Leidi
20.01.2023 – 25.02.2023
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post ANNA DE LEIDI first appeared on Loo & Lou Gallery.]]> DOMINIQUE LACLOCHE https://looandlougallery.com/artists-en/dominique-lacloche-en/?utm_source=rss&utm_medium=rss&utm_campaign=dominique-lacloche-en Wed, 18 Nov 2020 15:16:29 +0000 https://looandlougallery.com/?p=10020 Au début des années 2000, Dominique Lacloche découvre la Gunnera Manicata. Avec elle, elle part à la rencontre de la photographie, la vidéo, l’installation, la sculpture et commence à développer une réflexion sur la notion de perception.

The post DOMINIQUE LACLOCHE first appeared on Loo & Lou Gallery.]]>

© Dominique Lacloche

Dominique Lacloche

Dominique Lacloche was born in 1960 in Rome. She currently lives and works between Paris and London.

Lacloche’s practice consists of printing silver gelatin photographic images onto giant Gunnera Manicata leaves. The leaves of this South American plant are distinctive for their disproportionate sizes, measuring up to 2 or 3 meters across, making the plant extremely precarious to handle.

This unique plant and photographic technique converge by virtue of light – the unpredictable nature of organic and chemical “life” plays out in her work through photosynthesis and photographic revelation. The image passes through delicate, unpredictable phases and her artistic gestures yield to the force of external events that impose themselves like natural laws.

The size of the leaves accentuates the subject of the image and transports the viewer to a world where the monumental dictates its own laws. The leaves become a support for an image, part of an installation, or a pretext for other image manipulations with the negatives or through superimpositions, for example. The spatial arrangement and clarity of these giant leaves create a challenge for the artist to strike the right balance.

The images revealed on the leaves are typically landscapes reflected in water. At this scale, the landscapes are all-encompassing and poetic; they absorb the viewer in their reflections. The images become fleeting landscapes of emotion, due to the salience of the work’s spatial disposition and the material on which the images are printed. However, like apparitions hovering between the infinitely elusive and the infinitely intimate, what is communicated either faintly or clearly through the veins of the leaves is akin to visions of “another world” that could be strangely familiar to the viewer.

Lacloche’s artistic work is enhanced by her visions while painting and of architecture, two disciplines that she has studied and practiced for many years. Equally interested in evolutionary and organic temporal systems, Lacloche has additionally explored these themes through film, digital animation, sound design, and electroacoustic music composition.

Lacloche’s works are present in several private collections around the world.

  • Vue de l’exposition URPFLANZE, Musée International de l’Émeraude, Bogota © Dominique Lacloche

  • Vue de l’installation “Un Degré Plus Haut,” Nuit Blanche 2013, Fondation Loo & Lou, Église Saint-Paul-Saint-Louis, Paris, France / Image : Jean-Claude Wouters

  • Sans titre, impression gélatino-bromure sur feuille végétale (gunnera manicata), 210 x 240 cm © Loo&Lou Gallery

  • Sans titre, bronze (fonte au sable), 26,5x32x28 cm, 2014 © Loo&Lou Gallery

  • Vue d’exposition Guru. ©Loo and Lou Gallery

  • Détail, bronze, exposition Guru. ©Loo and Lou Gallery.

  • Détail © Dominique Lacloche
EXHIBITION:
NATURE // NATURES
Group show
23.09.2022 – 23.12.2022
Urpflänze
Dominique Lacloche
02.05 – 31.05.2017
GURU
Draw This World
Dominique Lacloche
16.09.2015 – 31.10.2015
GURU
Dominique Lacloche
16.09.2015 – 31.10.2015
Le Salon Loo & Lou
31.05.2024 – 23.10.2024
GROUP SHOW

07.02.2026 – 28.02.2026
RELATED PRESS:
ART PARIS, Dominique Lacloche – Matthias Contzen, Connaissance des arts, April 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Kozzarte, April 2018
ART PARIS, Dominique Lacloche – Matthias Contzen, Les Echos Week End, March 2018
DOMINIQUE LACLOCHE, « Urpflanze », Elespectador, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », El Tiempo, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Vice, May 2017
DOMINIQUE LACLOCHE, « Urpflanze », Adn, April 2017
DOMINIQUE LACLOCHE, « Guru », Artistik Rezo, December 2015
DOMINIQUE LACLOCHE, « Guru », AMA # 221, October 2015
DOMINIQUE LACLOCHE, « Guru », Connaissance des Arts, October 2015
DOMINIQUE LACLOCHE, « Urpflanze », Adn, May 2017
DOMINIQUE LACLOCHE, « Guru », Le Journal des Arts, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Supplément Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Télérama Sortir, October 2015
DOMINIQUE LACLOCHE, « Guru », Cahiers Fiac n°443 du Journal des Arts, September 2015
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post DOMINIQUE LACLOCHE first appeared on Loo & Lou Gallery.]]> CARTE BLANCHE (2) AT3LI3ER V3LAZQU3Z 17.01.2020 – 31.01.2020 https://looandlougallery.com/exhibitions/carte-blanche-2-at3li3er-v3lazqu3z-17-01-2020-31-01-2020-2/?utm_source=rss&utm_medium=rss&utm_campaign=carte-blanche-2-at3li3er-v3lazqu3z-17-01-2020-31-01-2020-2 Thu, 29 Apr 2021 16:24:51 +0000 https://looandlougallery.com/?p=14986 In September 2019, the 15 artists of the 90th class of the Académie de France in Madrid took over the studios of the Casa de Velázquez. The Loo & Lou Gallery offered them carte blanche to exhibit their work in its Atelier space.
Through the follow-up of their creative residency, we were able to witness the birth of new works, in connection with the
works, in connection with the project that each of the residents had proposed as the main theme of their year in Spain.
their year in Spain. The first lines of force of a work in progress were already emerging,
from month to month, took shape, evolved and mutated.
The exhibition entitled AT3LI3R V3LÁZQU3Z was thus conceived as a carte blanche for these
artists who are exhibiting together for the first time as a promotion

The post CARTE BLANCHE (2)
AT3LI3ER V3LAZQU3Z
17.01.2020 – 31.01.2020 first appeared on Loo & Lou Gallery.]]>

CARTE BLANCHE (2)

TO THE ARTISTS OF THE
CASA DE VELÁZQUEZ 2019-2020

Loo & Lou Gallery — L’Atelier
17.01 – 31.01.2020

  • AT3LI3R V3LAZQU3Z

  • AT3LI3R V3LAZQU3Z

  • AT3LI3R V3LAZQU3Z

  • AT3LI3R V3LAZQU3Z

  • AT3LI3R V3LAZQU3Z

  • AT3LI3R V3LAZQU3Z

In September 2019, the 15 artists of the 90th class of the Académie de France in Madrid moved into the studios of the Casa de Velázquez. Through the follow-up of their creative residency, we were able to witness the birth of new works, linked to the project that each of the residents had proposed as the main theme of their year in Spain. The first lines of force of a work in progress were already emerging, taking shape, evolving and sometimes mutating from month to month. They invited Claire PERESSOTTI – author and winner of the 2019 Madrid Prize – to accompany them in the adventure through a text that she created especially for them, inspired by the conception of the exhibition.

Hybrid and multiple, AT3LI3R V3LÁZQU3Z was above all a curatorial experiment by the artists themselves. By moving the creative process from Madrid to Paris, from the Casa de Velázquez to the Atelier of the Loo & Lou Gallery, it is indeed at the heart of a work in progress, with shifting lines, that the artists have proposed to immerse us. Drawing its inspiration from Matisse’s The Red Studio, the central concept of the exhibition established a mirror game between the space of creation and the space of display. The works were intermingled with objects of various kinds, as transitional elements between the act of creating and that of exhibiting. By lifting the veil on what usually takes place in the intimacy of the studio, the exhibition invited us to dive into the heart of the artistic process by giving us a lively overview of the work in residence.

Visible from 17 to 31 January 2020 at the Atelier of the Loo & Lou Gallery (Paris, 3rd arrondissement), AT3LI3R V3LÁZQU3Z was also an opportunity for a new synergy with a place which, like the Casa de Velázquez, aims to be an incubator for innovative practices and a creative laboratory. While support for artists obviously involves day-to-day assistance, it is also based on the weaving of quality collaborations that, year after year, build a solid distribution network committed to young contemporary creation.

THOMAS ANDREA BARBEY (drawing), JONATHAN BELL (music composition), PIERRE BELLOT (painting), MARINE DE CONTES (film), HUGO DEVERCHÈRE (sculpture), CLÉMENT FOURMENT (engraving), ÉTIENNE HAAN (music composition), SARA KAMALVAND (architecture), LETICIA MARTÍNEZ PÉREZ (visual arts), BENJAMIN MOULY (photography), FRANCISCO RODRÍGUEZ TEARE (video), GUILLAUME VALENTI (painting), KEKE VILABELDA (visual arts), JUSTIN WEILER (painting), KATARZYNA WIESIOLEK (drawing)

 

The post CARTE BLANCHE (2)
AT3LI3ER V3LAZQU3Z
17.01.2020 – 31.01.2020 first appeared on Loo & Lou Gallery.]]> AURÉLIA JAUBERT https://looandlougallery.com/artists-en/aurelia-jaubert-2/?utm_source=rss&utm_medium=rss&utm_campaign=aurelia-jaubert-2 Thu, 04 Nov 2021 17:34:53 +0000 https://looandlougallery.com/?p=17423 Aurélia Jaubert, an artist in whom all worlds meet

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AURÉLIA JAUBERT

From her first paintings composed of coloured mortars incorporating collages of her own photographs to her recent tapestries, Aurélia Jaubert has been fascinated by the metamorphosis of images, their passage from one medium to another, and the illusions they engender. She has gradually left the traditional surface of painting for heterogeneous compositions; a kind of utopian mixture to reflect the historical crises of representation. She favours mixing and diversion: painting, textiles, photography, digital images, collage, sewing, sculpture, sound and music, and light. To ennoble the remains, to be interested in the slightest of nature (reflections, bubbles, shadows, traces…) and reinsert them into a cycle of metamorphoses that erase the metamorphoses that erase the value of use and reinstate an unexpected aesthetic value.
These are as much the gestures of a collector as those of an artist who always remains faithful to the image.

Dreaming about the fantastic destiny of small accidents or objects of everyday life, smudges stains, drips, coloured debris, decommissioned magnetic tapes, old swimming pool buoys, fabric samples… So many modern ruins from which Jaubert, herbalist of the asphalt, attempts to reinvent through elegant, surprising, bizarre and unprecedented imagery.

-Dominique Païni, critic and independent curator, Director of the Centre Pompidou (2000-2005), Director of the Cinémathèque française (1990-2000)

Selected group exhibitions:
2022 La Ronde, Museum of Antiquities and Museum of Education, Rouen
My journey through tapestries from 1520 to 2020, Galerie Jabert, Aubusson
2021 L’Assemblage, une pratique médiumnique, Le 19 – Centre régional d’art contemporain, Montbéliard
TAMAT Museum, Tournai, Belgium
Museum of Art and Industry, La Piscine, Roubaix

Selected solo exhibitions:
2021 Faire tapisserie, Musée La Manufacture, Roubaix
Glaneuse, Stéphane Mortier Gallery, Paris
2019 3ème âge (le retour d’ Ulysse), Atelier d’Alexandra Roussopoulos, Paris
2018 Lost in Hardiskland, Kamila Regent Gallery, Saignon
Flux & Remix, Togu art club, Marseille

  • Nativité, 2019, Assembled and sewn canvases and tapestries, 378x217cm

  • Nativité (détail), 2019, Assembled and sewn canvases and tapestries, 378x217cm

  • Nativité (détail), 2019, Assembled and sewn canvases and tapestries, 378x217cm

  • Nativité (détail), 2019, Assembled and sewn canvases and tapestries, 378x217cm

  • Nativité (détail), 2019, Assembled and sewn canvases and tapestries, 378x217cm

  • Nativité (détail), 2019, Assembled and sewn canvases and tapestries, 378x217cm

EXHIBITION:
Nativity
Aurélia Jaubert
09.11.2021 – 08.01.2022
RELATED PRESS:
AURÉLIA JAUBERT, “LA MÉMOIRE CONDENSÉE”, ARTENSION, OCTOBER 2021
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post AURÉLIA JAUBERT first appeared on Loo & Lou Gallery.]]> LOUISE FRYDMAN https://looandlougallery.com/artists-en/louise-frydman-2/?utm_source=rss&utm_medium=rss&utm_campaign=louise-frydman-2 Tue, 12 Nov 2019 17:12:59 +0000 https://looandlougallery.com/?p=6661 Composition II, 2021, Ceramic diptych, L 95 x I 61 cm (each) © Louise Frydman LOUISE FRYDMAN   Louise Frydman is a French artist born in 1989 in Paris. She graduated from ESAG-Penninghen School of Art in 2012 and studied photography at the International Center of Photography in New York. Her studio is located in […]

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Composition II, 2021, Ceramic diptych, L 95 x I 61 cm (each) © Louise Frydman

LOUISE FRYDMAN

 

Louise Frydman is a French artist born in 1989 in Paris.

She graduated from ESAG-Penninghen School of Art in 2012 and studied photography at the International Center of Photography in New York. Her studio is located in Burgundy since 2015. Louise began by composing light and delicate works in white paper and then turned to ceramics in 2015 when she created her monumental piece “La Fée des Pétales” hanging in the courtyard of the Hôtel de Croisilles in Paris.

In her treatment of ceramics, she will preserve the white matte of the paper as well as the fineness of the material. Her sculptures, or installations, inspired by the forms of nature, play with light and movement. Her meeting with the ceramist Jean-François Reboul in 2015 allows her to deepen her learning and to assert herself in her artistic approach. She exhibits her work in 2017 and 2019 at the biennial Revelations at the Grand Palais in Paris. Louise now collaborates with luxury houses and works with renowned architects around the world. In June 2019, Louise Frydman was awarded the “1 immeuble, 1 œuvre” prize by the French Minister of Culture Franck Riester, for her collaboration with Vinci Immobilier. Her work was also selected for the ICAA International White China Competition, whose exhibition took place in Beijing in August 2019.

Since 2015 the Parisian gallery Amélie Maison d’Art represents her work. The Loo & Lou gallery has exhibited her work at JustLX in Lisbon in May 2019 and JustMad in Madrid in 2020. It is in this context that she won the Résidence Arvore prize which allowed her to make a residency leading to an exhibition in Porto. In 2021 we presented the second solo exhibition of Louise Frydman Céramique Contemporaine in our space on Avenue George V.

  • Efflorescence II (2020) Wall sculpture, Faïence émaillée, D 60cm

  • Corolle II (2020) Wall sculpture, Ceramic, L 54 x I 53 x H 12 cm

  • Tronc (2019) Ceramic, 78 x 26 x 23 cm ©Louise Frydman

  • Grande Dame II (2019) Ceramic, 69 x 51 x 50 cm ©Louise Frydman

  • Composition II (detail) 2021, Ceramic diptych, L 95 x I 61 cm (each) © Louise Frydman

  • Cauliflora (detail) 2021, Earthenware, H 125 x D 27 cm © Louise Frydman

  • Cauliflora (detail) 2021, Earthenware, H 125 x D 27 cm – 1
EXHIBITION:
LOUISE FRYDMAN
Contemporary ceramics
26.02.2021 – 17.07.2021
JUST MAD
27.02.20 – 01.03.20
NATURE FRAGILE
Louise Frydman
13.11.2019 – 04.01.2020
JUSTLX
16.05.19 – 20.05.19
RELATED PRESS:
LOUISE FRYDMAN, NATURE FRAGILE, Connaissance des arts, January 2020
LOUISE FRYDMAN, NATURE FRAGILE, Transfuge, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Le Parisien, November 2019
LOUISE FRYDMAN, NATURE FRAGILE, Que-faire à Paris ?, November 2019
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post LOUISE FRYDMAN first appeared on Loo & Lou Gallery.]]> CATHERINE WILKENING https://looandlougallery.com/artists-en/catherine-wilkening-1-2/?utm_source=rss&utm_medium=rss&utm_campaign=catherine-wilkening-1-2 Sat, 20 Feb 2021 09:54:22 +0000 https://looandlougallery.com/?p=12511 Il y a 7 ans, c’est la rencontre avec la porcelaine, l’envie d’accéder à davantage de douceur dans ses œuvres l’attire. Laissant de côté les monstres aux formes torturées jaillis d’un combat avec la matière brute, Catherine Wilkening a décidé de se confronter au blanc, à ce nouveau medium, à sa pureté et à son extrême finesse.

The post CATHERINE WILKENING first appeared on Loo & Lou Gallery.]]>

CATHERINE WILKENING

“One day in 2002, during my career as an actress, the need to put my hands in matter imposed itself on me; the earth became vital to me at once. I launched into sculpture with a primal, animal instinct, guided by a deep and irreproachable impulse. My exploration is underground and organic, my work is physical, sensual, enjoyable. There is no conceptual plan, I let go of what is in my head and become one with living matter. I take a leap into the void.

My work has always been nourished by the feminine figure, with obsessive themes – birth, chaos, death, rebirth, impermanence, devotion, cannibalism – subjects that I explored through porcelain sculptures in 2019 during Art Paris at the Grand Palais with Loo & Lou Gallery. Today, going through these long periods of confinement in an anxiety-provoking climate, I feel the need to connect to the luminous, the spiritual, the elevated, the transcendental… to work on repetition, the multiple, the swarming, the infinite, the infinitely monumental in the infinitely tiny, like mantras that soothe and numb cerebral agitation, like broad breaths – to build from chaos, from fragments of aborted or abandoned sculptures, and give them a new breath of life… These long months of gestation birthed immense, immaculate, porcelain Madonnas, adorned with gold, Murano glass, crowned with roses, thorns, roots.”

– Catherine Wilkening

  • Vertiges, 2020, porcelaine, verre de Murano, 98 x 55 x 52 cm © Emilie Mathé Nicolas

  • La Madonna Animale, 2020, porcelaine, feuille d’or, cuivre, plâtre, 187 x 43 x 42 cm © Emilie Mathé Nicolas

  • La Madonna Animale (détail), 2020, porcelaine, feuille d’or, cuivre, plâtre, 187 x 43 x 42 cm © Emilie Mathé Nicolas

  • Mortel Immortel (détail), 2020, porcelaine, bois, feuille d’or, plâtre, 85 x 35 x 4 cm © Emilie Mathé Nicolas

  • Maculée Conception (détail), 2020, porcelaine, feuille d’or, cuivre, plâtre, 125 x 44 x 34 cm © Emilie Mathé Nicolas

  • Envole-moi, 2019, porcelaine émaillée, 130 x 90 cm © Maculée Conception (détail), 2020, porcelaine, feuille d’or, cuivre, plâtre, 125 x 44 x 34 cm © Emilie Mathé Nicolas

  • Maculée Conception (détail), 2020, porcelaine, feuille d’or, cuivre, plâtre, 125 x 44 x 34 cm © Maculée Conception (détail), 2020, porcelaine, feuille d’or, cuivre, plâtre, 125 x 44 x 34 cm © Emilie Mathé Nicolas

  • La Madonna Animale (détail), 2020, porcelaine, feuille d’or, cuivre, plâtre, 187 x 43 x 42 cm © Emilie Mathé Nicolas

  • Erectus 69, 2019, porcelaine émaillé, 69 x 15 x 17 cm © Maculée Conception (détail), 2020, porcelaine, feuille d’or, cuivre, plâtre, 125 x 44 x 34 cm © Emilie Mathé Nicolas

  • Marie, 2013, Terre noire, 60 x 40 x 40 cm © Catherine Wilkening

  • Erectus 49, 2019, porcelaine émaillé, 49 x 20 x 25 cm © Maculée Conception (détail), 2020, porcelaine, feuille d’or, cuivre, plâtre, 125 x 44 x 34 cm © Emilie Mathé Nicolas

  • Narcisse 1 (détail), 2013, terre noire chamotée, 90 x 20 x 25 cm © Maculée Conception (détail), 2020, porcelaine, feuille d’or, cuivre, plâtre, 125 x 44 x 34 cm © Emilie Mathé Nicolas

  • L’impermanence 2, 2019, porcelaine, 110 x 60 cm © Maculée Conception (détail), 2020, porcelaine, feuille d’or, cuivre, plâtre, 125 x 44 x 34 cm © Emilie Mathé Nicolas

  • L’aigle, 2017, porcelaine noire, 85 x 40 x 6 cm © Catherine Wilkening

  • Le jardin d’Eden, 2016, porcelaine, 35 x 29 x 5 cm © Catherine Wilkening

  • La Mariée, 2018, porcelaine, 80 x 40 x 4 cm © Catherine Wilkening
EXHIBITION:
LES CHEMINS DES DÉLICES
Catherine Wilkening
09.02.2021 – 19.03.2021
L’IMPERMANENCE
Catherine Wilkening – Jean-Christophe Ballot
22.06.2018 – 04.08.2018
RELATED PRESS:
Catherine Wilkening, Les Chemins des Délices, Art & Décoration, 2021
CATHERINE WILKENING, LA VIE TRANSFIGUREE, MEDIAPART, FEBRUARY 2021
Catherine Wilkening, Les Chemins des Délices, Télérama Sortir, February 2021
Catherine Wilkening, Les Chemins des Délices, Arts Magazine, February 2021
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Le Parisien, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Mowwgli, July 2018
CATHERINE WILKENING / JEAN-CHRISTOPHE BALLOT, « L’impermanence », Télérama, July 2018
CATHERINE WILKENING, « L’impermanence », Libération, July 2018
CATHERINE WILKENING, « L’Impermanence », Figaroscope, June 2018
CATHERINE WILKENING, « L’Impermanence », Télérama, June 2018
CATHERINE WILKENING, « L’impermanence », Connaissance des arts, June 2018
CATHERINE WILKENING, « L’impermanence », Expo in the city, June 2018
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post CATHERINE WILKENING first appeared on Loo & Lou Gallery.]]> BENOÎT LUYCKX https://looandlougallery.com/artists-en/benoit-luyckx-en/?utm_source=rss&utm_medium=rss&utm_campaign=benoit-luyckx-en Tue, 20 Oct 2020 15:16:37 +0000 https://looandlougallery.com/?p=9829 Tanc cherche à noyer son ennui au lycée en noircissant les pages de son cahier d’écolier d’écritures automatiques aussi belles qu’indéchiffrables. Plus tard, le graffiti l’initie au travail plastique et devient l’art dans lequel il s’illustre et qui façonne son style.

The post BENOÎT LUYCKX first appeared on Loo & Lou Gallery.]]>

Être en Nature, 2020, Greek white marble, 53 x 41 x 18,5 cm / Photo: Alberto Ricci © Benoît Luyckx

BENOÎT LUYCKX

 

Benoît Luyckx is a French contemporary artist who was born in 1955. After graduating from the École Boulle in 1976, he continued his studies at the Beaux-arts de Paris, before fully devoting himself to sculpture. It was during this time that he began exploring different quarries, where he saw the famous Carrara marble in Italy, as well as in Belgium, for the first time.

Luyckx transposes his thoughts in mineral (stones and marble) which he sculpts according to their size. Inspired by great, universal themes such as infinity, modernity, nature, and the body, he goes beyond materiality, constantly shifting between the figurative and abstraction.

The artist holds great interest in the movement and dynamics of his sculptures where, despite their material, they appear to be lightweight. He expresses his views on nature through a juxtaposition of raw material that has been polished and ribbed. His trips to the United States in the 1980s have inspired him particularly in his interpretation of modernity. If one were to consider the periods of his career, one could interpret his work as modernist, architectural, spiral, vegetal, or organic.

He has collaborated with Hermès, Chanel’s head office in Neuilly-sur-Seine, the Evreux Courthouse, the French Embassy in Phnom Penh (Cambodia), Moët & Chandon, HSBC, Vinci, Eiffage, among others, and worked with architects Paul Chemetov, Adrien Fainsilber, Jean-Pierre Lott, Pierre-Yves Rochon, Philippe Starck, Juan Trindade and the Pinto agency.

Luyckx has exhibited in various galleries in Europe and several times in the United States. His work is presented in several important private collections and Foundations.

  • Être en Nature, 2020, Marbre blanc grec, 53 x 41 x 18,5 cm / Image : Alberto Ricci © Benoît Luyckx

  • Être en Nature, 2020, Marbre blanc grec, 53 x 41 x 18,5 cm / Image : Alberto Ricci © Benoît Luyckx

  • Être en Nature, 2020, Marbre blanc grec, 53 x 41 x 18,5 cm / Image : Alberto Ricci © Benoît Luyckx

  • Slice Fruit, 2020, Belgian bluestone, 43 x 25 x 16,5 cm / Image : Alberto Ricci © Benoît Luyckx

  • Slice Fruit, 2020, Belgian bluestone, 43 x 25 x 16,5 cm / Image : Alberto Ricci © Benoît Luyckx

  • Slice Fruit, 2020, Belgian bluestone, 43 x 25 x 16,5 cm / Image : Alberto Ricci © Benoît Luyckx

  • Strong Human Wasp, 2020, Belgian bluestone, 59 x 43 x 14 cm / Image : Alberto Ricci © Benoît Luyckx

  • Strong Human Wasp, 2020, Belgian bluestone, 59 x 43 x 14 cm / Image : Alberto Ricci © Benoît Luyckx

  • Strong Human Wasp, 2020, Belgian bluestone, 59 x 43 x 14 cm / Image : Alberto Ricci © Benoît Luyckx

  • White Way, 2020, Belgian bluestone, 32 x 30 x 13,5 cm / Image : Alberto Ricci © Benoît Luyckx

  • Torse Marine, 2004, Bronze, 31 x 28 x 13 cm / Image : Alberto Ricci © Benoît Luyckx

  • Torse Aqua II, 2018, White Greek marble, 38 x 35 x 16,5 cm / Image : Alberto Ricci © Benoît Luyckx

  • Coeur, 2016, Bronze, 49,3 x 39 x 21 cm / Image : Alberto Ricci © Benoît Luyckx

  • Dream Wind II, 2011, White Greek marble, 62,5 x 34 x 14,5 cm / Image : Alberto Ricci © Benoît Luyckx

  • Black Skin Reflect, 2017, Black Belgian marble, 63 x 30,8 x 13,8 cm / Image : Alberto Ricci © Benoît Luyckx

EXHIBITION:
ÊTRE EN NATURE
Benoît Luyckx
28.11.2020 – 30.01.2021
RELATED PRESS:
Benoît Luyckx, Être en Nature, Art Absolument, October 2020
Benoît Luyckx, Être en Nature, Connaissance des Arts, December 2020
OTHER ARTISTS:
PIERRE-LUC POUJOL
JOHAN VAN MULLEM
FEDERICO MIRÓ
JOËL PERSON
LIFANG
CEDRIC LE CORF
BASTIEN VITTORI
OLIVIER DE SAGAZAN
AURÉLIE DEGUEST
Joren Van Acker
Xavier Servas
SIMON LAVEUVE
FRANTZ METZGER
ANDREW NTSHABELE
TANA BORISSOVA
SERGE REZVANI
MARK POWELL
SYLC
FLO ARNOLD
CHRISTOPHE MIRALLES
LYDIE ARICKX
ELISABETH DAYNÈS
ARGHAËL
TANC
ANNA DE LEIDI
DOMINIQUE LACLOCHE
PAUL DE PIGNOL
JEAN CLAUDE WOUTERS
AURÉLIA JAUBERT
FRED KLEINBERG
LOUISE FRYDMAN
CATHERINE WILKENING
BENOÎT LUYCKX
NELSON MAKAMO
JEAN-CHRISTOPHE BALLOT
CARTE BLANCHE (1)
CLARA DAQUIN
GROUP SHOW
DIDIER GENTY
TONY SOULIÉ
PIERRE DELAVIE
FRANÇOIS BORIE
CAMILLE GRANDVAL
OLGA ITYGUILOVA
KAYIP
AHN SUN MI
MATTHIAS CONTZEN

The post BENOÎT LUYCKX first appeared on Loo & Lou Gallery.]]> Urpflänze Dominique Lacloche 02.05 – 31.05.2017 https://looandlougallery.com/exhibitions/urpflanze-dominique-lacloche-2/?utm_source=rss&utm_medium=rss&utm_campaign=urpflanze-dominique-lacloche-2 Wed, 19 May 2021 12:28:25 +0000 https://looandlougallery.com/?p=15459 Urpflänze Dominique Lacloche International Emerald Museum and Loo & Lou GalleryBogota, Colombia 02.05 – 31.05.2017 View of the exhibition Urpflänze, Museo Internacional De La Esmeralda, Bogota, Colombia / Image: Guillaume Krattinger Sans Titre, 2015, Gelatine-bromide print on vegetable leaf (gunnera manicata), 210 x 240 cm View of the exhibition Urpflänze, Museo Internacional De La Esmeralda, Bogota, […]

The post Urpflänze
Dominique Lacloche
02.05 – 31.05.2017 first appeared on Loo & Lou Gallery.]]>

Urpflänze

Dominique Lacloche

International Emerald Museum and Loo & Lou Gallery
Bogota, Colombia

02.05 – 31.05.2017

  • View of the exhibition Urpflänze, Museo Internacional De La Esmeralda, Bogota, Colombia / Image: Guillaume Krattinger

  • Sans Titre, 2015, Gelatine-bromide print on vegetable leaf (gunnera manicata), 210 x 240 cm

  • View of the exhibition Urpflänze, Museo Internacional De La Esmeralda, Bogota, Colombia

  • View of the exhibition Urpflänze, Museo Internacional De La Esmeralda, Bogota, Colombia

  • Sans titre, Gelatine-bromide print on vegetable leaf (gunnera manicata), 210 x 240 cm

  • View of the exhibition Urpflänze, Museo Internacional De La Esmeralda, Bogota, Colombia

  • View of the exhibition Urpflänze, Museo Internacional De La Esmeralda, Bogota, Colombia

  • View of the exhibition Urpflänze, Museo Internacional De La Esmeralda, Bogota, Colombia

  • View of the exhibition Urpflänze, Museo Internacional De La Esmeralda, Bogota, Colombia

On the occasion of the France-Colombia Year 2017, the International Emerald Museum will host, from 02.05.17 to 31.05.17, URPFLANZE an exhibition by French artist Dominique Lacloche.

After GURU, which was held in September 2015 in its spaces in the Haut Marais and Avenue George V, this is the second collaboration with the artist. This new exhibition is part of the Hors les Murs program for the first time. The Loo & Lou gallery, which will celebrate its second anniversary in June, continues its development with the objective of pursuing its commitment to the artists it has been defending since its creation.

“I am beginning to become aware of the essential form with which nature always plays, and from which it produces its great variety.”

Johann Wolfgang Von Goethe

Shortly before Johann Wolfgang Von Goethe published “The Metamorphosis of Plants” in 1790, he engaged in an epistolary exchange with Charlotte Von Stein in which he described the archetypal plant, or the Urpflanze.

This became the fundamental work of Dominique Lacloche and Goethe’s Urpflänze confirmed an already present intuition. The idea that an organism, through metamorphosis, is capable of adopting all the forms that our imagination can conjure up interests her. For the Musée International de l’Émeraude, the artist proposes an imposing staging of this Jurassic rhizome, cutting the exhibition space into a labyrinth of giant fractals, confronting the viewer with the monumental as well as the detail of the fiber. Working in such a way that the photographic material and the organic material merge with the epidermis, Dominique Lacloche has created a new type of living object.

These are chimeras that are given to the visitor to see when he enters the exhibition room…

The post Urpflänze
Dominique Lacloche
02.05 – 31.05.2017 first appeared on Loo & Lou Gallery.]]>